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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFC6D it is the complementary color #540392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFC6D shade: #B0FC68, #C1FF7B, #D2FF8E, #E3FFA1 and #F4FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFC6D shade: #ABFC6D, #9AEA5A, #89D847, #78C634 and #67B421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFC6D shade: #ABFC6E, #D1FC6E, #F8FC6E, #FCD96E and #FCB36E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFC6D shade: #ABFC6E, #85FC6E, #6EFC7D, #6EFCA3 and #6EFCC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFC6D shade matches the following richer shades: #ABFC6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFC6D shade: #ABFC6E, #ADF07A, #AEE485, #B0D891 and #B1CC9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFC6D shade: #F9FC6E, #D3FC6E, #ADFC6E, #88FC6E and #6EFC79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFC6D shade: #7DFA1D, #94FB45, #ABFC6E, #C2FC96 and #DAFDBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFC6D shade: #ABFC6D, #6EFCD8 and #FC6EE6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFC6D shade: #ABFC6D, #6EADFC and #FC6EAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFC6D shade: #ABFC6D, #6EFCD8, #BC6EFC and #FC6E91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFC6D shade: #ABFC6D, #6EF4FC, #BC6EFC and #FC756E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

Complementary color

CMYK 42 / 98 / 0 / 43

HEX #540392

RGB 84 3 146

HSL 273.99, 0.96%, 0.29%

LAB 23.75, 55.5, -57.88

 

CMYK 30 / 0 / 59 / 1

HEX #B0FC68

RGB 176 252 104

HSL 90.81, 0.96%, 0.7%

LAB 91.62, -46.67, 62.11

 

CMYK 24 / 0 / 52 / 0

HEX #C1FF7B

RGB 193 255 123

HSL 88.18, 1%, 0.74%

LAB 93.58, -40.25, 56.26

 

CMYK 18 / 0 / 44 / 0

HEX #D2FF8E

RGB 210 255 142

HSL 83.89, 1%, 0.78%

LAB 94.81, -32.16, 49.17

 

CMYK 11 / 0 / 37 / 0

HEX #E3FFA1

RGB 227 255 161

HSL 77.87, 1%, 0.82%

LAB 96.17, -23.79, 41.95

 

CMYK 4 / 0 / 29 / 0

HEX #F4FFB4

RGB 244 255 180

HSL 68.8, 1%, 0.85%

LAB 97.65, -15.24, 34.72

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 34 / 0 / 62 / 8

HEX #9AEA5A

RGB 154 234 90

HSL 93.33, 0.77%, 0.64%

LAB 85.23, -47.8, 60.56

 

CMYK 37 / 0 / 67 / 15

HEX #89D847

RGB 137 216 71

HSL 92.69, 0.65%, 0.56%

LAB 78.97, -47.58, 61.25

 

CMYK 39 / 0 / 74 / 22

HEX #78C634

RGB 120 198 52

HSL 92.05, 0.58%, 0.49%

LAB 72.65, -47.2, 61.54

 

CMYK 43 / 0 / 82 / 29

HEX #67B421

RGB 103 180 33

HSL 91.43, 0.69%, 0.42%

LAB 66.24, -46.61, 61.11

 

CMYK 32 / 0 / 56 / 1

HEX #ABFC6E

RGB 171 252 110

HSL 94.23, 0.96%, 0.71%

LAB 91.42, -47.82, 59.23

 

CMYK 17 / 0 / 56 / 1

HEX #D1FC6E

RGB 209 252 110

HSL 78.17, 0.96%, 0.71%

LAB 93.58, -34.27, 62.28

 

CMYK 2 / 0 / 56 / 1

HEX #F8FC6E

RGB 248 252 110

HSL 61.69, 0.96%, 0.71%

LAB 96.29, -19.23, 66.06

 

CMYK 0 / 14 / 56 / 1

HEX #FCD96E

RGB 252 217 110

HSL 45.21, 0.96%, 0.71%

LAB 87.7, -0.3, 56.38

 

CMYK 0 / 29 / 56 / 1

HEX #FCB36E

RGB 252 179 110

HSL 29.15, 0.96%, 0.71%

LAB 78.5, 19.4, 45.44

 

CMYK 32 / 0 / 56 / 1

HEX #ABFC6E

RGB 171 252 110

HSL 94.23, 0.96%, 0.71%

LAB 91.42, -47.82, 59.23

 

CMYK 47 / 0 / 56 / 1

HEX #85FC6E

RGB 133 252 110

HSL 110.28, 0.96%, 0.71%

LAB 89.74, -59.53, 56.84

 

CMYK 56 / 0 / 50 / 1

HEX #6EFC7D

RGB 110 252 125

HSL 126.34, 0.96%, 0.71%

LAB 89.12, -63.57, 49.11

 

CMYK 56 / 0 / 35 / 1

HEX #6EFCA3

RGB 110 252 163

HSL 142.39, 0.96%, 0.71%

LAB 89.66, -57.69, 31.33

 

CMYK 56 / 0 / 20 / 1

HEX #6EFCC9

RGB 110 252 201

HSL 158.45, 0.96%, 0.71%

LAB 90.39, -50.22, 12.97

 

CMYK 32 / 0 / 56 / 1

HEX #ABFC6E

RGB 171 252 110

HSL 94.23, 0.96%, 0.71%

LAB 91.42, -47.82, 59.23

 

CMYK 32 / 0 / 56 / 1

HEX #ABFC6E

RGB 171 252 110

HSL 94.23, 0.96%, 0.71%

LAB 91.42, -47.82, 59.23

 

CMYK 28 / 0 / 49 / 6

HEX #ADF07A

RGB 173 240 122

HSL 94.07, 0.8%, 0.71%

LAB 88.26, -40.71, 50.07

 

CMYK 24 / 0 / 42 / 11

HEX #AEE485

RGB 174 228 133

HSL 94.11, 0.64%, 0.71%

LAB 85.09, -33.63, 40.82

 

CMYK 19 / 0 / 33 / 15

HEX #B0D891

RGB 176 216 145

HSL 93.8, 0.48%, 0.71%

LAB 82.05, -25.64, 30.83

 

CMYK 13 / 0 / 23 / 20

HEX #B1CC9D

RGB 177 204 157

HSL 94.47, 0.32%, 0.71%

LAB 79.02, -17.56, 20.48

 

CMYK 1 / 0 / 56 / 1

HEX #F9FC6E

RGB 249 252 110

HSL 61.27, 0.96%, 0.71%

LAB 96.36, -18.84, 66.17

 

CMYK 16 / 0 / 56 / 1

HEX #D3FC6E

RGB 211 252 110

HSL 77.32, 0.96%, 0.71%

LAB 93.71, -33.52, 62.45

 

CMYK 31 / 0 / 56 / 1

HEX #ADFC6E

RGB 173 252 110

HSL 93.38, 0.96%, 0.71%

LAB 91.52, -47.15, 59.37

 

CMYK 46 / 0 / 56 / 1

HEX #88FC6E

RGB 136 252 110

HSL 109.01, 0.96%, 0.71%

LAB 89.85, -58.69, 57.01

 

CMYK 56 / 0 / 52 / 1

HEX #6EFC79

RGB 110 252 121

HSL 124.65, 0.96%, 0.71%

LAB 89.07, -64.09, 50.9

 

CMYK 50 / 0 / 88 / 2

HEX #7DFA1D

RGB 125 250 29

HSL 93.94, 0.96%, 0.55%

LAB 88.36, -66.4, 81.56

 

CMYK 41 / 0 / 73 / 2

HEX #94FB45

RGB 148 251 69

HSL 93.96, 0.96%, 0.63%

LAB 89.73, -58.15, 73.08

 

CMYK 32 / 0 / 56 / 1

HEX #ABFC6E

RGB 171 252 110

HSL 94.23, 0.96%, 0.71%

LAB 91.42, -47.82, 59.23

 

CMYK 23 / 0 / 40 / 1

HEX #C2FC96

RGB 194 252 150

HSL 94.12, 0.94%, 0.79%

LAB 93.14, -35.5, 43.01

 

CMYK 14 / 0 / 25 / 1

HEX #DAFDBE

RGB 218 253 190

HSL 93.33, 0.94%, 0.87%

LAB 95.53, -22.13, 26.51

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 56 / 0 / 14 / 1

HEX #6EFCD8

RGB 110 252 216

HSL 164.79, 0.96%, 0.71%

LAB 90.73, -46.87, 5.7

 

CMYK 0 / 56 / 9 / 1

HEX #FC6EE6

RGB 252 110 230

HSL 309.3, 0.96%, 0.71%

LAB 67.7, 68.17, -35.38

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 56 / 31 / 0 / 1

HEX #6EADFC

RGB 110 173 252

HSL 213.38, 0.96%, 0.71%

LAB 69.63, 2.26, -45.33

 

CMYK 0 / 56 / 31 / 1

HEX #FC6EAD

RGB 252 110 173

HSL 333.38, 0.96%, 0.71%

LAB 65.64, 60.32, -6.49

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 56 / 0 / 14 / 1

HEX #6EFCD8

RGB 110 252 216

HSL 164.79, 0.96%, 0.71%

LAB 90.73, -46.87, 5.7

 

CMYK 25 / 56 / 0 / 1

HEX #BC6EFC

RGB 188 110 252

HSL 272.96, 0.96%, 0.71%

LAB 60.67, 55.99, -59.16

 

CMYK 0 / 56 / 42 / 1

HEX #FC6E91

RGB 252 110 145

HSL 345.21, 0.96%, 0.71%

LAB 64.88, 57.25, 8.37

 

CMYK 32 / 0 / 57 / 1

HEX #ABFC6D

RGB 171 252 109

HSL 93.99, 0.96%, 0.71%

LAB 91.41, -47.91, 59.65

 

CMYK 56 / 3 / 0 / 1

HEX #6EF4FC

RGB 110 244 252

HSL 183.38, 0.96%, 0.71%

LAB 89.41, -34.33, -14.97

 

CMYK 25 / 56 / 0 / 1

HEX #BC6EFC

RGB 188 110 252

HSL 272.96, 0.96%, 0.71%

LAB 60.67, 55.99, -59.16

 

CMYK 0 / 54 / 56 / 1

HEX #FC756E

RGB 252 117 110

HSL 2.96, 0.96%, 0.71%

LAB 65.39, 50.96, 28.92

 

Description

Color code: HEX #ABFC6D | qconv.com Color code: HEX #ABFC6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 252 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 252 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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