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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABF792 it is the complementary color #54086D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABF792. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABF792 shade: #B0F78D, #C1FFA0, #D2FFB3, #E3FFC6 and #F4FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABF792. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABF792 shade: #ABF792, #9AE57F, #89D36C, #78C159 and #67AF46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABF792 shade: #AAF691, #C6F691, #E1F691, #F6F191 and #F6D591

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABF792 shade: #AAF691, #91F694, #91F6AF, #91F6CA and #91F6E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABF792 shade matches the following richer shades: #AAF691

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABF792 shade: #AAF691, #AFED9B, #B4E3A4, #B9DAAE and #BED0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABF792 shade: #E0F691, #C6F691, #ABF691, #91F693 and #91F6AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABF792 shade: #6FF145, #8DF36B, #AAF691, #C8F9B8 and #E6FCDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABF792 shade: #ABF792, #91F6F1 and #F691D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABF792 shade: #ABF792, #91ABF6 and #F691AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABF792 shade: #ABF792, #91F6F1, #DD91F6 and #F69196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABF792 shade: #ABF792, #91DDF6, #DD91F6 and #F6AB91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 41 / 3

HEX #ABF792

RGB 171 247 146

HSL 105.15, 0.86%, 0.77%

LAB 90.44, -41.52, 41.24

 

Complementary color

CMYK 23 / 93 / 0 / 57

HEX #54086D

RGB 84 8 109

HSL 285.15, 0.86%, 0.23%

LAB 20.68, 46.38, -39.44

 

CMYK 29 / 0 / 43 / 3

HEX #B0F78D

RGB 176 247 141

HSL 100.19, 0.87%, 0.76%

LAB 90.63, -40.52, 43.98

 

CMYK 24 / 0 / 37 / 0

HEX #C1FFA0

RGB 193 255 160

HSL 99.16, 1%, 0.81%

LAB 94.05, -35.9, 39.28

 

CMYK 18 / 0 / 30 / 0

HEX #D2FFB3

RGB 210 255 179

HSL 95.53, 1%, 0.85%

LAB 95.36, -27.45, 31.75

 

CMYK 11 / 0 / 22 / 0

HEX #E3FFC6

RGB 227 255 198

HSL 89.47, 1%, 0.89%

LAB 96.79, -18.79, 24.29

 

CMYK 4 / 0 / 15 / 0

HEX #F4FFD9

RGB 244 255 217

HSL 77.37, 1%, 0.93%

LAB 98.34, -10, 16.95

 

CMYK 31 / 0 / 41 / 3

HEX #ABF792

RGB 171 247 146

HSL 105.15, 0.86%, 0.77%

LAB 90.44, -41.52, 41.24

 

CMYK 33 / 0 / 45 / 10

HEX #9AE57F

RGB 154 229 127

HSL 104.12, 0.66%, 0.7%

LAB 84.19, -41.67, 42.41

 

CMYK 35 / 0 / 49 / 17

HEX #89D36C

RGB 137 211 108

HSL 103.11, 0.54%, 0.63%

LAB 77.87, -41.78, 43.6

 

CMYK 38 / 0 / 54 / 24

HEX #78C159

RGB 120 193 89

HSL 102.12, 0.46%, 0.55%

LAB 71.46, -41.84, 44.78

 

CMYK 41 / 0 / 60 / 31

HEX #67AF46

RGB 103 175 70

HSL 101.14, 0.43%, 0.48%

LAB 64.95, -41.8, 45.88

 

CMYK 31 / 0 / 41 / 4

HEX #AAF691

RGB 170 246 145

HSL 105.15, 0.85%, 0.77%

LAB 90.09, -41.54, 41.28

 

CMYK 20 / 0 / 41 / 4

HEX #C6F691

RGB 198 246 145

HSL 88.51, 0.85%, 0.77%

LAB 91.67, -31.96, 43.61

 

CMYK 9 / 0 / 41 / 4

HEX #E1F691

RGB 225 246 145

HSL 72.48, 0.85%, 0.77%

LAB 93.43, -22.07, 46.22

 

CMYK 0 / 2 / 41 / 4

HEX #F6F191

RGB 246 241 145

HSL 57.03, 0.85%, 0.77%

LAB 93.69, -11.63, 46.87

 

CMYK 0 / 13 / 41 / 4

HEX #F6D591

RGB 246 213 145

HSL 40.4, 0.85%, 0.77%

LAB 86.62, 2.48, 37.83

 

CMYK 31 / 0 / 41 / 4

HEX #AAF691

RGB 170 246 145

HSL 105.15, 0.85%, 0.77%

LAB 90.09, -41.54, 41.28

 

CMYK 41 / 0 / 40 / 4

HEX #91F694

RGB 145 246 148

HSL 121.78, 0.85%, 0.77%

LAB 88.96, -48.83, 38.1

 

CMYK 41 / 0 / 29 / 4

HEX #91F6AF

RGB 145 246 175

HSL 137.82, 0.85%, 0.77%

LAB 89.41, -44.43, 25.12

 

CMYK 41 / 0 / 18 / 4

HEX #91F6CA

RGB 145 246 202

HSL 153.86, 0.85%, 0.77%

LAB 89.95, -39.29, 12

 

CMYK 41 / 0 / 7 / 4

HEX #91F6E5

RGB 145 246 229

HSL 169.9, 0.85%, 0.77%

LAB 90.59, -33.47, -1.1

 

CMYK 31 / 0 / 41 / 4

HEX #AAF691

RGB 170 246 145

HSL 105.15, 0.85%, 0.77%

LAB 90.09, -41.54, 41.28

 

CMYK 31 / 0 / 41 / 4

HEX #AAF691

RGB 170 246 145

HSL 105.15, 0.85%, 0.77%

LAB 90.09, -41.54, 41.28

 

CMYK 26 / 0 / 35 / 7

HEX #AFED9B

RGB 175 237 155

HSL 105.37, 0.69%, 0.77%

LAB 87.99, -34.43, 33.62

 

CMYK 21 / 0 / 28 / 11

HEX #B4E3A4

RGB 180 227 164

HSL 104.76, 0.53%, 0.77%

LAB 85.67, -26.69, 25.96

 

CMYK 15 / 0 / 20 / 15

HEX #B9DAAE

RGB 185 218 174

HSL 105, 0.37%, 0.77%

LAB 83.71, -18.98, 18.11

 

CMYK 9 / 0 / 12 / 18

HEX #BED0B7

RGB 190 208 183

HSL 103.2, 0.21%, 0.77%

LAB 81.55, -10.67, 10.35

 

CMYK 9 / 0 / 41 / 4

HEX #E0F691

RGB 224 246 145

HSL 73.07, 0.85%, 0.77%

LAB 93.36, -22.45, 46.12

 

CMYK 20 / 0 / 41 / 4

HEX #C6F691

RGB 198 246 145

HSL 88.51, 0.85%, 0.77%

LAB 91.67, -31.96, 43.61

 

CMYK 30 / 0 / 41 / 4

HEX #ABF691

RGB 171 246 145

HSL 104.55, 0.85%, 0.77%

LAB 90.14, -41.21, 41.35

 

CMYK 41 / 0 / 40 / 4

HEX #91F693

RGB 145 246 147

HSL 121.19, 0.85%, 0.77%

LAB 88.94, -48.97, 38.58

 

CMYK 41 / 0 / 29 / 4

HEX #91F6AE

RGB 145 246 174

HSL 137.23, 0.85%, 0.77%

LAB 89.39, -44.6, 25.61

 

CMYK 54 / 0 / 71 / 5

HEX #6FF145

RGB 111 241 69

HSL 105.35, 0.86%, 0.61%

LAB 85.36, -65.09, 68.25

 

CMYK 42 / 0 / 56 / 5

HEX #8DF36B

RGB 141 243 107

HSL 105, 0.85%, 0.69%

LAB 87.4, -54.01, 55.53

 

CMYK 31 / 0 / 41 / 4

HEX #AAF691

RGB 170 246 145

HSL 105.15, 0.85%, 0.77%

LAB 90.09, -41.54, 41.28

 

CMYK 20 / 0 / 26 / 2

HEX #C8F9B8

RGB 200 249 184

HSL 105.23, 0.84%, 0.85%

LAB 93.23, -27.28, 26.23

 

CMYK 9 / 0 / 12 / 1

HEX #E6FCDE

RGB 230 252 222

HSL 104, 0.83%, 0.93%

LAB 96.7, -12.48, 11.94

 

CMYK 31 / 0 / 41 / 3

HEX #ABF792

RGB 171 247 146

HSL 105.15, 0.86%, 0.77%

LAB 90.44, -41.52, 41.24

 

CMYK 41 / 0 / 2 / 4

HEX #91F6F1

RGB 145 246 241

HSL 177.03, 0.85%, 0.77%

LAB 90.91, -30.68, -6.88

 

CMYK 0 / 41 / 14 / 4

HEX #F691D3

RGB 246 145 211

HSL 320.79, 0.85%, 0.77%

LAB 72.59, 46.79, -17.43

 

CMYK 31 / 0 / 41 / 3

HEX #ABF792

RGB 171 247 146

HSL 105.15, 0.86%, 0.77%

LAB 90.44, -41.52, 41.24

 

CMYK 41 / 30 / 0 / 4

HEX #91ABF6

RGB 145 171 246

HSL 224.55, 0.85%, 0.77%

LAB 70.73, 9.62, -40.22

 

CMYK 0 / 41 / 30 / 4

HEX #F691AB

RGB 246 145 171

HSL 344.55, 0.85%, 0.77%

LAB 71.41, 41.11, 2.99

 

CMYK 31 / 0 / 41 / 3

HEX #ABF792

RGB 171 247 146

HSL 105.15, 0.86%, 0.77%

LAB 90.44, -41.52, 41.24

 

CMYK 41 / 0 / 2 / 4

HEX #91F6F1

RGB 145 246 241

HSL 177.03, 0.85%, 0.77%

LAB 90.91, -30.68, -6.88

 

CMYK 10 / 41 / 0 / 4

HEX #DD91F6

RGB 221 145 246

HSL 285.15, 0.85%, 0.77%

LAB 71.06, 45.34, -39.22

 

CMYK 0 / 41 / 39 / 4

HEX #F69196

RGB 246 145 150

HSL 357.03, 0.85%, 0.77%

LAB 70.9, 38.61, 13.96

 

CMYK 31 / 0 / 41 / 3

HEX #ABF792

RGB 171 247 146

HSL 105.15, 0.86%, 0.77%

LAB 90.44, -41.52, 41.24

 

CMYK 41 / 10 / 0 / 4

HEX #91DDF6

RGB 145 221 246

HSL 194.85, 0.85%, 0.77%

LAB 84.17, -17.21, -19.58

 

CMYK 10 / 41 / 0 / 4

HEX #DD91F6

RGB 221 145 246

HSL 285.15, 0.85%, 0.77%

LAB 71.06, 45.34, -39.22

 

CMYK 0 / 30 / 41 / 4

HEX #F6AB91

RGB 246 171 145

HSL 15.45, 0.85%, 0.77%

LAB 76.54, 24.46, 24.46

 

Description

Color code: HEX #ABF792 | qconv.com Color code: HEX #ABF792 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 247 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 247 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 41 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 41% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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