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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABE476 it is the complementary color #541B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABE476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABE476 shade: #B0E471, #C1F684, #D2FF97, #E3FFAA and #F4FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABE476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABE476 shade: #ABE476, #9AD263, #89C050, #78AE3D and #679C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABE476 shade: #ABE476, #C8E476, #E4E176, #E4C476 and #E4A676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABE476 shade: #ABE476, #8DE476, #76E47D, #76E49A and #76E4B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABE476 shade matches the following richer shades: #ABE476, #AAF169 and #AAFE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABE476 shade: #ABE476, #ABD683, #ACC991, #ACBC9E and #ADAFAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABE476 shade: #E4E276, #C8E476, #ABE476, #8EE476 and #76E47C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABE476 shade: #81D631, #96DD54, #ABE476, #C0EA99 and #D5F1BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABE476 shade: #ABE476, #76E4C5 and #E476D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABE476 shade: #ABE476, #76ABE4 and #E476AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABE476 shade: #ABE476, #76E4C5, #AF76E4 and #E47695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABE476 shade: #ABE476, #76E2E4, #AF76E4 and #E47876

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

Complementary color

CMYK 39 / 80 / 0 / 46

HEX #541B89

RGB 84 27 137

HSL 271.09, 0.67%, 0.32%

LAB 25.18, 46.64, -49.94

 

CMYK 23 / 0 / 50 / 11

HEX #B0E471

RGB 176 228 113

HSL 87.13, 0.68%, 0.67%

LAB 84.95, -35.23, 50.32

 

CMYK 22 / 0 / 46 / 4

HEX #C1F684

RGB 193 246 132

HSL 87.89, 0.86%, 0.74%

LAB 91.2, -35.26, 49.21

 

CMYK 18 / 0 / 41 / 0

HEX #D2FF97

RGB 210 255 151

HSL 85.96, 1%, 0.8%

LAB 94.93, -31.13, 45.01

 

CMYK 11 / 0 / 33 / 0

HEX #E3FFAA

RGB 227 255 170

HSL 79.76, 1%, 0.83%

LAB 96.31, -22.68, 37.7

 

CMYK 4 / 0 / 26 / 0

HEX #F4FFBD

RGB 244 255 189

HSL 70, 1%, 0.87%

LAB 97.8, -14.06, 30.41

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 27 / 0 / 53 / 18

HEX #9AD263

RGB 154 210 99

HSL 90.27, 0.55%, 0.61%

LAB 78.38, -36.47, 48.73

 

CMYK 29 / 0 / 58 / 25

HEX #89C050

RGB 137 192 80

HSL 89.46, 0.47%, 0.53%

LAB 71.96, -36.39, 49.78

 

CMYK 31 / 0 / 65 / 32

HEX #78AE3D

RGB 120 174 61

HSL 88.67, 0.48%, 0.46%

LAB 65.44, -36.21, 50.65

 

CMYK 34 / 0 / 73 / 39

HEX #679C2A

RGB 103 156 42

HSL 87.89, 0.58%, 0.39%

LAB 58.81, -35.88, 51.13

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 12 / 0 / 48 / 11

HEX #C8E476

RGB 200 228 118

HSL 75.27, 0.67%, 0.68%

LAB 86.54, -25.75, 50.25

 

CMYK 0 / 1 / 48 / 11

HEX #E4E176

RGB 228 225 118

HSL 58.36, 0.67%, 0.68%

LAB 87.8, -13.34, 52.25

 

CMYK 0 / 14 / 48 / 11

HEX #E4C476

RGB 228 196 118

HSL 42.55, 0.67%, 0.68%

LAB 80.34, 1.42, 43.15

 

CMYK 0 / 27 / 48 / 11

HEX #E4A676

RGB 228 166 118

HSL 26.18, 0.67%, 0.68%

LAB 72.94, 17.28, 33.78

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 38 / 0 / 48 / 11

HEX #8DE476

RGB 141 228 118

HSL 107.45, 0.67%, 0.68%

LAB 83.16, -46.57, 45.34

 

CMYK 48 / 0 / 45 / 11

HEX #76E47D

RGB 118 228 125

HSL 123.82, 0.67%, 0.68%

LAB 82.28, -52.35, 40.64

 

CMYK 48 / 0 / 32 / 11

HEX #76E49A

RGB 118 228 154

HSL 139.64, 0.67%, 0.68%

LAB 82.74, -47.66, 26.63

 

CMYK 48 / 0 / 20 / 11

HEX #76E4B7

RGB 118 228 183

HSL 155.45, 0.67%, 0.68%

LAB 83.31, -41.99, 12.33

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 29 / 0 / 56 / 5

HEX #AAF169

RGB 170 241 105

HSL 91.32, 0.83%, 0.68%

LAB 88.2, -43.94, 57.69

 

CMYK 33 / 0 / 64 / 0

HEX #AAFE5C

RGB 170 254 92

HSL 91.11, 0.99%, 0.68%

LAB 91.78, -50.56, 67.12

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 20 / 0 / 39 / 16

HEX #ABD683

RGB 171 214 131

HSL 91.08, 0.5%, 0.68%

LAB 80.95, -28.39, 36.48

 

CMYK 14 / 0 / 28 / 21

HEX #ACC991

RGB 172 201 145

HSL 91.07, 0.34%, 0.68%

LAB 77.63, -19.71, 24.86

 

CMYK 9 / 0 / 16 / 26

HEX #ACBC9E

RGB 172 188 158

HSL 92, 0.18%, 0.68%

LAB 74.32, -11.01, 13.34

 

CMYK 1 / 0 / 2 / 31

HEX #ADAFAB

RGB 173 175 171

HSL 90, 0.02%, 0.68%

LAB 71.2, -1.45, 1.79

 

CMYK 0 / 1 / 48 / 11

HEX #E4E276

RGB 228 226 118

HSL 58.91, 0.67%, 0.68%

LAB 88.06, -13.84, 52.56

 

CMYK 12 / 0 / 48 / 11

HEX #C8E476

RGB 200 228 118

HSL 75.27, 0.67%, 0.68%

LAB 86.54, -25.75, 50.25

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 38 / 0 / 48 / 11

HEX #8EE476

RGB 142 228 118

HSL 106.91, 0.67%, 0.68%

LAB 83.2, -46.25, 45.4

 

CMYK 48 / 0 / 46 / 11

HEX #76E47C

RGB 118 228 124

HSL 123.27, 0.67%, 0.68%

LAB 82.27, -52.49, 41.11

 

CMYK 40 / 0 / 77 / 16

HEX #81D631

RGB 129 214 49

HSL 90.91, 0.67%, 0.52%

LAB 77.86, -50.86, 67.69

 

CMYK 32 / 0 / 62 / 13

HEX #96DD54

RGB 150 221 84

HSL 91.09, 0.67%, 0.6%

LAB 81.2, -44.17, 58.57

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 18 / 0 / 35 / 8

HEX #C0EA99

RGB 192 234 153

HSL 91.11, 0.66%, 0.76%

LAB 88.14, -27.44, 35

 

CMYK 12 / 0 / 22 / 5

HEX #D5F1BB

RGB 213 241 187

HSL 91.11, 0.66%, 0.84%

LAB 91.97, -18.51, 23.11

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 48 / 0 / 14 / 11

HEX #76E4C5

RGB 118 228 197

HSL 163.09, 0.67%, 0.68%

LAB 83.64, -38.93, 5.42

 

CMYK 0 / 48 / 6 / 11

HEX #E476D7

RGB 228 118 215

HSL 307.09, 0.67%, 0.68%

LAB 65.25, 55.41, -31.08

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 48 / 25 / 0 / 11

HEX #76ABE4

RGB 118 171 228

HSL 211.09, 0.67%, 0.68%

LAB 68.45, -2.1, -34.08

 

CMYK 0 / 48 / 25 / 11

HEX #E476AB

RGB 228 118 171

HSL 331.09, 0.67%, 0.68%

LAB 63.66, 48.68, -8.66

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 48 / 0 / 14 / 11

HEX #76E4C5

RGB 118 228 197

HSL 163.09, 0.67%, 0.68%

LAB 83.64, -38.93, 5.42

 

CMYK 23 / 48 / 0 / 11

HEX #AF76E4

RGB 175 118 228

HSL 271.09, 0.67%, 0.68%

LAB 59.59, 43.04, -47.65

 

CMYK 0 / 48 / 35 / 11

HEX #E47695

RGB 228 118 149

HSL 343.09, 0.67%, 0.68%

LAB 63.03, 45.85, 2.97

 

CMYK 25 / 0 / 48 / 11

HEX #ABE476

RGB 171 228 118

HSL 91.09, 0.67%, 0.68%

LAB 84.72, -36.48, 47.61

 

CMYK 48 / 1 / 0 / 11

HEX #76E2E4

RGB 118 226 228

HSL 181.09, 0.67%, 0.68%

LAB 83.89, -30.52, -10.6

 

CMYK 23 / 48 / 0 / 11

HEX #AF76E4

RGB 175 118 228

HSL 271.09, 0.67%, 0.68%

LAB 59.59, 43.04, -47.65

 

CMYK 0 / 47 / 48 / 11

HEX #E47876

RGB 228 120 118

HSL 1.09, 0.67%, 0.68%

LAB 62.71, 41.53, 20.23

 

Description

Color code: HEX #ABE476 | qconv.com Color code: HEX #ABE476 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 228 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 228 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 48 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 48% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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