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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABE467 it is the complementary color #541B98. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABE467. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABE467 shade: #B0E462, #C1F675, #D2FF88, #E3FF9B and #F4FFAE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABE467. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABE467 shade: #ABE467, #9AD254, #89C041, #78AE2E and #679C1B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABE467 shade: #ABE467, #CCE467, #E4D967, #E4B867 and #E49667

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABE467 shade: #ABE467, #89E467, #67E467, #67E488 and #67E4AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABE467 shade matches the following richer shades: #ABE467 and #ACF258

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABE467 shade: #ABE467, #A9D575, #A8C784, #A7B892 and #A6AAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABE467 shade: #E4D967, #CDE467, #ABE467, #8AE467 and #69E467

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABE467 shade: #84D325, #97DE44, #ABE467, #BEEA8A and #D1F0AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABE467 shade: #ABE467, #67E4B8 and #E467DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABE467 shade: #ABE467, #67ABE4 and #E467AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABE467 shade: #ABE467, #67E4B8, #9F67E4 and #E46793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABE467 shade: #ABE467, #67E4DD, #9F67E4 and #E4676D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

Complementary color

CMYK 45 / 82 / 0 / 40

HEX #541B98

RGB 84 27 152

HSL 267.36, 0.7%, 0.35%

LAB 26.55, 50.37, -56.99

 

CMYK 23 / 0 / 57 / 11

HEX #B0E462

RGB 176 228 98

HSL 84, 0.71%, 0.64%

LAB 84.79, -36.68, 56.96

 

CMYK 22 / 0 / 52 / 4

HEX #C1F675

RGB 193 246 117

HSL 84.65, 0.88%, 0.71%

LAB 91.02, -36.82, 55.96

 

CMYK 18 / 0 / 47 / 0

HEX #D2FF88

RGB 210 255 136

HSL 82.69, 1%, 0.77%

LAB 94.74, -32.81, 51.91

 

CMYK 11 / 0 / 39 / 0

HEX #E3FF9B

RGB 227 255 155

HSL 76.8, 1%, 0.8%

LAB 96.09, -24.5, 44.77

 

CMYK 4 / 0 / 32 / 0

HEX #F4FFAE

RGB 244 255 174

HSL 68.15, 1%, 0.84%

LAB 97.56, -15.99, 37.57

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 27 / 0 / 60 / 18

HEX #9AD254

RGB 154 210 84

HSL 86.67, 0.58%, 0.58%

LAB 78.23, -37.91, 55.34

 

CMYK 29 / 0 / 66 / 25

HEX #89C041

RGB 137 192 65

HSL 85.98, 0.5%, 0.5%

LAB 71.83, -37.67, 56.09

 

CMYK 31 / 0 / 74 / 32

HEX #78AE2E

RGB 120 174 46

HSL 85.31, 0.58%, 0.43%

LAB 65.33, -37.29, 56.44

 

CMYK 34 / 0 / 83 / 39

HEX #679C1B

RGB 103 156 27

HSL 84.65, 0.7%, 0.36%

LAB 58.73, -36.7, 55.98

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 11 / 0 / 55 / 11

HEX #CCE467

RGB 204 228 103

HSL 71.52, 0.7%, 0.65%

LAB 86.65, -25.58, 57.35

 

CMYK 0 / 5 / 55 / 11

HEX #E4D967

RGB 228 217 103

HSL 54.72, 0.7%, 0.65%

LAB 85.55, -10.59, 56.57

 

CMYK 0 / 19 / 55 / 11

HEX #E4B867

RGB 228 184 103

HSL 38.88, 0.7%, 0.65%

LAB 77.13, 6.41, 46.69

 

CMYK 0 / 34 / 55 / 11

HEX #E49667

RGB 228 150 103

HSL 22.56, 0.7%, 0.65%

LAB 68.96, 24.51, 36.66

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 40 / 0 / 55 / 11

HEX #89E467

RGB 137 228 103

HSL 103.68, 0.7%, 0.65%

LAB 82.8, -49.58, 51.89

 

CMYK 55 / 0 / 55 / 11

HEX #67E467

RGB 103 228 103

HSL 120, 0.7%, 0.65%

LAB 81.48, -59.14, 50.01

 

CMYK 55 / 0 / 40 / 11

HEX #67E488

RGB 103 228 136

HSL 135.84, 0.7%, 0.65%

LAB 81.92, -54.43, 34.6

 

CMYK 55 / 0 / 25 / 11

HEX #67E4AA

RGB 103 228 170

HSL 152.16, 0.7%, 0.65%

LAB 82.53, -48.14, 17.96

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 29 / 0 / 64 / 5

HEX #ACF258

RGB 172 242 88

HSL 87.27, 0.86%, 0.65%

LAB 88.44, -45.12, 65.15

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 21 / 0 / 45 / 16

HEX #A9D575

RGB 169 213 117

HSL 87.5, 0.53%, 0.65%

LAB 80.35, -30.39, 42.68

 

CMYK 16 / 0 / 34 / 22

HEX #A8C784

RGB 168 199 132

HSL 87.76, 0.37%, 0.65%

LAB 76.58, -22.07, 30.21

 

CMYK 9 / 0 / 21 / 28

HEX #A7B892

RGB 167 184 146

HSL 86.84, 0.21%, 0.65%

LAB 72.61, -12.74, 17.38

 

CMYK 2 / 0 / 5 / 33

HEX #A6AAA1

RGB 166 170 161

HSL 86.67, 0.05%, 0.65%

LAB 69.06, -3.1, 4.13

 

CMYK 0 / 5 / 55 / 11

HEX #E4D967

RGB 228 217 103

HSL 54.72, 0.7%, 0.65%

LAB 85.55, -10.59, 56.57

 

CMYK 10 / 0 / 55 / 11

HEX #CDE467

RGB 205 228 103

HSL 71.04, 0.7%, 0.65%

LAB 86.72, -25.19, 57.45

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 39 / 0 / 55 / 11

HEX #8AE467

RGB 138 228 103

HSL 103.2, 0.7%, 0.65%

LAB 82.84, -49.27, 51.95

 

CMYK 54 / 0 / 55 / 11

HEX #69E467

RGB 105 228 103

HSL 119.04, 0.7%, 0.65%

LAB 81.55, -58.65, 50.1

 

CMYK 37 / 0 / 82 / 17

HEX #84D325

RGB 132 211 37

HSL 87.24, 0.7%, 0.49%

LAB 77.06, -49.18, 70.3

 

CMYK 32 / 0 / 69 / 13

HEX #97DE44

RGB 151 222 68

HSL 87.66, 0.7%, 0.57%

LAB 81.42, -45.46, 65.14

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 19 / 0 / 41 / 8

HEX #BEEA8A

RGB 190 234 138

HSL 87.5, 0.7%, 0.73%

LAB 87.79, -30.09, 42

 

CMYK 13 / 0 / 28 / 6

HEX #D1F0AD

RGB 209 240 173

HSL 87.76, 0.69%, 0.81%

LAB 91.19, -21.5, 29.14

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 55 / 0 / 19 / 11

HEX #67E4B8

RGB 103 228 184

HSL 158.88, 0.7%, 0.65%

LAB 82.82, -45.16, 11.04

 

CMYK 0 / 55 / 3 / 11

HEX #E467DD

RGB 228 103 221

HSL 303.36, 0.7%, 0.65%

LAB 62.86, 63.45, -38.15

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 55 / 25 / 0 / 11

HEX #67ABE4

RGB 103 171 228

HSL 207.36, 0.7%, 0.65%

LAB 67.73, -5.43, -35.24

 

CMYK 0 / 55 / 25 / 11

HEX #E467AB

RGB 228 103 171

HSL 327.36, 0.7%, 0.65%

LAB 60.9, 55.9, -12.8

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 55 / 0 / 19 / 11

HEX #67E4B8

RGB 103 228 184

HSL 158.88, 0.7%, 0.65%

LAB 82.82, -45.16, 11.04

 

CMYK 30 / 55 / 0 / 11

HEX #9F67E4

RGB 159 103 228

HSL 266.88, 0.7%, 0.65%

LAB 54.73, 47.07, -55.48

 

CMYK 0 / 55 / 36 / 11

HEX #E46793

RGB 228 103 147

HSL 338.88, 0.7%, 0.65%

LAB 60.16, 52.9, -0.05

 

CMYK 25 / 0 / 55 / 11

HEX #ABE467

RGB 171 228 103

HSL 87.36, 0.7%, 0.65%

LAB 84.55, -38.05, 54.38

 

CMYK 55 / 0 / 3 / 11

HEX #67E4DD

RGB 103 228 221

HSL 176.64, 0.7%, 0.65%

LAB 83.75, -36.3, -7.15

 

CMYK 30 / 55 / 0 / 11

HEX #9F67E4

RGB 159 103 228

HSL 266.88, 0.7%, 0.65%

LAB 54.73, 47.07, -55.48

 

CMYK 0 / 55 / 52 / 11

HEX #E4676D

RGB 228 103 109

HSL 357.12, 0.7%, 0.65%

LAB 59.25, 49.11, 20.69

 

Description

Color code: HEX #ABE467 | qconv.com Color code: HEX #ABE467 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 228 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 228 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 55 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 55% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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