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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABBC5C it is the complementary color #5443A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABBC5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABBC5C shade: #B0BC57, #C1CE6A, #D2E07D, #E3F290 and #F4FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABBC5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABBC5C shade: #ABBC5C, #9AAA49, #899836, #788623 and #677410

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABBC5C shade: #ABBC5C, #BCB35C, #BC995C, #BC7F5C and #BC655C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABBC5C shade: #ABBC5C, #91BC5C, #77BC5C, #5DBC5C and #5CBC74

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABBC5C shade matches the following richer shades: #ABBC5C, #B7CF49, #C3E136 and #CFF424

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABBC5C shade: #ABBC5C, #9FA96E, #939781, #878493 and #7B72A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABBC5C shade: #BC995C, #BCB25C, #ACBC5C, #92BC5C and #78BC5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABBC5C shade: #7D8C39, #98A945, #ABBC5C, #BAC879 and #C9D496

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABBC5C shade: #ABBC5C, #5CBC7F and #A55CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABBC5C shade: #ABBC5C, #5CACBC and #BC5CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABBC5C shade: #ABBC5C, #5CBC7F, #6C5CBC and #BC5C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABBC5C shade: #ABBC5C, #5CBC9C, #6C5CBC and #BC5C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

Complementary color

CMYK 48 / 59 / 0 / 36

HEX #5443A3

RGB 84 67 163

HSL 250.63, 0.42%, 0.45%

LAB 35.09, 32.51, -49.76

 

CMYK 6 / 0 / 54 / 26

HEX #B0BC57

RGB 176 188 87

HSL 67.13, 0.43%, 0.54%

LAB 73.47, -18.58, 48.96

 

CMYK 6 / 0 / 49 / 19

HEX #C1CE6A

RGB 193 206 106

HSL 67.8, 0.51%, 0.61%

LAB 79.91, -18.96, 47.85

 

CMYK 6 / 0 / 44 / 12

HEX #D2E07D

RGB 210 224 125

HSL 68.48, 0.61%, 0.68%

LAB 86.25, -19.26, 46.71

 

CMYK 6 / 0 / 40 / 5

HEX #E3F290

RGB 227 242 144

HSL 69.18, 0.79%, 0.76%

LAB 92.51, -19.5, 45.56

 

CMYK 4 / 0 / 36 / 0

HEX #F4FFA3

RGB 244 255 163

HSL 67.17, 1%, 0.82%

LAB 97.39, -17.29, 42.78

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 9 / 0 / 57 / 33

HEX #9AAA49

RGB 154 170 73

HSL 69.9, 0.4%, 0.48%

LAB 66.6, -19.79, 47.19

 

CMYK 10 / 0 / 64 / 40

HEX #899836

RGB 137 152 54

HSL 69.18, 0.48%, 0.4%

LAB 59.93, -19.3, 48.09

 

CMYK 10 / 0 / 74 / 47

HEX #788623

RGB 120 134 35

HSL 68.48, 0.59%, 0.33%

LAB 53.13, -18.63, 48.53

 

CMYK 11 / 0 / 86 / 55

HEX #677410

RGB 103 116 16

HSL 67.8, 0.76%, 0.26%

LAB 46.19, -17.71, 47.94

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 0 / 5 / 51 / 26

HEX #BCB35C

RGB 188 179 92

HSL 54.38, 0.42%, 0.55%

LAB 72.03, -8.56, 45.11

 

CMYK 0 / 19 / 51 / 26

HEX #BC995C

RGB 188 153 92

HSL 38.13, 0.42%, 0.55%

LAB 65.16, 5.33, 36.77

 

CMYK 0 / 32 / 51 / 26

HEX #BC7F5C

RGB 188 127 92

HSL 21.88, 0.42%, 0.55%

LAB 58.64, 19.68, 28.54

 

CMYK 0 / 46 / 51 / 26

HEX #BC655C

RGB 188 101 92

HSL 5.63, 0.42%, 0.55%

LAB 52.7, 33.88, 20.74

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 23 / 0 / 51 / 26

HEX #91BC5C

RGB 145 188 92

HSL 86.88, 0.42%, 0.55%

LAB 71.39, -30.33, 43.59

 

CMYK 37 / 0 / 51 / 26

HEX #77BC5C

RGB 119 188 92

HSL 103.13, 0.42%, 0.55%

LAB 69.94, -39.63, 41.49

 

CMYK 51 / 0 / 51 / 26

HEX #5DBC5C

RGB 93 188 92

HSL 119.38, 0.42%, 0.55%

LAB 68.8, -47.61, 39.84

 

CMYK 51 / 0 / 38 / 26

HEX #5CBC74

RGB 92 188 116

HSL 135, 0.42%, 0.55%

LAB 69.11, -44.18, 27.98

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 12 / 0 / 65 / 19

HEX #B7CF49

RGB 183 207 73

HSL 70.75, 0.58%, 0.55%

LAB 79.14, -26.12, 61.47

 

CMYK 13 / 0 / 76 / 12

HEX #C3E136

RGB 195 225 54

HSL 70.53, 0.74%, 0.55%

LAB 84.85, -30.82, 74.07

 

CMYK 15 / 0 / 85 / 4

HEX #CFF424

RGB 207 244 36

HSL 70.67, 0.9%, 0.55%

LAB 90.82, -35.37, 84.04

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 6 / 0 / 35 / 34

HEX #9FA96E

RGB 159 169 110

HSL 70.17, 0.26%, 0.55%

LAB 67.18, -13.26, 29.31

 

CMYK 3 / 0 / 15 / 41

HEX #939781

RGB 147 151 129

HSL 70.91, 0.1%, 0.55%

LAB 61.59, -5.49, 11.11

 

CMYK 8 / 10 / 0 / 42

HEX #878493

RGB 135 132 147

HSL 252, 0.06%, 0.55%

LAB 55.85, 4.18, -7.63

 

CMYK 26 / 31 / 0 / 35

HEX #7B72A6

RGB 123 114 166

HSL 250.38, 0.23%, 0.55%

LAB 50.69, 15.16, -26.61

 

CMYK 0 / 19 / 51 / 26

HEX #BC995C

RGB 188 153 92

HSL 38.13, 0.42%, 0.55%

LAB 65.16, 5.33, 36.77

 

CMYK 0 / 5 / 51 / 26

HEX #BCB25C

RGB 188 178 92

HSL 53.75, 0.42%, 0.55%

LAB 71.76, -8.04, 44.79

 

CMYK 9 / 0 / 51 / 26

HEX #ACBC5C

RGB 172 188 92

HSL 70, 0.42%, 0.55%

LAB 73.23, -19.75, 46.22

 

CMYK 22 / 0 / 51 / 26

HEX #92BC5C

RGB 146 188 92

HSL 86.25, 0.42%, 0.55%

LAB 71.45, -29.96, 43.68

 

CMYK 36 / 0 / 51 / 26

HEX #78BC5C

RGB 120 188 92

HSL 102.5, 0.42%, 0.55%

LAB 69.99, -39.29, 41.56

 

CMYK 11 / 0 / 59 / 45

HEX #7D8C39

RGB 125 140 57

HSL 70.84, 0.42%, 0.39%

LAB 55.49, -18.01, 41.61

 

CMYK 10 / 0 / 59 / 34

HEX #98A945

RGB 152 169 69

HSL 70.2, 0.42%, 0.47%

LAB 66.12, -20.45, 48.46

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 7 / 0 / 40 / 22

HEX #BAC879

RGB 186 200 121

HSL 70.63, 0.42%, 0.63%

LAB 77.95, -17.13, 37.89

 

CMYK 5 / 0 / 29 / 17

HEX #C9D496

RGB 201 212 150

HSL 70.65, 0.42%, 0.71%

LAB 82.76, -13.78, 29.5

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 51 / 0 / 32 / 26

HEX #5CBC7F

RGB 92 188 127

HSL 141.88, 0.42%, 0.55%

LAB 69.31, -42.19, 22.41

 

CMYK 12 / 51 / 0 / 26

HEX #A55CBC

RGB 165 92 188

HSL 285.63, 0.42%, 0.55%

LAB 51.02, 45.48, -38.55

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 51 / 9 / 0 / 26

HEX #5CACBC

RGB 92 172 188

HSL 190, 0.42%, 0.55%

LAB 66.07, -20.09, -15.75

 

CMYK 0 / 51 / 9 / 26

HEX #BC5CAC

RGB 188 92 172

HSL 310, 0.42%, 0.55%

LAB 53.3, 49.16, -25.47

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 51 / 0 / 32 / 26

HEX #5CBC7F

RGB 92 188 127

HSL 141.88, 0.42%, 0.55%

LAB 69.31, -42.19, 22.41

 

CMYK 43 / 51 / 0 / 26

HEX #6C5CBC

RGB 108 92 188

HSL 250, 0.42%, 0.55%

LAB 44.9, 30.29, -48.64

 

CMYK 0 / 51 / 19 / 26

HEX #BC5C99

RGB 188 92 153

HSL 321.88, 0.42%, 0.55%

LAB 52.56, 46.11, -15.49

 

CMYK 9 / 0 / 51 / 26

HEX #ABBC5C

RGB 171 188 92

HSL 70.63, 0.42%, 0.55%

LAB 73.15, -20.15, 46.12

 

CMYK 51 / 0 / 17 / 26

HEX #5CBC9C

RGB 92 188 156

HSL 160, 0.42%, 0.55%

LAB 69.92, -36.1, 7.58

 

CMYK 43 / 51 / 0 / 26

HEX #6C5CBC

RGB 108 92 188

HSL 250, 0.42%, 0.55%

LAB 44.9, 30.29, -48.64

 

CMYK 0 / 51 / 34 / 26

HEX #BC5C7C

RGB 188 92 124

HSL 340, 0.42%, 0.55%

LAB 51.61, 42.07, 0.28

 

Description

Color code: HEX #ABBC5C | qconv.com Color code: HEX #ABBC5C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 188 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 188 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 51 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 51% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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