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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABB031 it is the complementary color #544FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABB031. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABB031 shade: #B0B02C, #C1C23F, #D2D452, #E3E665 and #F4F878

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABB031. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABB031 shade: #ABB031, #9A9E1E, #898C0B, #787A00 and #676800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABB031 shade: #AAAF31, #AF9231, #AF7031, #AF4E31 and #AF3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABB031 shade: #AAAF31, #88AF31, #66AF31, #44AF31 and #31AF40

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABB031 shade matches the following richer shades: #AAAF31, #BAC11F and #CBD30D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABB031 shade: #AAAF31, #999C43, #888A55, #777867 and #676679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABB031 shade: #AF7031, #AF9131, #AAAF31, #89AF31 and #67AF31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABB031 shade: #6B6E1F, #8A8E28, #AAAF31, #C3C940 and #CDD260

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABB031 shade: #ABB031, #31AF4E and #8031AF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABB031 shade: #ABB031, #31AAAF and #AF31AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABB031 shade: #ABB031, #31AF4E, #3531AF and #AF3191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABB031 shade: #ABB031, #31AF74, #3531AF and #AF316C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 72 / 31

HEX #ABB031

RGB 171 176 49

HSL 62.36, 0.56%, 0.44%

LAB 69.42, -17.21, 60.54

 

Complementary color

CMYK 59 / 62 / 0 / 19

HEX #544FCE

RGB 84 79 206

HSL 242.36, 0.56%, 0.56%

LAB 41.11, 38.79, -65.29

 

CMYK 0 / 0 / 75 / 31

HEX #B0B02C

RGB 176 176 44

HSL 60, 0.6%, 0.43%

LAB 69.8, -15.28, 62.76

 

CMYK 1 / 0 / 68 / 24

HEX #C1C23F

RGB 193 194 63

HSL 60.46, 0.52%, 0.5%

LAB 76.24, -16.2, 62.66

 

CMYK 1 / 0 / 61 / 17

HEX #D2D452

RGB 210 212 82

HSL 60.92, 0.6%, 0.58%

LAB 82.59, -16.96, 62.06

 

CMYK 1 / 0 / 56 / 10

HEX #E3E665

RGB 227 230 101

HSL 61.4, 0.72%, 0.65%

LAB 88.86, -17.59, 61.19

 

CMYK 2 / 0 / 52 / 3

HEX #F4F878

RGB 244 248 120

HSL 61.88, 0.9%, 0.72%

LAB 95.04, -18.12, 60.19

 

CMYK 3 / 0 / 72 / 31

HEX #ABB031

RGB 171 176 49

HSL 62.36, 0.56%, 0.44%

LAB 69.42, -17.21, 60.54

 

CMYK 3 / 0 / 81 / 38

HEX #9A9E1E

RGB 154 158 30

HSL 61.88, 0.68%, 0.37%

LAB 62.86, -16.22, 60.14

 

CMYK 2 / 0 / 92 / 45

HEX #898C0B

RGB 137 140 11

HSL 61.4, 0.85%, 0.3%

LAB 56.19, -14.97, 58.38

 

CMYK 2 / 0 / 100 / 52

HEX #787A00

RGB 120 122 0

HSL 60.98, 1%, 0.24%

LAB 49.39, -13.43, 54.55

 

CMYK 1 / 0 / 100 / 59

HEX #676800

RGB 103 104 0

HSL 60.58, 1%, 0.2%

LAB 42.44, -11.63, 48.77

 

CMYK 3 / 0 / 72 / 31

HEX #AAAF31

RGB 170 175 49

HSL 62.38, 0.56%, 0.44%

LAB 69.06, -17.14, 60.17

 

CMYK 0 / 17 / 72 / 31

HEX #AF9231

RGB 175 146 49

HSL 46.19, 0.56%, 0.44%

LAB 61.56, 0.39, 52.95

 

CMYK 0 / 36 / 72 / 31

HEX #AF7031

RGB 175 112 49

HSL 30, 0.56%, 0.44%

LAB 52.87, 19.31, 44.01

 

CMYK 0 / 55 / 72 / 31

HEX #AF4E31

RGB 175 78 49

HSL 13.81, 0.56%, 0.44%

LAB 45.34, 37.68, 35.82

 

CMYK 0 / 72 / 72 / 31

HEX #AF3131

RGB 175 49 49

HSL 0, 0.56%, 0.44%

LAB 40.46, 50.67, 30.24

 

CMYK 3 / 0 / 72 / 31

HEX #AAAF31

RGB 170 175 49

HSL 62.38, 0.56%, 0.44%

LAB 69.06, -17.14, 60.17

 

CMYK 22 / 0 / 72 / 31

HEX #88AF31

RGB 136 175 49

HSL 78.57, 0.56%, 0.44%

LAB 66.61, -31.34, 56.94

 

CMYK 42 / 0 / 72 / 31

HEX #66AF31

RGB 102 175 49

HSL 94.76, 0.56%, 0.44%

LAB 64.73, -43.96, 54.44

 

CMYK 61 / 0 / 72 / 31

HEX #44AF31

RGB 68 175 49

HSL 110.95, 0.56%, 0.44%

LAB 63.43, -53.84, 52.7

 

CMYK 72 / 0 / 63 / 31

HEX #31AF40

RGB 49 175 64

HSL 127.14, 0.56%, 0.44%

LAB 63.08, -56.3, 45.98

 

CMYK 3 / 0 / 72 / 31

HEX #AAAF31

RGB 170 175 49

HSL 62.38, 0.56%, 0.44%

LAB 69.06, -17.14, 60.17

 

CMYK 4 / 0 / 84 / 24

HEX #BAC11F

RGB 186 193 31

HSL 62.59, 0.72%, 0.44%

LAB 75.25, -19.98, 71.5

 

CMYK 4 / 0 / 94 / 17

HEX #CBD30D

RGB 203 211 13

HSL 62.42, 0.88%, 0.44%

LAB 81.46, -21.94, 79.96

 

CMYK 3 / 0 / 72 / 31

HEX #AAAF31

RGB 170 175 49

HSL 62.38, 0.56%, 0.44%

LAB 69.06, -17.14, 60.17

 

CMYK 2 / 0 / 57 / 39

HEX #999C43

RGB 153 156 67

HSL 62.02, 0.4%, 0.44%

LAB 62.47, -13.49, 45.32

 

CMYK 1 / 0 / 38 / 46

HEX #888A55

RGB 136 138 85

HSL 62.26, 0.24%, 0.44%

LAB 56.15, -9.31, 28.15

 

CMYK 1 / 0 / 14 / 53

HEX #777867

RGB 119 120 103

HSL 63.53, 0.08%, 0.44%

LAB 49.9, -3.6, 9.22

 

CMYK 15 / 16 / 0 / 53

HEX #676679

RGB 103 102 121

HSL 243.16, 0.09%, 0.44%

LAB 43.9, 4.6, -10.46

 

CMYK 0 / 36 / 72 / 31

HEX #AF7031

RGB 175 112 49

HSL 30, 0.56%, 0.44%

LAB 52.87, 19.31, 44.01

 

CMYK 0 / 17 / 72 / 31

HEX #AF9131

RGB 175 145 49

HSL 45.71, 0.56%, 0.44%

LAB 61.3, 0.94, 52.69

 

CMYK 3 / 0 / 72 / 31

HEX #AAAF31

RGB 170 175 49

HSL 62.38, 0.56%, 0.44%

LAB 69.06, -17.14, 60.17

 

CMYK 22 / 0 / 72 / 31

HEX #89AF31

RGB 137 175 49

HSL 78.1, 0.56%, 0.44%

LAB 66.67, -30.94, 57.02

 

CMYK 41 / 0 / 72 / 31

HEX #67AF31

RGB 103 175 49

HSL 94.29, 0.56%, 0.44%

LAB 64.78, -43.62, 54.5

 

CMYK 3 / 0 / 72 / 57

HEX #6B6E1F

RGB 107 110 31

HSL 62.28, 0.56%, 0.28%

LAB 44.77, -11.89, 41.52

 

CMYK 3 / 0 / 72 / 44

HEX #8A8E28

RGB 138 142 40

HSL 62.35, 0.56%, 0.36%

LAB 56.98, -14.54, 50.87

 

CMYK 3 / 0 / 72 / 31

HEX #AAAF31

RGB 170 175 49

HSL 62.38, 0.56%, 0.44%

LAB 69.06, -17.14, 60.17

 

CMYK 3 / 0 / 68 / 21

HEX #C3C940

RGB 195 201 64

HSL 62.63, 0.56%, 0.52%

LAB 78.31, -18.8, 64.41

 

CMYK 2 / 0 / 54 / 18

HEX #CDD260

RGB 205 210 96

HSL 62.63, 0.56%, 0.6%

LAB 81.79, -17, 54.96

 

CMYK 3 / 0 / 72 / 31

HEX #ABB031

RGB 171 176 49

HSL 62.36, 0.56%, 0.44%

LAB 69.42, -17.21, 60.54

 

CMYK 72 / 0 / 55 / 31

HEX #31AF4E

RGB 49 175 78

HSL 133.81, 0.56%, 0.44%

LAB 63.23, -54.52, 39.63

 

CMYK 27 / 72 / 0 / 31

HEX #8031AF

RGB 128 49 175

HSL 277.62, 0.56%, 0.44%

LAB 37.63, 54.58, -52.58

 

CMYK 3 / 0 / 72 / 31

HEX #ABB031

RGB 171 176 49

HSL 62.36, 0.56%, 0.44%

LAB 69.42, -17.21, 60.54

 

CMYK 72 / 3 / 0 / 31

HEX #31AAAF

RGB 49 170 175

HSL 182.38, 0.56%, 0.44%

LAB 63.75, -30.48, -12.13

 

CMYK 0 / 72 / 3 / 31

HEX #AF31AA

RGB 175 49 170

HSL 302.38, 0.56%, 0.44%

LAB 44.54, 63.78, -38.15

 

CMYK 3 / 0 / 72 / 31

HEX #ABB031

RGB 171 176 49

HSL 62.36, 0.56%, 0.44%

LAB 69.42, -17.21, 60.54

 

CMYK 72 / 0 / 55 / 31

HEX #31AF4E

RGB 49 175 78

HSL 133.81, 0.56%, 0.44%

LAB 63.23, -54.52, 39.63

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 0 / 72 / 17 / 31

HEX #AF3191

RGB 175 49 145

HSL 314.29, 0.56%, 0.44%

LAB 43.29, 59.96, -25.11

 

CMYK 3 / 0 / 72 / 31

HEX #ABB031

RGB 171 176 49

HSL 62.36, 0.56%, 0.44%

LAB 69.42, -17.21, 60.54

 

CMYK 72 / 0 / 34 / 31

HEX #31AF74

RGB 49 175 116

HSL 151.9, 0.56%, 0.44%

LAB 63.81, -47.88, 20.66

 

CMYK 70 / 72 / 0 / 31

HEX #3531AF

RGB 53 49 175

HSL 241.9, 0.56%, 0.44%

LAB 29.53, 42.14, -66.13

 

CMYK 0 / 72 / 38 / 31

HEX #AF316C

RGB 175 49 108

HSL 331.9, 0.56%, 0.44%

LAB 41.83, 55.29, -4.6

 

Description

Color code: HEX #ABB031 | qconv.com Color code: HEX #ABB031 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 176 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 176 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 72 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 72% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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