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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABAA1B it is the complementary color #5455E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABAA1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABAA1B shade: #B0AA16, #C1BC29, #D2CE3C, #E3E04F and #F4F262

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABAA1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABAA1B shade: #ABAA1B, #9A9808, #898600, #787400 and #676200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABAA1B shade: #ACAB1A, #AC831A, #AC5C1A, #AC351A and #AC1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABAA1B shade: #ACAB1A, #85AC1A, #5EAC1A, #37AC1A and #1AAC25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABAA1B shade matches the following richer shades: #ACAB1A and #BCBA0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABAA1B shade: #ACAB1A, #9B9B2A, #8B8B3B, #7B7B4B and #6B6B5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABAA1B shade: #AC5C1A, #AC821A, #ACA91A, #87AC1A and #61AC1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABAA1B shade: #64640F, #888715, #ACAB1A, #CFCE20 and #E0DE39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABAA1B shade: #ABAA1B, #1AAC35 and #6F1AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABAA1B shade: #ABAA1B, #1AACA9 and #A91AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABAA1B shade: #ABAA1B, #1AAC35, #1A1DAC and #AC1A91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABAA1B shade: #ABAA1B, #1AAC61, #1A1DAC and #AC1A65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 84 / 33

HEX #ABAA1B

RGB 171 170 27

HSL 59.58, 0.73%, 0.39%

LAB 67.64, -14.99, 65.57

 

Complementary color

CMYK 63 / 63 / 0 / 11

HEX #5455E4

RGB 84 85 228

HSL 239.58, 0.73%, 0.61%

LAB 44.21, 42.31, -72.82

 

CMYK 0 / 3 / 88 / 31

HEX #B0AA16

RGB 176 170 22

HSL 57.66, 0.78%, 0.39%

LAB 68.05, -12.91, 67.18

 

CMYK 0 / 3 / 79 / 24

HEX #C1BC29

RGB 193 188 41

HSL 58.03, 0.65%, 0.46%

LAB 74.49, -14.16, 68.47

 

CMYK 0 / 2 / 71 / 18

HEX #D2CE3C

RGB 210 206 60

HSL 58.4, 0.63%, 0.53%

LAB 80.83, -15.2, 68.74

 

CMYK 0 / 1 / 65 / 11

HEX #E3E04F

RGB 227 224 79

HSL 58.78, 0.73%, 0.6%

LAB 87.1, -16.08, 68.4

 

CMYK 0 / 1 / 60 / 4

HEX #F4F262

RGB 244 242 98

HSL 59.18, 0.87%, 0.67%

LAB 93.28, -16.82, 67.71

 

CMYK 0 / 1 / 84 / 33

HEX #ABAA1B

RGB 171 170 27

HSL 59.58, 0.73%, 0.39%

LAB 67.64, -14.99, 65.57

 

CMYK 0 / 1 / 95 / 40

HEX #9A9808

RGB 154 152 8

HSL 59.18, 0.9%, 0.32%

LAB 61.08, -13.62, 63.26

 

CMYK 0 / 2 / 100 / 46

HEX #898600

RGB 137 134 0

HSL 58.69, 1%, 0.27%

LAB 54.42, -11.98, 58.9

 

CMYK 0 / 3 / 100 / 53

HEX #787400

RGB 120 116 0

HSL 58, 1%, 0.24%

LAB 47.6, -10.15, 53.24

 

CMYK 0 / 5 / 100 / 60

HEX #676200

RGB 103 98 0

HSL 57.09, 1%, 0.2%

LAB 40.6, -8.25, 47.43

 

CMYK 0 / 1 / 85 / 33

HEX #ACAB1A

RGB 172 171 26

HSL 59.59, 0.74%, 0.39%

LAB 68, -15.09, 66.13

 

CMYK 0 / 24 / 85 / 33

HEX #AC831A

RGB 172 131 26

HSL 43.15, 0.74%, 0.39%

LAB 57.15, 6.4, 57.06

 

CMYK 0 / 47 / 85 / 33

HEX #AC5C1A

RGB 172 92 26

HSL 27.12, 0.74%, 0.39%

LAB 47.62, 28.16, 48.93

 

CMYK 0 / 69 / 85 / 33

HEX #AC351A

RGB 172 53 26

HSL 11.1, 0.74%, 0.39%

LAB 40.23, 47.24, 42.46

 

CMYK 0 / 85 / 85 / 33

HEX #AC1A1A

RGB 172 26 26

HSL 0, 0.74%, 0.39%

LAB 37.09, 56.01, 39.64

 

CMYK 0 / 1 / 85 / 33

HEX #ACAB1A

RGB 172 171 26

HSL 59.59, 0.74%, 0.39%

LAB 68, -15.09, 66.13

 

CMYK 23 / 0 / 85 / 33

HEX #85AC1A

RGB 133 172 26

HSL 76.03, 0.74%, 0.39%

LAB 65.41, -32.21, 62.79

 

CMYK 45 / 0 / 85 / 33

HEX #5EAC1A

RGB 94 172 26

HSL 92.05, 0.74%, 0.39%

LAB 63.31, -46.68, 60.15

 

CMYK 68 / 0 / 85 / 33

HEX #37AC1A

RGB 55 172 26

HSL 108.08, 0.74%, 0.39%

LAB 61.99, -57.16, 58.47

 

CMYK 85 / 0 / 78 / 33

HEX #1AAC25

RGB 26 172 37

HSL 124.52, 0.74%, 0.39%

LAB 61.53, -60.94, 54.73

 

CMYK 0 / 1 / 85 / 33

HEX #ACAB1A

RGB 172 171 26

HSL 59.59, 0.74%, 0.39%

LAB 68, -15.09, 66.13

 

CMYK 0 / 1 / 95 / 26

HEX #BCBA0A

RGB 188 186 10

HSL 59.33, 0.9%, 0.39%

LAB 73.44, -16.02, 73.65

 

CMYK 0 / 1 / 85 / 33

HEX #ACAB1A

RGB 172 171 26

HSL 59.59, 0.74%, 0.39%

LAB 68, -15.09, 66.13

 

CMYK 0 / 0 / 73 / 39

HEX #9B9B2A

RGB 155 155 42

HSL 60, 0.57%, 0.39%

LAB 62.15, -13.71, 55.62

 

CMYK 0 / 0 / 58 / 45

HEX #8B8B3B

RGB 139 139 59

HSL 60, 0.4%, 0.39%

LAB 56.36, -11.21, 41.93

 

CMYK 0 / 0 / 39 / 52

HEX #7B7B4B

RGB 123 123 75

HSL 60, 0.24%, 0.39%

LAB 50.55, -7.82, 26.25

 

CMYK 0 / 0 / 15 / 58

HEX #6B6B5B

RGB 107 107 91

HSL 60, 0.08%, 0.39%

LAB 44.8, -3.06, 8.98

 

CMYK 0 / 47 / 85 / 33

HEX #AC5C1A

RGB 172 92 26

HSL 27.12, 0.74%, 0.39%

LAB 47.62, 28.16, 48.93

 

CMYK 0 / 24 / 85 / 33

HEX #AC821A

RGB 172 130 26

HSL 42.74, 0.74%, 0.39%

LAB 56.89, 6.95, 56.84

 

CMYK 0 / 2 / 85 / 33

HEX #ACA91A

RGB 172 169 26

HSL 58.77, 0.74%, 0.39%

LAB 67.44, -14.06, 65.67

 

CMYK 22 / 0 / 85 / 33

HEX #87AC1A

RGB 135 172 26

HSL 75.21, 0.74%, 0.39%

LAB 65.54, -31.4, 62.95

 

CMYK 44 / 0 / 85 / 33

HEX #61AC1A

RGB 97 172 26

HSL 90.82, 0.74%, 0.39%

LAB 63.44, -45.68, 60.32

 

CMYK 0 / 0 / 85 / 61

HEX #64640F

RGB 100 100 15

HSL 60, 0.74%, 0.23%

LAB 40.99, -10.4, 43.63

 

CMYK 0 / 1 / 85 / 47

HEX #888715

RGB 136 135 21

HSL 59.48, 0.73%, 0.31%

LAB 54.67, -12.52, 54.95

 

CMYK 0 / 1 / 85 / 33

HEX #ACAB1A

RGB 172 171 26

HSL 59.59, 0.74%, 0.39%

LAB 68, -15.09, 66.13

 

CMYK 0 / 0 / 85 / 19

HEX #CFCE20

RGB 207 206 32

HSL 59.66, 0.73%, 0.47%

LAB 80.47, -17.46, 76.29

 

CMYK 0 / 1 / 75 / 12

HEX #E0DE39

RGB 224 222 57

HSL 59.28, 0.73%, 0.55%

LAB 86.2, -17.39, 75.18

 

CMYK 0 / 1 / 84 / 33

HEX #ABAA1B

RGB 171 170 27

HSL 59.58, 0.73%, 0.39%

LAB 67.64, -14.99, 65.57

 

CMYK 85 / 0 / 69 / 33

HEX #1AAC35

RGB 26 172 53

HSL 131.1, 0.74%, 0.39%

LAB 61.64, -59.6, 48.99

 

CMYK 35 / 85 / 0 / 33

HEX #6F1AAC

RGB 111 26 172

HSL 274.93, 0.74%, 0.39%

LAB 32.03, 59.36, -60.01

 

CMYK 0 / 1 / 84 / 33

HEX #ABAA1B

RGB 171 170 27

HSL 59.58, 0.73%, 0.39%

LAB 67.64, -14.99, 65.57

 

CMYK 85 / 0 / 2 / 33

HEX #1AACA9

RGB 26 172 169

HSL 178.77, 0.74%, 0.39%

LAB 63.83, -35.51, -8.7

 

CMYK 2 / 85 / 0 / 33

HEX #A91AAC

RGB 169 26 172

HSL 298.77, 0.74%, 0.39%

LAB 41.46, 69.15, -44.3

 

CMYK 0 / 1 / 84 / 33

HEX #ABAA1B

RGB 171 170 27

HSL 59.58, 0.73%, 0.39%

LAB 67.64, -14.99, 65.57

 

CMYK 85 / 0 / 69 / 33

HEX #1AAC35

RGB 26 172 53

HSL 131.1, 0.74%, 0.39%

LAB 61.64, -59.6, 48.99

 

CMYK 85 / 83 / 0 / 33

HEX #1A1DAC

RGB 26 29 172

HSL 238.77, 0.74%, 0.39%

LAB 23.92, 49.85, -73.66

 

CMYK 0 / 85 / 16 / 33

HEX #AC1A91

RGB 172 26 145

HSL 311.1, 0.74%, 0.39%

LAB 40.5, 65.75, -29.52

 

CMYK 0 / 1 / 84 / 33

HEX #ABAA1B

RGB 171 170 27

HSL 59.58, 0.73%, 0.39%

LAB 67.64, -14.99, 65.57

 

CMYK 85 / 0 / 44 / 33

HEX #1AAC61

RGB 26 172 97

HSL 149.18, 0.74%, 0.39%

LAB 62.16, -53.33, 28.56

 

CMYK 85 / 83 / 0 / 33

HEX #1A1DAC

RGB 26 29 172

HSL 238.77, 0.74%, 0.39%

LAB 23.92, 49.85, -73.66

 

CMYK 0 / 85 / 41 / 33

HEX #AC1A65

RGB 172 26 101

HSL 329.18, 0.74%, 0.39%

LAB 38.64, 60.56, -5.01

 

Description

Color code: HEX #ABAA1B | qconv.com Color code: HEX #ABAA1B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 170 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 170 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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