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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABA62C it is the complementary color #5459D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABA62C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABA62C shade: #B0A627, #C1B83A, #D2CA4D, #E3DC60 and #F4EE73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABA62C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABA62C shade: #ABA62C, #9A9419, #898206, #787000 and #675E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABA62C shade: #AAA52B, #AA832B, #AA612B, #AA3F2B and #AA2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABA62C shade: #AAA52B, #8DAA2B, #6BAA2B, #49AA2B and #2BAA30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABA62C shade matches the following richer shades: #AAA52B, #BBB51A and #CCC509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABA62C shade: #AAA52B, #98953D, #87854E, #76755F and #646571

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABA62C shade: #AA602B, #AA822B, #AAA32B, #8EAA2B and #6DAA2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABA62C shade: #68651A, #898523, #AAA52B, #CAC434 and #D3CE55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABA62C shade: #ABA62C, #2BAA3E and #712BAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABA62C shade: #ABA62C, #2BAAA3 and #A32BAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABA62C shade: #ABA62C, #2BAA3E, #2B32AA and #AA2B97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABA62C shade: #ABA62C, #2BAA64, #2B32AA and #AA2B71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 74 / 33

HEX #ABA62C

RGB 171 166 44

HSL 57.64, 0.59%, 0.42%

LAB 66.61, -12.31, 59.63

 

Complementary color

CMYK 60 / 58 / 0 / 17

HEX #5459D3

RGB 84 89 211

HSL 237.64, 0.59%, 0.58%

LAB 43.85, 34.32, -63.72

 

CMYK 0 / 6 / 78 / 31

HEX #B0A627

RGB 176 166 39

HSL 55.62, 0.64%, 0.42%

LAB 67.01, -10.32, 61.83

 

CMYK 0 / 5 / 70 / 24

HEX #C1B83A

RGB 193 184 58

HSL 56, 0.54%, 0.49%

LAB 73.5, -11.39, 61.83

 

CMYK 0 / 4 / 63 / 18

HEX #D2CA4D

RGB 210 202 77

HSL 56.39, 0.6%, 0.56%

LAB 79.89, -12.28, 61.26

 

CMYK 0 / 3 / 58 / 11

HEX #E3DC60

RGB 227 220 96

HSL 56.79, 0.7%, 0.63%

LAB 86.19, -13.02, 60.39

 

CMYK 0 / 2 / 53 / 4

HEX #F4EE73

RGB 244 238 115

HSL 57.21, 0.85%, 0.7%

LAB 92.41, -13.65, 59.37

 

CMYK 0 / 3 / 74 / 33

HEX #ABA62C

RGB 171 166 44

HSL 57.64, 0.59%, 0.42%

LAB 66.61, -12.31, 59.63

 

CMYK 0 / 4 / 84 / 40

HEX #9A9419

RGB 154 148 25

HSL 57.21, 0.72%, 0.35%

LAB 60, -11.14, 59.04

 

CMYK 0 / 5 / 96 / 46

HEX #898206

RGB 137 130 6

HSL 56.79, 0.92%, 0.28%

LAB 53.27, -9.7, 56.97

 

CMYK 0 / 7 / 100 / 53

HEX #787000

RGB 120 112 0

HSL 56, 1%, 0.24%

LAB 46.42, -7.92, 52.38

 

CMYK 0 / 9 / 100 / 60

HEX #675E00

RGB 103 94 0

HSL 54.76, 1%, 0.2%

LAB 39.39, -5.94, 46.56

 

CMYK 0 / 3 / 75 / 33

HEX #AAA52B

RGB 170 165 43

HSL 57.64, 0.6%, 0.42%

LAB 66.24, -12.27, 59.6

 

CMYK 0 / 23 / 75 / 33

HEX #AA832B

RGB 170 131 43

HSL 41.57, 0.6%, 0.42%

LAB 57.03, 6.13, 50.76

 

CMYK 0 / 43 / 75 / 33

HEX #AA612B

RGB 170 97 43

HSL 25.51, 0.6%, 0.42%

LAB 48.6, 25.21, 42.24

 

CMYK 0 / 63 / 75 / 33

HEX #AA3F2B

RGB 170 63 43

HSL 9.45, 0.6%, 0.42%

LAB 41.65, 42.78, 34.83

 

CMYK 0 / 75 / 75 / 33

HEX #AA2B2B

RGB 170 43 43

HSL 0, 0.6%, 0.42%

LAB 38.64, 50.98, 31.47

 

CMYK 0 / 3 / 75 / 33

HEX #AAA52B

RGB 170 165 43

HSL 57.64, 0.6%, 0.42%

LAB 66.24, -12.27, 59.6

 

CMYK 17 / 0 / 75 / 33

HEX #8DAA2B

RGB 141 170 43

HSL 73.7, 0.6%, 0.42%

LAB 65.43, -27.25, 58.04

 

CMYK 37 / 0 / 75 / 33

HEX #6BAA2B

RGB 107 170 43

HSL 89.76, 0.6%, 0.42%

LAB 63.38, -40.51, 55.36

 

CMYK 57 / 0 / 75 / 33

HEX #49AA2B

RGB 73 170 43

HSL 105.83, 0.6%, 0.42%

LAB 61.95, -51.21, 53.45

 

CMYK 75 / 0 / 72 / 33

HEX #2BAA30

RGB 43 170 48

HSL 122.36, 0.6%, 0.42%

LAB 61.2, -57.23, 50.58

 

CMYK 0 / 3 / 75 / 33

HEX #AAA52B

RGB 170 165 43

HSL 57.64, 0.6%, 0.42%

LAB 66.24, -12.27, 59.6

 

CMYK 0 / 3 / 86 / 27

HEX #BBB51A

RGB 187 181 26

HSL 57.76, 0.76%, 0.42%

LAB 72.02, -13.64, 69.96

 

CMYK 0 / 3 / 96 / 20

HEX #CCC509

RGB 204 197 9

HSL 57.85, 0.92%, 0.42%

LAB 77.75, -14.64, 77.59

 

CMYK 0 / 3 / 75 / 33

HEX #AAA52B

RGB 170 165 43

HSL 57.64, 0.6%, 0.42%

LAB 66.24, -12.27, 59.6

 

CMYK 0 / 2 / 60 / 40

HEX #98953D

RGB 152 149 61

HSL 58.02, 0.43%, 0.42%

LAB 60.34, -10.69, 45.74

 

CMYK 0 / 1 / 42 / 47

HEX #87854E

RGB 135 133 78

HSL 57.89, 0.27%, 0.42%

LAB 54.53, -7.83, 29.87

 

CMYK 0 / 1 / 19 / 54

HEX #76755F

RGB 118 117 95

HSL 57.39, 0.11%, 0.42%

LAB 48.76, -3.65, 12.31

 

CMYK 12 / 11 / 0 / 56

HEX #646571

RGB 100 101 113

HSL 235.38, 0.06%, 0.42%

LAB 43.08, 2.25, -6.87

 

CMYK 0 / 44 / 75 / 33

HEX #AA602B

RGB 170 96 43

HSL 25.04, 0.6%, 0.42%

LAB 48.37, 25.76, 42.01

 

CMYK 0 / 24 / 75 / 33

HEX #AA822B

RGB 170 130 43

HSL 41.1, 0.6%, 0.42%

LAB 56.77, 6.69, 50.5

 

CMYK 0 / 4 / 75 / 33

HEX #AAA32B

RGB 170 163 43

HSL 56.69, 0.6%, 0.42%

LAB 65.68, -11.23, 59.07

 

CMYK 16 / 0 / 75 / 33

HEX #8EAA2B

RGB 142 170 43

HSL 73.23, 0.6%, 0.42%

LAB 65.49, -26.84, 58.13

 

CMYK 36 / 0 / 75 / 33

HEX #6DAA2B

RGB 109 170 43

HSL 88.82, 0.6%, 0.42%

LAB 63.49, -39.78, 55.49

 

CMYK 0 / 3 / 75 / 59

HEX #68651A

RGB 104 101 26

HSL 57.69, 0.6%, 0.25%

LAB 41.73, -8.54, 40.5

 

CMYK 0 / 3 / 74 / 46

HEX #898523

RGB 137 133 35

HSL 57.65, 0.59%, 0.34%

LAB 54.25, -10.43, 50.1

 

CMYK 0 / 3 / 75 / 33

HEX #AAA52B

RGB 170 165 43

HSL 57.64, 0.6%, 0.42%

LAB 66.24, -12.27, 59.6

 

CMYK 0 / 3 / 74 / 21

HEX #CAC434

RGB 202 196 52

HSL 57.6, 0.59%, 0.5%

LAB 77.45, -13.93, 68.02

 

CMYK 0 / 2 / 60 / 17

HEX #D3CE55

RGB 211 206 85

HSL 57.62, 0.59%, 0.58%

LAB 81.1, -13.35, 59.19

 

CMYK 0 / 3 / 74 / 33

HEX #ABA62C

RGB 171 166 44

HSL 57.64, 0.59%, 0.42%

LAB 66.61, -12.31, 59.63

 

CMYK 75 / 0 / 64 / 33

HEX #2BAA3E

RGB 43 170 62

HSL 128.98, 0.6%, 0.42%

LAB 61.32, -55.81, 44.86

 

CMYK 34 / 75 / 0 / 33

HEX #712BAA

RGB 113 43 170

HSL 273.07, 0.6%, 0.42%

LAB 34.27, 53.08, -55.13

 

CMYK 0 / 3 / 74 / 33

HEX #ABA62C

RGB 171 166 44

HSL 57.64, 0.59%, 0.42%

LAB 66.61, -12.31, 59.63

 

CMYK 75 / 0 / 4 / 33

HEX #2BAAA3

RGB 43 170 163

HSL 176.69, 0.6%, 0.42%

LAB 63.27, -34.75, -6.16

 

CMYK 4 / 75 / 0 / 33

HEX #A32BAA

RGB 163 43 170

HSL 296.69, 0.6%, 0.42%

LAB 41.87, 63.14, -42.5

 

CMYK 0 / 3 / 74 / 33

HEX #ABA62C

RGB 171 166 44

HSL 57.64, 0.59%, 0.42%

LAB 66.61, -12.31, 59.63

 

CMYK 75 / 0 / 64 / 33

HEX #2BAA3E

RGB 43 170 62

HSL 128.98, 0.6%, 0.42%

LAB 61.32, -55.81, 44.86

 

CMYK 75 / 71 / 0 / 33

HEX #2B32AA

RGB 43 50 170

HSL 236.69, 0.6%, 0.42%

LAB 28.63, 38.77, -64.63

 

CMYK 0 / 75 / 11 / 33

HEX #AA2B97

RGB 170 43 151

HSL 308.98, 0.6%, 0.42%

LAB 42.01, 61.65, -30.81

 

CMYK 0 / 3 / 74 / 33

HEX #ABA62C

RGB 171 166 44

HSL 57.64, 0.59%, 0.42%

LAB 66.61, -12.31, 59.63

 

CMYK 75 / 0 / 41 / 33

HEX #2BAA64

RGB 43 170 100

HSL 146.93, 0.6%, 0.42%

LAB 61.81, -50.02, 26.57

 

CMYK 75 / 71 / 0 / 33

HEX #2B32AA

RGB 43 50 170

HSL 236.69, 0.6%, 0.42%

LAB 28.63, 38.77, -64.63

 

CMYK 0 / 75 / 34 / 33

HEX #AA2B71

RGB 170 43 113

HSL 326.93, 0.6%, 0.42%

LAB 40.35, 56.56, -10.02

 

Description

Color code: HEX #ABA62C | qconv.com Color code: HEX #ABA62C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 166 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 166 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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