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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB9D30 it is the complementary color #5462CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB9D30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB9D30 shade: #B09D2B, #C1AF3E, #D2C151, #E3D364 and #F4E577

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB9D30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB9D30 shade: #AB9D30, #9A8B1D, #89790A, #786700 and #675500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB9D30 shade: #AB9D30, #AB7B30, #AB5A30, #AB3930 and #AB3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB9D30 shade: #AB9D30, #97AB30, #76AB30, #55AB30 and #34AB30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB9D30 shade matches the following richer shades: #AB9D30, #BCAA1E and #CEB80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB9D30 shade: #AB9D30, #998F41, #878153, #757365 and #646677

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB9D30 shade: #AB5B30, #AB7B30, #AB9C30, #98AB30 and #77AB30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB9D30 shade: #6A611E, #8A7F27, #AB9D30, #C8B83C and #D1C35C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB9D30 shade: #AB9D30, #30AB3A and #6B30AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB9D30 shade: #AB9D30, #30AB9C and #9C30AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB9D30 shade: #AB9D30, #30AB3A, #303EAB and #AB30A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB9D30 shade: #AB9D30, #30AB5F, #303EAB and #AB307B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

Complementary color

CMYK 59 / 53 / 0 / 19

HEX #5462CF

RGB 84 98 207

HSL 233.17, 0.56%, 0.57%

LAB 45.81, 27.41, -58.25

 

CMYK 0 / 11 / 76 / 31

HEX #B09D2B

RGB 176 157 43

HSL 51.43, 0.61%, 0.43%

LAB 64.58, -5.39, 58.23

 

CMYK 0 / 9 / 68 / 24

HEX #C1AF3E

RGB 193 175 62

HSL 51.76, 0.51%, 0.5%

LAB 71.11, -6.51, 57.84

 

CMYK 0 / 8 / 61 / 18

HEX #D2C151

RGB 210 193 81

HSL 52.09, 0.59%, 0.57%

LAB 77.54, -7.43, 57.02

 

CMYK 0 / 7 / 56 / 11

HEX #E3D364

RGB 227 211 100

HSL 52.44, 0.69%, 0.64%

LAB 83.88, -8.21, 56

 

CMYK 0 / 6 / 51 / 4

HEX #F4E577

RGB 244 229 119

HSL 52.8, 0.85%, 0.71%

LAB 90.14, -8.87, 54.88

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 0 / 10 / 81 / 40

HEX #9A8B1D

RGB 154 139 29

HSL 52.8, 0.68%, 0.36%

LAB 57.49, -6.17, 55.71

 

CMYK 0 / 12 / 93 / 46

HEX #89790A

RGB 137 121 10

HSL 52.44, 0.86%, 0.29%

LAB 50.7, -4.66, 54.27

 

CMYK 0 / 14 / 100 / 53

HEX #786700

RGB 120 103 0

HSL 51.5, 1%, 0.24%

LAB 43.79, -2.8, 50.5

 

CMYK 0 / 17 / 100 / 60

HEX #675500

RGB 103 85 0

HSL 49.51, 1%, 0.2%

LAB 36.71, -0.63, 44.65

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 0 / 28 / 72 / 33

HEX #AB7B30

RGB 171 123 48

HSL 36.59, 0.56%, 0.43%

LAB 55.11, 11.31, 46.68

 

CMYK 0 / 47 / 72 / 33

HEX #AB5A30

RGB 171 90 48

HSL 20.49, 0.56%, 0.43%

LAB 47.21, 29.72, 38.27

 

CMYK 0 / 67 / 72 / 33

HEX #AB3930

RGB 171 57 48

HSL 4.39, 0.56%, 0.43%

LAB 40.89, 46.05, 31.15

 

CMYK 0 / 72 / 72 / 33

HEX #AB3030

RGB 171 48 48

HSL 0, 0.56%, 0.43%

LAB 39.56, 49.7, 29.59

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 12 / 0 / 72 / 33

HEX #97AB30

RGB 151 171 48

HSL 69.76, 0.56%, 0.43%

LAB 66.46, -23.29, 57.5

 

CMYK 31 / 0 / 72 / 33

HEX #76AB30

RGB 118 171 48

HSL 85.85, 0.56%, 0.43%

LAB 64.32, -36.57, 54.66

 

CMYK 50 / 0 / 72 / 33

HEX #55AB30

RGB 85 171 48

HSL 101.95, 0.56%, 0.43%

LAB 62.74, -47.83, 52.55

 

CMYK 70 / 0 / 72 / 33

HEX #34AB30

RGB 52 171 48

HSL 118.05, 0.56%, 0.43%

LAB 61.71, -55.98, 51.18

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 0 / 10 / 84 / 26

HEX #BCAA1E

RGB 188 170 30

HSL 53.16, 0.72%, 0.43%

LAB 69.14, -7.4, 66.68

 

CMYK 0 / 11 / 94 / 19

HEX #CEB80C

RGB 206 184 12

HSL 53.2, 0.89%, 0.43%

LAB 74.46, -7.11, 74.89

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 0 / 7 / 58 / 40

HEX #998F41

RGB 153 143 65

HSL 53.18, 0.4%, 0.43%

LAB 58.79, -6.71, 42.1

 

CMYK 0 / 4 / 39 / 47

HEX #878153

RGB 135 129 83

HSL 53.08, 0.24%, 0.43%

LAB 53.47, -5.02, 25.77

 

CMYK 0 / 2 / 14 / 54

HEX #757365

RGB 117 115 101

HSL 52.5, 0.07%, 0.43%

LAB 48.24, -1.88, 8.02

 

CMYK 16 / 14 / 0 / 53

HEX #646677

RGB 100 102 119

HSL 233.68, 0.09%, 0.43%

LAB 43.57, 3.05, -9.76

 

CMYK 0 / 47 / 72 / 33

HEX #AB5B30

RGB 171 91 48

HSL 20.98, 0.56%, 0.43%

LAB 47.43, 29.18, 38.51

 

CMYK 0 / 28 / 72 / 33

HEX #AB7B30

RGB 171 123 48

HSL 36.59, 0.56%, 0.43%

LAB 55.11, 11.31, 46.68

 

CMYK 0 / 9 / 72 / 33

HEX #AB9C30

RGB 171 156 48

HSL 52.68, 0.56%, 0.43%

LAB 63.88, -6.85, 55.52

 

CMYK 11 / 0 / 72 / 33

HEX #98AB30

RGB 152 171 48

HSL 69.27, 0.56%, 0.43%

LAB 66.53, -22.87, 57.6

 

CMYK 30 / 0 / 72 / 33

HEX #77AB30

RGB 119 171 48

HSL 85.37, 0.56%, 0.43%

LAB 64.37, -36.19, 54.74

 

CMYK 0 / 8 / 72 / 58

HEX #6A611E

RGB 106 97 30

HSL 52.89, 0.56%, 0.27%

LAB 40.75, -5.05, 37.86

 

CMYK 0 / 8 / 72 / 46

HEX #8A7F27

RGB 138 127 39

HSL 53.33, 0.56%, 0.35%

LAB 52.65, -6.47, 46.99

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 0 / 8 / 70 / 22

HEX #C8B83C

RGB 200 184 60

HSL 53.14, 0.56%, 0.51%

LAB 74.12, -8.28, 61.88

 

CMYK 0 / 7 / 56 / 18

HEX #D1C35C

RGB 209 195 92

HSL 52.82, 0.56%, 0.59%

LAB 78.09, -8.09, 52.64

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 72 / 0 / 66 / 33

HEX #30AB3A

RGB 48 171 58

HSL 124.88, 0.56%, 0.43%

LAB 61.71, -55.76, 47.07

 

CMYK 37 / 72 / 0 / 33

HEX #6B30AB

RGB 107 48 171

HSL 268.78, 0.56%, 0.43%

LAB 34.35, 49.94, -55.63

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 72 / 0 / 9 / 33

HEX #30AB9C

RGB 48 171 156

HSL 172.68, 0.56%, 0.43%

LAB 63.47, -36.56, -1.93

 

CMYK 9 / 72 / 0 / 33

HEX #9C30AB

RGB 156 48 171

HSL 292.68, 0.56%, 0.43%

LAB 41.41, 60.09, -43.9

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 72 / 0 / 66 / 33

HEX #30AB3A

RGB 48 171 58

HSL 124.88, 0.56%, 0.43%

LAB 61.71, -55.76, 47.07

 

CMYK 72 / 64 / 0 / 33

HEX #303EAB

RGB 48 62 171

HSL 233.17, 0.56%, 0.43%

LAB 31.84, 32.12, -59.97

 

CMYK 0 / 72 / 6 / 33

HEX #AB30A0

RGB 171 48 160

HSL 305.37, 0.56%, 0.43%

LAB 43.23, 61.6, -34.3

 

CMYK 0 / 8 / 72 / 33

HEX #AB9D30

RGB 171 157 48

HSL 53.17, 0.56%, 0.43%

LAB 64.15, -7.38, 55.79

 

CMYK 72 / 0 / 44 / 33

HEX #30AB5F

RGB 48 171 95

HSL 142.93, 0.56%, 0.43%

LAB 62.15, -50.54, 29.67

 

CMYK 72 / 64 / 0 / 33

HEX #303EAB

RGB 48 62 171

HSL 233.17, 0.56%, 0.43%

LAB 31.84, 32.12, -59.97

 

CMYK 0 / 72 / 28 / 33

HEX #AB307B

RGB 171 48 123

HSL 323.41, 0.56%, 0.43%

LAB 41.54, 56.31, -14.42

 

Description

Color code: HEX #AB9D30 | qconv.com Color code: HEX #AB9D30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 157 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 157 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 72 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 72% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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