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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB991B it is the complementary color #5466E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB991B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB991B shade: #B09916, #C1AB29, #D2BD3C, #E3CF4F and #F4E162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB991B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB991B shade: #AB991B, #9A8708, #897500, #786300 and #675100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB991B shade: #AC991A, #AC721A, #AC4B1A, #AC241A and #AC1A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB991B shade: #AC991A, #97AC1A, #6FAC1A, #48AC1A and #21AC1A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB991B shade matches the following richer shades: #AC991A and #BCA50A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB991B shade: #AC991A, #9B8D2A, #8B813B, #7B754B and #6B695B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB991B shade: #AC4B1A, #AC711A, #AC981A, #98AC1A and #71AC1A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB991B shade: #645A0F, #887915, #AC991A, #CFB920 and #E0CB39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB991B shade: #AB991B, #1AAC24 and #5E1AAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB991B shade: #AB991B, #1AAC98 and #981AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB991B shade: #AB991B, #1AAC24, #1A2EAC and #AC1AA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB991B shade: #AB991B, #1AAC50, #1A2EAC and #AC1A76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

Complementary color

CMYK 63 / 55 / 0 / 11

HEX #5466E4

RGB 84 102 228

HSL 232.5, 0.73%, 0.61%

LAB 48.25, 31.97, -66.25

 

CMYK 0 / 13 / 88 / 31

HEX #B09916

RGB 176 153 22

HSL 51.04, 0.78%, 0.39%

LAB 63.4, -3.94, 63.43

 

CMYK 0 / 11 / 79 / 24

HEX #C1AB29

RGB 193 171 41

HSL 51.32, 0.65%, 0.46%

LAB 69.91, -5.37, 64.39

 

CMYK 0 / 10 / 71 / 18

HEX #D2BD3C

RGB 210 189 60

HSL 51.6, 0.63%, 0.53%

LAB 76.33, -6.57, 64.36

 

CMYK 0 / 9 / 65 / 11

HEX #E3CF4F

RGB 227 207 79

HSL 51.89, 0.73%, 0.6%

LAB 82.66, -7.58, 63.79

 

CMYK 0 / 8 / 60 / 4

HEX #F4E162

RGB 244 225 98

HSL 52.19, 0.87%, 0.67%

LAB 88.91, -8.44, 62.93

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 0 / 12 / 95 / 40

HEX #9A8708

RGB 154 135 8

HSL 52.19, 0.9%, 0.32%

LAB 56.3, -4.5, 59.63

 

CMYK 0 / 15 / 100 / 46

HEX #897500

RGB 137 117 0

HSL 51.24, 1%, 0.27%

LAB 49.55, -2.6, 55.39

 

CMYK 0 / 18 / 100 / 53

HEX #786300

RGB 120 99 0

HSL 49.5, 1%, 0.24%

LAB 42.64, -0.48, 49.69

 

CMYK 0 / 21 / 100 / 60

HEX #675100

RGB 103 81 0

HSL 47.18, 1%, 0.2%

LAB 35.53, 1.78, 43.82

 

CMYK 0 / 11 / 85 / 33

HEX #AC991A

RGB 172 153 26

HSL 52.19, 0.74%, 0.39%

LAB 63.03, -5.65, 62

 

CMYK 0 / 34 / 85 / 33

HEX #AC721A

RGB 172 114 26

HSL 36.16, 0.74%, 0.39%

LAB 52.82, 15.93, 53.39

 

CMYK 0 / 56 / 85 / 33

HEX #AC4B1A

RGB 172 75 26

HSL 20.14, 0.74%, 0.39%

LAB 44.06, 37.12, 45.83

 

CMYK 0 / 79 / 85 / 33

HEX #AC241A

RGB 172 36 26

HSL 4.11, 0.74%, 0.39%

LAB 38.03, 53.32, 40.49

 

CMYK 0 / 85 / 85 / 33

HEX #AC1A1A

RGB 172 26 26

HSL 0, 0.74%, 0.39%

LAB 37.09, 56.01, 39.64

 

CMYK 0 / 11 / 85 / 33

HEX #AC991A

RGB 172 153 26

HSL 52.19, 0.74%, 0.39%

LAB 63.03, -5.65, 62

 

CMYK 12 / 0 / 85 / 33

HEX #97AC1A

RGB 151 172 26

HSL 68.63, 0.74%, 0.39%

LAB 66.64, -24.71, 64.33

 

CMYK 35 / 0 / 85 / 33

HEX #6FAC1A

RGB 111 172 26

HSL 85.07, 0.74%, 0.39%

LAB 64.13, -40.75, 61.18

 

CMYK 58 / 0 / 85 / 33

HEX #48AC1A

RGB 72 172 26

HSL 101.1, 0.74%, 0.39%

LAB 62.47, -53.19, 59.09

 

CMYK 81 / 0 / 85 / 33

HEX #21AC1A

RGB 33 172 26

HSL 117.12, 0.74%, 0.39%

LAB 61.57, -60.8, 57.94

 

CMYK 0 / 11 / 85 / 33

HEX #AC991A

RGB 172 153 26

HSL 52.19, 0.74%, 0.39%

LAB 63.03, -5.65, 62

 

CMYK 0 / 12 / 95 / 26

HEX #BCA50A

RGB 188 165 10

HSL 52.25, 0.9%, 0.39%

LAB 67.74, -5.16, 69.37

 

CMYK 0 / 11 / 85 / 33

HEX #AC991A

RGB 172 153 26

HSL 52.19, 0.74%, 0.39%

LAB 63.03, -5.65, 62

 

CMYK 0 / 9 / 73 / 39

HEX #9B8D2A

RGB 155 141 42

HSL 52.57, 0.57%, 0.39%

LAB 58.21, -6.24, 51.81

 

CMYK 0 / 7 / 58 / 45

HEX #8B813B

RGB 139 129 59

HSL 52.5, 0.4%, 0.39%

LAB 53.5, -5.74, 38.68

 

CMYK 0 / 5 / 39 / 52

HEX #7B754B

RGB 123 117 75

HSL 52.5, 0.24%, 0.39%

LAB 48.81, -4.44, 24.01

 

CMYK 0 / 2 / 15 / 58

HEX #6B695B

RGB 107 105 91

HSL 52.5, 0.08%, 0.39%

LAB 44.21, -1.89, 8.16

 

CMYK 0 / 56 / 85 / 33

HEX #AC4B1A

RGB 172 75 26

HSL 20.14, 0.74%, 0.39%

LAB 44.06, 37.12, 45.83

 

CMYK 0 / 34 / 85 / 33

HEX #AC711A

RGB 172 113 26

HSL 35.75, 0.74%, 0.39%

LAB 52.57, 16.49, 53.17

 

CMYK 0 / 12 / 85 / 33

HEX #AC981A

RGB 172 152 26

HSL 51.78, 0.74%, 0.39%

LAB 62.76, -5.11, 61.77

 

CMYK 12 / 0 / 85 / 33

HEX #98AC1A

RGB 152 172 26

HSL 68.22, 0.74%, 0.39%

LAB 66.71, -24.28, 64.42

 

CMYK 34 / 0 / 85 / 33

HEX #71AC1A

RGB 113 172 26

HSL 84.25, 0.74%, 0.39%

LAB 64.23, -40.01, 61.32

 

CMYK 0 / 10 / 85 / 61

HEX #645A0F

RGB 100 90 15

HSL 52.94, 0.74%, 0.23%

LAB 37.94, -4.63, 40.96

 

CMYK 0 / 11 / 85 / 47

HEX #887915

RGB 136 121 21

HSL 52.17, 0.73%, 0.31%

LAB 50.64, -4.85, 51.51

 

CMYK 0 / 11 / 85 / 33

HEX #AC991A

RGB 172 153 26

HSL 52.19, 0.74%, 0.39%

LAB 63.03, -5.65, 62

 

CMYK 0 / 11 / 85 / 19

HEX #CFB920

RGB 207 185 32

HSL 52.46, 0.73%, 0.47%

LAB 74.87, -6.82, 71.66

 

CMYK 0 / 9 / 75 / 12

HEX #E0CB39

RGB 224 203 57

HSL 52.46, 0.73%, 0.55%

LAB 81.21, -7.9, 70.54

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 85 / 0 / 79 / 33

HEX #1AAC24

RGB 26 172 36

HSL 124.11, 0.74%, 0.39%

LAB 61.53, -61.01, 55.05

 

CMYK 45 / 85 / 0 / 33

HEX #5E1AAC

RGB 94 26 172

HSL 267.95, 0.74%, 0.39%

LAB 29.66, 57.01, -63.98

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 85 / 0 / 12 / 33

HEX #1AAC98

RGB 26 172 152

HSL 171.78, 0.74%, 0.39%

LAB 63.34, -40.43, 0.07

 

CMYK 12 / 85 / 0 / 33

HEX #981AAC

RGB 152 26 172

HSL 291.78, 0.74%, 0.39%

LAB 38.54, 66.06, -49.14

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 85 / 0 / 79 / 33

HEX #1AAC24

RGB 26 172 36

HSL 124.11, 0.74%, 0.39%

LAB 61.53, -61.01, 55.05

 

CMYK 85 / 73 / 0 / 33

HEX #1A2EAC

RGB 26 46 172

HSL 231.78, 0.74%, 0.39%

LAB 27.16, 40.57, -68.29

 

CMYK 0 / 85 / 6 / 33

HEX #AC1AA2

RGB 172 26 162

HSL 304.11, 0.74%, 0.39%

LAB 41.4, 68.18, -38.37

 

CMYK 0 / 11 / 84 / 33

HEX #AB991B

RGB 171 153 27

HSL 52.5, 0.73%, 0.39%

LAB 62.94, -6.07, 61.62

 

CMYK 85 / 0 / 53 / 33

HEX #1AAC50

RGB 26 172 80

HSL 142.19, 0.74%, 0.39%

LAB 61.92, -56.21, 36.97

 

CMYK 85 / 73 / 0 / 33

HEX #1A2EAC

RGB 26 46 172

HSL 231.78, 0.74%, 0.39%

LAB 27.16, 40.57, -68.29

 

CMYK 0 / 85 / 31 / 33

HEX #AC1A76

RGB 172 26 118

HSL 322.19, 0.74%, 0.39%

LAB 39.27, 62.36, -14.75

 

Description

Color code: HEX #AB991B | qconv.com Color code: HEX #AB991B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 153 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 153 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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