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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB98D7 it is the complementary color #546728. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB98D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB98D7 shade: #B098D2, #C1AAE5, #D2BCF8, #E3CEFF and #F4E0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB98D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB98D7 shade: #AB98D7, #9A86C4, #8974B1, #78629E and #67508B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB98D7 shade: #AB98D7, #BC98D7, #CD98D7, #D798D0 and #D798BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB98D7 shade: #AB98D7, #9A98D7 and #9898D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB98D7 shade matches the following richer shades: #AB98D7, #A68CE2, #A181EE and #9D75F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB98D7 shade: #AB98D7, #AFA3CB, #B4AFBF, #B8BAB4 and #BDC6A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB98D7 shade: #98A6D7, #9A98D7, #AB98D7, #BB98D7 and #CC98D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB98D7 shade: #7A5CBF, #927ACB, #AB98D7, #C3B5E2 and #DBD3EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB98D7 shade: #AB98D7, #D798B7 and #9ED798

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB98D7 shade: #AB98D7, #D7AB98 and #98D7AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB98D7 shade: #AB98D7, #D798B7, #C4D798 and #98D7B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB98D7 shade: #AB98D7, #D798A4, #C4D798 and #98D7CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

Complementary color

CMYK 18 / 0 / 61 / 60

HEX #546728

RGB 84 103 40

HSL 78.1, 0.44%, 0.28%

LAB 40.8, -17.86, 32.54

 

CMYK 16 / 28 / 0 / 18

HEX #B098D2

RGB 176 152 210

HSL 264.83, 0.39%, 0.71%

LAB 66.78, 20.27, -26.4

 

CMYK 16 / 26 / 0 / 10

HEX #C1AAE5

RGB 193 170 229

HSL 263.39, 0.53%, 0.78%

LAB 73.38, 19.74, -26.59

 

CMYK 15 / 24 / 0 / 3

HEX #D2BCF8

RGB 210 188 248

HSL 262, 0.81%, 0.85%

LAB 79.87, 19.26, -26.8

 

CMYK 11 / 19 / 0 / 0

HEX #E3CEFF

RGB 227 206 255

HSL 265.71, 1%, 0.9%

LAB 85.85, 16.35, -21.29

 

CMYK 4 / 12 / 0 / 0

HEX #F4E0FF

RGB 244 224 255

HSL 278.71, 1%, 0.94%

LAB 91.58, 12.31, -12.54

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 21 / 32 / 0 / 23

HEX #9A86C4

RGB 154 134 196

HSL 259.35, 0.34%, 0.65%

LAB 59.8, 20.43, -29.48

 

CMYK 23 / 34 / 0 / 31

HEX #8974B1

RGB 137 116 177

HSL 260.66, 0.28%, 0.57%

LAB 52.93, 21.08, -29.41

 

CMYK 24 / 38 / 0 / 38

HEX #78629E

RGB 120 98 158

HSL 262, 0.24%, 0.5%

LAB 45.9, 21.82, -29.38

 

CMYK 26 / 42 / 0 / 45

HEX #67508B

RGB 103 80 139

HSL 263.39, 0.27%, 0.43%

LAB 38.7, 22.65, -29.39

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 13 / 29 / 0 / 16

HEX #BC98D7

RGB 188 152 215

HSL 274.29, 0.44%, 0.72%

LAB 68.06, 25.14, -27.11

 

CMYK 5 / 29 / 0 / 16

HEX #CD98D7

RGB 205 152 215

HSL 290.48, 0.44%, 0.72%

LAB 69.71, 30.57, -24.43

 

CMYK 0 / 29 / 3 / 16

HEX #D798D0

RGB 215 152 208

HSL 306.67, 0.44%, 0.72%

LAB 70.5, 32.51, -19.28

 

CMYK 0 / 29 / 11 / 16

HEX #D798BF

RGB 215 152 191

HSL 322.86, 0.44%, 0.72%

LAB 69.94, 29.55, -10.7

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 28 / 29 / 0 / 16

HEX #9A98D7

RGB 154 152 215

HSL 241.9, 0.44%, 0.72%

LAB 65.15, 14.72, -31.84

 

CMYK 29 / 29 / 0 / 16

HEX #9898D7

RGB 152 152 215

HSL 240, 0.44%, 0.72%

LAB 64.99, 14.13, -32.09

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 27 / 38 / 0 / 11

HEX #A68CE2

RGB 166 140 226

HSL 258.14, 0.6%, 0.72%

LAB 63.63, 27.76, -40.23

 

CMYK 32 / 46 / 0 / 7

HEX #A181EE

RGB 161 129 238

HSL 257.61, 0.76%, 0.72%

LAB 61.18, 35.62, -50.78

 

CMYK 37 / 53 / 0 / 2

HEX #9D75F9

RGB 157 117 249

HSL 258.18, 0.92%, 0.72%

LAB 58.72, 44.19, -60.8

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 14 / 20 / 0 / 20

HEX #AFA3CB

RGB 175 163 203

HSL 258, 0.28%, 0.72%

LAB 69.2, 12.26, -18.84

 

CMYK 6 / 8 / 0 / 25

HEX #B4AFBF

RGB 180 175 191

HSL 258.75, 0.11%, 0.72%

LAB 72.31, 4.83, -7.51

 

CMYK 1 / 0 / 3 / 27

HEX #B8BAB4

RGB 184 186 180

HSL 80, 0.04%, 0.72%

LAB 75.2, -1.8, 2.78

 

CMYK 5 / 0 / 15 / 22

HEX #BDC6A8

RGB 189 198 168

HSL 78, 0.21%, 0.72%

LAB 78.48, -8.39, 14

 

CMYK 29 / 23 / 0 / 16

HEX #98A6D7

RGB 152 166 215

HSL 226.67, 0.44%, 0.72%

LAB 68.65, 6.22, -26.46

 

CMYK 28 / 29 / 0 / 16

HEX #9A98D7

RGB 154 152 215

HSL 241.9, 0.44%, 0.72%

LAB 65.15, 14.72, -31.84

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 13 / 29 / 0 / 16

HEX #BB98D7

RGB 187 152 215

HSL 273.33, 0.44%, 0.72%

LAB 67.97, 24.83, -27.26

 

CMYK 5 / 29 / 0 / 16

HEX #CC98D7

RGB 204 152 215

HSL 289.52, 0.44%, 0.72%

LAB 69.61, 30.25, -24.59

 

CMYK 36 / 52 / 0 / 25

HEX #7A5CBF

RGB 122 92 191

HSL 258.18, 0.44%, 0.55%

LAB 46.38, 34.61, -47.94

 

CMYK 28 / 40 / 0 / 20

HEX #927ACB

RGB 146 122 203

HSL 257.78, 0.44%, 0.64%

LAB 56.43, 26.69, -38.76

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 14 / 20 / 0 / 11

HEX #C3B5E2

RGB 195 181 226

HSL 258.67, 0.44%, 0.8%

LAB 76.16, 13.69, -20.71

 

CMYK 8 / 11 / 0 / 7

HEX #DBD3EE

RGB 219 211 238

HSL 257.78, 0.44%, 0.88%

LAB 85.92, 7.76, -12.25

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 0 / 29 / 15 / 16

HEX #D798B7

RGB 215 152 183

HSL 330.48, 0.44%, 0.72%

LAB 69.7, 28.23, -6.61

 

CMYK 27 / 0 / 29 / 16

HEX #9ED798

RGB 158 215 152

HSL 114.29, 0.44%, 0.72%

LAB 80.81, -30.32, 25.37

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 0 / 20 / 29 / 16

HEX #D7AB98

RGB 215 171 152

HSL 18.1, 0.44%, 0.72%

LAB 73.44, 13.35, 15.9

 

CMYK 29 / 0 / 20 / 16

HEX #98D7AB

RGB 152 215 171

HSL 138.1, 0.44%, 0.72%

LAB 80.86, -28.96, 15.41

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 0 / 29 / 15 / 16

HEX #D798B7

RGB 215 152 183

HSL 330.48, 0.44%, 0.72%

LAB 69.7, 28.23, -6.61

 

CMYK 9 / 0 / 29 / 16

HEX #C4D798

RGB 196 215 152

HSL 78.1, 0.44%, 0.72%

LAB 83.23, -16.88, 29.04

 

CMYK 29 / 0 / 15 / 16

HEX #98D7B7

RGB 152 215 183

HSL 149.52, 0.44%, 0.72%

LAB 81.12, -26.65, 9.42

 

CMYK 20 / 29 / 0 / 16

HEX #AB98D7

RGB 171 152 215

HSL 258.1, 0.44%, 0.72%

LAB 66.54, 19.84, -29.58

 

CMYK 0 / 29 / 24 / 16

HEX #D798A4

RGB 215 152 164

HSL 348.57, 0.44%, 0.72%

LAB 69.17, 25.31, 3.2

 

CMYK 9 / 0 / 29 / 16

HEX #C4D798

RGB 196 215 152

HSL 78.1, 0.44%, 0.72%

LAB 83.23, -16.88, 29.04

 

CMYK 29 / 0 / 6 / 16

HEX #98D7CA

RGB 152 215 202

HSL 167.62, 0.44%, 0.72%

LAB 81.59, -22.71, -0.01

 

Description

Color code: HEX #AB98D7 | qconv.com Color code: HEX #AB98D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 152 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 152 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 29 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 29% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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