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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB83E1 it is the complementary color #547C1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB83E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB83E1 shade: #B083DC, #C195EF, #D2A7FF, #E3B9FF and #F4CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB83E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB83E1 shade: #AB83E1, #9A71CE, #895FBB, #784DA8 and #673B95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB83E1 shade: #AB83E1, #C483E1, #DD83E1, #E183CB and #E183B2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB83E1 shade: #AB83E1, #9283E1 and #8383E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB83E1 shade matches the following richer shades: #AB83E1, #A977ED and #A76BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB83E1 shade: #AB83E1, #AD90D4, #AF9CC8, #B1A8BC and #B2B5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB83E1 shade: #838EE1, #9183E1, #AA83E1, #C383E1 and #DC83E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB83E1 shade: #7E41D1, #9562D9, #AB83E1, #C2A5E9 and #D8C6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB83E1 shade: #AB83E1, #E183A7 and #83E185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB83E1 shade: #AB83E1, #E1AA83 and #83E1AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB83E1 shade: #AB83E1, #E183A7, #BAE183 and #83E1BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB83E1 shade: #AB83E1, #E1838B, #BAE183 and #83E1D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

Complementary color

CMYK 32 / 0 / 76 / 51

HEX #547C1E

RGB 84 124 30

HSL 85.53, 0.61%, 0.3%

LAB 47.49, -29.27, 44.06

 

CMYK 20 / 40 / 0 / 14

HEX #B083DC

RGB 176 131 220

HSL 270.34, 0.56%, 0.69%

LAB 62.19, 34.31, -39.08

 

CMYK 19 / 38 / 0 / 6

HEX #C195EF

RGB 193 149 239

HSL 269.33, 0.74%, 0.76%

LAB 68.8, 33.55, -39.14

 

CMYK 18 / 35 / 0 / 0

HEX #D2A7FF

RGB 210 167 255

HSL 269.32, 1%, 0.83%

LAB 75.18, 32.18, -37.79

 

CMYK 11 / 27 / 0 / 0

HEX #E3B9FF

RGB 227 185 255

HSL 276, 1%, 0.86%

LAB 80.88, 27.59, -28.87

 

CMYK 4 / 20 / 0 / 0

HEX #F4CBFF

RGB 244 203 255

HSL 287.31, 1%, 0.9%

LAB 86.59, 23.35, -20.04

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 25 / 45 / 0 / 19

HEX #9A71CE

RGB 154 113 206

HSL 266.45, 0.49%, 0.63%

LAB 55.21, 34.88, -42.33

 

CMYK 27 / 49 / 0 / 27

HEX #895FBB

RGB 137 95 187

HSL 267.39, 0.4%, 0.55%

LAB 48.37, 35.8, -42.36

 

CMYK 29 / 54 / 0 / 34

HEX #784DA8

RGB 120 77 168

HSL 268.35, 0.37%, 0.48%

LAB 41.42, 36.78, -42.39

 

CMYK 31 / 60 / 0 / 42

HEX #673B95

RGB 103 59 149

HSL 269.33, 0.43%, 0.41%

LAB 34.36, 37.77, -42.37

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 13 / 42 / 0 / 12

HEX #C483E1

RGB 196 131 225

HSL 281.49, 0.61%, 0.7%

LAB 64.49, 41.24, -38.12

 

CMYK 2 / 42 / 0 / 12

HEX #DD83E1

RGB 221 131 225

HSL 297.45, 0.61%, 0.7%

LAB 67.31, 48.61, -33.52

 

CMYK 0 / 42 / 10 / 12

HEX #E183CB

RGB 225 131 203

HSL 314.04, 0.61%, 0.7%

LAB 66.94, 45.99, -21.81

 

CMYK 0 / 42 / 21 / 12

HEX #E183B2

RGB 225 131 178

HSL 330, 0.61%, 0.7%

LAB 66.1, 42.07, -9.03

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 35 / 42 / 0 / 12

HEX #9283E1

RGB 146 131 225

HSL 249.57, 0.61%, 0.7%

LAB 59.69, 27.15, -46

 

CMYK 42 / 42 / 0 / 12

HEX #8383E1

RGB 131 131 225

HSL 240, 0.61%, 0.7%

LAB 58.5, 23.29, -47.95

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 29 / 50 / 0 / 7

HEX #A977ED

RGB 169 119 237

HSL 265.42, 0.77%, 0.7%

LAB 59.66, 43.03, -52.59

 

CMYK 33 / 57 / 0 / 2

HEX #A76BF9

RGB 167 107 249

HSL 265.35, 0.92%, 0.7%

LAB 57.63, 51.93, -62.5

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 18 / 32 / 0 / 17

HEX #AD90D4

RGB 173 144 212

HSL 265.59, 0.44%, 0.7%

LAB 64.63, 24.28, -30.85

 

CMYK 13 / 22 / 0 / 22

HEX #AF9CC8

RGB 175 156 200

HSL 265.91, 0.29%, 0.7%

LAB 67.32, 15.52, -20.02

 

CMYK 6 / 11 / 0 / 26

HEX #B1A8BC

RGB 177 168 188

HSL 267, 0.13%, 0.7%

LAB 70.16, 7.04, -9.08

 

CMYK 2 / 0 / 3 / 29

HEX #B2B5AF

RGB 178 181 175

HSL 90, 0.04%, 0.7%

LAB 73.29, -2.16, 2.68

HEX #B2B5AF

CMYK 42 / 37 / 0 / 12

HEX #838EE1

RGB 131 142 225

HSL 232.98, 0.61%, 0.7%

LAB 61.31, 16.83, -43.51

 

CMYK 36 / 42 / 0 / 12

HEX #9183E1

RGB 145 131 225

HSL 248.94, 0.61%, 0.7%

LAB 59.61, 26.89, -46.13

 

CMYK 24 / 42 / 0 / 12

HEX #AA83E1

RGB 170 131 225

HSL 264.89, 0.61%, 0.7%

LAB 61.84, 33.75, -42.46

 

CMYK 13 / 42 / 0 / 12

HEX #C383E1

RGB 195 131 225

HSL 280.85, 0.61%, 0.7%

LAB 64.38, 40.95, -38.3

 

CMYK 2 / 42 / 0 / 12

HEX #DC83E1

RGB 220 131 225

HSL 296.81, 0.61%, 0.7%

LAB 67.19, 48.31, -33.71

 

CMYK 40 / 69 / 0 / 18

HEX #7E41D1

RGB 126 65 209

HSL 265.42, 0.61%, 0.54%

LAB 42.49, 54.9, -64.6

 

CMYK 31 / 55 / 0 / 15

HEX #9562D9

RGB 149 98 217

HSL 265.71, 0.61%, 0.62%

LAB 51.99, 44.66, -53.72

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 17 / 29 / 0 / 9

HEX #C2A5E9

RGB 194 165 233

HSL 265.59, 0.61%, 0.78%

LAB 72.4, 23.68, -30.26

 

CMYK 10 / 18 / 0 / 5

HEX #D8C6F1

RGB 216 198 241

HSL 265.12, 0.61%, 0.86%

LAB 82.56, 14.31, -18.92

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 0 / 42 / 26 / 12

HEX #E183A7

RGB 225 131 167

HSL 337.02, 0.61%, 0.7%

LAB 65.77, 40.5, -3.31

 

CMYK 42 / 0 / 41 / 12

HEX #83E185

RGB 131 225 133

HSL 121.28, 0.61%, 0.7%

LAB 82.04, -46.27, 36.47

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 0 / 24 / 42 / 12

HEX #E1AA83

RGB 225 170 131

HSL 24.89, 0.61%, 0.7%

LAB 73.8, 15.26, 27.92

 

CMYK 42 / 0 / 24 / 12

HEX #83E1AA

RGB 131 225 170

HSL 144.89, 0.61%, 0.7%

LAB 82.69, -39.94, 18.34

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 0 / 42 / 26 / 12

HEX #E183A7

RGB 225 131 167

HSL 337.02, 0.61%, 0.7%

LAB 65.77, 40.5, -3.31

 

CMYK 17 / 0 / 42 / 12

HEX #BAE183

RGB 186 225 131

HSL 84.89, 0.61%, 0.7%

LAB 84.96, -28.15, 41.8

 

CMYK 42 / 0 / 16 / 12

HEX #83E1BD

RGB 131 225 189

HSL 157.02, 0.61%, 0.7%

LAB 83.1, -36.1, 8.94

 

CMYK 24 / 42 / 0 / 12

HEX #AB83E1

RGB 171 131 225

HSL 265.53, 0.61%, 0.7%

LAB 61.94, 34.03, -42.3

 

CMYK 0 / 42 / 38 / 12

HEX #E1838B

RGB 225 131 139

HSL 354.89, 0.61%, 0.7%

LAB 65.05, 36.95, 11.5

 

CMYK 17 / 0 / 42 / 12

HEX #BAE183

RGB 186 225 131

HSL 84.89, 0.61%, 0.7%

LAB 84.96, -28.15, 41.8

 

CMYK 42 / 0 / 4 / 12

HEX #83E1D9

RGB 131 225 217

HSL 174.89, 0.61%, 0.7%

LAB 83.8, -29.78, -4.84

 

Description

Color code: HEX #AB83E1 | qconv.com Color code: HEX #AB83E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 131 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 131 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 42 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 42% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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