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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB801F it is the complementary color #547FE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB801F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB801F shade: #B0801A, #C1922D, #D2A440, #E3B653 and #F4C866

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB801F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB801F shade: #AB801F, #9A6E0C, #895C00, #784A00 and #673800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB801F shade: #AC811F, #AC5B1F, #AC351F and #AC1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB801F shade: #AC811F, #ACA71F, #8BAC1F, #65AC1F and #3FAC1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB801F shade matches the following richer shades: #AC811F and #BC870F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB801F shade: #AC811F, #9B7A30, #8B7440, #7A6E51 and #6A6761

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB801F shade: #AC341F, #AC5A1F, #AC7F1F, #ACA51F and #8DAC1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB801F shade: #664C12, #896719, #AC811F, #CF9B26 and #DCAC42

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB801F shade: #AB801F, #30AC1F and #471FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB801F shade: #AB801F, #1FAC7F and #7F1FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB801F shade: #AB801F, #30AC1F, #1F4CAC and #9B1FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB801F shade: #AB801F, #1FAC39, #1F4CAC and #AC1F92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 82 / 33

HEX #AB801F

RGB 171 128 31

HSL 41.57, 0.69%, 0.4%

LAB 56.28, 7.77, 54.66

 

Complementary color

CMYK 63 / 43 / 0 / 12

HEX #547FE0

RGB 84 127 224

HSL 221.57, 0.69%, 0.6%

LAB 54.5, 15.21, -53.94

 

CMYK 0 / 27 / 85 / 31

HEX #B0801A

RGB 176 128 26

HSL 40.8, 0.74%, 0.4%

LAB 56.82, 9.89, 56.96

 

CMYK 0 / 24 / 77 / 24

HEX #C1922D

RGB 193 146 45

HSL 40.95, 0.62%, 0.47%

LAB 63.41, 8.22, 56.99

 

CMYK 0 / 22 / 70 / 18

HEX #D2A440

RGB 210 164 64

HSL 41.1, 0.62%, 0.54%

LAB 69.91, 6.81, 56.28

 

CMYK 0 / 20 / 63 / 11

HEX #E3B653

RGB 227 182 83

HSL 41.25, 0.72%, 0.61%

LAB 76.32, 5.61, 55.24

 

CMYK 0 / 18 / 58 / 4

HEX #F4C866

RGB 244 200 102

HSL 41.41, 0.87%, 0.68%

LAB 82.65, 4.57, 54.05

 

CMYK 0 / 25 / 82 / 33

HEX #AB801F

RGB 171 128 31

HSL 41.57, 0.69%, 0.4%

LAB 56.28, 7.77, 54.66

 

CMYK 0 / 29 / 92 / 40

HEX #9A6E0C

RGB 154 110 12

HSL 41.41, 0.86%, 0.33%

LAB 49.55, 9.63, 53.77

 

CMYK 0 / 33 / 100 / 46

HEX #895C00

RGB 137 92 0

HSL 40.29, 1%, 0.27%

LAB 42.72, 11.85, 50.69

 

CMYK 0 / 38 / 100 / 53

HEX #784A00

RGB 120 74 0

HSL 37, 1%, 0.24%

LAB 35.77, 14.4, 45.02

 

CMYK 0 / 46 / 100 / 60

HEX #673800

RGB 103 56 0

HSL 32.62, 1%, 0.2%

LAB 28.67, 17.1, 38.95

 

CMYK 0 / 25 / 82 / 33

HEX #AC811F

RGB 172 129 31

HSL 41.7, 0.69%, 0.4%

LAB 56.65, 7.67, 55.03

 

CMYK 0 / 47 / 82 / 33

HEX #AC5B1F

RGB 172 91 31

HSL 25.53, 0.69%, 0.4%

LAB 47.43, 28.86, 46.72

 

CMYK 0 / 69 / 82 / 33

HEX #AC351F

RGB 172 53 31

HSL 9.36, 0.69%, 0.4%

LAB 40.27, 47.39, 40

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 25 / 82 / 33

HEX #AC811F

RGB 172 129 31

HSL 41.7, 0.69%, 0.4%

LAB 56.65, 7.67, 55.03

 

CMYK 0 / 3 / 82 / 33

HEX #ACA71F

RGB 172 167 31

HSL 57.87, 0.69%, 0.4%

LAB 66.91, -12.88, 63.96

 

CMYK 19 / 0 / 82 / 33

HEX #8BAC1F

RGB 139 172 31

HSL 74.04, 0.69%, 0.4%

LAB 65.82, -29.58, 62.04

 

CMYK 41 / 0 / 82 / 33

HEX #65AC1F

RGB 101 172 31

HSL 90.21, 0.69%, 0.4%

LAB 63.65, -44.11, 59.28

 

CMYK 63 / 0 / 82 / 33

HEX #3FAC1F

RGB 63 172 31

HSL 106.38, 0.69%, 0.4%

LAB 62.22, -55.17, 57.44

 

CMYK 0 / 25 / 82 / 33

HEX #AC811F

RGB 172 129 31

HSL 41.7, 0.69%, 0.4%

LAB 56.65, 7.67, 55.03

 

CMYK 0 / 28 / 92 / 26

HEX #BC870F

RGB 188 135 15

HSL 41.62, 0.85%, 0.4%

LAB 59.94, 11.17, 62.75

 

CMYK 0 / 25 / 82 / 33

HEX #AC811F

RGB 172 129 31

HSL 41.7, 0.69%, 0.4%

LAB 56.65, 7.67, 55.03

 

CMYK 0 / 21 / 69 / 39

HEX #9B7A30

RGB 155 122 48

HSL 41.5, 0.53%, 0.4%

LAB 53.06, 4.65, 43.98

 

CMYK 0 / 17 / 54 / 45

HEX #8B7440

RGB 139 116 64

HSL 41.6, 0.37%, 0.4%

LAB 49.92, 2.03, 31.84

 

CMYK 0 / 10 / 34 / 52

HEX #7A6E51

RGB 122 110 81

HSL 42.44, 0.2%, 0.4%

LAB 46.82, -0.06, 17.91

 

CMYK 0 / 3 / 8 / 58

HEX #6A6761

RGB 106 103 97

HSL 40, 0.04%, 0.4%

LAB 43.69, -0.01, 3.79

 

CMYK 0 / 70 / 82 / 33

HEX #AC341F

RGB 172 52 31

HSL 8.94, 0.69%, 0.4%

LAB 40.12, 47.79, 39.86

 

CMYK 0 / 48 / 82 / 33

HEX #AC5A1F

RGB 172 90 31

HSL 25.11, 0.69%, 0.4%

LAB 47.21, 29.4, 46.52

 

CMYK 0 / 26 / 82 / 33

HEX #AC7F1F

RGB 172 127 31

HSL 40.85, 0.69%, 0.4%

LAB 56.14, 8.79, 54.57

 

CMYK 0 / 4 / 82 / 33

HEX #ACA51F

RGB 172 165 31

HSL 57.02, 0.69%, 0.4%

LAB 66.35, -11.84, 63.49

 

CMYK 18 / 0 / 82 / 33

HEX #8DAC1F

RGB 141 172 31

HSL 73.19, 0.69%, 0.4%

LAB 65.96, -28.75, 62.21

 

CMYK 0 / 25 / 82 / 60

HEX #664C12

RGB 102 76 18

HSL 41.43, 0.7%, 0.24%

LAB 34.06, 4.91, 36.39

 

CMYK 0 / 25 / 82 / 46

HEX #896719

RGB 137 103 25

HSL 41.79, 0.69%, 0.32%

LAB 45.76, 6.05, 45.91

 

CMYK 0 / 25 / 82 / 33

HEX #AC811F

RGB 172 129 31

HSL 41.7, 0.69%, 0.4%

LAB 56.65, 7.67, 55.03

 

CMYK 0 / 25 / 82 / 19

HEX #CF9B26

RGB 207 155 38

HSL 41.54, 0.69%, 0.48%

LAB 67.16, 9.25, 63.44

 

CMYK 0 / 22 / 70 / 14

HEX #DCAC42

RGB 220 172 66

HSL 41.3, 0.69%, 0.56%

LAB 72.97, 6.94, 58.92

 

CMYK 0 / 25 / 82 / 33

HEX #AB801F

RGB 171 128 31

HSL 41.57, 0.69%, 0.4%

LAB 56.28, 7.77, 54.66

 

CMYK 72 / 0 / 82 / 33

HEX #30AC1F

RGB 48 172 31

HSL 112.77, 0.69%, 0.4%

LAB 61.85, -58.25, 56.97

 

CMYK 59 / 82 / 0 / 33

HEX #471FAC

RGB 71 31 172

HSL 257.02, 0.69%, 0.4%

LAB 27.57, 52.39, -67.52

 

CMYK 0 / 25 / 82 / 33

HEX #AB801F

RGB 171 128 31

HSL 41.57, 0.69%, 0.4%

LAB 56.28, 7.77, 54.66

 

CMYK 82 / 0 / 26 / 33

HEX #1FAC7F

RGB 31 172 127

HSL 160.85, 0.69%, 0.4%

LAB 62.78, -46.47, 13.18

 

CMYK 26 / 82 / 0 / 33

HEX #7F1FAC

RGB 127 31 172

HSL 280.85, 0.69%, 0.4%

LAB 34.94, 60.4, -55.15

 

CMYK 0 / 25 / 82 / 33

HEX #AB801F

RGB 171 128 31

HSL 41.57, 0.69%, 0.4%

LAB 56.28, 7.77, 54.66

 

CMYK 72 / 0 / 82 / 33

HEX #30AC1F

RGB 48 172 31

HSL 112.77, 0.69%, 0.4%

LAB 61.85, -58.25, 56.97

 

CMYK 82 / 56 / 0 / 33

HEX #1F4CAC

RGB 31 76 172

HSL 220.85, 0.69%, 0.4%

LAB 34.88, 21.33, -55.63

 

CMYK 10 / 82 / 0 / 33

HEX #9B1FAC

RGB 155 31 172

HSL 292.77, 0.69%, 0.4%

LAB 39.46, 65.39, -47.63

 

CMYK 0 / 25 / 82 / 33

HEX #AB801F

RGB 171 128 31

HSL 41.57, 0.69%, 0.4%

LAB 56.28, 7.77, 54.66

 

CMYK 82 / 0 / 67 / 33

HEX #1FAC39

RGB 31 172 57

HSL 131.06, 0.69%, 0.4%

LAB 61.73, -58.66, 47.44

 

CMYK 82 / 56 / 0 / 33

HEX #1F4CAC

RGB 31 76 172

HSL 220.85, 0.69%, 0.4%

LAB 34.88, 21.33, -55.63

 

CMYK 0 / 82 / 15 / 33

HEX #AC1F92

RGB 172 31 146

HSL 311.06, 0.69%, 0.4%

LAB 40.94, 64.76, -29.44

 

Description

Color code: HEX #AB801F | qconv.com Color code: HEX #AB801F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 128 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 128 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 82 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 82% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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