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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7D67 it is the complementary color #548298. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7D67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7D67 shade: #B07D62, #C18F75, #D2A188, #E3B39B and #F4C5AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7D67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7D67 shade: #AB7D67, #9A6B54, #895941, #78472E and #67351B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7D67 shade: #AB7D67, #AB6B67 and #AB6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7D67 shade: #AB7D67, #AB9067, #ABA267, #A2AB67 and #90AB67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7D67 shade matches the following richer shades: #AB7D67, #BE7654, #D17041, #E4692E and #F7621B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7D67 shade: #AB7D67, #98847A, #858B8D, #7291A0 and #5F98B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7D67 shade: #AB6776, #AB6B67, #AB7D67, #AB8F67 and #ABA167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7D67 shade: #7C5644, #976953, #AB7D67, #BA9482 and #C9AB9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7D67 shade: #AB7D67, #88AB67 and #676DAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7D67 shade: #AB7D67, #67AB7D and #7D67AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7D67 shade: #AB7D67, #88AB67, #6796AB and #8A67AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7D67 shade: #AB7D67, #74AB67, #6796AB and #9F67AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

Complementary color

CMYK 45 / 14 / 0 / 40

HEX #548298

RGB 84 130 152

HSL 199.41, 0.29%, 0.46%

LAB 51.97, -9.58, -16.71

 

CMYK 0 / 29 / 44 / 31

HEX #B07D62

RGB 176 125 98

HSL 20.77, 0.33%, 0.54%

LAB 56.86, 16.42, 22.58

 

CMYK 0 / 26 / 39 / 24

HEX #C18F75

RGB 193 143 117

HSL 20.53, 0.38%, 0.61%

LAB 63.56, 15.53, 21.24

 

CMYK 0 / 23 / 35 / 18

HEX #D2A188

RGB 210 161 136

HSL 20.27, 0.45%, 0.68%

LAB 70.15, 14.75, 20.02

 

CMYK 0 / 21 / 32 / 11

HEX #E3B39B

RGB 227 179 155

HSL 20, 0.56%, 0.75%

LAB 76.64, 14.07, 18.9

 

CMYK 0 / 19 / 29 / 4

HEX #F4C5AE

RGB 244 197 174

HSL 19.71, 0.76%, 0.82%

LAB 83.03, 13.46, 17.86

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 31 / 45 / 40

HEX #9A6B54

RGB 154 107 84

HSL 19.71, 0.29%, 0.47%

LAB 49.53, 15.86, 20.39

 

CMYK 0 / 35 / 53 / 46

HEX #895941

RGB 137 89 65

HSL 20, 0.36%, 0.4%

LAB 42.53, 16.98, 21.96

 

CMYK 0 / 41 / 62 / 53

HEX #78472E

RGB 120 71 46

HSL 20.27, 0.45%, 0.33%

LAB 35.39, 18.33, 23.77

 

CMYK 0 / 49 / 74 / 60

HEX #67351B

RGB 103 53 27

HSL 20.53, 0.58%, 0.25%

LAB 28.14, 19.97, 25.84

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 37 / 40 / 33

HEX #AB6B67

RGB 171 107 103

HSL 3.53, 0.29%, 0.54%

LAB 52.01, 25.07, 12.98

 

CMYK 0 / 40 / 40 / 33

HEX #AB6767

RGB 171 103 103

HSL 0, 0.29%, 0.54%

LAB 51.08, 27.3, 11.69

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 16 / 40 / 33

HEX #AB9067

RGB 171 144 103

HSL 36.18, 0.29%, 0.54%

LAB 61.29, 4.28, 25.57

 

CMYK 0 / 5 / 40 / 33

HEX #ABA267

RGB 171 162 103

HSL 52.06, 0.29%, 0.54%

LAB 66.12, -5.54, 31.85

 

CMYK 5 / 0 / 40 / 33

HEX #A2AB67

RGB 162 171 103

HSL 67.94, 0.29%, 0.54%

LAB 67.86, -13.96, 33.93

 

CMYK 16 / 0 / 40 / 33

HEX #90AB67

RGB 144 171 103

HSL 83.82, 0.29%, 0.54%

LAB 66.55, -21.09, 31.98

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 38 / 56 / 25

HEX #BE7654

RGB 190 118 84

HSL 19.25, 0.45%, 0.54%

LAB 56.63, 24.76, 30.46

 

CMYK 0 / 46 / 69 / 18

HEX #D17041

RGB 209 112 65

HSL 19.58, 0.61%, 0.54%

LAB 57.58, 34.4, 42.46

 

CMYK 0 / 54 / 80 / 11

HEX #E4692E

RGB 228 105 46

HSL 19.45, 0.77%, 0.54%

LAB 58.78, 44.51, 53.78

 

CMYK 0 / 60 / 89 / 3

HEX #F7621B

RGB 247 98 27

HSL 19.36, 0.93%, 0.54%

LAB 60.42, 54.23, 63.68

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 13 / 20 / 40

HEX #98847A

RGB 152 132 122

HSL 20, 0.13%, 0.54%

LAB 56.67, 5.91, 8.19

 

CMYK 6 / 1 / 0 / 45

HEX #858B8D

RGB 133 139 141

HSL 195, 0.03%, 0.54%

LAB 57.44, -1.78, -1.83

 

CMYK 29 / 9 / 0 / 37

HEX #7291A0

RGB 114 145 160

HSL 199.57, 0.19%, 0.54%

LAB 58.38, -7.2, -11.46

 

CMYK 47 / 15 / 0 / 30

HEX #5F98B3

RGB 95 152 179

HSL 199.29, 0.36%, 0.54%

LAB 60.02, -11.27, -19.88

 

CMYK 0 / 40 / 31 / 33

HEX #AB6776

RGB 171 103 118

HSL 346.76, 0.29%, 0.54%

LAB 51.46, 29.23, 3.34

 

CMYK 0 / 37 / 40 / 33

HEX #AB6B67

RGB 171 107 103

HSL 3.53, 0.29%, 0.54%

LAB 52.01, 25.07, 12.98

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 16 / 40 / 33

HEX #AB8F67

RGB 171 143 103

HSL 35.29, 0.29%, 0.54%

LAB 61.03, 4.83, 25.22

 

CMYK 0 / 6 / 40 / 33

HEX #ABA167

RGB 171 161 103

HSL 51.18, 0.29%, 0.54%

LAB 65.85, -5, 31.5

 

CMYK 0 / 31 / 45 / 51

HEX #7C5644

RGB 124 86 68

HSL 19.29, 0.29%, 0.38%

LAB 40.18, 13.36, 16.76

 

CMYK 0 / 30 / 45 / 41

HEX #976953

RGB 151 105 83

HSL 19.41, 0.29%, 0.46%

LAB 48.64, 15.63, 19.73

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 0 / 20 / 30 / 27

HEX #BA9482

RGB 186 148 130

HSL 19.29, 0.29%, 0.62%

LAB 64.35, 11.61, 14.94

 

CMYK 0 / 15 / 22 / 21

HEX #C9AB9C

RGB 201 171 156

HSL 20, 0.29%, 0.7%

LAB 72.19, 8.56, 11.76

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 20 / 0 / 40 / 33

HEX #88AB67

RGB 136 171 103

HSL 90.88, 0.29%, 0.54%

LAB 66.01, -24.15, 31.19

 

CMYK 40 / 36 / 0 / 33

HEX #676DAB

RGB 103 109 171

HSL 234.71, 0.29%, 0.54%

LAB 47.96, 13.63, -33.91

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 40 / 0 / 27 / 33

HEX #67AB7D

RGB 103 171 125

HSL 139.41, 0.29%, 0.54%

LAB 64.56, -31.82, 17.06

 

CMYK 27 / 40 / 0 / 33

HEX #7D67AB

RGB 125 103 171

HSL 259.41, 0.29%, 0.54%

LAB 48.26, 23.64, -33.3

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 20 / 0 / 40 / 33

HEX #88AB67

RGB 136 171 103

HSL 90.88, 0.29%, 0.54%

LAB 66.01, -24.15, 31.19

 

CMYK 40 / 12 / 0 / 33

HEX #6796AB

RGB 103 150 171

HSL 198.53, 0.29%, 0.54%

LAB 59.56, -10.31, -16.01

 

CMYK 19 / 40 / 0 / 33

HEX #8A67AB

RGB 138 103 171

HSL 270.88, 0.29%, 0.54%

LAB 49.55, 27.6, -31.19

 

CMYK 0 / 27 / 40 / 33

HEX #AB7D67

RGB 171 125 103

HSL 19.41, 0.29%, 0.54%

LAB 56.39, 14.92, 19

 

CMYK 32 / 0 / 40 / 33

HEX #74AB67

RGB 116 171 103

HSL 108.53, 0.29%, 0.54%

LAB 64.82, -31.39, 29.41

 

CMYK 40 / 12 / 0 / 33

HEX #6796AB

RGB 103 150 171

HSL 198.53, 0.29%, 0.54%

LAB 59.56, -10.31, -16.01

 

CMYK 7 / 40 / 0 / 33

HEX #9F67AB

RGB 159 103 171

HSL 289.41, 0.29%, 0.54%

LAB 51.85, 34.18, -27.43

 

Description

Color code: HEX #AB7D67 | qconv.com Color code: HEX #AB7D67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 125 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 125 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 40 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 40% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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