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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7C67 it is the complementary color #548398. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7C67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7C67 shade: #B07C62, #C18E75, #D2A088, #E3B29B and #F4C4AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7C67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7C67 shade: #AB7C67, #9A6A54, #895841, #78462E and #67341B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7C67 shade: #AB7C67, #AB6A67 and #AB6767

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7C67 shade: #AB7C67, #AB8F67, #ABA167, #A3AB67 and #91AB67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7C67 shade matches the following richer shades: #AB7C67, #BE7554, #D16E41, #E4662E and #F75F1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7C67 shade: #AB7C67, #98837A, #858B8D, #7292A0 and #5F99B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7C67 shade: #AB6777, #AB6967, #AB7C67, #AB8E67 and #ABA067

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7C67 shade: #7C5544, #976853, #AB7C67, #BA9382 and #C9AA9C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7C67 shade: #AB7C67, #89AB67 and #676EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7C67 shade: #AB7C67, #67AB7C and #7C67AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7C67 shade: #AB7C67, #89AB67, #6797AB and #8967AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7C67 shade: #AB7C67, #75AB67, #6797AB and #9E67AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

Complementary color

CMYK 45 / 14 / 0 / 40

HEX #548398

RGB 84 131 152

HSL 198.53, 0.29%, 0.46%

LAB 52.27, -10.14, -16.26

 

CMYK 0 / 30 / 44 / 31

HEX #B07C62

RGB 176 124 98

HSL 20, 0.33%, 0.54%

LAB 56.61, 16.98, 22.25

 

CMYK 0 / 26 / 39 / 24

HEX #C18E75

RGB 193 142 117

HSL 19.74, 0.38%, 0.61%

LAB 63.32, 16.08, 20.9

 

CMYK 0 / 24 / 35 / 18

HEX #D2A088

RGB 210 160 136

HSL 19.46, 0.45%, 0.68%

LAB 69.91, 15.29, 19.68

 

CMYK 0 / 22 / 32 / 11

HEX #E3B29B

RGB 227 178 155

HSL 19.17, 0.56%, 0.75%

LAB 76.4, 14.6, 18.56

 

CMYK 0 / 20 / 29 / 4

HEX #F4C4AE

RGB 244 196 174

HSL 18.86, 0.76%, 0.82%

LAB 82.79, 13.99, 17.53

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 31 / 45 / 40

HEX #9A6A54

RGB 154 106 84

HSL 18.86, 0.29%, 0.47%

LAB 49.27, 16.44, 20.05

 

CMYK 0 / 36 / 53 / 46

HEX #895841

RGB 137 88 65

HSL 19.17, 0.36%, 0.4%

LAB 42.28, 17.56, 21.63

 

CMYK 0 / 42 / 62 / 53

HEX #78462E

RGB 120 70 46

HSL 19.46, 0.45%, 0.33%

LAB 35.14, 18.92, 23.46

 

CMYK 0 / 50 / 74 / 60

HEX #67341B

RGB 103 52 27

HSL 19.74, 0.58%, 0.25%

LAB 27.9, 20.57, 25.57

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 38 / 40 / 33

HEX #AB6A67

RGB 171 106 103

HSL 2.65, 0.29%, 0.54%

LAB 51.78, 25.63, 12.66

 

CMYK 0 / 40 / 40 / 33

HEX #AB6767

RGB 171 103 103

HSL 0, 0.29%, 0.54%

LAB 51.08, 27.3, 11.69

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 16 / 40 / 33

HEX #AB8F67

RGB 171 143 103

HSL 35.29, 0.29%, 0.54%

LAB 61.03, 4.83, 25.22

 

CMYK 0 / 6 / 40 / 33

HEX #ABA167

RGB 171 161 103

HSL 51.18, 0.29%, 0.54%

LAB 65.85, -5, 31.5

 

CMYK 5 / 0 / 40 / 33

HEX #A3AB67

RGB 163 171 103

HSL 67.06, 0.29%, 0.54%

LAB 67.94, -13.56, 34.05

 

CMYK 15 / 0 / 40 / 33

HEX #91AB67

RGB 145 171 103

HSL 82.94, 0.29%, 0.54%

LAB 66.62, -20.7, 32.08

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 38 / 56 / 25

HEX #BE7554

RGB 190 117 84

HSL 18.68, 0.45%, 0.54%

LAB 56.4, 25.31, 30.17

 

CMYK 0 / 47 / 69 / 18

HEX #D16E41

RGB 209 110 65

HSL 18.75, 0.61%, 0.54%

LAB 57.16, 35.44, 41.98

 

CMYK 0 / 55 / 80 / 11

HEX #E4662E

RGB 228 102 46

HSL 18.46, 0.77%, 0.54%

LAB 58.22, 45.95, 53.25

 

CMYK 0 / 62 / 89 / 3

HEX #F75F1B

RGB 247 95 27

HSL 18.55, 0.93%, 0.54%

LAB 59.92, 55.53, 63.32

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 14 / 20 / 40

HEX #98837A

RGB 152 131 122

HSL 18, 0.13%, 0.54%

LAB 56.4, 6.48, 7.81

 

CMYK 6 / 1 / 0 / 45

HEX #858B8D

RGB 133 139 141

HSL 195, 0.03%, 0.54%

LAB 57.44, -1.78, -1.83

 

CMYK 29 / 9 / 0 / 37

HEX #7292A0

RGB 114 146 160

HSL 198.26, 0.19%, 0.54%

LAB 58.67, -7.75, -11.03

 

CMYK 47 / 15 / 0 / 30

HEX #5F99B3

RGB 95 153 179

HSL 198.57, 0.36%, 0.54%

LAB 60.31, -11.82, -19.43

 

CMYK 0 / 40 / 30 / 33

HEX #AB6777

RGB 171 103 119

HSL 345.88, 0.29%, 0.54%

LAB 51.49, 29.37, 2.78

 

CMYK 0 / 39 / 40 / 33

HEX #AB6967

RGB 171 105 103

HSL 1.76, 0.29%, 0.54%

LAB 51.54, 26.19, 12.33

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 17 / 40 / 33

HEX #AB8E67

RGB 171 142 103

HSL 34.41, 0.29%, 0.54%

LAB 60.77, 5.39, 24.87

 

CMYK 0 / 6 / 40 / 33

HEX #ABA067

RGB 171 160 103

HSL 50.29, 0.29%, 0.54%

LAB 65.58, -4.46, 31.15

 

CMYK 0 / 31 / 45 / 51

HEX #7C5544

RGB 124 85 68

HSL 18.21, 0.29%, 0.38%

LAB 39.91, 13.96, 16.41

 

CMYK 0 / 31 / 45 / 41

HEX #976853

RGB 151 104 83

HSL 18.53, 0.29%, 0.46%

LAB 48.39, 16.2, 19.39

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 0 / 21 / 30 / 27

HEX #BA9382

RGB 186 147 130

HSL 18.21, 0.29%, 0.62%

LAB 64.09, 12.16, 14.58

 

CMYK 0 / 15 / 22 / 21

HEX #C9AA9C

RGB 201 170 156

HSL 18.67, 0.29%, 0.7%

LAB 71.94, 9.1, 11.4

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 20 / 0 / 40 / 33

HEX #89AB67

RGB 137 171 103

HSL 90, 0.29%, 0.54%

LAB 66.08, -23.77, 31.28

 

CMYK 40 / 36 / 0 / 33

HEX #676EAB

RGB 103 110 171

HSL 233.82, 0.29%, 0.54%

LAB 48.23, 13.02, -33.48

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 40 / 0 / 27 / 33

HEX #67AB7C

RGB 103 171 124

HSL 138.53, 0.29%, 0.54%

LAB 64.54, -32.01, 17.58

 

CMYK 27 / 40 / 0 / 33

HEX #7C67AB

RGB 124 103 171

HSL 258.53, 0.29%, 0.54%

LAB 48.17, 23.34, -33.45

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 20 / 0 / 40 / 33

HEX #89AB67

RGB 137 171 103

HSL 90, 0.29%, 0.54%

LAB 66.08, -23.77, 31.28

 

CMYK 40 / 12 / 0 / 33

HEX #6797AB

RGB 103 151 171

HSL 197.65, 0.29%, 0.54%

LAB 59.85, -10.86, -15.57

 

CMYK 20 / 40 / 0 / 33

HEX #8967AB

RGB 137 103 171

HSL 270, 0.29%, 0.54%

LAB 49.45, 27.29, -31.36

 

CMYK 0 / 27 / 40 / 33

HEX #AB7C67

RGB 171 124 103

HSL 18.53, 0.29%, 0.54%

LAB 56.14, 15.49, 18.66

 

CMYK 32 / 0 / 40 / 33

HEX #75AB67

RGB 117 171 103

HSL 107.65, 0.29%, 0.54%

LAB 64.87, -31.04, 29.49

 

CMYK 40 / 12 / 0 / 33

HEX #6797AB

RGB 103 151 171

HSL 197.65, 0.29%, 0.54%

LAB 59.85, -10.86, -15.57

 

CMYK 8 / 40 / 0 / 33

HEX #9E67AB

RGB 158 103 171

HSL 288.53, 0.29%, 0.54%

LAB 51.74, 33.86, -27.62

 

Description

Color code: HEX #AB7C67 | qconv.com Color code: HEX #AB7C67 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 124 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 124 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 40 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 40% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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