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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7B4E it is the complementary color #5484B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7B4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7B4E shade: #B07B49, #C18D5C, #D29F6F, #E3B182 and #F4C395

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7B4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7B4E shade: #AB7B4E, #9A693B, #895728, #784515 and #673302

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7B4E shade: #AB7B4E, #AB624E and #AB4E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7B4E shade: #AB7B4E, #AB944E, #A9AB4E, #90AB4E and #77AB4E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7B4E shade matches the following richer shades: #AB7B4E, #BF7A3A, #D37A26 and #E77912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7B4E shade: #AB7B4E, #967C62, #827C77, #6E7D8B and #5A7E9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7B4E shade: #AB4E53, #AB624E, #AB7B4E, #AB944E and #A9AB4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7B4E shade: #725234, #8E6741, #AB7B4E, #BA9069 and #C7A585

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7B4E shade: #AB7B4E, #6BAB4E and #564EAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7B4E shade: #AB7B4E, #4EAB7B and #7B4EAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7B4E shade: #AB7B4E, #6BAB4E, #4E7EAB and #8D4EAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7B4E shade: #AB7B4E, #50AB4E, #4E7EAB and #A94EAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

Complementary color

CMYK 53 / 25 / 0 / 31

HEX #5484B1

RGB 84 132 177

HSL 209.03, 0.37%, 0.51%

LAB 53.56, -3.21, -28.73

 

CMYK 0 / 30 / 59 / 31

HEX #B07B49

RGB 176 123 73

HSL 29.13, 0.41%, 0.49%

LAB 55.96, 15.17, 35.27

 

CMYK 0 / 27 / 52 / 24

HEX #C18D5C

RGB 193 141 92

HSL 29.11, 0.45%, 0.56%

LAB 62.64, 14.03, 33.75

 

CMYK 0 / 24 / 47 / 18

HEX #D29F6F

RGB 210 159 111

HSL 29.09, 0.52%, 0.63%

LAB 69.22, 13.06, 32.32

 

CMYK 0 / 22 / 43 / 11

HEX #E3B182

RGB 227 177 130

HSL 29.07, 0.63%, 0.7%

LAB 75.69, 12.22, 30.99

 

CMYK 0 / 20 / 39 / 4

HEX #F4C395

RGB 244 195 149

HSL 29.05, 0.81%, 0.77%

LAB 82.07, 11.48, 29.76

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 32 / 62 / 40

HEX #9A693B

RGB 154 105 59

HSL 29.05, 0.45%, 0.42%

LAB 48.62, 14.67, 33.39

 

CMYK 0 / 36 / 71 / 46

HEX #895728

RGB 137 87 40

HSL 29.07, 0.55%, 0.35%

LAB 41.67, 16.16, 35.03

 

CMYK 0 / 43 / 83 / 53

HEX #784515

RGB 120 69 21

HSL 29.09, 0.7%, 0.28%

LAB 34.61, 17.98, 36.45

 

CMYK 0 / 50 / 98 / 60

HEX #673302

RGB 103 51 2

HSL 29.11, 0.96%, 0.21%

LAB 27.45, 20.16, 37.12

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 43 / 54 / 33

HEX #AB624E

RGB 171 98 78

HSL 12.9, 0.37%, 0.49%

LAB 49.43, 27.46, 24.15

 

CMYK 0 / 54 / 54 / 33

HEX #AB4E4E

RGB 171 78 78

HSL 0, 0.37%, 0.49%

LAB 45.16, 38.14, 18.54

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 13 / 54 / 33

HEX #AB944E

RGB 171 148 78

HSL 45.16, 0.37%, 0.49%

LAB 61.99, -0.48, 39.77

 

CMYK 1 / 0 / 54 / 33

HEX #A9AB4E

RGB 169 171 78

HSL 61.29, 0.37%, 0.49%

LAB 68.1, -13.59, 46.87

 

CMYK 16 / 0 / 54 / 33

HEX #90AB4E

RGB 144 171 78

HSL 77.42, 0.37%, 0.49%

LAB 66.22, -23.93, 44.2

 

CMYK 30 / 0 / 54 / 33

HEX #77AB4E

RGB 119 171 78

HSL 93.55, 0.37%, 0.49%

LAB 64.64, -33.57, 41.96

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 36 / 70 / 25

HEX #BF7A3A

RGB 191 122 58

HSL 28.87, 0.53%, 0.49%

LAB 57.37, 21.18, 45.07

 

CMYK 0 / 42 / 82 / 17

HEX #D37A26

RGB 211 122 38

HSL 29.13, 0.69%, 0.49%

LAB 59.81, 28.79, 57.13

 

CMYK 0 / 48 / 92 / 9

HEX #E77912

RGB 231 121 18

HSL 29.01, 0.86%, 0.49%

LAB 62.26, 37.06, 66.32

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 17 / 35 / 41

HEX #967C62

RGB 150 124 98

HSL 30, 0.21%, 0.49%

LAB 53.79, 6.11, 17.97

 

CMYK 0 / 5 / 8 / 49

HEX #827C77

RGB 130 124 119

HSL 27.27, 0.04%, 0.49%

LAB 52.39, 1.33, 3.53

 

CMYK 21 / 10 / 0 / 45

HEX #6E7D8B

RGB 110 125 139

HSL 208.97, 0.12%, 0.49%

LAB 51.66, -2.28, -9.43

 

CMYK 43 / 21 / 0 / 38

HEX #5A7E9F

RGB 90 126 159

HSL 208.7, 0.28%, 0.49%

LAB 51.38, -3.64, -21.66

 

CMYK 0 / 54 / 51 / 33

HEX #AB4E53

RGB 171 78 83

HSL 356.77, 0.37%, 0.49%

LAB 45.26, 38.59, 15.65

 

CMYK 0 / 43 / 54 / 33

HEX #AB624E

RGB 171 98 78

HSL 12.9, 0.37%, 0.49%

LAB 49.43, 27.46, 24.15

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 13 / 54 / 33

HEX #AB944E

RGB 171 148 78

HSL 45.16, 0.37%, 0.49%

LAB 61.99, -0.48, 39.77

 

CMYK 1 / 0 / 54 / 33

HEX #A9AB4E

RGB 169 171 78

HSL 61.29, 0.37%, 0.49%

LAB 68.1, -13.59, 46.87

 

CMYK 0 / 28 / 54 / 55

HEX #725234

RGB 114 82 52

HSL 29.03, 0.37%, 0.33%

LAB 37.59, 9.5, 22.77

 

CMYK 0 / 27 / 54 / 44

HEX #8E6741

RGB 142 103 65

HSL 29.61, 0.37%, 0.41%

LAB 46.75, 11, 27.46

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 0 / 23 / 44 / 27

HEX #BA9069

RGB 186 144 105

HSL 28.89, 0.37%, 0.57%

LAB 62.85, 10.75, 26.79

 

CMYK 0 / 17 / 33 / 22

HEX #C7A585

RGB 199 165 133

HSL 29.09, 0.37%, 0.65%

LAB 70, 7.85, 21.27

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 37 / 0 / 54 / 33

HEX #6BAB4E

RGB 107 171 78

HSL 101.29, 0.37%, 0.49%

LAB 64, -37.83, 41.04

 

CMYK 50 / 54 / 0 / 33

HEX #564EAB

RGB 86 78 171

HSL 245.16, 0.37%, 0.49%

LAB 38.49, 28.62, -49.04

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 54 / 0 / 28 / 33

HEX #4EAB7B

RGB 78 171 123

HSL 149.03, 0.37%, 0.49%

LAB 63.49, -39.01, 16.52

 

CMYK 28 / 54 / 0 / 33

HEX #7B4EAB

RGB 123 78 171

HSL 269.03, 0.37%, 0.49%

LAB 42.15, 37.76, -42.97

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 37 / 0 / 54 / 33

HEX #6BAB4E

RGB 107 171 78

HSL 101.29, 0.37%, 0.49%

LAB 64, -37.83, 41.04

 

CMYK 54 / 26 / 0 / 33

HEX #4E7EAB

RGB 78 126 171

HSL 209.03, 0.37%, 0.49%

LAB 51.25, -2.97, -28.88

 

CMYK 18 / 54 / 0 / 33

HEX #8D4EAB

RGB 141 78 171

HSL 280.65, 0.37%, 0.49%

LAB 44.31, 42.61, -39.42

 

CMYK 0 / 28 / 54 / 33

HEX #AB7B4E

RGB 171 123 78

HSL 29.03, 0.37%, 0.49%

LAB 55.46, 13.44, 31.81

 

CMYK 53 / 0 / 54 / 33

HEX #50AB4E

RGB 80 171 78

HSL 118.71, 0.37%, 0.49%

LAB 62.83, -46.17, 39.36

 

CMYK 54 / 26 / 0 / 33

HEX #4E7EAB

RGB 78 126 171

HSL 209.03, 0.37%, 0.49%

LAB 51.25, -2.97, -28.88

 

CMYK 1 / 54 / 0 / 33

HEX #A94EAB

RGB 169 78 171

HSL 298.71, 0.37%, 0.49%

LAB 48.04, 50.36, -33.28

 

Description

Color code: HEX #AB7B4E | qconv.com Color code: HEX #AB7B4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 123 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 123 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 54 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 54% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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