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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7A16 it is the complementary color #5485E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7A16. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7A16 shade: #B07A11, #C18C24, #D29E37, #E3B04A and #F4C25D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7A16. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7A16 shade: #AB7A16, #9A6803, #895600, #784400 and #673200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7A16 shade: #AB7A16, #AB5216, #AB2916 and #AB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7A16 shade: #AB7A16, #ABA216, #8CAB16, #63AB16 and #3BAB16

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7A16 shade matches the following richer shades: #AB7A16 and #BB7F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7A16 shade: #AB7A16, #9B7525, #8C6F35, #7C6A45 and #6C6455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7A16 shade: #AB2A16, #AB5116, #AB7916, #ABA116 and #8DAB16

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7A16 shade: #62460C, #866011, #AB7A16, #D0941B and #E4A830

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7A16 shade: #AB7A16, #2AAB16 and #3E16AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7A16 shade: #AB7A16, #16AB79 and #7916AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7A16 shade: #AB7A16, #2AAB16, #1648AB and #9716AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7A16 shade: #AB7A16, #16AB2F, #1648AB and #AB1692

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

Complementary color

CMYK 64 / 43 / 0 / 9

HEX #5485E9

RGB 84 133 233

HSL 220.27, 0.77%, 0.62%

LAB 56.63, 14.62, -55.56

 

CMYK 0 / 31 / 90 / 31

HEX #B07A11

RGB 176 122 17

HSL 39.62, 0.82%, 0.38%

LAB 55.27, 13.02, 58.15

 

CMYK 0 / 27 / 81 / 24

HEX #C18C24

RGB 193 140 36

HSL 39.75, 0.69%, 0.45%

LAB 61.84, 11.17, 58.82

 

CMYK 0 / 25 / 74 / 18

HEX #D29E37

RGB 210 158 55

HSL 39.87, 0.63%, 0.52%

LAB 68.34, 9.59, 58.45

 

CMYK 0 / 22 / 67 / 11

HEX #E3B04A

RGB 227 176 74

HSL 40, 0.73%, 0.59%

LAB 74.75, 8.24, 57.56

 

CMYK 0 / 20 / 62 / 4

HEX #F4C25D

RGB 244 194 93

HSL 40.13, 0.87%, 0.66%

LAB 81.08, 7.07, 56.44

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 0 / 32 / 98 / 40

HEX #9A6803

RGB 154 104 3

HSL 40.13, 0.96%, 0.31%

LAB 47.98, 12.91, 54.54

 

CMYK 0 / 37 / 100 / 46

HEX #895600

RGB 137 86 0

HSL 37.66, 1%, 0.27%

LAB 41.17, 15.36, 49.67

 

CMYK 0 / 43 / 100 / 53

HEX #784400

RGB 120 68 0

HSL 34, 1%, 0.24%

LAB 34.25, 17.98, 44.04

 

CMYK 0 / 51 / 100 / 60

HEX #673200

RGB 103 50 0

HSL 29.13, 1%, 0.2%

LAB 27.2, 20.69, 37.71

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 0 / 52 / 87 / 33

HEX #AB5216

RGB 171 82 22

HSL 24.16, 0.77%, 0.38%

LAB 45.29, 33, 48.42

 

CMYK 0 / 76 / 87 / 33

HEX #AB2916

RGB 171 41 22

HSL 7.65, 0.77%, 0.38%

LAB 38.38, 51.31, 42.69

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 0 / 5 / 87 / 33

HEX #ABA216

RGB 171 162 22

HSL 56.38, 0.77%, 0.38%

LAB 65.4, -10.97, 64.86

 

CMYK 18 / 0 / 87 / 33

HEX #8CAB16

RGB 140 171 22

HSL 72.48, 0.77%, 0.38%

LAB 65.56, -28.98, 64

 

CMYK 42 / 0 / 87 / 33

HEX #63AB16

RGB 99 171 22

HSL 88.99, 0.77%, 0.38%

LAB 63.21, -44.75, 61.06

 

CMYK 65 / 0 / 87 / 33

HEX #3BAB16

RGB 59 171 22

HSL 105.1, 0.77%, 0.38%

LAB 61.75, -56.15, 59.23

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 0 / 32 / 97 / 27

HEX #BB7F06

RGB 187 127 6

HSL 40.11, 0.94%, 0.38%

LAB 57.81, 15.02, 62.69

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 0 / 25 / 76 / 39

HEX #9B7525

RGB 155 117 37

HSL 40.68, 0.61%, 0.38%

LAB 51.64, 6.9, 47.41

 

CMYK 0 / 21 / 62 / 45

HEX #8C6F35

RGB 140 111 53

HSL 40, 0.45%, 0.38%

LAB 48.51, 4.42, 36.04

 

CMYK 0 / 15 / 44 / 51

HEX #7C6A45

RGB 124 106 69

HSL 40.36, 0.28%, 0.38%

LAB 45.67, 1.61, 23.39

 

CMYK 0 / 7 / 21 / 58

HEX #6C6455

RGB 108 100 85

HSL 39.13, 0.12%, 0.38%

LAB 42.7, 0.44, 9.66

 

CMYK 0 / 75 / 87 / 33

HEX #AB2A16

RGB 171 42 22

HSL 8.05, 0.77%, 0.38%

LAB 38.5, 50.97, 42.79

 

CMYK 0 / 53 / 87 / 33

HEX #AB5116

RGB 171 81 22

HSL 23.76, 0.77%, 0.38%

LAB 45.08, 33.52, 48.25

 

CMYK 0 / 29 / 87 / 33

HEX #AB7916

RGB 171 121 22

HSL 39.87, 0.77%, 0.38%

LAB 54.44, 11.43, 55.93

 

CMYK 0 / 6 / 87 / 33

HEX #ABA116

RGB 171 161 22

HSL 55.97, 0.77%, 0.38%

LAB 65.13, -10.44, 64.63

 

CMYK 18 / 0 / 87 / 33

HEX #8DAB16

RGB 141 171 22

HSL 72.08, 0.77%, 0.38%

LAB 65.63, -28.56, 64.08

 

CMYK 0 / 29 / 88 / 62

HEX #62460C

RGB 98 70 12

HSL 40.47, 0.78%, 0.22%

LAB 31.81, 6.37, 36.55

 

CMYK 0 / 28 / 87 / 47

HEX #866011

RGB 134 96 17

HSL 40.51, 0.77%, 0.3%

LAB 43.47, 8.45, 46.56

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 0 / 29 / 87 / 18

HEX #D0941B

RGB 208 148 27

HSL 40.11, 0.77%, 0.46%

LAB 65.49, 13.17, 65.3

 

CMYK 0 / 26 / 79 / 11

HEX #E4A830

RGB 228 168 48

HSL 40, 0.77%, 0.54%

LAB 72.7, 11.73, 65.9

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 75 / 0 / 87 / 33

HEX #2AAB16

RGB 42 171 22

HSL 111.95, 0.77%, 0.38%

LAB 61.37, -59.38, 58.75

 

CMYK 64 / 87 / 0 / 33

HEX #3E16AB

RGB 62 22 171

HSL 256.11, 0.77%, 0.38%

LAB 25.38, 54.7, -70.57

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 87 / 0 / 29 / 33

HEX #16AB79

RGB 22 171 121

HSL 159.87, 0.77%, 0.38%

LAB 62.23, -48.26, 15.7

 

CMYK 29 / 87 / 0 / 33

HEX #7916AB

RGB 121 22 171

HSL 279.87, 0.77%, 0.38%

LAB 33.09, 61.71, -57.61

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 75 / 0 / 87 / 33

HEX #2AAB16

RGB 42 171 22

HSL 111.95, 0.77%, 0.38%

LAB 61.37, -59.38, 58.75

 

CMYK 87 / 58 / 0 / 33

HEX #1648AB

RGB 22 72 171

HSL 219.87, 0.77%, 0.38%

LAB 33.45, 22.9, -57.38

 

CMYK 12 / 87 / 0 / 33

HEX #9716AB

RGB 151 22 171

HSL 291.95, 0.77%, 0.38%

LAB 38.01, 66.57, -49.4

 

CMYK 0 / 29 / 87 / 33

HEX #AB7A16

RGB 171 122 22

HSL 40.27, 0.77%, 0.38%

LAB 54.69, 10.87, 56.14

 

CMYK 87 / 0 / 73 / 33

HEX #16AB2F

RGB 22 171 47

HSL 130.07, 0.77%, 0.38%

LAB 61.22, -60.23, 50.9

 

CMYK 87 / 58 / 0 / 33

HEX #1648AB

RGB 22 72 171

HSL 219.87, 0.77%, 0.38%

LAB 33.45, 22.9, -57.38

 

CMYK 0 / 87 / 15 / 33

HEX #AB1692

RGB 171 22 146

HSL 310.07, 0.77%, 0.38%

LAB 40.09, 66.47, -30.78

 

Description

Color code: HEX #AB7A16 | qconv.com Color code: HEX #AB7A16 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 122 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 122 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 87 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 87% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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