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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB732A it is the complementary color #548CD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB732A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB732A shade: #B07325, #C18538, #D2974B, #E3A95E and #F4BB71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB732A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB732A shade: #AB732A, #9A6117, #894F04, #783D00 and #672B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB732A shade: #AC7329, #AC5029, #AC2D29 and #AC2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB732A shade: #AC7329, #AC9629, #9EAC29, #7BAC29 and #58AC29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB732A shade matches the following richer shades: #AC7329, #BD7518 and #CF7807

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB732A shade: #AC7329, #9B713B, #896F4C, #786C5D and #676A6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB732A shade: #AC2B29, #AC4E29, #AC7129, #AC9429 and #A1AC29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB732A shade: #6A4719, #8B5D21, #AC7329, #CD8932 and #D59C53

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB732A shade: #AB732A, #4AAC29 and #3D29AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB732A shade: #AB732A, #29AC71 and #7129AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB732A shade: #AB732A, #4AAC29, #2964AC and #8B29AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB732A shade: #AB732A, #29AC30, #2964AC and #AC29A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 75 / 33

HEX #AB732A

RGB 171 115 42

HSL 33.95, 0.61%, 0.42%

LAB 53.04, 15.52, 47.28

 

Complementary color

CMYK 61 / 34 / 0 / 16

HEX #548CD5

RGB 84 140 213

HSL 213.95, 0.61%, 0.58%

LAB 57.51, 3.71, -42.99

 

CMYK 0 / 35 / 79 / 31

HEX #B07325

RGB 176 115 37

HSL 33.67, 0.65%, 0.42%

LAB 53.63, 17.53, 50.19

 

CMYK 0 / 31 / 71 / 24

HEX #C18538

RGB 193 133 56

HSL 33.72, 0.55%, 0.49%

LAB 60.25, 15.87, 49.17

 

CMYK 0 / 28 / 64 / 18

HEX #D2974B

RGB 210 151 75

HSL 33.78, 0.6%, 0.56%

LAB 66.78, 14.46, 47.86

 

CMYK 0 / 26 / 59 / 11

HEX #E3A95E

RGB 227 169 94

HSL 33.83, 0.7%, 0.63%

LAB 73.23, 13.25, 46.47

 

CMYK 0 / 23 / 54 / 4

HEX #F4BB71

RGB 244 187 113

HSL 33.89, 0.86%, 0.7%

LAB 79.59, 12.2, 45.08

 

CMYK 0 / 33 / 75 / 33

HEX #AB732A

RGB 171 115 42

HSL 33.95, 0.61%, 0.42%

LAB 53.04, 15.52, 47.28

 

CMYK 0 / 37 / 85 / 40

HEX #9A6117

RGB 154 97 23

HSL 33.89, 0.74%, 0.35%

LAB 46.29, 17.35, 47.92

 

CMYK 0 / 42 / 97 / 46

HEX #894F04

RGB 137 79 4

HSL 33.83, 0.94%, 0.28%

LAB 39.44, 19.52, 47.33

 

CMYK 0 / 49 / 100 / 53

HEX #783D00

RGB 120 61 0

HSL 30.5, 1%, 0.24%

LAB 32.55, 22.08, 42.98

 

CMYK 0 / 58 / 100 / 60

HEX #672B00

RGB 103 43 0

HSL 25.05, 1%, 0.2%

LAB 25.6, 24.72, 36.27

 

CMYK 0 / 33 / 76 / 33

HEX #AC7329

RGB 172 115 41

HSL 33.89, 0.62%, 0.42%

LAB 53.16, 15.92, 47.87

 

CMYK 0 / 53 / 76 / 33

HEX #AC5029

RGB 172 80 41

HSL 17.86, 0.62%, 0.42%

LAB 45.18, 35.1, 39.77

 

CMYK 0 / 74 / 76 / 33

HEX #AC2D29

RGB 172 45 41

HSL 1.83, 0.62%, 0.42%

LAB 39.25, 50.83, 33.44

 

CMYK 0 / 76 / 76 / 33

HEX #AC2929

RGB 172 41 41

HSL 0, 0.62%, 0.42%

LAB 38.75, 52.22, 32.89

 

CMYK 0 / 33 / 76 / 33

HEX #AC7329

RGB 172 115 41

HSL 33.89, 0.62%, 0.42%

LAB 53.16, 15.92, 47.87

 

CMYK 0 / 13 / 76 / 33

HEX #AC9629

RGB 172 150 41

HSL 49.92, 0.62%, 0.42%

LAB 62.29, -3.5, 56.66

 

CMYK 8 / 0 / 76 / 33

HEX #9EAC29

RGB 158 172 41

HSL 66.41, 0.62%, 0.42%

LAB 67.23, -21.16, 60.84

 

CMYK 28 / 0 / 76 / 33

HEX #7BAC29

RGB 123 172 41

HSL 82.44, 0.62%, 0.42%

LAB 64.86, -35.53, 57.78

 

CMYK 49 / 0 / 76 / 33

HEX #58AC29

RGB 88 172 41

HSL 98.47, 0.62%, 0.42%

LAB 63.13, -47.81, 55.5

 

CMYK 0 / 33 / 76 / 33

HEX #AC7329

RGB 172 115 41

HSL 33.89, 0.62%, 0.42%

LAB 53.16, 15.92, 47.87

 

CMYK 0 / 38 / 87 / 26

HEX #BD7518

RGB 189 117 24

HSL 33.82, 0.77%, 0.42%

LAB 55.69, 21.73, 57.28

 

CMYK 0 / 42 / 97 / 19

HEX #CF7807

RGB 207 120 7

HSL 33.9, 0.93%, 0.42%

LAB 58.71, 27.57, 64.35

 

CMYK 0 / 33 / 76 / 33

HEX #AC7329

RGB 172 115 41

HSL 33.89, 0.62%, 0.42%

LAB 53.16, 15.92, 47.87

 

CMYK 0 / 27 / 62 / 39

HEX #9B713B

RGB 155 113 59

HSL 33.75, 0.45%, 0.42%

LAB 50.8, 10.52, 35.98

 

CMYK 0 / 19 / 45 / 46

HEX #896F4C

RGB 137 111 76

HSL 34.43, 0.29%, 0.42%

LAB 48.52, 5.28, 23.33

 

CMYK 0 / 10 / 23 / 53

HEX #786C5D

RGB 120 108 93

HSL 33.33, 0.13%, 0.42%

LAB 46.32, 2.07, 10.11

 

CMYK 7 / 5 / 0 / 56

HEX #676A6F

RGB 103 106 111

HSL 217.5, 0.04%, 0.42%

LAB 44.72, -0.08, -3.2

 

CMYK 0 / 75 / 76 / 33

HEX #AC2B29

RGB 172 43 41

HSL 0.92, 0.62%, 0.42%

LAB 39, 51.53, 33.16

 

CMYK 0 / 55 / 76 / 33

HEX #AC4E29

RGB 172 78 41

HSL 16.95, 0.62%, 0.42%

LAB 44.77, 36.13, 39.35

 

CMYK 0 / 34 / 76 / 33

HEX #AC7129

RGB 172 113 41

HSL 32.98, 0.62%, 0.42%

LAB 52.66, 17.04, 47.38

 

CMYK 0 / 14 / 76 / 33

HEX #AC9429

RGB 172 148 41

HSL 49.01, 0.62%, 0.42%

LAB 61.75, -2.42, 56.15

 

CMYK 6 / 0 / 76 / 33

HEX #A1AC29

RGB 161 172 41

HSL 65.04, 0.62%, 0.42%

LAB 67.46, -19.87, 61.14

 

CMYK 0 / 33 / 76 / 58

HEX #6A4719

RGB 106 71 25

HSL 34.07, 0.62%, 0.26%

LAB 33.22, 10.3, 32.51

 

CMYK 0 / 33 / 76 / 45

HEX #8B5D21

RGB 139 93 33

HSL 33.96, 0.62%, 0.34%

LAB 43.4, 13.18, 40.38

 

CMYK 0 / 33 / 76 / 33

HEX #AC7329

RGB 172 115 41

HSL 33.89, 0.62%, 0.42%

LAB 53.16, 15.92, 47.87

 

CMYK 0 / 33 / 76 / 20

HEX #CD8932

RGB 205 137 50

HSL 33.68, 0.61%, 0.5%

LAB 62.59, 18.59, 54.66

 

CMYK 0 / 27 / 61 / 16

HEX #D59C53

RGB 213 156 83

HSL 33.69, 0.61%, 0.58%

LAB 68.42, 13.57, 45.9

 

CMYK 0 / 33 / 75 / 33

HEX #AB732A

RGB 171 115 42

HSL 33.95, 0.61%, 0.42%

LAB 53.04, 15.52, 47.28

 

CMYK 57 / 0 / 76 / 33

HEX #4AAC29

RGB 74 172 41

HSL 104.89, 0.62%, 0.42%

LAB 62.61, -51.83, 54.82

 

CMYK 65 / 76 / 0 / 33

HEX #3D29AC

RGB 61 41 172

HSL 249.16, 0.62%, 0.42%

LAB 28.26, 46.53, -66.4

 

CMYK 0 / 33 / 75 / 33

HEX #AB732A

RGB 171 115 42

HSL 33.95, 0.61%, 0.42%

LAB 53.04, 15.52, 47.28

 

CMYK 76 / 0 / 34 / 33

HEX #29AC71

RGB 41 172 113

HSL 152.98, 0.62%, 0.42%

LAB 62.65, -48.47, 20.68

 

CMYK 34 / 76 / 0 / 33

HEX #7129AC

RGB 113 41 172

HSL 272.98, 0.62%, 0.42%

LAB 34.14, 54.38, -56.55

 

CMYK 0 / 33 / 75 / 33

HEX #AB732A

RGB 171 115 42

HSL 33.95, 0.61%, 0.42%

LAB 53.04, 15.52, 47.28

 

CMYK 57 / 0 / 76 / 33

HEX #4AAC29

RGB 74 172 41

HSL 104.89, 0.62%, 0.42%

LAB 62.61, -51.83, 54.82

 

CMYK 76 / 42 / 0 / 33

HEX #2964AC

RGB 41 100 172

HSL 212.98, 0.62%, 0.42%

LAB 42.1, 6.64, -43.99

 

CMYK 19 / 76 / 0 / 33

HEX #8B29AC

RGB 139 41 172

HSL 284.89, 0.62%, 0.42%

LAB 37.94, 59.28, -50.21

 

CMYK 0 / 33 / 75 / 33

HEX #AB732A

RGB 171 115 42

HSL 33.95, 0.61%, 0.42%

LAB 53.04, 15.52, 47.28

 

CMYK 76 / 0 / 72 / 33

HEX #29AC30

RGB 41 172 48

HSL 123.21, 0.62%, 0.42%

LAB 61.82, -58.2, 51.21

 

CMYK 76 / 42 / 0 / 33

HEX #2964AC

RGB 41 100 172

HSL 212.98, 0.62%, 0.42%

LAB 42.1, 6.64, -43.99

 

CMYK 0 / 76 / 4 / 33

HEX #AC29A5

RGB 172 41 165

HSL 303.21, 0.62%, 0.42%

LAB 42.87, 64.87, -37.84

 

Description

Color code: HEX #AB732A | qconv.com Color code: HEX #AB732A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 115 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 115 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 75 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 75% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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