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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB726D it is the complementary color #548D92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB726D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB726D shade: #B07268, #C1847B, #D2968E, #E3A8A1 and #F4BAB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB726D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB726D shade: #AB726D, #9A605A, #894E47, #783C34 and #672A21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB726D shade: #AB726D and #AB6D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB726D shade: #AB726D, #AB826D, #AB936D, #ABA46D and #A1AB6D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB726D shade matches the following richer shades: #AB726D, #BD625A, #D05348, #E24335 and #F53323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB726D shade: #AB726D, #98817F, #869192, #73A0A4 and #60B0B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB726D shade: #AB6D8A, #AB6D79, #AB716D, #AB816D and #AB926D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB726D shade: #7D4C48, #975C57, #AB726D, #BA8B87 and #C9A4A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB726D shade: #AB726D, #9AAB6D and #6D81AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB726D shade: #AB726D, #6DAB71 and #716DAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB726D shade: #AB726D, #9AAB6D, #6DA7AB and #7D6DAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB726D shade: #AB726D, #88AB6D, #6DA7AB and #906DAB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

Complementary color

CMYK 42 / 3 / 0 / 43

HEX #548D92

RGB 84 141 146

HSL 184.84, 0.27%, 0.45%

LAB 55.08, -17.31, -8.54

 

CMYK 0 / 35 / 41 / 31

HEX #B07268

RGB 176 114 104

HSL 8.33, 0.31%, 0.55%

LAB 54.31, 23.27, 15.67

 

CMYK 0 / 32 / 36 / 24

HEX #C1847B

RGB 193 132 123

HSL 7.71, 0.36%, 0.62%

LAB 61.02, 22.32, 14.36

 

CMYK 0 / 29 / 32 / 18

HEX #D2968E

RGB 210 150 142

HSL 7.06, 0.43%, 0.69%

LAB 67.63, 21.49, 13.19

 

CMYK 0 / 26 / 29 / 11

HEX #E3A8A1

RGB 227 168 161

HSL 6.36, 0.54%, 0.76%

LAB 74.13, 20.74, 12.13

 

CMYK 0 / 24 / 26 / 4

HEX #F4BAB4

RGB 244 186 180

HSL 5.62, 0.74%, 0.83%

LAB 80.54, 20.07, 11.15

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 38 / 42 / 40

HEX #9A605A

RGB 154 96 90

HSL 5.62, 0.26%, 0.48%

LAB 46.94, 22.87, 13.34

 

CMYK 0 / 43 / 48 / 46

HEX #894E47

RGB 137 78 71

HSL 6.36, 0.32%, 0.41%

LAB 39.95, 24, 14.92

 

CMYK 0 / 50 / 57 / 53

HEX #783C34

RGB 120 60 52

HSL 7.06, 0.4%, 0.34%

LAB 32.86, 25.29, 16.85

 

CMYK 0 / 59 / 68 / 60

HEX #672A21

RGB 103 42 33

HSL 7.71, 0.51%, 0.27%

LAB 25.71, 26.71, 19.29

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 36 / 36 / 33

HEX #AB6D6D

RGB 171 109 109

HSL 0, 0.27%, 0.55%

LAB 52.62, 24.69, 10.31

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 24 / 36 / 33

HEX #AB826D

RGB 171 130 109

HSL 20.32, 0.27%, 0.55%

LAB 57.78, 12.85, 17.47

 

CMYK 0 / 14 / 36 / 33

HEX #AB936D

RGB 171 147 109

HSL 36.77, 0.27%, 0.55%

LAB 62.19, 3.35, 23.45

 

CMYK 0 / 4 / 36 / 33

HEX #ABA46D

RGB 171 164 109

HSL 53.23, 0.27%, 0.55%

LAB 66.76, -5.9, 29.48

 

CMYK 6 / 0 / 36 / 33

HEX #A1AB6D

RGB 161 171 109

HSL 69.68, 0.27%, 0.55%

LAB 67.88, -13.63, 30.78

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 48 / 52 / 26

HEX #BD625A

RGB 189 98 90

HSL 4.85, 0.43%, 0.55%

LAB 52.17, 35.67, 21.22

 

CMYK 0 / 60 / 65 / 18

HEX #D05348

RGB 208 83 72

HSL 4.85, 0.59%, 0.55%

LAB 51.91, 48.76, 31.92

 

CMYK 0 / 70 / 77 / 11

HEX #E24335

RGB 226 67 53

HSL 4.86, 0.75%, 0.55%

LAB 52.33, 60.45, 43.79

 

CMYK 0 / 79 / 86 / 4

HEX #F53323

RGB 245 51 35

HSL 4.57, 0.91%, 0.55%

LAB 53.92, 70.61, 55.46

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 15 / 16 / 40

HEX #98817F

RGB 152 129 127

HSL 4.8, 0.11%, 0.55%

LAB 56, 8.44, 4.34

 

CMYK 8 / 1 / 0 / 43

HEX #869192

RGB 134 145 146

HSL 185, 0.05%, 0.55%

LAB 59.34, -3.75, -1.9

 

CMYK 30 / 2 / 0 / 36

HEX #73A0A4

RGB 115 160 164

HSL 184.9, 0.21%, 0.55%

LAB 62.9, -14.09, -6.98

 

CMYK 48 / 4 / 0 / 28

HEX #60B0B7

RGB 96 176 183

HSL 184.83, 0.38%, 0.55%

LAB 67.24, -22.61, -11.2

 

CMYK 0 / 36 / 19 / 33

HEX #AB6D8A

RGB 171 109 138

HSL 331.94, 0.27%, 0.55%

LAB 53.42, 28.87, -5.6

 

CMYK 0 / 36 / 29 / 33

HEX #AB6D79

RGB 171 109 121

HSL 348.39, 0.27%, 0.55%

LAB 52.92, 26.3, 3.68

 

CMYK 0 / 34 / 36 / 33

HEX #AB716D

RGB 171 113 109

HSL 3.87, 0.27%, 0.55%

LAB 53.57, 22.44, 11.65

 

CMYK 0 / 25 / 36 / 33

HEX #AB816D

RGB 171 129 109

HSL 19.35, 0.27%, 0.55%

LAB 57.52, 13.41, 17.12

 

CMYK 0 / 15 / 36 / 33

HEX #AB926D

RGB 171 146 109

HSL 35.81, 0.27%, 0.55%

LAB 61.93, 3.9, 23.1

 

CMYK 0 / 39 / 42 / 51

HEX #7D4C48

RGB 125 76 72

HSL 4.53, 0.27%, 0.39%

LAB 37.84, 20.24, 11.14

 

CMYK 0 / 39 / 42 / 41

HEX #975C57

RGB 151 92 87

HSL 4.69, 0.27%, 0.47%

LAB 45.53, 23.57, 13.12

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 0 / 25 / 27 / 27

HEX #BA8B87

RGB 186 139 135

HSL 4.71, 0.27%, 0.63%

LAB 62.21, 17.3, 9.12

 

CMYK 0 / 18 / 20 / 21

HEX #C9A4A1

RGB 201 164 161

HSL 4.5, 0.27%, 0.71%

LAB 70.55, 13.11, 6.68

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 10 / 0 / 36 / 33

HEX #9AAB6D

RGB 154 171 109

HSL 76.45, 0.27%, 0.55%

LAB 67.35, -16.4, 30

 

CMYK 36 / 25 / 0 / 33

HEX #6D81AB

RGB 109 129 171

HSL 220.65, 0.27%, 0.55%

LAB 53.91, 3.34, -24.61

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 36 / 0 / 34 / 33

HEX #6DAB71

RGB 109 171 113

HSL 123.87, 0.27%, 0.55%

LAB 64.62, -32.13, 23.73

 

CMYK 34 / 36 / 0 / 33

HEX #716DAB

RGB 113 109 171

HSL 243.87, 0.27%, 0.55%

LAB 48.75, 16.47, -32.62

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 10 / 0 / 36 / 33

HEX #9AAB6D

RGB 154 171 109

HSL 76.45, 0.27%, 0.55%

LAB 67.35, -16.4, 30

 

CMYK 36 / 2 / 0 / 33

HEX #6DA7AB

RGB 109 167 171

HSL 183.87, 0.27%, 0.55%

LAB 64.83, -17.79, -8.07

 

CMYK 27 / 36 / 0 / 33

HEX #7D6DAB

RGB 125 109 171

HSL 255.48, 0.27%, 0.55%

LAB 49.78, 20.05, -30.92

 

CMYK 0 / 33 / 36 / 33

HEX #AB726D

RGB 171 114 109

HSL 4.84, 0.27%, 0.55%

LAB 53.81, 21.88, 11.98

 

CMYK 20 / 0 / 36 / 33

HEX #88AB6D

RGB 136 171 109

HSL 93.87, 0.27%, 0.55%

LAB 66.11, -23.31, 28.13

 

CMYK 36 / 2 / 0 / 33

HEX #6DA7AB

RGB 109 167 171

HSL 183.87, 0.27%, 0.55%

LAB 64.83, -17.79, -8.07

 

CMYK 16 / 36 / 0 / 33

HEX #906DAB

RGB 144 109 171

HSL 273.87, 0.27%, 0.55%

LAB 51.62, 25.97, -27.92

 

Description

Color code: HEX #AB726D | qconv.com Color code: HEX #AB726D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 114 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 114 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 36 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 36% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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