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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7210 it is the complementary color #548DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7210 shade: #B0720B, #C1841E, #D29631, #E3A844 and #F4BA57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7210 shade: #AB7210, #9A6000, #894E00, #783C00 and #672A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7210 shade: #AC7310, #AC4810, #AC1E10 and #AC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7210 shade: #AC7310, #AC9D10, #91AC10, #67AC10 and #3DAC10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7210 shade matches the following richer shades: #AC7310 and #BB7700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7210 shade: #AC7310, #9D6F1F, #8E6A2E, #7E663D and #6F624D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7210 shade: #AC1D10, #AC4610, #AC7010, #AC9A10 and #95AC10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7210 shade: #614009, #86590C, #AC7310, #D28C13 and #EAA124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7210 shade: #AB7210, #2CAC10 and #3110AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7210 shade: #AB7210, #10AC70 and #7010AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7210 shade: #AB7210, #2CAC10, #104CAC and #8F10AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7210 shade: #AB7210, #10AC22, #104CAC and #AC109A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 33 / 91 / 33

HEX #AB7210

RGB 171 114 16

HSL 37.94, 0.83%, 0.37%

LAB 52.65, 15.23, 56.11

 

Complementary color

CMYK 65 / 41 / 0 / 6

HEX #548DEF

RGB 84 141 239

HSL 217.94, 0.83%, 0.63%

LAB 59.13, 11.85, -54.9

 

CMYK 0 / 35 / 94 / 31

HEX #B0720B

RGB 176 114 11

HSL 37.45, 0.88%, 0.37%

LAB 53.26, 17.4, 57.95

 

CMYK 0 / 32 / 84 / 24

HEX #C1841E

RGB 193 132 30

HSL 37.55, 0.73%, 0.44%

LAB 59.83, 15.38, 59.05

 

CMYK 0 / 29 / 77 / 18

HEX #D29631

RGB 210 150 49

HSL 37.64, 0.64%, 0.51%

LAB 66.32, 13.65, 58.87

 

CMYK 0 / 26 / 70 / 11

HEX #E3A844

RGB 227 168 68

HSL 37.74, 0.74%, 0.58%

LAB 72.73, 12.16, 58.05

 

CMYK 0 / 24 / 64 / 4

HEX #F4BA57

RGB 244 186 87

HSL 37.83, 0.88%, 0.65%

LAB 79.06, 10.87, 56.94

 

CMYK 0 / 33 / 91 / 33

HEX #AB7210

RGB 171 114 16

HSL 37.94, 0.83%, 0.37%

LAB 52.65, 15.23, 56.11

 

CMYK 0 / 38 / 100 / 40

HEX #9A6000

RGB 154 96 0

HSL 37.4, 1%, 0.3%

LAB 45.96, 17.45, 53.89

 

CMYK 0 / 43 / 100 / 46

HEX #894E00

RGB 137 78 0

HSL 34.16, 1%, 0.27%

LAB 39.19, 20.02, 48.39

 

CMYK 0 / 50 / 100 / 53

HEX #783C00

RGB 120 60 0

HSL 30, 1%, 0.24%

LAB 32.31, 22.66, 42.82

 

CMYK 0 / 59 / 100 / 60

HEX #672A00

RGB 103 42 0

HSL 24.47, 1%, 0.2%

LAB 25.38, 25.28, 36.07

 

CMYK 0 / 33 / 91 / 33

HEX #AC7310

RGB 172 115 16

HSL 38.08, 0.83%, 0.37%

LAB 53.03, 15.12, 56.45

 

CMYK 0 / 58 / 91 / 33

HEX #AC4810

RGB 172 72 16

HSL 21.54, 0.83%, 0.37%

LAB 43.42, 38.38, 49.15

 

CMYK 0 / 83 / 91 / 33

HEX #AC1E10

RGB 172 30 16

HSL 5.38, 0.83%, 0.37%

LAB 37.37, 54.81, 44.67

 

CMYK 0 / 91 / 91 / 33

HEX #AC1010

RGB 172 16 16

HSL 0, 0.83%, 0.37%

LAB 36.33, 57.77, 43.92

 

CMYK 0 / 33 / 91 / 33

HEX #AC7310

RGB 172 115 16

HSL 38.08, 0.83%, 0.37%

LAB 53.03, 15.12, 56.45

 

CMYK 0 / 9 / 91 / 33

HEX #AC9D10

RGB 172 157 16

HSL 54.23, 0.83%, 0.37%

LAB 64.1, -8.01, 65.04

 

CMYK 16 / 0 / 91 / 33

HEX #91AC10

RGB 145 172 16

HSL 70.38, 0.83%, 0.37%

LAB 66.18, -27.5, 65.77

 

CMYK 40 / 0 / 91 / 33

HEX #67AC10

RGB 103 172 16

HSL 86.54, 0.83%, 0.37%

LAB 63.69, -43.95, 62.71

 

CMYK 65 / 0 / 91 / 33

HEX #3DAC10

RGB 61 172 16

HSL 102.69, 0.83%, 0.37%

LAB 62.11, -56.25, 60.75

 

CMYK 0 / 33 / 91 / 33

HEX #AC7310

RGB 172 115 16

HSL 38.08, 0.83%, 0.37%

LAB 53.03, 15.12, 56.45

 

CMYK 0 / 36 / 100 / 27

HEX #BB7700

RGB 187 119 0

HSL 38.18, 1%, 0.37%

LAB 55.85, 19.37, 62.42

 

CMYK 0 / 33 / 91 / 33

HEX #AC7310

RGB 172 115 16

HSL 38.08, 0.83%, 0.37%

LAB 53.03, 15.12, 56.45

 

CMYK 0 / 29 / 80 / 38

HEX #9D6F1F

RGB 157 111 31

HSL 38.1, 0.67%, 0.37%

LAB 50.26, 10.99, 48.61

 

CMYK 0 / 25 / 68 / 44

HEX #8E6A2E

RGB 142 106 46

HSL 37.5, 0.51%, 0.37%

LAB 47.31, 7.74, 38.32

 

CMYK 0 / 19 / 52 / 51

HEX #7E663D

RGB 126 102 61

HSL 37.85, 0.35%, 0.37%

LAB 44.63, 3.98, 26.67

 

CMYK 0 / 12 / 31 / 56

HEX #6F624D

RGB 111 98 77

HSL 37.06, 0.18%, 0.37%

LAB 42.23, 1.65, 13.87

 

CMYK 0 / 83 / 91 / 33

HEX #AC1D10

RGB 172 29 16

HSL 5, 0.83%, 0.37%

LAB 37.27, 55.07, 44.61

 

CMYK 0 / 59 / 91 / 33

HEX #AC4610

RGB 172 70 16

HSL 20.77, 0.83%, 0.37%

LAB 43.05, 39.36, 48.87

 

CMYK 0 / 35 / 91 / 33

HEX #AC7010

RGB 172 112 16

HSL 36.92, 0.83%, 0.37%

LAB 52.28, 16.81, 55.88

 

CMYK 0 / 10 / 91 / 33

HEX #AC9A10

RGB 172 154 16

HSL 53.08, 0.83%, 0.37%

LAB 63.28, -6.41, 64.4

 

CMYK 13 / 0 / 91 / 33

HEX #95AC10

RGB 149 172 16

HSL 68.85, 0.83%, 0.37%

LAB 66.47, -25.81, 66.12

 

CMYK 0 / 34 / 91 / 62

HEX #614009

RGB 97 64 9

HSL 37.5, 0.83%, 0.21%

LAB 29.98, 9.5, 36.02

 

CMYK 0 / 34 / 91 / 47

HEX #86590C

RGB 134 89 12

HSL 37.87, 0.84%, 0.29%

LAB 41.59, 12.43, 46.53

 

CMYK 0 / 33 / 91 / 33

HEX #AC7310

RGB 172 115 16

HSL 38.08, 0.83%, 0.37%

LAB 53.03, 15.12, 56.45

 

CMYK 0 / 33 / 91 / 18

HEX #D28C13

RGB 210 140 19

HSL 38.01, 0.83%, 0.45%

LAB 63.76, 18.23, 65.95

 

CMYK 0 / 31 / 85 / 8

HEX #EAA124

RGB 234 161 36

HSL 37.88, 0.83%, 0.53%

LAB 71.63, 17.66, 69.05

 

CMYK 0 / 33 / 91 / 33

HEX #AB7210

RGB 171 114 16

HSL 37.94, 0.83%, 0.37%

LAB 52.65, 15.23, 56.11

 

CMYK 74 / 0 / 91 / 33

HEX #2CAC10

RGB 44 172 16

HSL 109.23, 0.83%, 0.37%

LAB 61.72, -59.59, 60.26

 

CMYK 72 / 91 / 0 / 33

HEX #3110AC

RGB 49 16 172

HSL 252.69, 0.83%, 0.37%

LAB 23.68, 56.01, -74.03

 

CMYK 0 / 33 / 91 / 33

HEX #AB7210

RGB 171 114 16

HSL 37.94, 0.83%, 0.37%

LAB 52.65, 15.23, 56.11

 

CMYK 91 / 0 / 35 / 33

HEX #10AC70

RGB 16 172 112

HSL 156.92, 0.83%, 0.37%

LAB 62.33, -51.06, 20.74

 

CMYK 35 / 91 / 0 / 33

HEX #7010AC

RGB 112 16 172

HSL 276.92, 0.83%, 0.37%

LAB 31.33, 61.99, -61.14

 

CMYK 0 / 33 / 91 / 33

HEX #AB7210

RGB 171 114 16

HSL 37.94, 0.83%, 0.37%

LAB 52.65, 15.23, 56.11

 

CMYK 74 / 0 / 91 / 33

HEX #2CAC10

RGB 44 172 16

HSL 109.23, 0.83%, 0.37%

LAB 61.72, -59.59, 60.26

 

CMYK 91 / 56 / 0 / 33

HEX #104CAC

RGB 16 76 172

HSL 216.92, 0.83%, 0.37%

LAB 34.51, 20.22, -56.25

 

CMYK 17 / 91 / 0 / 33

HEX #8F10AC

RGB 143 16 172

HSL 288.85, 0.83%, 0.37%

LAB 36.35, 66.52, -52.75

 

CMYK 0 / 33 / 91 / 33

HEX #AB7210

RGB 171 114 16

HSL 37.94, 0.83%, 0.37%

LAB 52.65, 15.23, 56.11

 

CMYK 91 / 0 / 80 / 33

HEX #10AC22

RGB 16 172 34

HSL 126.92, 0.83%, 0.37%

LAB 61.42, -61.99, 55.53

 

CMYK 91 / 56 / 0 / 33

HEX #104CAC

RGB 16 76 172

HSL 216.92, 0.83%, 0.37%

LAB 34.51, 20.22, -56.25

 

CMYK 0 / 91 / 10 / 33

HEX #AC109A

RGB 172 16 154

HSL 306.92, 0.83%, 0.37%

LAB 40.37, 68.75, -35.19

 

Description

Color code: HEX #AB7210 | qconv.com Color code: HEX #AB7210 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 114 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 114 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 33 magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 33% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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