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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB7644 it is the complementary color #5489BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB7644. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB7644 shade: #B0763F, #C18852, #D29A65, #E3AC78 and #F4BE8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB7644. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB7644 shade: #AB7644, #9A6431, #89521E, #78400B and #672E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB7644 shade: #AB7644, #AB5A44 and #AB4444

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB7644 shade: #AB7644, #AB9244, #A8AB44, #8DAB44 and #71AB44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB7644 shade matches the following richer shades: #AB7644, #BE7530, #D2751D and #E5740A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB7644 shade: #AB7644, #977657, #84776B, #71787E and #5D7891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB7644 shade: #AB4449, #AB5A44, #AB7644, #AB9144 and #A9AB44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB7644 shade: #704D2C, #8D6138, #AB7644, #BD8B5B and #C99F78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB7644 shade: #AB7644, #64AB44 and #4C44AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB7644 shade: #AB7644, #44AB76 and #7644AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB7644 shade: #AB7644, #64AB44, #4479AB and #8A44AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB7644 shade: #AB7644, #46AB44, #4479AB and #A944AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

Complementary color

CMYK 55 / 27 / 0 / 27

HEX #5489BB

RGB 84 137 187

HSL 209.13, 0.43%, 0.53%

LAB 55.45, -2.97, -31.52

 

CMYK 0 / 33 / 64 / 31

HEX #B0763F

RGB 176 118 63

HSL 29.2, 0.47%, 0.47%

LAB 54.6, 17.23, 38.94

 

CMYK 0 / 30 / 58 / 24

HEX #C18852

RGB 193 136 82

HSL 29.19, 0.47%, 0.54%

LAB 61.27, 15.94, 37.37

 

CMYK 0 / 27 / 52 / 18

HEX #D29A65

RGB 210 154 101

HSL 29.17, 0.55%, 0.61%

LAB 67.84, 14.83, 35.88

 

CMYK 0 / 24 / 47 / 11

HEX #E3AC78

RGB 227 172 120

HSL 29.16, 0.66%, 0.68%

LAB 74.31, 13.87, 34.48

 

CMYK 0 / 22 / 43 / 4

HEX #F4BE8B

RGB 244 190 139

HSL 29.14, 0.83%, 0.75%

LAB 80.7, 13.03, 33.16

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 35 / 68 / 40

HEX #9A6431

RGB 154 100 49

HSL 29.14, 0.52%, 0.4%

LAB 47.24, 16.84, 37.13

 

CMYK 0 / 40 / 78 / 46

HEX #89521E

RGB 137 82 30

HSL 29.16, 0.64%, 0.33%

LAB 40.32, 18.54, 38.62

 

CMYK 0 / 47 / 91 / 53

HEX #78400B

RGB 120 64 11

HSL 29.17, 0.83%, 0.26%

LAB 33.32, 20.6, 39.41

 

CMYK 0 / 55 / 100 / 60

HEX #672E00

RGB 103 46 0

HSL 26.8, 1%, 0.2%

LAB 26.27, 23.02, 36.89

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 47 / 60 / 33

HEX #AB5A44

RGB 171 90 68

HSL 12.82, 0.43%, 0.47%

LAB 47.48, 31.01, 27.47

 

CMYK 0 / 60 / 60 / 33

HEX #AB4444

RGB 171 68 68

HSL 0, 0.43%, 0.47%

LAB 43.08, 42.28, 21.85

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 15 / 60 / 33

HEX #AB9244

RGB 171 146 68

HSL 45.44, 0.43%, 0.47%

LAB 61.34, -0.19, 43.99

 

CMYK 2 / 0 / 60 / 33

HEX #A8AB44

RGB 168 171 68

HSL 61.75, 0.43%, 0.47%

LAB 67.92, -14.79, 51.25

 

CMYK 18 / 0 / 60 / 33

HEX #8DAB44

RGB 141 171 68

HSL 77.48, 0.43%, 0.47%

LAB 65.91, -26.04, 48.46

 

CMYK 34 / 0 / 60 / 33

HEX #71AB44

RGB 113 171 68

HSL 93.79, 0.43%, 0.47%

LAB 64.2, -36.79, 46.08

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 38 / 75 / 25

HEX #BE7530

RGB 190 117 48

HSL 29.15, 0.6%, 0.47%

LAB 55.97, 22.99, 48.3

 

CMYK 0 / 44 / 86 / 18

HEX #D2751D

RGB 210 117 29

HSL 29.17, 0.76%, 0.47%

LAB 58.52, 30.78, 59.17

 

CMYK 0 / 49 / 96 / 10

HEX #E5740A

RGB 229 116 10

HSL 29.04, 0.92%, 0.47%

LAB 60.93, 38.71, 66.81

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 22 / 42 / 41

HEX #977657

RGB 151 118 87

HSL 29.06, 0.27%, 0.47%

LAB 52.09, 8.59, 22

 

CMYK 0 / 10 / 19 / 48

HEX #84776B

RGB 132 119 107

HSL 28.8, 0.1%, 0.47%

LAB 50.87, 2.9, 8.42

 

CMYK 10 / 5 / 0 / 51

HEX #71787E

RGB 113 120 126

HSL 207.69, 0.05%, 0.47%

LAB 50.04, -1.33, -4.19

 

CMYK 36 / 17 / 0 / 43

HEX #5D7891

RGB 93 120 145

HSL 208.85, 0.22%, 0.47%

LAB 49.26, -3.26, -16.7

 

CMYK 0 / 60 / 57 / 33

HEX #AB4449

RGB 171 68 73

HSL 357.09, 0.43%, 0.47%

LAB 43.17, 42.66, 18.93

 

CMYK 0 / 47 / 60 / 33

HEX #AB5A44

RGB 171 90 68

HSL 12.82, 0.43%, 0.47%

LAB 47.48, 31.01, 27.47

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 15 / 60 / 33

HEX #AB9144

RGB 171 145 68

HSL 44.85, 0.43%, 0.47%

LAB 61.07, 0.36, 43.69

 

CMYK 1 / 0 / 60 / 33

HEX #A9AB44

RGB 169 171 68

HSL 61.17, 0.43%, 0.47%

LAB 68, -14.37, 51.37

 

CMYK 0 / 31 / 61 / 56

HEX #704D2C

RGB 112 77 44

HSL 29.12, 0.44%, 0.31%

LAB 35.86, 10.86, 25.27

 

CMYK 0 / 31 / 60 / 45

HEX #8D6138

RGB 141 97 56

HSL 28.94, 0.43%, 0.39%

LAB 44.94, 13.26, 30.26

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 0 / 26 / 52 / 26

HEX #BD8B5B

RGB 189 139 91

HSL 29.39, 0.43%, 0.55%

LAB 61.69, 13.36, 32.99

 

CMYK 0 / 21 / 40 / 21

HEX #C99F78

RGB 201 159 120

HSL 28.89, 0.43%, 0.63%

LAB 68.44, 10.35, 26.28

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 42 / 0 / 60 / 33

HEX #64AB44

RGB 100 171 68

HSL 101.36, 0.43%, 0.47%

LAB 63.55, -41.29, 45.17

 

CMYK 56 / 60 / 0 / 33

HEX #4C44AB

RGB 76 68 171

HSL 244.66, 0.43%, 0.47%

LAB 35.22, 32.78, -54.37

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 60 / 0 / 31 / 33

HEX #44AB76

RGB 68 171 118

HSL 149.13, 0.43%, 0.47%

LAB 63.06, -42.32, 18.63

 

CMYK 31 / 60 / 0 / 33

HEX #7644AB

RGB 118 68 171

HSL 269.13, 0.43%, 0.47%

LAB 39.46, 42.07, -47.32

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 42 / 0 / 60 / 33

HEX #64AB44

RGB 100 171 68

HSL 101.36, 0.43%, 0.47%

LAB 63.55, -41.29, 45.17

 

CMYK 60 / 29 / 0 / 33

HEX #4479AB

RGB 68 121 171

HSL 209.13, 0.43%, 0.47%

LAB 49.31, -2.16, -31.94

 

CMYK 19 / 60 / 0 / 33

HEX #8A44AB

RGB 138 68 171

HSL 280.78, 0.43%, 0.47%

LAB 41.97, 47.04, -43.16

 

CMYK 0 / 31 / 60 / 33

HEX #AB7644

RGB 171 118 68

HSL 29.13, 0.43%, 0.47%

LAB 54.06, 15.42, 35.52

 

CMYK 59 / 0 / 60 / 33

HEX #46AB44

RGB 70 171 68

HSL 118.83, 0.43%, 0.47%

LAB 62.38, -50, 43.51

 

CMYK 60 / 29 / 0 / 33

HEX #4479AB

RGB 68 121 171

HSL 209.13, 0.43%, 0.47%

LAB 49.31, -2.16, -31.94

 

CMYK 1 / 60 / 0 / 33

HEX #A944AB

RGB 169 68 171

HSL 298.83, 0.43%, 0.47%

LAB 46.32, 55.02, -35.98

 

Description

Color code: HEX #AB7644 | qconv.com Color code: HEX #AB7644 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 118 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 118 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 60 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 60% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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