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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5FF1 it is the complementary color #54A00E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5FF1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5FF1 shade: #B05FEC, #C171FF, #D283FF, #E395FF and #F4A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5FF1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5FF1 shade: #AB5FF1, #9A4DDE, #893BCB, #7829B8 and #6717A5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5FF1 shade: #AB5FF1, #D25FF1, #F15FE8, #F15FC1 and #F15F99

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5FF1 shade: #AB5FF1, #845FF1 and #5F5FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5FF1 shade matches the following richer shades: #AB5FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5FF1 shade: #AB5FF1, #AA6DE3, #AA7BD5, #A989C7 and #A897B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5FF1 shade: #5F61F1, #835FF1, #AA5FF1, #D15FF1 and #F15FE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5FF1 shade: #8314E9, #9739ED, #AB5FF1, #BF85F4 and #D3ABF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5FF1 shade: #AB5FF1, #F15F88 and #5FF170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5FF1 shade: #AB5FF1, #F1AA5F and #5FF1AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5FF1 shade: #AB5FF1, #F15F88, #A5F15F and #5FF1C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5FF1 shade: #AB5FF1, #F1615F, #A5F15F and #5FEEF1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

Complementary color

CMYK 48 / 0 / 91 / 37

HEX #54A00E

RGB 84 160 14

HSL 91.23, 0.84%, 0.34%

LAB 59.03, -45.57, 58.81

 

CMYK 25 / 60 / 0 / 7

HEX #B05FEC

RGB 176 95 236

HSL 274.47, 0.79%, 0.65%

LAB 55.55, 57.11, -58.54

 

CMYK 24 / 56 / 0 / 0

HEX #C171FF

RGB 193 113 255

HSL 273.8, 1%, 0.72%

LAB 61.97, 56.34, -58.7

 

CMYK 18 / 49 / 0 / 0

HEX #D283FF

RGB 210 131 255

HSL 278.23, 1%, 0.76%

LAB 67.39, 51.43, -49.98

 

CMYK 11 / 42 / 0 / 0

HEX #E395FF

RGB 227 149 255

HSL 284.15, 1%, 0.79%

LAB 72.92, 46.76, -41.17

 

CMYK 4 / 35 / 0 / 0

HEX #F4A7FF

RGB 244 167 255

HSL 292.5, 1%, 0.83%

LAB 78.51, 42.37, -32.35

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 31 / 65 / 0 / 13

HEX #9A4DDE

RGB 154 77 222

HSL 271.86, 0.69%, 0.59%

LAB 48.82, 57.83, -61.62

 

CMYK 33 / 71 / 0 / 20

HEX #893BCB

RGB 137 59 203

HSL 272.5, 0.58%, 0.51%

LAB 42.4, 58.33, -61.23

 

CMYK 35 / 78 / 0 / 28

HEX #7829B8

RGB 120 41 184

HSL 273.15, 0.64%, 0.44%

LAB 36.06, 58.36, -60.51

 

CMYK 38 / 86 / 0 / 35

HEX #6717A5

RGB 103 23 165

HSL 273.8, 0.76%, 0.37%

LAB 29.94, 57.53, -59.25

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 13 / 61 / 0 / 5

HEX #D25FF1

RGB 210 95 241

HSL 287.26, 0.84%, 0.66%

LAB 60.1, 66.09, -53.82

 

CMYK 0 / 61 / 4 / 5

HEX #F15FE8

RGB 241 95 232

HSL 303.7, 0.84%, 0.66%

LAB 63.93, 71.98, -42.49

 

CMYK 0 / 61 / 20 / 5

HEX #F15FC1

RGB 241 95 193

HSL 319.73, 0.84%, 0.66%

LAB 62.28, 66.18, -23.09

 

CMYK 0 / 61 / 37 / 5

HEX #F15F99

RGB 241 95 153

HSL 336.16, 0.84%, 0.66%

LAB 60.94, 61.24, -2.14

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 45 / 61 / 0 / 5

HEX #845FF1

RGB 132 95 241

HSL 255.21, 0.84%, 0.66%

LAB 51.2, 48.82, -68.6

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF1

RGB 95 95 241

HSL 240, 0.84%, 0.66%

LAB 48.22, 42.21, -73.57

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 25 / 52 / 0 / 11

HEX #AA6DE3

RGB 170 109 227

HSL 271.02, 0.68%, 0.66%

LAB 57.1, 46.36, -51.07

 

CMYK 20 / 42 / 0 / 16

HEX #AA7BD5

RGB 170 123 213

HSL 271.33, 0.52%, 0.66%

LAB 59.45, 35.45, -39.5

 

CMYK 15 / 31 / 0 / 22

HEX #A989C7

RGB 169 137 199

HSL 270.97, 0.36%, 0.66%

LAB 62.04, 24.09, -27.6

 

CMYK 9 / 18 / 0 / 27

HEX #A897B9

RGB 168 151 185

HSL 270, 0.2%, 0.66%

LAB 64.93, 12.83, -15.34

 

CMYK 61 / 60 / 0 / 5

HEX #5F61F1

RGB 95 97 241

HSL 239.18, 0.84%, 0.66%

LAB 48.68, 41.03, -72.83

 

CMYK 46 / 61 / 0 / 5

HEX #835FF1

RGB 131 95 241

HSL 254.79, 0.84%, 0.66%

LAB 51.11, 48.63, -68.75

 

CMYK 29 / 61 / 0 / 5

HEX #AA5FF1

RGB 170 95 241

HSL 270.82, 0.84%, 0.66%

LAB 55.16, 56.88, -62.01

 

CMYK 13 / 61 / 0 / 5

HEX #D15FF1

RGB 209 95 241

HSL 286.85, 0.84%, 0.66%

LAB 59.97, 65.85, -54.04

 

CMYK 0 / 61 / 3 / 5

HEX #F15FE9

RGB 241 95 233

HSL 303.29, 0.84%, 0.66%

LAB 63.97, 72.14, -42.97

 

CMYK 44 / 91 / 0 / 9

HEX #8314E9

RGB 131 20 233

HSL 271.27, 0.84%, 0.5%

LAB 39.93, 76.34, -82.5

 

CMYK 36 / 76 / 0 / 7

HEX #9739ED

RGB 151 57 237

HSL 271.33, 0.83%, 0.58%

LAB 46.47, 69.3, -73.94

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 22 / 45 / 0 / 4

HEX #BF85F4

RGB 191 133 244

HSL 271.35, 0.83%, 0.74%

LAB 65.27, 42.86, -47.44

 

CMYK 15 / 31 / 0 / 3

HEX #D3ABF7

RGB 211 171 247

HSL 271.58, 0.83%, 0.82%

LAB 75.88, 28.59, -32.38

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 0 / 61 / 44 / 5

HEX #F15F88

RGB 241 95 136

HSL 343.15, 0.84%, 0.66%

LAB 60.48, 59.49, 7.05

 

CMYK 61 / 0 / 54 / 5

HEX #5FF170

RGB 95 241 112

HSL 126.99, 0.84%, 0.66%

LAB 85.26, -64.59, 50.33

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 0 / 29 / 61 / 5

HEX #F1AA5F

RGB 241 170 95

HSL 30.82, 0.84%, 0.66%

LAB 75, 18.57, 48.43

 

CMYK 61 / 0 / 29 / 5

HEX #5FF1AA

RGB 95 241 170

HSL 150.82, 0.84%, 0.66%

LAB 86.13, -55.1, 22.91

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 0 / 61 / 44 / 5

HEX #F15F88

RGB 241 95 136

HSL 343.15, 0.84%, 0.66%

LAB 60.48, 59.49, 7.05

 

CMYK 32 / 0 / 61 / 5

HEX #A5F15F

RGB 165 241 95

HSL 91.23, 0.84%, 0.66%

LAB 87.84, -46.57, 61.52

 

CMYK 61 / 0 / 17 / 5

HEX #5FF1C7

RGB 95 241 199

HSL 162.74, 0.84%, 0.66%

LAB 86.73, -48.89, 8.73

 

CMYK 29 / 61 / 0 / 5

HEX #AB5FF1

RGB 171 95 241

HSL 271.23, 0.84%, 0.66%

LAB 55.27, 57.1, -61.82

 

CMYK 0 / 60 / 61 / 5

HEX #F1615F

RGB 241 97 95

HSL 0.82, 0.84%, 0.66%

LAB 59.96, 55.29, 30.02

 

CMYK 32 / 0 / 61 / 5

HEX #A5F15F

RGB 165 241 95

HSL 91.23, 0.84%, 0.66%

LAB 87.84, -46.57, 61.52

 

CMYK 61 / 1 / 0 / 5

HEX #5FEEF1

RGB 95 238 241

HSL 181.23, 0.84%, 0.66%

LAB 86.96, -37.06, -12.93

 

Description

Color code: HEX #AB5FF1 | qconv.com Color code: HEX #AB5FF1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 95 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 95 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 61 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 61% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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