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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5FDE it is the complementary color #54A021. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5FDE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5FDE shade: #B05FD9, #C171EC, #D283FF, #E395FF and #F4A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5FDE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5FDE shade: #AB5FDE, #9A4DCB, #893BB8, #7829A5 and #671792

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5FDE shade: #AA5EDE, #CD5EDE, #DE5ECC, #DE5EA9 and #DE5E87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5FDE shade: #AA5EDE, #885EDE, #655EDE and #5E5EDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5FDE shade matches the following richer shades: #AA5EDE, #AD4EED and #B03EFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5FDE shade: #AA5EDE, #A76DCE, #A47DBE, #A18DAF and #9E9C9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5FDE shade: #645EDE, #865EDE, #A85EDE, #CA5EDE and #DE5ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5FDE shade: #8427C1, #983BD7, #AA5EDE, #BC80E5 and #CEA2EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5FDE shade: #AB5FDE, #DE5E79 and #5EDE75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5FDE shade: #AB5FDE, #DEA85E and #5EDEA8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5FDE shade: #AB5FDE, #DE5E79, #93DE5E and #5EDEC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5FDE shade: #AB5FDE, #DE685E, #93DE5E and #5ED3DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 57 / 0 / 13

HEX #AB5FDE

RGB 171 95 222

HSL 275.91, 0.66%, 0.62%

LAB 54.15, 52.81, -52.95

 

Complementary color

CMYK 48 / 0 / 79 / 37

HEX #54A021

RGB 84 160 33

HSL 95.91, 0.66%, 0.38%

LAB 59.1, -44.78, 54.2

 

CMYK 19 / 56 / 0 / 15

HEX #B05FD9

RGB 176 95 217

HSL 279.84, 0.62%, 0.61%

LAB 54.47, 52.97, -49.58

 

CMYK 18 / 52 / 0 / 7

HEX #C171EC

RGB 193 113 236

HSL 279.02, 0.76%, 0.68%

LAB 60.96, 52.22, -49.81

 

CMYK 18 / 49 / 0 / 0

HEX #D283FF

RGB 210 131 255

HSL 278.23, 1%, 0.76%

LAB 67.39, 51.43, -49.98

 

CMYK 11 / 42 / 0 / 0

HEX #E395FF

RGB 227 149 255

HSL 284.15, 1%, 0.79%

LAB 72.92, 46.76, -41.17

 

CMYK 4 / 35 / 0 / 0

HEX #F4A7FF

RGB 244 167 255

HSL 292.5, 1%, 0.83%

LAB 78.51, 42.37, -32.35

 

CMYK 23 / 57 / 0 / 13

HEX #AB5FDE

RGB 171 95 222

HSL 275.91, 0.66%, 0.62%

LAB 54.15, 52.81, -52.95

 

CMYK 24 / 62 / 0 / 20

HEX #9A4DCB

RGB 154 77 203

HSL 276.67, 0.55%, 0.55%

LAB 47.61, 53.52, -52.71

 

CMYK 26 / 68 / 0 / 28

HEX #893BB8

RGB 137 59 184

HSL 277.44, 0.51%, 0.48%

LAB 41.07, 54.03, -52.29

 

CMYK 27 / 75 / 0 / 35

HEX #7829A5

RGB 120 41 165

HSL 278.23, 0.6%, 0.4%

LAB 34.59, 54.11, -51.57

 

CMYK 29 / 84 / 0 / 43

HEX #671792

RGB 103 23 146

HSL 279.02, 0.73%, 0.33%

LAB 28.31, 53.34, -50.32

 

CMYK 23 / 58 / 0 / 13

HEX #AA5EDE

RGB 170 94 222

HSL 275.63, 0.66%, 0.62%

LAB 53.84, 53.08, -53.46

 

CMYK 8 / 58 / 0 / 13

HEX #CD5EDE

RGB 205 94 222

HSL 292.03, 0.66%, 0.62%

LAB 58.28, 61.76, -46.12

 

CMYK 0 / 58 / 8 / 13

HEX #DE5ECC

RGB 222 94 204

HSL 308.44, 0.66%, 0.62%

LAB 59.79, 63.08, -33.42

 

CMYK 0 / 58 / 24 / 13

HEX #DE5EA9

RGB 222 94 169

HSL 324.84, 0.66%, 0.62%

LAB 58.41, 57.92, -15.48

 

CMYK 0 / 58 / 39 / 13

HEX #DE5E87

RGB 222 94 135

HSL 340.78, 0.66%, 0.62%

LAB 57.35, 53.78, 2.75

 

CMYK 23 / 58 / 0 / 13

HEX #AA5EDE

RGB 170 94 222

HSL 275.63, 0.66%, 0.62%

LAB 53.84, 53.08, -53.46

 

CMYK 39 / 58 / 0 / 13

HEX #885EDE

RGB 136 94 222

HSL 259.69, 0.66%, 0.62%

LAB 50.11, 45.09, -59.64

 

CMYK 55 / 58 / 0 / 13

HEX #655EDE

RGB 101 94 222

HSL 243.28, 0.66%, 0.62%

LAB 47.03, 37.85, -64.76

 

CMYK 58 / 58 / 0 / 13

HEX #5E5EDE

RGB 94 94 222

HSL 240, 0.66%, 0.62%

LAB 46.52, 36.58, -65.62

 

CMYK 23 / 58 / 0 / 13

HEX #AA5EDE

RGB 170 94 222

HSL 275.63, 0.66%, 0.62%

LAB 53.84, 53.08, -53.46

 

CMYK 27 / 67 / 0 / 7

HEX #AD4EED

RGB 173 78 237

HSL 275.85, 0.82%, 0.62%

LAB 52.34, 64.65, -64.29

 

CMYK 30 / 75 / 0 / 1

HEX #B03EFD

RGB 176 62 253

HSL 275.81, 0.98%, 0.62%

LAB 51.57, 74.99, -74.45

 

CMYK 23 / 58 / 0 / 13

HEX #AA5EDE

RGB 170 94 222

HSL 275.63, 0.66%, 0.62%

LAB 53.84, 53.08, -53.46

 

CMYK 19 / 47 / 0 / 19

HEX #A76DCE

RGB 167 109 206

HSL 275.88, 0.5%, 0.62%

LAB 55.69, 40.77, -41.47

 

CMYK 14 / 34 / 0 / 25

HEX #A47DBE

RGB 164 125 190

HSL 276, 0.33%, 0.62%

LAB 58.3, 27.35, -28.33

 

CMYK 8 / 19 / 0 / 31

HEX #A18DAF

RGB 161 141 175

HSL 275.29, 0.18%, 0.62%

LAB 61.41, 14.01, -15.07

 

CMYK 1 / 2 / 0 / 38

HEX #9E9C9F

RGB 158 156 159

HSL 280, 0.02%, 0.62%

LAB 64.6, 1.3, -1.32

 

CMYK 55 / 58 / 0 / 13

HEX #645EDE

RGB 100 94 222

HSL 242.81, 0.66%, 0.62%

LAB 46.96, 37.66, -64.89

 

CMYK 40 / 58 / 0 / 13

HEX #865EDE

RGB 134 94 222

HSL 258.75, 0.66%, 0.62%

LAB 49.92, 44.64, -59.97

 

CMYK 24 / 58 / 0 / 13

HEX #A85EDE

RGB 168 94 222

HSL 274.69, 0.66%, 0.62%

LAB 53.6, 52.59, -53.85

 

CMYK 9 / 58 / 0 / 13

HEX #CA5EDE

RGB 202 94 222

HSL 290.63, 0.66%, 0.62%

LAB 57.88, 61, -46.78

 

CMYK 0 / 58 / 7 / 13

HEX #DE5ECF

RGB 222 94 207

HSL 307.03, 0.66%, 0.62%

LAB 59.92, 63.56, -34.91

 

CMYK 32 / 80 / 0 / 24

HEX #8427C1

RGB 132 39 193

HSL 276.23, 0.66%, 0.45%

LAB 38.21, 63.07, -62.23

 

CMYK 29 / 73 / 0 / 16

HEX #983BD7

RGB 152 59 215

HSL 275.77, 0.66%, 0.54%

LAB 45.23, 63.84, -63.44

 

CMYK 23 / 58 / 0 / 13

HEX #AA5EDE

RGB 170 94 222

HSL 275.63, 0.66%, 0.62%

LAB 53.84, 53.08, -53.46

 

CMYK 18 / 44 / 0 / 10

HEX #BC80E5

RGB 188 128 229

HSL 275.64, 0.66%, 0.7%

LAB 63.17, 41.41, -42.47

 

CMYK 13 / 31 / 0 / 7

HEX #CEA2EC

RGB 206 162 236

HSL 275.68, 0.66%, 0.78%

LAB 72.9, 29.66, -31.03

 

CMYK 23 / 57 / 0 / 13

HEX #AB5FDE

RGB 171 95 222

HSL 275.91, 0.66%, 0.62%

LAB 54.15, 52.81, -52.95

 

CMYK 0 / 58 / 45 / 13

HEX #DE5E79

RGB 222 94 121

HSL 347.34, 0.66%, 0.62%

LAB 56.99, 52.35, 10.45

 

CMYK 58 / 0 / 47 / 13

HEX #5EDE75

RGB 94 222 117

HSL 130.78, 0.66%, 0.62%

LAB 79.56, -57.14, 40.95

 

CMYK 23 / 57 / 0 / 13

HEX #AB5FDE

RGB 171 95 222

HSL 275.91, 0.66%, 0.62%

LAB 54.15, 52.81, -52.95

 

CMYK 0 / 24 / 58 / 13

HEX #DEA85E

RGB 222 168 94

HSL 34.69, 0.66%, 0.62%

LAB 72.46, 11.7, 45.42

 

CMYK 58 / 0 / 24 / 13

HEX #5EDEA8

RGB 94 222 168

HSL 154.69, 0.66%, 0.62%

LAB 80.43, -47.94, 16.04

 

CMYK 23 / 57 / 0 / 13

HEX #AB5FDE

RGB 171 95 222

HSL 275.91, 0.66%, 0.62%

LAB 54.15, 52.81, -52.95

 

CMYK 0 / 58 / 45 / 13

HEX #DE5E79

RGB 222 94 121

HSL 347.34, 0.66%, 0.62%

LAB 56.99, 52.35, 10.45

 

CMYK 34 / 0 / 58 / 13

HEX #93DE5E

RGB 147 222 94

HSL 95.16, 0.66%, 0.62%

LAB 81.43, -44.72, 54.47

 

CMYK 58 / 0 / 13 / 13

HEX #5EDEC2

RGB 94 222 194

HSL 166.88, 0.66%, 0.62%

LAB 81.03, -42.04, 3.13

 

CMYK 23 / 57 / 0 / 13

HEX #AB5FDE

RGB 171 95 222

HSL 275.91, 0.66%, 0.62%

LAB 54.15, 52.81, -52.95

 

CMYK 0 / 53 / 58 / 13

HEX #DE685E

RGB 222 104 94

HSL 4.69, 0.66%, 0.62%

LAB 58.26, 45.3, 27.82

 

CMYK 34 / 0 / 58 / 13

HEX #93DE5E

RGB 147 222 94

HSL 95.16, 0.66%, 0.62%

LAB 81.43, -44.72, 54.47

 

CMYK 58 / 5 / 0 / 13

HEX #5ED3DE

RGB 94 211 222

HSL 185.16, 0.66%, 0.62%

LAB 78.6, -29.69, -15.39

 

Description

Color code: HEX #AB5FDE | qconv.com Color code: HEX #AB5FDE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 95 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 95 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 57 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 57% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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