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Color name
HEX #AB5A25

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5A25 it is the complementary color #54A5DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5A25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5A25 shade: #B05A20, #C16C33, #D27E46, #E39059 and #F4A26C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5A25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5A25 shade: #AB5A25, #9A4812, #893600, #782400 and #671200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5A25 shade: #AB5A25, #AB3625 and #AB2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5A25 shade: #AB5A25, #AB7E25, #ABA225, #90AB25 and #6CAB25

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5A25 shade matches the following richer shades: #AB5A25, #BC5714 and #CD5303

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5A25 shade: #AB5A25, #9A5E36, #896147, #786558 and #676869

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5A25 shade: #AB2539, #AB3525, #AB5825, #AB7C25 and #ABA025

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5A25 shade: #673616, #89481E, #AB5A25, #CD6C2D and #D7834B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5A25 shade: #AB5A25, #5DAB25 and #2527AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5A25 shade: #AB5A25, #25AB58 and #5825AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5A25 shade: #AB5A25, #5DAB25, #2578AB and #7325AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5A25 shade: #AB5A25, #35AB25, #2578AB and #9B25AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

Complementary color

CMYK 61 / 24 / 0 / 15

HEX #54A5DA

RGB 84 165 218

HSL 203.73, 0.64%, 0.59%

LAB 64.85, -8.94, -34.28

 

CMYK 0 / 49 / 82 / 31

HEX #B05A20

RGB 176 90 32

HSL 24.17, 0.69%, 0.41%

LAB 47.81, 31.11, 46.86

 

CMYK 0 / 44 / 74 / 24

HEX #C16C33

RGB 193 108 51

HSL 24.08, 0.58%, 0.48%

LAB 54.35, 29.29, 45.33

 

CMYK 0 / 40 / 67 / 18

HEX #D27E46

RGB 210 126 70

HSL 24, 0.61%, 0.55%

LAB 60.84, 27.67, 43.61

 

CMYK 0 / 37 / 61 / 11

HEX #E39059

RGB 227 144 89

HSL 23.91, 0.71%, 0.62%

LAB 67.28, 26.24, 41.91

 

CMYK 0 / 34 / 56 / 4

HEX #F4A26C

RGB 244 162 108

HSL 23.82, 0.86%, 0.69%

LAB 73.65, 24.97, 40.3

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 0 / 53 / 88 / 40

HEX #9A4812

RGB 154 72 18

HSL 23.82, 0.79%, 0.34%

LAB 40.49, 31.16, 44.88

 

CMYK 0 / 61 / 100 / 46

HEX #893600

RGB 137 54 0

HSL 23.65, 1%, 0.27%

LAB 33.89, 33.21, 45.24

 

CMYK 0 / 70 / 100 / 53

HEX #782400

RGB 120 36 0

HSL 18, 1%, 0.24%

LAB 27.45, 35.23, 39.13

 

CMYK 0 / 83 / 100 / 60

HEX #671200

RGB 103 18 0

HSL 10.49, 1%, 0.2%

LAB 21.27, 36.32, 31.89

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 0 / 68 / 78 / 33

HEX #AB3625

RGB 171 54 37

HSL 7.61, 0.64%, 0.41%

LAB 40.3, 46.84, 36.76

 

CMYK 0 / 78 / 78 / 33

HEX #AB2525

RGB 171 37 37

HSL 0, 0.64%, 0.41%

LAB 38.05, 53.05, 34.4

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 0 / 26 / 78 / 33

HEX #AB7E25

RGB 171 126 37

HSL 39.85, 0.64%, 0.41%

LAB 55.8, 9.11, 52.02

 

CMYK 0 / 5 / 78 / 33

HEX #ABA225

RGB 171 162 37

HSL 55.97, 0.64%, 0.41%

LAB 65.46, -10.51, 60.9

 

CMYK 16 / 0 / 78 / 33

HEX #90AB25

RGB 144 171 37

HSL 72.09, 0.64%, 0.41%

LAB 65.9, -26.77, 60.51

 

CMYK 37 / 0 / 78 / 33

HEX #6CAB25

RGB 108 171 37

HSL 88.21, 0.64%, 0.41%

LAB 63.71, -40.92, 57.69

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 0 / 54 / 89 / 26

HEX #BC5714

RGB 188 87 20

HSL 23.93, 0.81%, 0.41%

LAB 48.96, 37.24, 53.16

 

CMYK 0 / 60 / 99 / 20

HEX #CD5303

RGB 205 83 3

HSL 23.76, 0.97%, 0.41%

LAB 50.89, 45.51, 60.07

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 0 / 39 / 65 / 40

HEX #9A5E36

RGB 154 94 54

HSL 24, 0.48%, 0.41%

LAB 45.83, 20.61, 32.83

 

CMYK 0 / 29 / 48 / 46

HEX #896147

RGB 137 97 71

HSL 23.64, 0.32%, 0.41%

LAB 44.69, 12.9, 21.24

 

CMYK 0 / 16 / 27 / 53

HEX #786558

RGB 120 101 88

HSL 24.38, 0.15%, 0.41%

LAB 44.24, 5.41, 10.18

 

CMYK 2 / 1 / 0 / 59

HEX #676869

RGB 103 104 105

HSL 210, 0.01%, 0.41%

LAB 43.95, -0.18, -0.7

 

CMYK 0 / 78 / 67 / 33

HEX #AB2539

RGB 171 37 57

HSL 351.04, 0.64%, 0.41%

LAB 38.33, 53.96, 22.56

 

CMYK 0 / 69 / 78 / 33

HEX #AB3525

RGB 171 53 37

HSL 7.16, 0.64%, 0.41%

LAB 40.14, 47.25, 36.6

 

CMYK 0 / 49 / 78 / 33

HEX #AB5825

RGB 171 88 37

HSL 22.84, 0.64%, 0.41%

LAB 46.67, 30.29, 43.23

 

CMYK 0 / 27 / 78 / 33

HEX #AB7C25

RGB 171 124 37

HSL 38.96, 0.64%, 0.41%

LAB 55.28, 10.24, 51.54

 

CMYK 0 / 6 / 78 / 33

HEX #ABA025

RGB 171 160 37

HSL 55.07, 0.64%, 0.41%

LAB 64.91, -9.46, 60.4

 

CMYK 0 / 48 / 79 / 60

HEX #673616

RGB 103 54 22

HSL 23.7, 0.65%, 0.25%

LAB 28.33, 19.09, 28.87

 

CMYK 0 / 47 / 78 / 46

HEX #89481E

RGB 137 72 30

HSL 23.55, 0.64%, 0.33%

LAB 37.93, 24.3, 36.21

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 0 / 47 / 78 / 20

HEX #CD6C2D

RGB 205 108 45

HSL 23.63, 0.64%, 0.49%

LAB 55.98, 33.96, 50.35

 

CMYK 0 / 39 / 65 / 16

HEX #D7834B

RGB 215 131 75

HSL 24, 0.64%, 0.57%

LAB 62.67, 27.35, 43.32

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 46 / 0 / 78 / 33

HEX #5DAB25

RGB 93 171 37

HSL 94.93, 0.64%, 0.41%

LAB 63, -46.07, 56.76

 

CMYK 78 / 77 / 0 / 33

HEX #2527AB

RGB 37 39 171

HSL 239.1, 0.64%, 0.41%

LAB 26.11, 45.01, -69.41

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 78 / 0 / 49 / 33

HEX #25AB58

RGB 37 171 88

HSL 142.84, 0.64%, 0.41%

LAB 61.85, -53.35, 32.88

 

CMYK 49 / 78 / 0 / 33

HEX #5825AB

RGB 88 37 171

HSL 262.84, 0.64%, 0.41%

LAB 30.25, 51.74, -62.44

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 46 / 0 / 78 / 33

HEX #5DAB25

RGB 93 171 37

HSL 94.93, 0.64%, 0.41%

LAB 63, -46.07, 56.76

 

CMYK 78 / 30 / 0 / 33

HEX #2578AB

RGB 37 120 171

HSL 202.84, 0.64%, 0.41%

LAB 47.96, -6.53, -34.12

 

CMYK 33 / 78 / 0 / 33

HEX #7325AB

RGB 115 37 171

HSL 274.93, 0.64%, 0.41%

LAB 33.79, 56.08, -56.5

 

CMYK 0 / 47 / 78 / 33

HEX #AB5A25

RGB 171 90 37

HSL 23.73, 0.64%, 0.41%

LAB 47.11, 29.21, 43.66

 

CMYK 69 / 0 / 78 / 33

HEX #35AB25

RGB 53 171 37

HSL 112.84, 0.64%, 0.41%

LAB 61.67, -56.62, 55.02

 

CMYK 78 / 30 / 0 / 33

HEX #2578AB

RGB 37 120 171

HSL 202.84, 0.64%, 0.41%

LAB 47.96, -6.53, -34.12

 

CMYK 9 / 78 / 0 / 33

HEX #9B25AB

RGB 155 37 171

HSL 292.84, 0.64%, 0.41%

LAB 39.97, 63.55, -46.22

 

Description

Color code: HEX #AB5A25 | qconv.com Color code: HEX #AB5A25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 90 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 90 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 78 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 78% 33% C M Y K

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Provide designers and agencies with accurate color values.

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