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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB5878 it is the complementary color #54A787. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB5878. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB5878 shade: #B05873, #C16A86, #D27C99, #E38EAC and #F4A0BF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB5878. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB5878 shade: #AB5878, #9A4665, #893452, #78223F and #67102C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB5878 shade: #AB5878, #AB5862 and #AB5858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB5878 shade: #AB5878, #AB588E, #AB58A5, #9B58AB and #8558AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB5878 shade matches the following richer shades: #AB5878, #BF4473, #D3306F, #E71C6A and #FC0766

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB5878 shade: #AB5878, #976D7D, #828181, #6E9586 and #5AA98B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB5878 shade: #AB58A5, #AB588F, #AB5879, #AB5863 and #AB6358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB5878 shade: #763B52, #914965, #AB5878, #B9748E and #C68FA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB5878 shade: #AB5878, #AB9A58 and #589AAB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB5878 shade: #AB5878, #79AB58 and #5879AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB5878 shade: #AB5878, #AB9A58, #58AB8A and #5869AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB5878 shade: #AB5878, #A3AB58, #58AB8A and #6158AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

Complementary color

CMYK 50 / 0 / 19 / 35

HEX #54A787

RGB 84 167 135

HSL 156.87, 0.33%, 0.49%

LAB 62.74, -33.09, 8.86

 

CMYK 0 / 50 / 35 / 31

HEX #B05873

RGB 176 88 115

HSL 341.59, 0.36%, 0.52%

LAB 48.82, 38.77, 1.39

 

CMYK 0 / 45 / 31 / 24

HEX #C16A86

RGB 193 106 134

HSL 340.69, 0.41%, 0.59%

LAB 55.45, 37.86, 0.06

 

CMYK 0 / 41 / 27 / 18

HEX #D27C99

RGB 210 124 153

HSL 339.77, 0.49%, 0.65%

LAB 62.01, 36.98, -1.08

 

CMYK 0 / 37 / 24 / 11

HEX #E38EAC

RGB 227 142 172

HSL 338.82, 0.6%, 0.72%

LAB 68.5, 36.14, -2.08

 

CMYK 0 / 34 / 22 / 4

HEX #F4A0BF

RGB 244 160 191

HSL 337.86, 0.79%, 0.79%

LAB 74.91, 35.35, -2.98

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 55 / 34 / 40

HEX #9A4665

RGB 154 70 101

HSL 337.86, 0.38%, 0.44%

LAB 41.52, 38.5, -1.11

 

CMYK 0 / 62 / 40 / 46

HEX #893452

RGB 137 52 82

HSL 338.82, 0.45%, 0.37%

LAB 34.77, 39.23, 0.7

 

CMYK 0 / 72 / 48 / 53

HEX #78223F

RGB 120 34 63

HSL 339.77, 0.56%, 0.3%

LAB 28.1, 39.6, 3.12

 

CMYK 0 / 84 / 57 / 60

HEX #67102C

RGB 103 16 44

HSL 340.69, 0.73%, 0.23%

LAB 21.71, 39.08, 6.57

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 49 / 43 / 33

HEX #AB5862

RGB 171 88 98

HSL 352.77, 0.33%, 0.51%

LAB 47.65, 34.91, 9.87

 

CMYK 0 / 49 / 49 / 33

HEX #AB5858

RGB 171 88 88

HSL 0, 0.33%, 0.51%

LAB 47.42, 33.85, 15.57

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 49 / 17 / 33

HEX #AB588E

RGB 171 88 142

HSL 320.96, 0.33%, 0.51%

LAB 49, 40.92, -14.61

 

CMYK 0 / 49 / 4 / 33

HEX #AB58A5

RGB 171 88 165

HSL 304.34, 0.33%, 0.51%

LAB 49.92, 44.84, -26.8

 

CMYK 9 / 49 / 0 / 33

HEX #9B58AB

RGB 155 88 171

HSL 288.43, 0.33%, 0.51%

LAB 48.12, 41.22, -33.29

 

CMYK 22 / 49 / 0 / 33

HEX #8558AB

RGB 133 88 171

HSL 272.53, 0.33%, 0.51%

LAB 45.51, 34.81, -37.58

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 64 / 40 / 25

HEX #BF4473

RGB 191 68 115

HSL 337.07, 0.49%, 0.51%

LAB 47.56, 53.29, -0.16

 

CMYK 0 / 77 / 47 / 17

HEX #D3306F

RGB 211 48 111

HSL 336.81, 0.65%, 0.51%

LAB 48.4, 65.81, 3.94

 

CMYK 0 / 88 / 54 / 9

HEX #E71C6A

RGB 231 28 106

HSL 336.95, 0.81%, 0.51%

LAB 50.52, 74.93, 10.54

 

CMYK 0 / 97 / 60 / 1

HEX #FC0766

RGB 252 7 102

HSL 336.73, 0.98%, 0.51%

LAB 53.82, 81.75, 18.17

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 28 / 17 / 41

HEX #976D7D

RGB 151 109 125

HSL 337.14, 0.17%, 0.51%

LAB 50.68, 19.25, -2.23

 

CMYK 0 / 1 / 1 / 49

HEX #828181

RGB 130 129 129

HSL 0, 0%, 0.51%

LAB 54.06, 0.38, 0.13

 

CMYK 26 / 0 / 10 / 42

HEX #6E9586

RGB 110 149 134

HSL 156.92, 0.16%, 0.51%

LAB 58.54, -16.72, 3.58

 

CMYK 47 / 0 / 18 / 34

HEX #5AA98B

RGB 90 169 139

HSL 157.22, 0.31%, 0.51%

LAB 63.68, -31.59, 8.02

 

CMYK 0 / 49 / 4 / 33

HEX #AB58A5

RGB 171 88 165

HSL 304.34, 0.33%, 0.51%

LAB 49.92, 44.84, -26.8

 

CMYK 0 / 49 / 16 / 33

HEX #AB588F

RGB 171 88 143

HSL 320.24, 0.33%, 0.51%

LAB 49.03, 41.08, -15.14

 

CMYK 0 / 49 / 29 / 33

HEX #AB5879

RGB 171 88 121

HSL 336.14, 0.33%, 0.51%

LAB 48.28, 37.78, -3.09

 

CMYK 0 / 49 / 42 / 33

HEX #AB5863

RGB 171 88 99

HSL 352.05, 0.33%, 0.51%

LAB 47.67, 35.02, 9.3

 

CMYK 0 / 42 / 49 / 33

HEX #AB6358

RGB 171 99 88

HSL 7.95, 0.33%, 0.51%

LAB 49.84, 27.86, 18.85

 

CMYK 0 / 50 / 31 / 54

HEX #763B52

RGB 118 59 82

HSL 336.61, 0.33%, 0.35%

LAB 33.11, 28.67, -2.09

 

CMYK 0 / 50 / 30 / 43

HEX #914965

RGB 145 73 101

HSL 336.67, 0.33%, 0.43%

LAB 40.77, 33.69, -2.36

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 37 / 23 / 27

HEX #B9748E

RGB 185 116 142

HSL 337.39, 0.33%, 0.59%

LAB 56.84, 30.71, -2.69

 

CMYK 0 / 28 / 17 / 22

HEX #C68FA4

RGB 198 143 164

HSL 337.09, 0.33%, 0.67%

LAB 65.22, 24, -2.78

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 10 / 49 / 33

HEX #AB9A58

RGB 171 154 88

HSL 47.71, 0.33%, 0.51%

LAB 63.73, -2.82, 36.73

 

CMYK 49 / 10 / 0 / 33

HEX #589AAB

RGB 88 154 171

HSL 192.29, 0.33%, 0.51%

LAB 60, -16.33, -15.41

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 29 / 0 / 49 / 33

HEX #79AB58

RGB 121 171 88

HSL 96.14, 0.33%, 0.51%

LAB 64.88, -31.67, 37.32

 

CMYK 49 / 29 / 0 / 33

HEX #5879AB

RGB 88 121 171

HSL 216.14, 0.33%, 0.51%

LAB 50.32, 2.39, -30.28

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 0 / 10 / 49 / 33

HEX #AB9A58

RGB 171 154 88

HSL 47.71, 0.33%, 0.51%

LAB 63.73, -2.82, 36.73

 

CMYK 49 / 0 / 19 / 33

HEX #58AB8A

RGB 88 171 138

HSL 156.14, 0.33%, 0.51%

LAB 64.19, -33.28, 9.28

 

CMYK 49 / 39 / 0 / 33

HEX #5869AB

RGB 88 105 171

HSL 227.71, 0.33%, 0.51%

LAB 45.8, 12.15, -37.39

 

CMYK 0 / 49 / 30 / 33

HEX #AB5878

RGB 171 88 120

HSL 336.87, 0.33%, 0.51%

LAB 48.25, 37.65, -2.53

 

CMYK 5 / 0 / 49 / 33

HEX #A3AB58

RGB 163 171 88

HSL 65.78, 0.33%, 0.51%

LAB 67.74, -15.18, 41.46

 

CMYK 49 / 0 / 19 / 33

HEX #58AB8A

RGB 88 171 138

HSL 156.14, 0.33%, 0.51%

LAB 64.19, -33.28, 9.28

 

CMYK 43 / 49 / 0 / 33

HEX #6158AB

RGB 97 88 171

HSL 246.51, 0.33%, 0.51%

LAB 41.94, 25.01, -43.47

 

Description

Color code: HEX #AB5878 | qconv.com Color code: HEX #AB5878 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 88 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 88 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 30 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 30% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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