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Color name
HEX #AB488E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB488E it is the complementary color #54B771. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB488E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB488E shade: #B04889, #C15A9C, #D26CAF, #E37EC2 and #F490D5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB488E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB488E shade: #AB488E, #9A367B, #892468, #781255 and #670042

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB488E shade: #AC488F, #AC4874, #AC4859 and #AC4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB488E shade: #AC488F, #AC48AA, #9348AC, #7848AC and #5D48AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB488E shade matches the following richer shades: #AC488F, #C03497, #D4209F and #E70CA7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB488E shade: #AC488F, #985C86, #846F7E, #718376 and #5D976E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB488E shade: #9348AC, #AC48AA, #AC4890, #AC4875 and #AC485A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB488E shade: #722F5E, #8F3C77, #AC488F, #BC61A2 and #C97EB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB488E shade: #AB488E, #AC7848 and #48ACA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB488E shade: #AB488E, #90AC48 and #4890AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB488E shade: #AB488E, #AC7848, #48AC64 and #487CAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB488E shade: #AB488E, #AC9648, #48AC64 and #485DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 17 / 33

HEX #AB488E

RGB 171 72 142

HSL 317.58, 0.41%, 0.48%

LAB 45.97, 48.9, -19.22

 

Complementary color

CMYK 54 / 0 / 38 / 28

HEX #54B771

RGB 84 183 113

HSL 137.58, 0.41%, 0.52%

LAB 67.24, -44.64, 27.02

 

CMYK 0 / 59 / 22 / 31

HEX #B04889

RGB 176 72 137

HSL 322.5, 0.42%, 0.49%

LAB 46.54, 49.66, -15.27

 

CMYK 0 / 53 / 19 / 24

HEX #C15A9C

RGB 193 90 156

HSL 321.55, 0.45%, 0.55%

LAB 53, 49.13, -16.51

 

CMYK 0 / 49 / 17 / 18

HEX #D26CAF

RGB 210 108 175

HSL 320.59, 0.53%, 0.62%

LAB 59.45, 48.45, -17.52

 

CMYK 0 / 44 / 15 / 11

HEX #E37EC2

RGB 227 126 194

HSL 319.6, 0.64%, 0.69%

LAB 65.86, 47.72, -18.38

 

CMYK 0 / 41 / 13 / 4

HEX #F490D5

RGB 244 144 213

HSL 318.6, 0.82%, 0.76%

LAB 72.22, 46.98, -19.12

 

CMYK 0 / 58 / 17 / 33

HEX #AB488E

RGB 171 72 142

HSL 317.58, 0.41%, 0.48%

LAB 45.97, 48.9, -19.22

 

CMYK 0 / 65 / 20 / 40

HEX #9A367B

RGB 154 54 123

HSL 318.6, 0.48%, 0.41%

LAB 39.48, 49.18, -17.83

 

CMYK 0 / 74 / 24 / 46

HEX #892468

RGB 137 36 104

HSL 319.6, 0.58%, 0.34%

LAB 33.09, 48.93, -15.95

 

CMYK 0 / 85 / 29 / 53

HEX #781255

RGB 120 18 85

HSL 320.59, 0.74%, 0.27%

LAB 26.97, 47.67, -13.26

 

CMYK 0 / 100 / 36 / 60

HEX #670042

RGB 103 0 66

HSL 321.55, 1%, 0.2%

LAB 21.12, 45.27, -9.66

 

CMYK 0 / 58 / 17 / 33

HEX #AC488F

RGB 172 72 143

HSL 317.4, 0.41%, 0.48%

LAB 46.16, 49.35, -19.52

 

CMYK 0 / 58 / 33 / 33

HEX #AC4874

RGB 172 72 116

HSL 333.6, 0.41%, 0.48%

LAB 45.17, 45.55, -4.64

 

CMYK 0 / 58 / 48 / 33

HEX #AC4859

RGB 172 72 89

HSL 349.8, 0.41%, 0.48%

LAB 44.41, 42.51, 10.83

 

CMYK 0 / 58 / 58 / 33

HEX #AC4848

RGB 172 72 72

HSL 0, 0.41%, 0.48%

LAB 44.05, 41.02, 20.73

 

CMYK 0 / 58 / 17 / 33

HEX #AC488F

RGB 172 72 143

HSL 317.4, 0.41%, 0.48%

LAB 46.16, 49.35, -19.52

 

CMYK 0 / 58 / 1 / 33

HEX #AC48AA

RGB 172 72 170

HSL 301.2, 0.41%, 0.48%

LAB 47.38, 53.83, -33.7

 

CMYK 15 / 58 / 0 / 33

HEX #9348AC

RGB 147 72 172

HSL 285, 0.41%, 0.48%

LAB 43.97, 47.56, -40.5

 

CMYK 30 / 58 / 0 / 33

HEX #7848AC

RGB 120 72 172

HSL 268.8, 0.41%, 0.48%

LAB 40.58, 40.61, -46.1

 

CMYK 46 / 58 / 0 / 33

HEX #5D48AC

RGB 93 72 172

HSL 252.6, 0.41%, 0.48%

LAB 37.74, 34.18, -50.83

 

CMYK 0 / 58 / 17 / 33

HEX #AC488F

RGB 172 72 143

HSL 317.4, 0.41%, 0.48%

LAB 46.16, 49.35, -19.52

 

CMYK 0 / 73 / 21 / 25

HEX #C03497

RGB 192 52 151

HSL 317.57, 0.57%, 0.48%

LAB 46.84, 64.01, -23

 

CMYK 0 / 85 / 25 / 17

HEX #D4209F

RGB 212 32 159

HSL 317.67, 0.74%, 0.48%

LAB 48.93, 74.83, -24.27

 

CMYK 0 / 95 / 28 / 9

HEX #E70CA7

RGB 231 12 167

HSL 317.53, 0.9%, 0.48%

LAB 51.88, 82.28, -24.16

 

CMYK 0 / 58 / 17 / 33

HEX #AC488F

RGB 172 72 143

HSL 317.4, 0.41%, 0.48%

LAB 46.16, 49.35, -19.52

 

CMYK 0 / 39 / 12 / 40

HEX #985C86

RGB 152 92 134

HSL 318, 0.25%, 0.48%

LAB 47.04, 30.92, -13.02

 

CMYK 0 / 16 / 5 / 48

HEX #846F7E

RGB 132 111 126

HSL 317.14, 0.09%, 0.48%

LAB 49.23, 11.02, -5.2

 

CMYK 14 / 0 / 10 / 49

HEX #718376

RGB 113 131 118

HSL 136.67, 0.07%, 0.48%

LAB 53.01, -9.27, 4.83

 

CMYK 38 / 0 / 27 / 41

HEX #5D976E

RGB 93 151 110

HSL 137.59, 0.24%, 0.48%

LAB 57.64, -28.2, 15.76

 

CMYK 15 / 58 / 0 / 33

HEX #9348AC

RGB 147 72 172

HSL 285, 0.41%, 0.48%

LAB 43.97, 47.56, -40.5

 

CMYK 0 / 58 / 1 / 33

HEX #AC48AA

RGB 172 72 170

HSL 301.2, 0.41%, 0.48%

LAB 47.38, 53.83, -33.7

 

CMYK 0 / 58 / 16 / 33

HEX #AC4890

RGB 172 72 144

HSL 316.8, 0.41%, 0.48%

LAB 46.2, 49.51, -20.05

 

CMYK 0 / 58 / 32 / 33

HEX #AC4875

RGB 172 72 117

HSL 333, 0.41%, 0.48%

LAB 45.21, 45.67, -5.2

 

CMYK 0 / 58 / 48 / 33

HEX #AC485A

RGB 172 72 90

HSL 349.2, 0.41%, 0.48%

LAB 44.44, 42.6, 10.25

 

CMYK 0 / 59 / 18 / 55

HEX #722F5E

RGB 114 47 94

HSL 317.91, 0.42%, 0.32%

LAB 30.44, 35.66, -13.92

 

CMYK 0 / 58 / 17 / 44

HEX #8F3C77

RGB 143 60 119

HSL 317.35, 0.41%, 0.4%

LAB 38.56, 42.48, -16.92

 

CMYK 0 / 58 / 17 / 33

HEX #AC488F

RGB 172 72 143

HSL 317.4, 0.41%, 0.48%

LAB 46.16, 49.35, -19.52

 

CMYK 0 / 48 / 14 / 26

HEX #BC61A2

RGB 188 97 162

HSL 317.14, 0.4%, 0.56%

LAB 53.87, 44.99, -18.77

 

CMYK 0 / 37 / 11 / 21

HEX #C97EB3

RGB 201 126 179

HSL 317.6, 0.41%, 0.64%

LAB 62.16, 36.8, -15.81

 

CMYK 0 / 58 / 17 / 33

HEX #AB488E

RGB 171 72 142

HSL 317.58, 0.41%, 0.48%

LAB 45.97, 48.9, -19.22

 

CMYK 0 / 30 / 58 / 33

HEX #AC7848

RGB 172 120 72

HSL 28.8, 0.41%, 0.48%

LAB 54.73, 15.05, 34.21

 

CMYK 58 / 0 / 7 / 33

HEX #48ACA0

RGB 72 172 160

HSL 172.8, 0.41%, 0.48%

LAB 64.5, -31.97, -2.58

 

CMYK 0 / 58 / 17 / 33

HEX #AB488E

RGB 171 72 142

HSL 317.58, 0.41%, 0.48%

LAB 45.97, 48.9, -19.22

 

CMYK 16 / 0 / 58 / 33

HEX #90AC48

RGB 144 172 72

HSL 76.8, 0.41%, 0.48%

LAB 66.45, -24.97, 47.29

 

CMYK 58 / 16 / 0 / 33

HEX #4890AC

RGB 72 144 172

HSL 196.8, 0.41%, 0.48%

LAB 56.39, -14.17, -21.54

 

CMYK 0 / 58 / 17 / 33

HEX #AB488E

RGB 171 72 142

HSL 317.58, 0.41%, 0.48%

LAB 45.97, 48.9, -19.22

 

CMYK 0 / 30 / 58 / 33

HEX #AC7848

RGB 172 120 72

HSL 28.8, 0.41%, 0.48%

LAB 54.73, 15.05, 34.21

 

CMYK 58 / 0 / 42 / 33

HEX #48AC64

RGB 72 172 100

HSL 136.8, 0.41%, 0.48%

LAB 63.18, -45.26, 28.49

 

CMYK 58 / 28 / 0 / 33

HEX #487CAC

RGB 72 124 172

HSL 208.8, 0.41%, 0.48%

LAB 50.42, -2.78, -30.77

 

CMYK 0 / 58 / 17 / 33

HEX #AB488E

RGB 171 72 142

HSL 317.58, 0.41%, 0.48%

LAB 45.97, 48.9, -19.22

 

CMYK 0 / 13 / 58 / 33

HEX #AC9648

RGB 172 150 72

HSL 46.8, 0.41%, 0.48%

LAB 62.55, -1.63, 43.45

 

CMYK 58 / 0 / 42 / 33

HEX #48AC64

RGB 72 172 100

HSL 136.8, 0.41%, 0.48%

LAB 63.18, -45.26, 28.49

 

CMYK 58 / 46 / 0 / 33

HEX #485DAC

RGB 72 93 172

HSL 227.4, 0.41%, 0.48%

LAB 41.51, 16.39, -44.85

 

Description

Color code: HEX #AB488E | qconv.com Color code: HEX #AB488E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 72 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 72 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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