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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB32A0 it is the complementary color #54CD5F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB32A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB32A0 shade: #B0329B, #C144AE, #D256C1, #E368D4 and #F47AE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB32A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB32A0 shade: #AB32A0, #9A208D, #890E7A, #780067 and #670054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB32A0 shade: #A9319F, #A9317E, #A9315D, #A9313D and #A93131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB32A0 shade: #A9319F, #9431A9, #7331A9, #5331A9 and #3231A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB32A0 shade matches the following richer shades: #A9319F, #BB1FAD and #CD0DBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB32A0 shade: #A9319F, #984390, #865481, #746673 and #627864

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB32A0 shade: #7331A9, #9331A9, #A9319F, #A9317F and #A9315F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB32A0 shade: #6A1E63, #892881, #A9319F, #C63DBA and #D05DC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB32A0 shade: #AB32A0, #A95331 and #31A983

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB32A0 shade: #AB32A0, #9FA931 and #319FA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB32A0 shade: #AB32A0, #A95331, #31A93B and #3187A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB32A0 shade: #AB32A0, #A97731, #31A93B and #3163A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 6 / 33

HEX #AB32A0

RGB 171 50 160

HSL 305.45, 0.55%, 0.43%

LAB 43.47, 60.9, -33.91

 

Complementary color

CMYK 59 / 0 / 54 / 20

HEX #54CD5F

RGB 84 205 95

HSL 125.45, 0.55%, 0.57%

LAB 73.79, -56.1, 44.38

 

CMYK 0 / 72 / 12 / 31

HEX #B0329B

RGB 176 50 155

HSL 310, 0.56%, 0.44%

LAB 44.06, 61.33, -29.94

 

CMYK 0 / 65 / 10 / 24

HEX #C144AE

RGB 193 68 174

HSL 309.12, 0.5%, 0.51%

LAB 50.13, 61.7, -31.51

 

CMYK 0 / 59 / 8 / 18

HEX #D256C1

RGB 210 86 193

HSL 308.23, 0.58%, 0.58%

LAB 56.29, 61.61, -32.72

 

CMYK 0 / 54 / 7 / 11

HEX #E368D4

RGB 227 104 212

HSL 307.32, 0.69%, 0.65%

LAB 62.49, 61.24, -33.68

 

CMYK 0 / 50 / 5 / 4

HEX #F47AE7

RGB 244 122 231

HSL 306.39, 0.85%, 0.72%

LAB 68.69, 60.71, -34.46

 

CMYK 0 / 71 / 6 / 33

HEX #AB32A0

RGB 171 50 160

HSL 305.45, 0.55%, 0.43%

LAB 43.47, 60.9, -33.91

 

CMYK 0 / 79 / 8 / 40

HEX #9A208D

RGB 154 32 141

HSL 306.39, 0.66%, 0.36%

LAB 37.53, 59.82, -31.97

 

CMYK 0 / 90 / 11 / 46

HEX #890E7A

RGB 137 14 122

HSL 307.32, 0.81%, 0.3%

LAB 31.89, 57.54, -29.25

 

CMYK 0 / 100 / 14 / 53

HEX #780067

RGB 120 0 103

HSL 308.5, 1%, 0.24%

LAB 26.66, 53.7, -25.58

 

CMYK 0 / 100 / 18 / 60

HEX #670054

RGB 103 0 84

HSL 311.07, 1%, 0.2%

LAB 22.03, 47.58, -20.54

 

CMYK 0 / 71 / 6 / 34

HEX #A9319F

RGB 169 49 159

HSL 305, 0.55%, 0.43%

LAB 42.97, 60.63, -34.14

 

CMYK 0 / 71 / 25 / 34

HEX #A9317E

RGB 169 49 126

HSL 321.5, 0.55%, 0.43%

LAB 41.43, 55.79, -16.46

 

CMYK 0 / 71 / 45 / 34

HEX #A9315D

RGB 169 49 93

HSL 338, 0.55%, 0.43%

LAB 40.28, 51.98, 2.4

 

CMYK 0 / 71 / 64 / 34

HEX #A9313D

RGB 169 49 61

HSL 354, 0.55%, 0.43%

LAB 39.53, 49.39, 21.5

 

CMYK 0 / 71 / 71 / 34

HEX #A93131

RGB 169 49 49

HSL 0, 0.55%, 0.43%

LAB 39.33, 48.71, 28.63

 

CMYK 0 / 71 / 6 / 34

HEX #A9319F

RGB 169 49 159

HSL 305, 0.55%, 0.43%

LAB 42.97, 60.63, -34.14

 

CMYK 12 / 71 / 0 / 34

HEX #9431A9

RGB 148 49 169

HSL 289.5, 0.55%, 0.43%

LAB 40.18, 57.58, -44.75

 

CMYK 32 / 71 / 0 / 34

HEX #7331A9

RGB 115 49 169

HSL 273, 0.55%, 0.43%

LAB 35.41, 50.56, -52.67

 

CMYK 51 / 71 / 0 / 34

HEX #5331A9

RGB 83 49 169

HSL 257, 0.55%, 0.43%

LAB 31.58, 44.54, -59.08

 

CMYK 70 / 71 / 0 / 34

HEX #3231A9

RGB 50 49 169

HSL 240.5, 0.55%, 0.43%

LAB 28.74, 39.78, -63.84

 

CMYK 0 / 71 / 6 / 34

HEX #A9319F

RGB 169 49 159

HSL 305, 0.55%, 0.43%

LAB 42.97, 60.63, -34.14

 

CMYK 0 / 83 / 7 / 27

HEX #BB1FAD

RGB 187 31 173

HSL 305.38, 0.72%, 0.43%

LAB 45.03, 71.71, -39.02

 

CMYK 0 / 94 / 8 / 20

HEX #CD0DBC

RGB 205 13 188

HSL 305.31, 0.88%, 0.43%

LAB 48.13, 79.89, -42.72

 

CMYK 0 / 71 / 6 / 34

HEX #A9319F

RGB 169 49 159

HSL 305, 0.55%, 0.43%

LAB 42.97, 60.63, -34.14

 

CMYK 0 / 56 / 5 / 40

HEX #984390

RGB 152 67 144

HSL 305.65, 0.39%, 0.43%

LAB 42.31, 46, -26.32

 

CMYK 0 / 37 / 4 / 47

HEX #865481

RGB 134 84 129

HSL 306, 0.23%, 0.43%

LAB 42.75, 28.26, -16.74

 

CMYK 0 / 12 / 1 / 55

HEX #746673

RGB 116 102 115

HSL 304.29, 0.06%, 0.43%

LAB 44.88, 8.09, -5.24

 

CMYK 18 / 0 / 17 / 53

HEX #627864

RGB 98 120 100

HSL 125.45, 0.1%, 0.43%

LAB 48.2, -12.31, 8.35

 

CMYK 32 / 71 / 0 / 34

HEX #7331A9

RGB 115 49 169

HSL 273, 0.55%, 0.43%

LAB 35.41, 50.56, -52.67

 

CMYK 13 / 71 / 0 / 34

HEX #9331A9

RGB 147 49 169

HSL 289, 0.55%, 0.43%

LAB 40.02, 57.36, -45.01

 

CMYK 0 / 71 / 6 / 34

HEX #A9319F

RGB 169 49 159

HSL 305, 0.55%, 0.43%

LAB 42.97, 60.63, -34.14

 

CMYK 0 / 71 / 25 / 34

HEX #A9317F

RGB 169 49 127

HSL 321, 0.55%, 0.43%

LAB 41.48, 55.92, -17.01

 

CMYK 0 / 71 / 44 / 34

HEX #A9315F

RGB 169 49 95

HSL 337, 0.55%, 0.43%

LAB 40.34, 52.18, 1.23

 

CMYK 0 / 72 / 7 / 58

HEX #6A1E63

RGB 106 30 99

HSL 305.53, 0.56%, 0.27%

LAB 26.43, 42.11, -23.51

 

CMYK 0 / 71 / 6 / 46

HEX #892881

RGB 137 40 129

HSL 304.95, 0.55%, 0.35%

LAB 34.84, 51.27, -28.98

 

CMYK 0 / 71 / 6 / 34

HEX #A9319F

RGB 169 49 159

HSL 305, 0.55%, 0.43%

LAB 42.97, 60.63, -34.14

 

CMYK 0 / 69 / 6 / 22

HEX #C63DBA

RGB 198 61 186

HSL 305.26, 0.55%, 0.51%

LAB 50.56, 67.43, -37.8

 

CMYK 0 / 55 / 5 / 18

HEX #D05DC5

RGB 208 93 197

HSL 305.74, 0.55%, 0.59%

LAB 57.34, 58.6, -33.41

 

CMYK 0 / 71 / 6 / 33

HEX #AB32A0

RGB 171 50 160

HSL 305.45, 0.55%, 0.43%

LAB 43.47, 60.9, -33.91

 

CMYK 0 / 51 / 71 / 34

HEX #A95331

RGB 169 83 49

HSL 17, 0.55%, 0.43%

LAB 45.42, 32.71, 35.66

 

CMYK 71 / 0 / 22 / 34

HEX #31A983

RGB 49 169 131

HSL 161, 0.55%, 0.43%

LAB 62.23, -42.03, 10.22

 

CMYK 0 / 71 / 6 / 33

HEX #AB32A0

RGB 171 50 160

HSL 305.45, 0.55%, 0.43%

LAB 43.47, 60.9, -33.91

 

CMYK 6 / 0 / 71 / 34

HEX #9FA931

RGB 159 169 49

HSL 65, 0.55%, 0.43%

LAB 66.5, -18.82, 57.37

 

CMYK 71 / 6 / 0 / 34

HEX #319FA9

RGB 49 159 169

HSL 185, 0.55%, 0.43%

LAB 60.17, -26.89, -14.15

 

CMYK 0 / 71 / 6 / 33

HEX #AB32A0

RGB 171 50 160

HSL 305.45, 0.55%, 0.43%

LAB 43.47, 60.9, -33.91

 

CMYK 0 / 51 / 71 / 34

HEX #A95331

RGB 169 83 49

HSL 17, 0.55%, 0.43%

LAB 45.42, 32.71, 35.66

 

CMYK 71 / 0 / 65 / 34

HEX #31A93B

RGB 49 169 59

HSL 125, 0.55%, 0.43%

LAB 61.08, -54.79, 45.96

 

CMYK 71 / 20 / 0 / 34

HEX #3187A9

RGB 49 135 169

HSL 197, 0.55%, 0.43%

LAB 52.78, -14.25, -25.44

 

CMYK 0 / 71 / 6 / 33

HEX #AB32A0

RGB 171 50 160

HSL 305.45, 0.55%, 0.43%

LAB 43.47, 60.9, -33.91

 

CMYK 0 / 30 / 71 / 34

HEX #A97731

RGB 169 119 49

HSL 35, 0.55%, 0.43%

LAB 53.87, 12.72, 44.85

 

CMYK 71 / 0 / 65 / 34

HEX #31A93B

RGB 49 169 59

HSL 125, 0.55%, 0.43%

LAB 61.08, -54.79, 45.96

 

CMYK 71 / 41 / 0 / 34

HEX #3163A9

RGB 49 99 169

HSL 215, 0.55%, 0.43%

LAB 41.91, 7.28, -42.51

 

Description

Color code: HEX #AB32A0 | qconv.com Color code: HEX #AB32A0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 50 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 50 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 6 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 6% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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