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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB395C it is the complementary color #54C6A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB395C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB395C shade: #B03957, #C14B6A, #D25D7D, #E36F90 and #F481A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB395C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB395C shade: #AB395C, #9A2749, #891536, #780323 and #670010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB395C shade: #AC395C, #AC393D and #AC3939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB395C shade: #AC395C, #AC397B, #AC399A, #9E39AC and #7F39AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB395C shade matches the following richer shades: #AC395C, #BE2655, #D1144E and #E30147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB395C shade: #AC395C, #994B63, #865E6A, #747172 and #618379

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB395C shade: #AC399A, #AC397C, #AC395D, #AC393F and #AC5239

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB395C shade: #6E243B, #8D2F4B, #AC395C, #C34B70 and #CD6A88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB395C shade: #AB395C, #AC9E39 and #398BAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB395C shade: #AB395C, #5DAC39 and #395DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB395C shade: #AB395C, #AC9E39, #39AC87 and #3946AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB395C shade: #AB395C, #97AC39, #39AC87 and #4E39AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 46 / 33

HEX #AB395C

RGB 171 57 92

HSL 341.58, 0.5%, 0.45%

LAB 41.78, 49.29, 5.23

 

Complementary color

CMYK 58 / 0 / 18 / 22

HEX #54C6A3

RGB 84 198 163

HSL 161.58, 0.5%, 0.55%

LAB 72.84, -40.75, 7.91

 

CMYK 0 / 68 / 51 / 31

HEX #B03957

RGB 176 57 87

HSL 344.87, 0.51%, 0.46%

LAB 42.53, 50.42, 9.53

 

CMYK 0 / 61 / 45 / 24

HEX #C14B6A

RGB 193 75 106

HSL 344.24, 0.49%, 0.53%

LAB 48.77, 49.94, 7.1

 

CMYK 0 / 56 / 40 / 18

HEX #D25D7D

RGB 210 93 125

HSL 343.59, 0.57%, 0.59%

LAB 55.08, 49.22, 5.13

 

CMYK 0 / 51 / 37 / 11

HEX #E36F90

RGB 227 111 144

HSL 342.93, 0.67%, 0.66%

LAB 61.41, 48.39, 3.48

 

CMYK 0 / 47 / 33 / 4

HEX #F481A3

RGB 244 129 163

HSL 342.26, 0.84%, 0.73%

LAB 67.71, 47.52, 2.08

 

CMYK 0 / 67 / 46 / 33

HEX #AB395C

RGB 171 57 92

HSL 341.58, 0.5%, 0.45%

LAB 41.78, 49.29, 5.23

 

CMYK 0 / 75 / 53 / 40

HEX #9A2749

RGB 154 39 73

HSL 342.26, 0.6%, 0.38%

LAB 35.6, 49.31, 8.1

 

CMYK 0 / 85 / 61 / 46

HEX #891536

RGB 137 21 54

HSL 342.93, 0.73%, 0.31%

LAB 29.72, 48.45, 11.9

 

CMYK 0 / 98 / 71 / 53

HEX #780323

RGB 120 3 35

HSL 343.59, 0.95%, 0.24%

LAB 24.26, 46.35, 16.89

 

CMYK 0 / 100 / 84 / 60

HEX #670010

RGB 103 0 16

HSL 350.68, 1%, 0.2%

LAB 19.72, 41.58, 23.22

 

CMYK 0 / 67 / 47 / 33

HEX #AC395C

RGB 172 57 92

HSL 341.74, 0.5%, 0.45%

LAB 41.95, 49.61, 5.5

 

CMYK 0 / 67 / 65 / 33

HEX #AC393D

RGB 172 57 61

HSL 357.91, 0.5%, 0.45%

LAB 41.27, 47.13, 23.84

 

CMYK 0 / 67 / 67 / 33

HEX #AC3939

RGB 172 57 57

HSL 0, 0.5%, 0.45%

LAB 41.2, 46.88, 26.19

 

CMYK 0 / 67 / 47 / 33

HEX #AC395C

RGB 172 57 92

HSL 341.74, 0.5%, 0.45%

LAB 41.95, 49.61, 5.5

 

CMYK 0 / 67 / 28 / 33

HEX #AC397B

RGB 172 57 123

HSL 325.57, 0.5%, 0.45%

LAB 42.95, 53.12, -12.25

 

CMYK 0 / 67 / 10 / 33

HEX #AC399A

RGB 172 57 154

HSL 309.39, 0.5%, 0.45%

LAB 44.28, 57.57, -29.05

 

CMYK 8 / 67 / 0 / 33

HEX #9E39AC

RGB 158 57 172

HSL 292.7, 0.5%, 0.45%

LAB 43.02, 57.21, -41.9

 

CMYK 26 / 67 / 0 / 33

HEX #7F39AC

RGB 127 57 172

HSL 276.52, 0.5%, 0.45%

LAB 38.58, 50.06, -49.27

 

CMYK 0 / 67 / 47 / 33

HEX #AC395C

RGB 172 57 92

HSL 341.74, 0.5%, 0.45%

LAB 41.95, 49.61, 5.5

 

CMYK 0 / 80 / 55 / 25

HEX #BE2655

RGB 190 38 85

HSL 341.45, 0.67%, 0.45%

LAB 42.75, 60.9, 11.48

 

CMYK 0 / 90 / 63 / 18

HEX #D1144E

RGB 209 20 78

HSL 341.59, 0.83%, 0.45%

LAB 45.09, 69.06, 19.66

 

CMYK 0 / 100 / 69 / 11

HEX #E30147

RGB 227 1 71

HSL 341.42, 0.99%, 0.45%

LAB 48.02, 74.87, 28.48

 

CMYK 0 / 67 / 47 / 33

HEX #AC395C

RGB 172 57 92

HSL 341.74, 0.5%, 0.45%

LAB 41.95, 49.61, 5.5

 

CMYK 0 / 51 / 35 / 40

HEX #994B63

RGB 153 75 99

HSL 341.54, 0.34%, 0.45%

LAB 42.32, 35.26, 1.28

 

CMYK 0 / 30 / 21 / 47

HEX #865E6A

RGB 134 94 106

HSL 342, 0.18%, 0.45%

LAB 44.4, 18.23, -0.28

 

CMYK 0 / 3 / 2 / 55

HEX #747172

RGB 116 113 114

HSL 340, 0.01%, 0.45%

LAB 47.93, 1.35, -0.15

 

CMYK 26 / 0 / 8 / 49

HEX #618379

RGB 97 131 121

HSL 162.35, 0.15%, 0.45%

LAB 52.01, -14.24, 1.51

 

CMYK 0 / 67 / 10 / 33

HEX #AC399A

RGB 172 57 154

HSL 309.39, 0.5%, 0.45%

LAB 44.28, 57.57, -29.05

 

CMYK 0 / 67 / 28 / 33

HEX #AC397C

RGB 172 57 124

HSL 325.04, 0.5%, 0.45%

LAB 42.99, 53.25, -12.81

 

CMYK 0 / 67 / 46 / 33

HEX #AC395D

RGB 172 57 93

HSL 341.22, 0.5%, 0.45%

LAB 41.98, 49.7, 4.91

 

CMYK 0 / 67 / 63 / 33

HEX #AC393F

RGB 172 57 63

HSL 356.87, 0.5%, 0.45%

LAB 41.3, 47.25, 22.66

 

CMYK 0 / 52 / 67 / 33

HEX #AC5239

RGB 172 82 57

HSL 13.04, 0.5%, 0.45%

LAB 45.77, 34.9, 31.73

 

CMYK 0 / 67 / 46 / 57

HEX #6E243B

RGB 110 36 59

HSL 341.35, 0.51%, 0.29%

LAB 26.43, 34.88, 3.15

 

CMYK 0 / 67 / 47 / 45

HEX #8D2F4B

RGB 141 47 75

HSL 342.13, 0.5%, 0.37%

LAB 34.4, 42.14, 4.77

 

CMYK 0 / 67 / 47 / 33

HEX #AC395C

RGB 172 57 92

HSL 341.74, 0.5%, 0.45%

LAB 41.95, 49.61, 5.5

 

CMYK 0 / 62 / 43 / 24

HEX #C34B70

RGB 195 75 112

HSL 341.5, 0.5%, 0.53%

LAB 49.26, 51.2, 4.2

 

CMYK 0 / 48 / 34 / 20

HEX #CD6A88

RGB 205 106 136

HSL 341.82, 0.5%, 0.61%

LAB 57.14, 42.36, 1.55

 

CMYK 0 / 67 / 46 / 33

HEX #AB395C

RGB 171 57 92

HSL 341.58, 0.5%, 0.45%

LAB 41.78, 49.29, 5.23

 

CMYK 0 / 8 / 67 / 33

HEX #AC9E39

RGB 172 158 57

HSL 52.7, 0.5%, 0.45%

LAB 64.58, -6.97, 52.59

 

CMYK 67 / 19 / 0 / 33

HEX #398BAC

RGB 57 139 172

HSL 197.22, 0.5%, 0.45%

LAB 54.36, -14.2, -24.71

 

CMYK 0 / 67 / 46 / 33

HEX #AB395C

RGB 171 57 92

HSL 341.58, 0.5%, 0.45%

LAB 41.78, 49.29, 5.23

 

CMYK 46 / 0 / 67 / 33

HEX #5DAC39

RGB 93 172 57

HSL 101.22, 0.5%, 0.45%

LAB 63.45, -45.03, 49.8

 

CMYK 67 / 46 / 0 / 33

HEX #395DAC

RGB 57 93 172

HSL 221.22, 0.5%, 0.45%

LAB 40.7, 13.54, -46.19

 

CMYK 0 / 67 / 46 / 33

HEX #AB395C

RGB 171 57 92

HSL 341.58, 0.5%, 0.45%

LAB 41.78, 49.29, 5.23

 

CMYK 0 / 8 / 67 / 33

HEX #AC9E39

RGB 172 158 57

HSL 52.7, 0.5%, 0.45%

LAB 64.58, -6.97, 52.59

 

CMYK 67 / 0 / 22 / 33

HEX #39AC87

RGB 57 172 135

HSL 160.7, 0.5%, 0.45%

LAB 63.45, -41.07, 9.75

 

CMYK 67 / 59 / 0 / 33

HEX #3946AC

RGB 57 70 172

HSL 233.22, 0.5%, 0.45%

LAB 34.45, 28.55, -56.27

 

CMYK 0 / 67 / 46 / 33

HEX #AB395C

RGB 171 57 92

HSL 341.58, 0.5%, 0.45%

LAB 41.78, 49.29, 5.23

 

CMYK 12 / 0 / 67 / 33

HEX #97AC39

RGB 151 172 57

HSL 70.96, 0.5%, 0.45%

LAB 66.81, -23.24, 54.37

 

CMYK 67 / 0 / 22 / 33

HEX #39AC87

RGB 57 172 135

HSL 160.7, 0.5%, 0.45%

LAB 63.45, -41.07, 9.75

 

CMYK 55 / 67 / 0 / 33

HEX #4E39AC

RGB 78 57 172

HSL 250.96, 0.5%, 0.45%

LAB 32.97, 40.1, -58.62

 

Description

Color code: HEX #AB395C | qconv.com Color code: HEX #AB395C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 57 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 57 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 46 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 46% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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