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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2F42 it is the complementary color #54D0BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2F42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2F42 shade: #B02F3D, #C14150, #D25363, #E36576 and #F47789

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2F42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2F42 shade: #AB2F42, #9A1D2F, #890B1C, #780009 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2F42 shade: #AC2F42 and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2F42 shade: #AC2F42, #AC2F64, #AC2F85, #AC2FA7 and #8F2FAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2F42 shade matches the following richer shades: #AC2F42, #BD1D35 and #CF0B29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2F42 shade: #AC2F42, #9A404E, #88525A, #766467 and #657673

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2F42 shade: #AC2F86, #AC2F65, #AC2F43, #AC3B2F and #AC5C2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2F42 shade: #6B1D29, #8B2635, #AC2F42, #C93B50 and #D25B6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2F42 shade: #AB2F42, #A7AC2F and #2F75AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2F42 shade: #AB2F42, #43AC2F and #2F43AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2F42 shade: #AB2F42, #A7AC2F, #2FAC97 and #332FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2F42 shade: #AB2F42, #82AC2F, #2FAC97 and #582FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 61 / 33

HEX #AB2F42

RGB 171 47 66

HSL 350.81, 0.57%, 0.43%

LAB 39.72, 51.11, 18.7

 

Complementary color

CMYK 60 / 0 / 9 / 18

HEX #54D0BD

RGB 84 208 189

HSL 170.81, 0.57%, 0.57%

LAB 76.48, -38.88, -0.85

 

CMYK 0 / 73 / 65 / 31

HEX #B02F3D

RGB 176 47 61

HSL 353.49, 0.58%, 0.44%

LAB 40.57, 52.37, 23.11

 

CMYK 0 / 66 / 59 / 24

HEX #C14150

RGB 193 65 80

HSL 352.97, 0.51%, 0.51%

LAB 46.57, 52.05, 19.86

 

CMYK 0 / 60 / 53 / 18

HEX #D25363

RGB 210 83 99

HSL 352.44, 0.59%, 0.57%

LAB 52.72, 51.36, 17.21

 

CMYK 0 / 56 / 48 / 11

HEX #E36576

RGB 227 101 118

HSL 351.9, 0.69%, 0.64%

LAB 58.92, 50.5, 15.01

 

CMYK 0 / 51 / 44 / 4

HEX #F47789

RGB 244 119 137

HSL 351.36, 0.85%, 0.71%

LAB 65.15, 49.56, 13.15

 

CMYK 0 / 73 / 61 / 33

HEX #AB2F42

RGB 171 47 66

HSL 350.81, 0.57%, 0.43%

LAB 39.72, 51.11, 18.7

 

CMYK 0 / 81 / 69 / 40

HEX #9A1D2F

RGB 154 29 47

HSL 351.36, 0.68%, 0.36%

LAB 33.89, 50.77, 22.59

 

CMYK 0 / 92 / 80 / 46

HEX #890B1C

RGB 137 11 28

HSL 351.9, 0.85%, 0.29%

LAB 28.49, 49.25, 27.45

 

CMYK 0 / 100 / 93 / 53

HEX #780009

RGB 120 0 9

HSL 355.5, 1%, 0.24%

LAB 23.71, 46.06, 31.99

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 73 / 62 / 33

HEX #AC2F42

RGB 172 47 66

HSL 350.88, 0.57%, 0.43%

LAB 39.91, 51.43, 18.99

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 73 / 62 / 33

HEX #AC2F42

RGB 172 47 66

HSL 350.88, 0.57%, 0.43%

LAB 39.91, 51.43, 18.99

 

CMYK 0 / 73 / 42 / 33

HEX #AC2F64

RGB 172 47 100

HSL 334.56, 0.57%, 0.43%

LAB 40.77, 54.31, -1.22

 

CMYK 0 / 73 / 23 / 33

HEX #AC2F85

RGB 172 47 133

HSL 318.72, 0.57%, 0.43%

LAB 42, 58.23, -19.85

 

CMYK 0 / 73 / 3 / 33

HEX #AC2FA7

RGB 172 47 167

HSL 302.4, 0.57%, 0.43%

LAB 43.64, 63.29, -37.81

 

CMYK 17 / 73 / 0 / 33

HEX #8F2FAC

RGB 143 47 172

HSL 286.08, 0.57%, 0.43%

LAB 39.33, 57.87, -47.94

 

CMYK 0 / 73 / 62 / 33

HEX #AC2F42

RGB 172 47 66

HSL 350.88, 0.57%, 0.43%

LAB 39.91, 51.43, 18.99

 

CMYK 0 / 85 / 72 / 26

HEX #BD1D35

RGB 189 29 53

HSL 351, 0.73%, 0.43%

LAB 41.14, 61, 29.31

 

CMYK 0 / 95 / 80 / 19

HEX #CF0B29

RGB 207 11 41

HSL 350.82, 0.9%, 0.43%

LAB 43.75, 68.08, 40.33

 

CMYK 0 / 73 / 62 / 33

HEX #AC2F42

RGB 172 47 66

HSL 350.88, 0.57%, 0.43%

LAB 39.91, 51.43, 18.99

 

CMYK 0 / 58 / 49 / 40

HEX #9A404E

RGB 154 64 78

HSL 350.67, 0.41%, 0.43%

LAB 39.73, 38.92, 10.68

 

CMYK 0 / 40 / 34 / 47

HEX #88525A

RGB 136 82 90

HSL 351.11, 0.25%, 0.43%

LAB 41.23, 23.63, 4.96

 

CMYK 0 / 15 / 13 / 54

HEX #766467

RGB 118 100 103

HSL 350, 0.08%, 0.43%

LAB 44.15, 7.74, 0.97

 

CMYK 14 / 0 / 3 / 54

HEX #657673

RGB 101 118 115

HSL 169.41, 0.08%, 0.43%

LAB 48.21, -6.93, -0.47

 

CMYK 0 / 73 / 22 / 33

HEX #AC2F86

RGB 172 47 134

HSL 318.24, 0.57%, 0.43%

LAB 42.04, 58.37, -20.4

 

CMYK 0 / 73 / 41 / 33

HEX #AC2F65

RGB 172 47 101

HSL 334.08, 0.57%, 0.43%

LAB 40.81, 54.41, -1.8

 

CMYK 0 / 73 / 61 / 33

HEX #AC2F43

RGB 172 47 67

HSL 350.4, 0.57%, 0.43%

LAB 39.93, 51.5, 18.39

 

CMYK 0 / 66 / 73 / 33

HEX #AC3B2F

RGB 172 59 47

HSL 5.76, 0.57%, 0.43%

LAB 41.38, 45.49, 32.34

 

CMYK 0 / 47 / 73 / 33

HEX #AC5C2F

RGB 172 92 47

HSL 21.6, 0.57%, 0.43%

LAB 47.79, 29, 39.46

 

CMYK 0 / 73 / 62 / 58

HEX #6B1D29

RGB 107 29 41

HSL 350.77, 0.57%, 0.27%

LAB 24.21, 35.3, 12.19

 

CMYK 0 / 73 / 62 / 45

HEX #8B2635

RGB 139 38 53

HSL 351.09, 0.57%, 0.35%

LAB 32.11, 43.36, 15.83

 

CMYK 0 / 73 / 62 / 33

HEX #AC2F42

RGB 172 47 66

HSL 350.88, 0.57%, 0.43%

LAB 39.91, 51.43, 18.99

 

CMYK 0 / 71 / 60 / 21

HEX #C93B50

RGB 201 59 80

HSL 351.13, 0.57%, 0.51%

LAB 47.14, 56.94, 20.86

 

CMYK 0 / 57 / 48 / 18

HEX #D25B6D

RGB 210 91 109

HSL 350.92, 0.57%, 0.59%

LAB 54.33, 48.55, 13.51

 

CMYK 0 / 73 / 61 / 33

HEX #AB2F42

RGB 171 47 66

HSL 350.81, 0.57%, 0.43%

LAB 39.72, 51.11, 18.7

 

CMYK 3 / 0 / 73 / 33

HEX #A7AC2F

RGB 167 172 47

HSL 62.4, 0.57%, 0.43%

LAB 67.97, -17, 59.75

 

CMYK 73 / 32 / 0 / 33

HEX #2F75AC

RGB 47 117 172

HSL 206.4, 0.57%, 0.43%

LAB 47.37, -3.08, -35.61

 

CMYK 0 / 73 / 61 / 33

HEX #AB2F42

RGB 171 47 66

HSL 350.81, 0.57%, 0.43%

LAB 39.72, 51.11, 18.7

 

CMYK 61 / 0 / 73 / 33

HEX #43AC2F

RGB 67 172 47

HSL 110.4, 0.57%, 0.43%

LAB 62.43, -53.16, 52.41

 

CMYK 73 / 61 / 0 / 33

HEX #2F43AC

RGB 47 67 172

HSL 230.4, 0.57%, 0.43%

LAB 33.13, 29.1, -58.46

 

CMYK 0 / 73 / 61 / 33

HEX #AB2F42

RGB 171 47 66

HSL 350.81, 0.57%, 0.43%

LAB 39.72, 51.11, 18.7

 

CMYK 3 / 0 / 73 / 33

HEX #A7AC2F

RGB 167 172 47

HSL 62.4, 0.57%, 0.43%

LAB 67.97, -17, 59.75

 

CMYK 73 / 0 / 12 / 33

HEX #2FAC97

RGB 47 172 151

HSL 169.92, 0.57%, 0.43%

LAB 63.63, -38.51, 1.09

 

CMYK 70 / 73 / 0 / 33

HEX #332FAC

RGB 51 47 172

HSL 241.92, 0.57%, 0.43%

LAB 28.68, 42.08, -65.74

 

CMYK 0 / 73 / 61 / 33

HEX #AB2F42

RGB 171 47 66

HSL 350.81, 0.57%, 0.43%

LAB 39.72, 51.11, 18.7

 

CMYK 24 / 0 / 73 / 33

HEX #82AC2F

RGB 130 172 47

HSL 80.16, 0.57%, 0.43%

LAB 65.32, -32.44, 56.27

 

CMYK 73 / 0 / 12 / 33

HEX #2FAC97

RGB 47 172 151

HSL 169.92, 0.57%, 0.43%

LAB 63.63, -38.51, 1.09

 

CMYK 49 / 73 / 0 / 33

HEX #582FAC

RGB 88 47 172

HSL 259.68, 0.57%, 0.43%

LAB 32, 47.28, -60.16

 

Description

Color code: HEX #AB2F42 | qconv.com Color code: HEX #AB2F42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 47 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 47 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 61 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 61% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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