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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2DF0 it is the complementary color #54D20F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2DF0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2DF0 shade: #B02DEB, #C13FFE, #D251FF, #E363FF and #F475FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2DF0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2DF0 shade: #AB2DF0, #9A1BDD, #8909CA, #7800B7 and #6700A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2DF0 shade: #AB2DF0, #DF2DF0, #F02DCC, #F02D97 and #F02D62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2DF0 shade: #AB2DF0, #762DF0, #422DF0 and #2D2DF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2DF0 shade matches the following richer shades: #AB2DF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2DF0 shade: #AB2DF0, #A63FDE, #A051CC, #9B63B9 and #9675A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2DF0 shade: #402DF0, #742DF0, #A82DF0, #DC2DF0 and #F02DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2DF0 shade: #7F0DBD, #990FE4, #AB2DF0, #BA53F3 and #CA7AF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2DF0 shade: #AB2DF0, #F02D4D and #2DF05A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2DF0 shade: #AB2DF0, #F0A82D and #2DF0A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2DF0 shade: #AB2DF0, #F02D4D, #74F02D and #2DF0CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2DF0 shade: #AB2DF0, #F0472D, #74F02D and #2DD6F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

Complementary color

CMYK 60 / 0 / 93 / 18

HEX #54D20F

RGB 84 210 15

HSL 98.77, 0.87%, 0.44%

LAB 74.83, -63.7, 71.78

 

CMYK 25 / 81 / 0 / 8

HEX #B02DEB

RGB 176 45 235

HSL 281.37, 0.83%, 0.55%

LAB 48.39, 76.82, -69.54

 

CMYK 24 / 75 / 0 / 0

HEX #C13FFE

RGB 193 63 254

HSL 280.84, 0.99%, 0.62%

LAB 54.08, 77.74, -70.84

 

CMYK 18 / 68 / 0 / 0

HEX #D251FF

RGB 210 81 255

HSL 284.48, 1%, 0.66%

LAB 58.79, 74.59, -63.67

 

CMYK 11 / 61 / 0 / 0

HEX #E363FF

RGB 227 99 255

HSL 289.23, 1%, 0.69%

LAB 63.73, 70.92, -55.64

 

CMYK 4 / 54 / 0 / 0

HEX #F475FF

RGB 244 117 255

HSL 295.22, 1%, 0.73%

LAB 68.88, 67.12, -47.36

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 30 / 88 / 0 / 13

HEX #9A1BDD

RGB 154 27 221

HSL 279.28, 0.78%, 0.49%

LAB 42.57, 75.27, -71.2

 

CMYK 32 / 96 / 0 / 21

HEX #8909CA

RGB 137 9 202

HSL 279.79, 0.91%, 0.41%

LAB 37.44, 72.28, -68.72

 

CMYK 34 / 100 / 0 / 28

HEX #7800B7

RGB 120 0 183

HSL 279.34, 1%, 0.36%

LAB 32.73, 67.72, -65.37

 

CMYK 37 / 100 / 0 / 36

HEX #6700A4

RGB 103 0 164

HSL 277.68, 1%, 0.32%

LAB 28.28, 61.99, -61.36

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 7 / 81 / 0 / 6

HEX #DF2DF0

RGB 223 45 240

HSL 294.77, 0.87%, 0.56%

LAB 55.94, 85.56, -59.8

 

CMYK 0 / 81 / 15 / 6

HEX #F02DCC

RGB 240 45 204

HSL 311.08, 0.87%, 0.56%

LAB 56.84, 83.57, -37.82

 

CMYK 0 / 81 / 37 / 6

HEX #F02D97

RGB 240 45 151

HSL 327.38, 0.87%, 0.56%

LAB 54.7, 77.5, -10.26

 

CMYK 0 / 81 / 59 / 6

HEX #F02D62

RGB 240 45 98

HSL 343.69, 0.87%, 0.56%

LAB 53.26, 73.26, 19.43

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 51 / 81 / 0 / 6

HEX #762DF0

RGB 118 45 240

HSL 262.46, 0.87%, 0.56%

LAB 41.25, 69.88, -84.35

 

CMYK 73 / 81 / 0 / 6

HEX #422DF0

RGB 66 45 240

HSL 246.46, 0.87%, 0.56%

LAB 36.61, 65.16, -92.18

 

CMYK 81 / 81 / 0 / 6

HEX #2D2DF0

RGB 45 45 240

HSL 240, 0.87%, 0.56%

LAB 35.45, 64.02, -94.13

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 25 / 72 / 0 / 13

HEX #A63FDE

RGB 166 63 222

HSL 278.87, 0.71%, 0.56%

LAB 48.18, 66.38, -62.58

 

CMYK 22 / 60 / 0 / 20

HEX #A051CC

RGB 160 81 204

HSL 278.54, 0.55%, 0.56%

LAB 49.15, 53.2, -50.77

 

CMYK 16 / 46 / 0 / 27

HEX #9B63B9

RGB 155 99 185

HSL 279.07, 0.38%, 0.56%

LAB 51.15, 38.19, -36.69

 

CMYK 10 / 30 / 0 / 35

HEX #9675A7

RGB 150 117 167

HSL 279.6, 0.22%, 0.56%

LAB 54.02, 22.39, -21.84

 

CMYK 73 / 81 / 0 / 6

HEX #402DF0

RGB 64 45 240

HSL 245.85, 0.87%, 0.56%

LAB 36.48, 65.03, -92.39

 

CMYK 52 / 81 / 0 / 6

HEX #742DF0

RGB 116 45 240

HSL 261.85, 0.87%, 0.56%

LAB 41.03, 69.65, -84.72

 

CMYK 30 / 81 / 0 / 6

HEX #A82DF0

RGB 168 45 240

HSL 277.85, 0.87%, 0.56%

LAB 47.61, 76.56, -73.67

 

CMYK 8 / 81 / 0 / 6

HEX #DC2DF0

RGB 220 45 240

HSL 293.85, 0.87%, 0.56%

LAB 55.47, 85.04, -60.59

 

CMYK 0 / 81 / 14 / 6

HEX #F02DCF

RGB 240 45 207

HSL 310.15, 0.87%, 0.56%

LAB 56.98, 83.96, -39.31

 

CMYK 33 / 93 / 0 / 26

HEX #7F0DBD

RGB 127 13 189

HSL 278.86, 0.87%, 0.4%

LAB 34.95, 67.95, -65.24

 

CMYK 33 / 93 / 0 / 11

HEX #990FE4

RGB 153 15 228

HSL 278.87, 0.88%, 0.48%

LAB 42.33, 78.51, -75.6

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 23 / 66 / 0 / 5

HEX #BA53F3

RGB 186 83 243

HSL 278.63, 0.87%, 0.64%

LAB 55.17, 66.42, -63

 

CMYK 18 / 50 / 0 / 4

HEX #CA7AF5

RGB 202 122 245

HSL 279.02, 0.86%, 0.72%

LAB 64.22, 51.85, -49.57

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 0 / 81 / 68 / 6

HEX #F02D4D

RGB 240 45 77

HSL 350.15, 0.87%, 0.56%

LAB 52.88, 72.13, 31.48

 

CMYK 81 / 0 / 63 / 6

HEX #2DF05A

RGB 45 240 90

HSL 133.85, 0.87%, 0.56%

LAB 83.77, -74.78, 58.03

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 0 / 30 / 81 / 6

HEX #F0A82D

RGB 240 168 45

HSL 37.85, 0.87%, 0.56%

LAB 74.01, 16.76, 68.58

 

CMYK 81 / 0 / 30 / 6

HEX #2DF0A8

RGB 45 240 168

HSL 157.85, 0.87%, 0.56%

LAB 84.85, -62.15, 22.02

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 0 / 81 / 68 / 6

HEX #F02D4D

RGB 240 45 77

HSL 350.15, 0.87%, 0.56%

LAB 52.88, 72.13, 31.48

 

CMYK 52 / 0 / 81 / 6

HEX #74F02D

RGB 116 240 45

HSL 98.15, 0.87%, 0.56%

LAB 85.11, -64.79, 75.3

 

CMYK 81 / 0 / 14 / 6

HEX #2DF0CF

RGB 45 240 207

HSL 169.85, 0.87%, 0.56%

LAB 85.7, -53.02, 2.94

 

CMYK 29 / 81 / 0 / 6

HEX #AB2DF0

RGB 171 45 240

HSL 278.77, 0.87%, 0.56%

LAB 48.04, 77.02, -72.96

 

CMYK 0 / 70 / 81 / 6

HEX #F0472D

RGB 240 71 45

HSL 8, 0.87%, 0.56%

LAB 55.3, 63.14, 51.66

 

CMYK 52 / 0 / 81 / 6

HEX #74F02D

RGB 116 240 45

HSL 98.15, 0.87%, 0.56%

LAB 85.11, -64.79, 75.3

 

CMYK 81 / 11 / 0 / 6

HEX #2DD6F0

RGB 45 214 240

HSL 188, 0.87%, 0.56%

LAB 79.01, -32.17, -24.51

 

Description

Color code: HEX #AB2DF0 | qconv.com Color code: HEX #AB2DF0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 45 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 45 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 81 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 81% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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