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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2AE3 it is the complementary color #54D51C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2AE3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2AE3 shade: #B02ADE, #C13CF1, #D24EFF, #E360FF and #F472FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2AE3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2AE3 shade: #AB2AE3, #9A18D0, #8906BD, #7800AA and #670097

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2AE3 shade: #AB2AE3, #DD2AE3, #E32AB7, #E32A85 and #E32A54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2AE3 shade: #AB2AE3, #792AE3, #482AE3 and #2A2AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2AE3 shade matches the following richer shades: #AB2AE3 and #B317F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2AE3 shade: #AB2AE3, #A33ED0, #9C51BC, #9465A9 and #8C7895

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2AE3 shade: #462AE3, #772AE3, #A82AE3, #DA2AE3 and #E32ABB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2AE3 shade: #7A15A6, #951ACA, #AB2AE3, #B94FE8 and #C873EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2AE3 shade: #AB2AE3, #E32A40 and #2AE35F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2AE3 shade: #AB2AE3, #E3A82A and #2AE3A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2AE3 shade: #AB2AE3, #E32A40, #65E32A and #2AE3CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2AE3 shade: #AB2AE3, #E34C2A, #65E32A and #2AC1E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

Complementary color

CMYK 61 / 0 / 87 / 16

HEX #54D51C

RGB 84 213 28

HSL 101.84, 0.77%, 0.47%

LAB 75.8, -64.33, 70.49

 

CMYK 21 / 81 / 0 / 13

HEX #B02ADE

RGB 176 42 222

HSL 284.67, 0.73%, 0.52%

LAB 47.18, 75.19, -64.12

 

CMYK 20 / 75 / 0 / 5

HEX #C13CF1

RGB 193 60 241

HSL 284.09, 0.87%, 0.59%

LAB 52.86, 76.26, -65.55

 

CMYK 18 / 69 / 0 / 0

HEX #D24EFF

RGB 210 78 255

HSL 284.75, 1%, 0.65%

LAB 58.39, 75.74, -64.32

 

CMYK 11 / 62 / 0 / 0

HEX #E360FF

RGB 227 96 255

HSL 289.43, 1%, 0.69%

LAB 63.27, 72.19, -56.37

 

CMYK 4 / 55 / 0 / 0

HEX #F472FF

RGB 244 114 255

HSL 295.32, 1%, 0.72%

LAB 68.38, 68.47, -48.15

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 26 / 88 / 0 / 18

HEX #9A18D0

RGB 154 24 208

HSL 282.39, 0.79%, 0.45%

LAB 41.34, 73.37, -65.73

 

CMYK 28 / 97 / 0 / 26

HEX #8906BD

RGB 137 6 189

HSL 282.95, 0.94%, 0.38%

LAB 36.22, 70.15, -63.1

 

CMYK 29 / 100 / 0 / 33

HEX #7800AA

RGB 120 0 170

HSL 282.35, 1%, 0.33%

LAB 31.57, 65.18, -59.5

 

CMYK 32 / 100 / 0 / 41

HEX #670097

RGB 103 0 151

HSL 280.93, 1%, 0.3%

LAB 27.07, 59.34, -55.42

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 3 / 81 / 0 / 11

HEX #DD2AE3

RGB 221 42 227

HSL 298.05, 0.77%, 0.53%

LAB 54.63, 83.84, -54.6

 

CMYK 0 / 81 / 19 / 11

HEX #E32AB7

RGB 227 42 183

HSL 314.27, 0.77%, 0.53%

LAB 53.39, 78.86, -31.26

 

CMYK 0 / 81 / 41 / 11

HEX #E32A85

RGB 227 42 133

HSL 330.49, 0.77%, 0.53%

LAB 51.47, 73.39, -4.57

 

CMYK 0 / 81 / 63 / 11

HEX #E32A54

RGB 227 42 84

HSL 346.38, 0.77%, 0.53%

LAB 50.25, 69.76, 23.43

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 47 / 81 / 0 / 11

HEX #792AE3

RGB 121 42 227

HSL 265.62, 0.77%, 0.53%

LAB 40.03, 68.17, -78.97

 

CMYK 68 / 81 / 0 / 11

HEX #482AE3

RGB 72 42 227

HSL 249.73, 0.77%, 0.53%

LAB 35.16, 63.19, -87.17

 

CMYK 81 / 81 / 0 / 11

HEX #2A2AE3

RGB 42 42 227

HSL 240, 0.77%, 0.53%

LAB 33.34, 61.37, -90.25

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 27 / 91 / 0 / 4

HEX #B317F6

RGB 179 23 246

HSL 281.97, 0.93%, 0.53%

LAB 48.07, 84.02, -76.23

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 22 / 70 / 0 / 18

HEX #A33ED0

RGB 163 62 208

HSL 281.51, 0.61%, 0.53%

LAB 46.69, 63.31, -57

 

CMYK 17 / 57 / 0 / 26

HEX #9C51BC

RGB 156 81 188

HSL 282.06, 0.44%, 0.53%

LAB 47.73, 48.74, -43.82

 

CMYK 12 / 40 / 0 / 34

HEX #9465A9

RGB 148 101 169

HSL 281.47, 0.28%, 0.53%

LAB 50.06, 31.42, -29.15

 

CMYK 6 / 19 / 0 / 42

HEX #8C7895

RGB 140 120 149

HSL 281.38, 0.12%, 0.53%

LAB 53.14, 13.35, -12.8

 

CMYK 69 / 81 / 0 / 11

HEX #462AE3

RGB 70 42 227

HSL 249.08, 0.77%, 0.53%

LAB 35.01, 63.04, -87.42

 

CMYK 48 / 81 / 0 / 11

HEX #772AE3

RGB 119 42 227

HSL 264.97, 0.77%, 0.53%

LAB 39.79, 67.92, -79.37

 

CMYK 26 / 81 / 0 / 11

HEX #A82AE3

RGB 168 42 227

HSL 280.86, 0.77%, 0.53%

LAB 46.35, 74.85, -68.38

 

CMYK 4 / 81 / 0 / 11

HEX #DA2AE3

RGB 218 42 227

HSL 297.08, 0.77%, 0.53%

LAB 54.14, 83.3, -55.42

 

CMYK 0 / 81 / 18 / 11

HEX #E32ABB

RGB 227 42 187

HSL 312.97, 0.77%, 0.53%

LAB 53.57, 79.37, -33.3

 

CMYK 27 / 87 / 0 / 35

HEX #7A15A6

RGB 122 21 166

HSL 281.79, 0.78%, 0.37%

LAB 32.76, 61.09, -55.13

 

CMYK 26 / 87 / 0 / 21

HEX #951ACA

RGB 149 26 202

HSL 281.93, 0.77%, 0.45%

LAB 40.23, 71.09, -64.08

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 20 / 66 / 0 / 9

HEX #B94FE8

RGB 185 79 232

HSL 281.57, 0.77%, 0.61%

LAB 53.74, 65.68, -59.14

 

CMYK 15 / 51 / 0 / 7

HEX #C873EC

RGB 200 115 236

HSL 282.15, 0.76%, 0.69%

LAB 62.17, 53.04, -47.85

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 0 / 81 / 72 / 11

HEX #E32A40

RGB 227 42 64

HSL 352.86, 0.77%, 0.53%

LAB 49.93, 68.78, 34.98

 

CMYK 81 / 0 / 58 / 11

HEX #2AE35F

RGB 42 227 95

HSL 137.19, 0.77%, 0.53%

LAB 79.76, -70.48, 51.27

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 0 / 26 / 81 / 11

HEX #E3A82A

RGB 227 168 42

HSL 40.86, 0.77%, 0.53%

LAB 72.56, 11.11, 67.72

 

CMYK 81 / 0 / 26 / 11

HEX #2AE3A8

RGB 42 227 168

HSL 160.86, 0.77%, 0.53%

LAB 80.88, -57.54, 16.51

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 0 / 81 / 72 / 11

HEX #E32A40

RGB 227 42 64

HSL 352.86, 0.77%, 0.53%

LAB 49.93, 68.78, 34.98

 

CMYK 56 / 0 / 81 / 11

HEX #65E32A

RGB 101 227 42

HSL 100.86, 0.77%, 0.53%

LAB 80.67, -64.35, 71.83

 

CMYK 81 / 0 / 10 / 11

HEX #2AE3CD

RGB 42 227 205

HSL 172.86, 0.77%, 0.53%

LAB 81.75, -48.39, -1.77

 

CMYK 25 / 81 / 0 / 11

HEX #AB2AE3

RGB 171 42 227

HSL 281.84, 0.77%, 0.53%

LAB 46.79, 75.32, -67.64

 

CMYK 0 / 67 / 81 / 11

HEX #E34C2A

RGB 227 76 42

HSL 11.03, 0.77%, 0.53%

LAB 53.67, 56.98, 50.75

 

CMYK 56 / 0 / 81 / 11

HEX #65E32A

RGB 101 227 42

HSL 100.86, 0.77%, 0.53%

LAB 80.67, -64.35, 71.83

 

CMYK 81 / 15 / 0 / 11

HEX #2AC1E3

RGB 42 193 227

HSL 191.03, 0.77%, 0.53%

LAB 72.35, -26.26, -27.71

 

Description

Color code: HEX #AB2AE3 | qconv.com Color code: HEX #AB2AE3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 42 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 42 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 81 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 81% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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