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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB23E1 it is the complementary color #54DC1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB23E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB23E1 shade: #B023DC, #C135EF, #D247FF, #E359FF and #F46BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB23E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB23E1 shade: #AB23E1, #9A11CE, #8900BB, #7800A8 and #670095

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB23E1 shade: #AB23E1, #DE23E1, #E123B0, #E1237D and #E1234A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB23E1 shade: #AB23E1, #7723E1, #4423E1 and #2323E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB23E1 shade matches the following richer shades: #AB23E1 and #B30EF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB23E1 shade: #AB23E1, #A237CC, #994BB8, #905FA4 and #887390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB23E1 shade: #4223E1, #7523E1, #A823E1, #DA23E1 and #E123B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB23E1 shade: #75159C, #911AC0, #AB23E1, #B847E5 and #C66BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB23E1 shade: #AB23E1, #E12336 and #23E15C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB23E1 shade: #AB23E1, #E1A823 and #23E1A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB23E1 shade: #AB23E1, #E12336, #5CE123 and #23E1CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB23E1 shade: #AB23E1, #E14923, #5CE123 and #23BBE1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

Complementary color

CMYK 62 / 0 / 86 / 14

HEX #54DC1E

RGB 84 220 30

HSL 102.95, 0.76%, 0.49%

LAB 77.97, -66.58, 71.98

 

CMYK 20 / 84 / 0 / 14

HEX #B023DC

RGB 176 35 220

HSL 285.73, 0.73%, 0.5%

LAB 46.44, 76.58, -64.18

 

CMYK 19 / 78 / 0 / 6

HEX #C135EF

RGB 193 53 239

HSL 285.16, 0.85%, 0.57%

LAB 51.97, 78.09, -65.88

 

CMYK 18 / 72 / 0 / 0

HEX #D247FF

RGB 210 71 255

HSL 285.33, 1%, 0.64%

LAB 57.49, 78.29, -65.76

 

CMYK 11 / 65 / 0 / 0

HEX #E359FF

RGB 227 89 255

HSL 289.88, 1%, 0.67%

LAB 62.25, 75.04, -58.01

 

CMYK 4 / 58 / 0 / 0

HEX #F46BFF

RGB 244 107 255

HSL 295.54, 1%, 0.71%

LAB 67.25, 71.53, -49.92

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 25 / 92 / 0 / 19

HEX #9A11CE

RGB 154 17 206

HSL 283.49, 0.85%, 0.44%

LAB 40.78, 74.19, -65.48

 

CMYK 27 / 100 / 0 / 27

HEX #8900BB

RGB 137 0 187

HSL 283.96, 1%, 0.37%

LAB 35.8, 70.52, -62.6

 

CMYK 29 / 100 / 0 / 34

HEX #7800A8

RGB 120 0 168

HSL 282.86, 1%, 0.33%

LAB 31.39, 64.79, -58.58

 

CMYK 31 / 100 / 0 / 42

HEX #670095

RGB 103 0 149

HSL 281.48, 1%, 0.29%

LAB 26.89, 58.94, -54.48

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 1 / 84 / 0 / 12

HEX #DE23E1

RGB 222 35 225

HSL 299.05, 0.76%, 0.51%

LAB 54.2, 85.11, -54.14

 

CMYK 0 / 84 / 22 / 12

HEX #E123B0

RGB 225 35 176

HSL 315.47, 0.76%, 0.51%

LAB 52.22, 79.02, -29.02

 

CMYK 0 / 84 / 44 / 12

HEX #E1237D

RGB 225 35 125

HSL 331.58, 0.76%, 0.51%

LAB 50.32, 73.71, -1.47

 

CMYK 0 / 84 / 67 / 12

HEX #E1234A

RGB 225 35 74

HSL 347.68, 0.76%, 0.51%

LAB 49.14, 70.27, 27.97

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 47 / 84 / 0 / 12

HEX #7723E1

RGB 119 35 225

HSL 266.53, 0.76%, 0.51%

LAB 38.83, 69.72, -79.81

 

CMYK 70 / 84 / 0 / 12

HEX #4423E1

RGB 68 35 225

HSL 250.42, 0.76%, 0.51%

LAB 33.7, 65.1, -88.45

 

CMYK 84 / 84 / 0 / 12

HEX #2323E1

RGB 35 35 225

HSL 240, 0.76%, 0.51%

LAB 31.8, 63.49, -91.67

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 27 / 94 / 0 / 4

HEX #B30EF5

RGB 179 14 245

HSL 282.86, 0.92%, 0.51%

LAB 47.61, 84.97, -76.42

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 21 / 73 / 0 / 20

HEX #A237CC

RGB 162 55 204

HSL 283.09, 0.59%, 0.51%

LAB 45.32, 65.03, -56.91

 

CMYK 17 / 59 / 0 / 28

HEX #994BB8

RGB 153 75 184

HSL 282.94, 0.43%, 0.51%

LAB 46, 50.14, -44.28

 

CMYK 12 / 42 / 0 / 36

HEX #905FA4

RGB 144 95 164

HSL 282.61, 0.27%, 0.51%

LAB 48, 32.5, -29.46

 

CMYK 6 / 20 / 0 / 44

HEX #887390

RGB 136 115 144

HSL 283.45, 0.12%, 0.51%

LAB 51.28, 13.8, -12.72

 

CMYK 71 / 84 / 0 / 12

HEX #4223E1

RGB 66 35 225

HSL 249.79, 0.76%, 0.51%

LAB 33.56, 64.97, -88.7

 

CMYK 48 / 84 / 0 / 12

HEX #7523E1

RGB 117 35 225

HSL 265.89, 0.76%, 0.51%

LAB 38.59, 69.5, -80.22

 

CMYK 25 / 84 / 0 / 12

HEX #A823E1

RGB 168 35 225

HSL 282, 0.76%, 0.51%

LAB 45.58, 76.27, -68.48

 

CMYK 3 / 84 / 0 / 12

HEX #DA23E1

RGB 218 35 225

HSL 297.79, 0.76%, 0.51%

LAB 53.54, 84.41, -55.25

 

CMYK 0 / 84 / 20 / 12

HEX #E123B4

RGB 225 35 180

HSL 314.21, 0.76%, 0.51%

LAB 52.4, 79.51, -31.08

 

CMYK 25 / 87 / 0 / 39

HEX #75159C

RGB 117 21 156

HSL 282.67, 0.76%, 0.35%

LAB 31.16, 58.29, -51.71

 

CMYK 24 / 86 / 0 / 25

HEX #911AC0

RGB 145 26 192

HSL 283.01, 0.76%, 0.43%

LAB 38.84, 68.57, -60.54

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 20 / 69 / 0 / 10

HEX #B847E5

RGB 184 71 229

HSL 282.91, 0.75%, 0.59%

LAB 52.24, 68.19, -59.88

 

CMYK 15 / 54 / 0 / 8

HEX #C66BEA

RGB 198 107 234

HSL 282.99, 0.75%, 0.67%

LAB 60.3, 56.12, -49.7

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 0 / 84 / 76 / 12

HEX #E12336

RGB 225 35 54

HSL 354, 0.76%, 0.51%

LAB 48.85, 69.44, 39.44

 

CMYK 84 / 0 / 59 / 12

HEX #23E15C

RGB 35 225 92

HSL 138, 0.76%, 0.51%

LAB 79.03, -70.89, 51.73

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 0 / 25 / 84 / 12

HEX #E1A823

RGB 225 168 35

HSL 42, 0.76%, 0.51%

LAB 72.32, 10.05, 69.5

 

CMYK 84 / 0 / 25 / 12

HEX #23E1A8

RGB 35 225 168

HSL 162, 0.76%, 0.51%

LAB 80.2, -57.34, 15.54

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 0 / 84 / 76 / 12

HEX #E12336

RGB 225 35 54

HSL 354, 0.76%, 0.51%

LAB 48.85, 69.44, 39.44

 

CMYK 59 / 0 / 84 / 12

HEX #5CE123

RGB 92 225 35

HSL 102, 0.76%, 0.51%

LAB 79.75, -66.2, 72.57

 

CMYK 84 / 0 / 8 / 12

HEX #23E1CE

RGB 35 225 206

HSL 174, 0.76%, 0.51%

LAB 81.11, -47.78, -3.25

 

CMYK 24 / 84 / 0 / 12

HEX #AB23E1

RGB 171 35 225

HSL 282.95, 0.76%, 0.51%

LAB 46.04, 76.72, -67.73

 

CMYK 0 / 68 / 84 / 12

HEX #E14923

RGB 225 73 35

HSL 12, 0.76%, 0.51%

LAB 52.83, 57.32, 53.06

 

CMYK 59 / 0 / 84 / 12

HEX #5CE123

RGB 92 225 35

HSL 102, 0.76%, 0.51%

LAB 79.75, -66.2, 72.57

 

CMYK 84 / 17 / 0 / 12

HEX #23BBE1

RGB 35 187 225

HSL 192, 0.76%, 0.51%

LAB 70.41, -24.42, -29.61

 

Description

Color code: HEX #AB23E1 | qconv.com Color code: HEX #AB23E1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 35 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 35 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 84 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 84% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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