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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB207A it is the complementary color #54DF85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB207A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB207A shade: #B02075, #C13288, #D2449B, #E356AE and #F468C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB207A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB207A shade: #AB207A, #9A0E67, #890054, #780041 and #67002E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB207A shade: #AB207A, #AB2055, #AB202F and #AB2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB207A shade: #AB207A, #AB209F, #9120AB, #6C20AB and #4620AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB207A shade matches the following richer shades: #AB207A and #BB107F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB207A shade: #AB207A, #9A3175, #8A4170, #79526B and #696266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB207A shade: #9120AB, #AB209F, #AB207A, #AB2055 and #AB2030

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB207A shade: #661348, #881A61, #AB207A, #CE2793 and #DB43A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB207A shade: #AB207A, #AB6C20 and #20ABA4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB207A shade: #AB207A, #7AAB20 and #207AAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB207A shade: #AB207A, #AB6C20, #20AB51 and #205FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB207A shade: #AB207A, #AB9620, #20AB51 and #2035AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

Complementary color

CMYK 62 / 0 / 40 / 13

HEX #54DF85

RGB 84 223 133

HSL 141.15, 0.68%, 0.6%

LAB 79.81, -57.1, 33.26

 

CMYK 0 / 82 / 34 / 31

HEX #B02075

RGB 176 32 117

HSL 324.58, 0.69%, 0.41%

LAB 40.49, 61.79, -12.21

 

CMYK 0 / 74 / 30 / 24

HEX #C13288

RGB 193 50 136

HSL 323.92, 0.59%, 0.48%

LAB 46.17, 63.02, -14.97

 

CMYK 0 / 68 / 26 / 18

HEX #D2449B

RGB 210 68 155

HSL 323.24, 0.61%, 0.55%

LAB 52.07, 63.5, -17.11

 

CMYK 0 / 62 / 23 / 11

HEX #E356AE

RGB 227 86 174

HSL 322.55, 0.72%, 0.61%

LAB 58.08, 63.48, -18.81

 

CMYK 0 / 57 / 21 / 4

HEX #F468C1

RGB 244 104 193

HSL 321.86, 0.86%, 0.68%

LAB 64.15, 63.17, -20.21

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 91 / 33 / 40

HEX #9A0E67

RGB 154 14 103

HSL 321.86, 0.83%, 0.33%

LAB 34.32, 58.78, -13.14

 

CMYK 0 / 100 / 39 / 46

HEX #890054

RGB 137 0 84

HSL 323.21, 1%, 0.27%

LAB 29.31, 54.96, -8.71

 

CMYK 0 / 100 / 46 / 53

HEX #780041

RGB 120 0 65

HSL 327.5, 1%, 0.24%

LAB 24.87, 49.16, -2.95

 

CMYK 0 / 100 / 55 / 60

HEX #67002E

RGB 103 0 46

HSL 333.2, 1%, 0.2%

LAB 20.36, 43.3, 3.26

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 81 / 50 / 33

HEX #AB2055

RGB 171 32 85

HSL 337.12, 0.68%, 0.4%

LAB 38.46, 57.37, 4.9

 

CMYK 0 / 81 / 73 / 33

HEX #AB202F

RGB 171 32 47

HSL 353.53, 0.68%, 0.4%

LAB 37.66, 54.92, 27.96

 

CMYK 0 / 81 / 81 / 33

HEX #AB2020

RGB 171 32 32

HSL 0, 0.68%, 0.4%

LAB 37.47, 54.35, 36.66

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 81 / 7 / 33

HEX #AB209F

RGB 171 32 159

HSL 305.18, 0.68%, 0.4%

LAB 41.52, 66.18, -36.39

 

CMYK 15 / 81 / 0 / 33

HEX #9120AB

RGB 145 32 171

HSL 288.78, 0.68%, 0.4%

LAB 37.83, 63.09, -49.74

 

CMYK 37 / 81 / 0 / 33

HEX #6C20AB

RGB 108 32 171

HSL 272.81, 0.68%, 0.4%

LAB 32.17, 56.75, -59.19

 

CMYK 59 / 81 / 0 / 33

HEX #4620AB

RGB 70 32 171

HSL 256.4, 0.68%, 0.4%

LAB 27.51, 51.57, -67.02

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 91 / 32 / 27

HEX #BB107F

RGB 187 16 127

HSL 321.05, 0.84%, 0.4%

LAB 41.95, 68.47, -15.99

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 68 / 24 / 40

HEX #9A3175

RGB 154 49 117

HSL 321.14, 0.52%, 0.4%

LAB 38.47, 50.42, -15.65

 

CMYK 0 / 53 / 19 / 46

HEX #8A4170

RGB 138 65 112

HSL 321.37, 0.36%, 0.4%

LAB 38.47, 37.18, -12.76

 

CMYK 0 / 32 / 12 / 53

HEX #79526B

RGB 121 82 107

HSL 321.54, 0.19%, 0.4%

LAB 39.85, 20.5, -7.8

 

CMYK 0 / 7 / 3 / 59

HEX #696266

RGB 105 98 102

HSL 325.71, 0.03%, 0.4%

LAB 42.3, 3.58, -1.27

 

CMYK 15 / 81 / 0 / 33

HEX #9120AB

RGB 145 32 171

HSL 288.78, 0.68%, 0.4%

LAB 37.83, 63.09, -49.74

 

CMYK 0 / 81 / 7 / 33

HEX #AB209F

RGB 171 32 159

HSL 305.18, 0.68%, 0.4%

LAB 41.52, 66.18, -36.39

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 81 / 50 / 33

HEX #AB2055

RGB 171 32 85

HSL 337.12, 0.68%, 0.4%

LAB 38.46, 57.37, 4.9

 

CMYK 0 / 81 / 72 / 33

HEX #AB2030

RGB 171 32 48

HSL 353.09, 0.68%, 0.4%

LAB 37.67, 54.97, 27.36

 

CMYK 0 / 81 / 29 / 60

HEX #661348

RGB 102 19 72

HSL 321.69, 0.69%, 0.24%

LAB 22.86, 40.92, -11.15

 

CMYK 0 / 81 / 29 / 47

HEX #881A61

RGB 136 26 97

HSL 321.27, 0.68%, 0.32%

LAB 31.43, 51.04, -14.01

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 81 / 29 / 19

HEX #CE2793

RGB 206 39 147

HSL 321.2, 0.68%, 0.48%

LAB 47.85, 70.58, -18.83

 

CMYK 0 / 69 / 25 / 14

HEX #DB43A5

RGB 219 67 165

HSL 321.32, 0.68%, 0.56%

LAB 53.8, 67.5, -20.21

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 81 / 0 / 4 / 33

HEX #20ABA4

RGB 32 171 164

HSL 176.98, 0.68%, 0.4%

LAB 63.44, -36.06, -6.48

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 29 / 0 / 81 / 33

HEX #7AAB20

RGB 122 171 32

HSL 81.15, 0.68%, 0.4%

LAB 64.46, -35.9, 60.14

 

CMYK 81 / 29 / 0 / 33

HEX #207AAB

RGB 32 122 171

HSL 201.15, 0.68%, 0.4%

LAB 48.47, -8.25, -33.34

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 37 / 81 / 33

HEX #AB6C20

RGB 171 108 32

HSL 32.81, 0.68%, 0.4%

LAB 51.25, 19.04, 49.77

 

CMYK 81 / 0 / 53 / 33

HEX #20AB51

RGB 32 171 81

HSL 141.15, 0.68%, 0.4%

LAB 61.68, -55.09, 36.2

 

CMYK 81 / 44 / 0 / 33

HEX #205FAB

RGB 32 95 171

HSL 212.81, 0.68%, 0.4%

LAB 40.3, 8.44, -46.29

 

CMYK 0 / 81 / 29 / 33

HEX #AB207A

RGB 171 32 122

HSL 321.15, 0.68%, 0.4%

LAB 39.74, 61.16, -16.54

 

CMYK 0 / 12 / 81 / 33

HEX #AB9620

RGB 171 150 32

HSL 50.94, 0.68%, 0.4%

LAB 62.15, -4.3, 59.51

 

CMYK 81 / 0 / 53 / 33

HEX #20AB51

RGB 32 171 81

HSL 141.15, 0.68%, 0.4%

LAB 61.68, -55.09, 36.2

 

CMYK 81 / 69 / 0 / 33

HEX #2035AB

RGB 32 53 171

HSL 230.94, 0.68%, 0.4%

LAB 28.89, 36.26, -64.84

 

Description

Color code: HEX #AB207A | qconv.com Color code: HEX #AB207A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 32 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 32 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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