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Color name
HEX #AB2410

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB2410 it is the complementary color #54DBEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB2410. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB2410 shade: #B0240B, #C1361E, #D24831, #E35A44 and #F46C57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB2410. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB2410 shade: #AB2410, #9A1200, #890000, #780000 and #670000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB2410 shade: #AC2410 and #AC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB2410 shade: #AC2410, #AC4E10, #AC7810, #ACA210 and #8CAC10

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB2410 shade matches the following richer shades: #AC2410 and #BB1800

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB2410 shade: #AC2410, #9D2F1F, #8E3A2E, #7E463D and #6F514D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB2410 shade: #AC1051, #AC1027, #AC2210, #AC4C10 and #AC7510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB2410 shade: #611409, #861C0C, #AC2410, #D22C13 and #EA3E24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB2410 shade: #AB2410, #7BAC10 and #103CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB2410 shade: #AB2410, #10AC22 and #2210AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB2410 shade: #AB2410, #7BAC10, #109AAC and #4110AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB2410 shade: #AB2410, #4CAC10, #109AAC and #7010AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

Complementary color

CMYK 65 / 8 / 0 / 6

HEX #54DBEF

RGB 84 219 239

HSL 187.74, 0.83%, 0.63%

LAB 81.17, -30.39, -20.62

 

CMYK 0 / 80 / 94 / 31

HEX #B0240B

RGB 176 36 11

HSL 9.09, 0.88%, 0.37%

LAB 38.75, 54.26, 47.93

 

CMYK 0 / 72 / 84 / 24

HEX #C1361E

RGB 193 54 30

HSL 8.83, 0.73%, 0.44%

LAB 44.33, 53.97, 45.68

 

CMYK 0 / 66 / 77 / 18

HEX #D24831

RGB 210 72 49

HSL 8.57, 0.64%, 0.51%

LAB 50.17, 53.14, 42.77

 

CMYK 0 / 60 / 70 / 11

HEX #E35A44

RGB 227 90 68

HSL 8.3, 0.74%, 0.58%

LAB 56.15, 52.04, 39.95

 

CMYK 0 / 56 / 64 / 4

HEX #F46C57

RGB 244 108 87

HSL 8.03, 0.88%, 0.65%

LAB 62.21, 50.83, 37.4

 

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

CMYK 0 / 88 / 100 / 40

HEX #9A1200

RGB 154 18 0

HSL 7.01, 1%, 0.3%

LAB 32.49, 52.16, 46.06

 

CMYK 0 / 100 / 100 / 46

HEX #890000

RGB 137 0 0

HSL 0, 1%, 0.27%

LAB 27.62, 50.48, 40.72

 

CMYK 0 / 100 / 100 / 53

HEX #780000

RGB 120 0 0

HSL 0, 1%, 0.24%

LAB 23.65, 45.88, 35.59

 

CMYK 0 / 100 / 100 / 60

HEX #670000

RGB 103 0 0

HSL 0, 1%, 0.2%

LAB 19.57, 41.16, 30

 

CMYK 0 / 79 / 91 / 33

HEX #AC2410

RGB 172 36 16

HSL 7.69, 0.83%, 0.37%

LAB 37.97, 53.11, 45.11

 

CMYK 0 / 91 / 91 / 33

HEX #AC1010

RGB 172 16 16

HSL 0, 0.83%, 0.37%

LAB 36.33, 57.77, 43.92

 

CMYK 0 / 79 / 91 / 33

HEX #AC2410

RGB 172 36 16

HSL 7.69, 0.83%, 0.37%

LAB 37.97, 53.11, 45.11

 

CMYK 0 / 55 / 91 / 33

HEX #AC4E10

RGB 172 78 16

HSL 23.85, 0.83%, 0.37%

LAB 44.6, 35.35, 50.03

 

CMYK 0 / 30 / 91 / 33

HEX #AC7810

RGB 172 120 16

HSL 40, 0.83%, 0.37%

LAB 54.28, 12.31, 57.42

 

CMYK 0 / 6 / 91 / 33

HEX #ACA210

RGB 172 162 16

HSL 56.15, 0.83%, 0.37%

LAB 65.47, -10.65, 66.12

 

CMYK 19 / 0 / 91 / 33

HEX #8CAC10

RGB 140 172 16

HSL 72.31, 0.83%, 0.37%

LAB 65.84, -29.6, 65.35

 

CMYK 0 / 79 / 91 / 33

HEX #AC2410

RGB 172 36 16

HSL 7.69, 0.83%, 0.37%

LAB 37.97, 53.11, 45.11

 

CMYK 0 / 87 / 100 / 27

HEX #BB1800

RGB 187 24 0

HSL 7.7, 1%, 0.37%

LAB 39.95, 60.26, 53.65

 

CMYK 0 / 79 / 91 / 33

HEX #AC2410

RGB 172 36 16

HSL 7.69, 0.83%, 0.37%

LAB 37.97, 53.11, 45.11

 

CMYK 0 / 70 / 80 / 38

HEX #9D2F1F

RGB 157 47 31

HSL 7.62, 0.67%, 0.37%

LAB 36.56, 44.68, 35.39

 

CMYK 0 / 59 / 68 / 44

HEX #8E3A2E

RGB 142 58 46

HSL 7.5, 0.51%, 0.37%

LAB 35.93, 34.82, 25.21

 

CMYK 0 / 44 / 52 / 51

HEX #7E463D

RGB 126 70 61

HSL 8.31, 0.35%, 0.37%

LAB 36.28, 22.94, 15.9

 

CMYK 0 / 27 / 31 / 56

HEX #6F514D

RGB 111 81 77

HSL 7.06, 0.18%, 0.37%

LAB 37.48, 11.93, 7.27

 

CMYK 0 / 91 / 53 / 33

HEX #AC1051

RGB 172 16 81

HSL 335, 0.83%, 0.37%

LAB 37.36, 60.71, 5.93

 

CMYK 0 / 91 / 77 / 33

HEX #AC1027

RGB 172 16 39

HSL 351.15, 0.83%, 0.37%

LAB 36.53, 58.37, 31.64

 

CMYK 0 / 80 / 91 / 33

HEX #AC2210

RGB 172 34 16

HSL 6.92, 0.83%, 0.37%

LAB 37.76, 53.71, 44.96

 

CMYK 0 / 56 / 91 / 33

HEX #AC4C10

RGB 172 76 16

HSL 23.08, 0.83%, 0.37%

LAB 44.2, 36.37, 49.73

 

CMYK 0 / 32 / 91 / 33

HEX #AC7510

RGB 172 117 16

HSL 38.85, 0.83%, 0.37%

LAB 53.53, 14, 56.84

 

CMYK 0 / 79 / 91 / 62

HEX #611409

RGB 97 20 9

HSL 7.5, 0.83%, 0.21%

LAB 20.29, 33.75, 26.77

 

CMYK 0 / 79 / 91 / 47

HEX #861C0C

RGB 134 28 12

HSL 7.87, 0.84%, 0.29%

LAB 29.22, 43.55, 36.83

 

CMYK 0 / 79 / 91 / 33

HEX #AC2410

RGB 172 36 16

HSL 7.69, 0.83%, 0.37%

LAB 37.97, 53.11, 45.11

 

CMYK 0 / 79 / 91 / 18

HEX #D22C13

RGB 210 44 19

HSL 7.85, 0.83%, 0.45%

LAB 46.38, 62.21, 53.38

 

CMYK 0 / 74 / 85 / 8

HEX #EA3E24

RGB 234 62 36

HSL 7.88, 0.83%, 0.53%

LAB 53.02, 64.17, 53.42

 

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

CMYK 28 / 0 / 91 / 33

HEX #7BAC10

RGB 123 172 16

HSL 78.85, 0.83%, 0.37%

LAB 64.77, -36.49, 64.03

 

CMYK 91 / 65 / 0 / 33

HEX #103CAC

RGB 16 60 172

HSL 223.08, 0.83%, 0.37%

LAB 30.21, 31.03, -63.29

 

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

CMYK 91 / 0 / 80 / 33

HEX #10AC22

RGB 16 172 34

HSL 126.92, 0.83%, 0.37%

LAB 61.42, -61.99, 55.53

 

CMYK 80 / 91 / 0 / 33

HEX #2210AC

RGB 34 16 172

HSL 246.92, 0.83%, 0.37%

LAB 22.62, 55.3, -75.83

 

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

CMYK 28 / 0 / 91 / 33

HEX #7BAC10

RGB 123 172 16

HSL 78.85, 0.83%, 0.37%

LAB 64.77, -36.49, 64.03

 

CMYK 91 / 10 / 0 / 33

HEX #109AAC

RGB 16 154 172

HSL 186.92, 0.83%, 0.37%

LAB 58.23, -26.49, -18.84

 

CMYK 62 / 91 / 0 / 33

HEX #4110AC

RGB 65 16 172

HSL 258.85, 0.83%, 0.37%

LAB 25.18, 57.06, -71.5

 

CMYK 0 / 79 / 91 / 33

HEX #AB2410

RGB 171 36 16

HSL 7.74, 0.83%, 0.37%

LAB 37.77, 52.8, 44.87

 

CMYK 56 / 0 / 91 / 33

HEX #4CAC10

RGB 76 172 16

HSL 96.92, 0.83%, 0.37%

LAB 62.57, -52.48, 61.32

 

CMYK 91 / 10 / 0 / 33

HEX #109AAC

RGB 16 154 172

HSL 186.92, 0.83%, 0.37%

LAB 58.23, -26.49, -18.84

 

CMYK 35 / 91 / 0 / 33

HEX #7010AC

RGB 112 16 172

HSL 276.92, 0.83%, 0.37%

LAB 31.33, 61.99, -61.14

 

Description

Color code: HEX #AB2410 | qconv.com Color code: HEX #AB2410 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 36 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 36 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 91 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 91% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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