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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB11D9 it is the complementary color #54EE26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB11D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB11D9 shade: #B011D4, #C123E7, #D235FA, #E347FF and #F459FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB11D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB11D9 shade: #AB11D9, #9A00C6, #8900B3, #7800A0 and #67008D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB11D9 shade: #AB11D9, #D911D1, #D9119B, #D91165 and #D9112F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB11D9 shade: #AB11D9, #7511D9, #3F11D9 and #1111D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB11D9 shade matches the following richer shades: #AB11D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB11D9 shade: #AB11D9, #A024C6, #9637B3, #8C4AA0 and #825D8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB11D9 shade: #4011D9, #7511D9, #AA11D9, #D911D2 and #D9119D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB11D9 shade: #6E0B8C, #8D0EB2, #AB11D9, #BF26ED and #CA4CF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB11D9 shade: #AB11D9, #D91118 and #11D95A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB11D9 shade: #AB11D9, #D9AA11 and #11D9AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB11D9 shade: #AB11D9, #D91118, #40D911 and #11D9D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB11D9 shade: #AB11D9, #D94611, #40D911 and #11A3D9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

Complementary color

CMYK 65 / 0 / 84 / 7

HEX #54EE26

RGB 84 238 38

HSL 106.2, 0.85%, 0.54%

LAB 83.53, -72.08, 75.18

 

CMYK 17 / 92 / 0 / 17

HEX #B011D4

RGB 176 17 212

HSL 288.92, 0.85%, 0.45%

LAB 44.78, 78.41, -62.29

 

CMYK 16 / 85 / 0 / 9

HEX #C123E7

RGB 193 35 231

HSL 288.37, 0.8%, 0.52%

LAB 49.87, 81.22, -64.76

 

CMYK 16 / 79 / 0 / 2

HEX #D235FA

RGB 210 53 250

HSL 287.82, 0.95%, 0.59%

LAB 55.23, 83, -66.64

 

CMYK 11 / 72 / 0 / 0

HEX #E347FF

RGB 227 71 255

HSL 290.87, 1%, 0.64%

LAB 59.94, 81.56, -61.7

 

CMYK 4 / 65 / 0 / 0

HEX #F459FF

RGB 244 89 255

HSL 296.02, 1%, 0.67%

LAB 64.64, 78.76, -54.05

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 22 / 100 / 0 / 22

HEX #9A00C6

RGB 154 0 198

HSL 286.67, 1%, 0.39%

LAB 39.49, 74.72, -62.93

 

CMYK 23 / 100 / 0 / 30

HEX #8900B3

RGB 137 0 179

HSL 285.92, 1%, 0.35%

LAB 35.15, 69.05, -58.92

 

CMYK 25 / 100 / 0 / 37

HEX #7800A0

RGB 120 0 160

HSL 285, 1%, 0.31%

LAB 30.71, 63.27, -54.84

 

CMYK 27 / 100 / 0 / 45

HEX #67008D

RGB 103 0 141

HSL 283.83, 1%, 0.28%

LAB 26.18, 57.36, -50.69

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 0 / 92 / 4 / 15

HEX #D911D1

RGB 217 17 209

HSL 302.4, 0.85%, 0.46%

LAB 51.56, 84.5, -49.3

 

CMYK 0 / 92 / 29 / 15

HEX #D9119B

RGB 217 17 155

HSL 318.6, 0.85%, 0.46%

LAB 48.91, 77.69, -21.84

 

CMYK 0 / 92 / 53 / 15

HEX #D91165

RGB 217 17 101

HSL 334.8, 0.85%, 0.46%

LAB 47.1, 72.82, 8.38

 

CMYK 0 / 92 / 78 / 15

HEX #D9112F

RGB 217 17 47

HSL 351, 0.85%, 0.46%

LAB 46.12, 70.11, 40.03

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 46 / 92 / 0 / 15

HEX #7511D9

RGB 117 17 217

HSL 270, 0.85%, 0.46%

LAB 36.35, 72.04, -79.31

 

CMYK 71 / 92 / 0 / 15

HEX #3F11D9

RGB 63 17 217

HSL 253.8, 0.85%, 0.46%

LAB 30.56, 68.14, -89.08

 

CMYK 92 / 92 / 0 / 15

HEX #1111D9

RGB 17 17 217

HSL 240, 0.85%, 0.46%

LAB 28.19, 66.83, -93.09

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 19 / 82 / 0 / 22

HEX #A024C6

RGB 160 36 198

HSL 285.93, 0.69%, 0.46%

LAB 42.48, 69.66, -58.03

 

CMYK 16 / 69 / 0 / 30

HEX #9637B3

RGB 150 55 179

HSL 285.97, 0.53%, 0.46%

LAB 41.96, 57.56, -47.82

 

CMYK 13 / 54 / 0 / 37

HEX #8C4AA0

RGB 140 74 160

HSL 286.05, 0.37%, 0.46%

LAB 42.78, 42.08, -35.31

 

CMYK 8 / 34 / 0 / 45

HEX #825D8D

RGB 130 93 141

HSL 286.25, 0.21%, 0.46%

LAB 44.94, 24.08, -20.67

 

CMYK 71 / 92 / 0 / 15

HEX #4011D9

RGB 64 17 217

HSL 254.1, 0.85%, 0.46%

LAB 30.64, 68.19, -88.95

 

CMYK 46 / 92 / 0 / 15

HEX #7511D9

RGB 117 17 217

HSL 270, 0.85%, 0.46%

LAB 36.35, 72.04, -79.31

 

CMYK 22 / 92 / 0 / 15

HEX #AA11D9

RGB 170 17 217

HSL 285.9, 0.85%, 0.46%

LAB 44.17, 78.42, -66.2

 

CMYK 0 / 92 / 3 / 15

HEX #D911D2

RGB 217 17 210

HSL 302.1, 0.85%, 0.46%

LAB 51.62, 84.64, -49.78

 

CMYK 0 / 92 / 28 / 15

HEX #D9119D

RGB 217 17 157

HSL 318, 0.85%, 0.46%

LAB 48.99, 77.91, -22.9

 

CMYK 21 / 92 / 0 / 45

HEX #6E0B8C

RGB 110 11 140

HSL 286.05, 0.85%, 0.3%

LAB 27.97, 56.2, -47.09

 

CMYK 21 / 92 / 0 / 30

HEX #8D0EB2

RGB 141 14 178

HSL 286.46, 0.85%, 0.38%

LAB 36.35, 67.62, -56.34

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 19 / 84 / 0 / 7

HEX #BF26ED

RGB 191 38 237

HSL 286.13, 0.85%, 0.54%

LAB 50.19, 81.31, -67.65

 

CMYK 16 / 68 / 0 / 6

HEX #CA4CF0

RGB 202 76 240

HSL 286.1, 0.85%, 0.62%

LAB 56.1, 72.06, -59.71

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 0 / 92 / 89 / 15

HEX #D91118

RGB 217 17 24

HSL 357.9, 0.85%, 0.46%

LAB 45.93, 69.58, 51.7

 

CMYK 92 / 0 / 59 / 15

HEX #11D95A

RGB 17 217 90

HSL 141.9, 0.85%, 0.46%

LAB 76.36, -69.89, 49.48

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 0 / 22 / 92 / 15

HEX #D9AA11

RGB 217 170 17

HSL 45.9, 0.85%, 0.46%

LAB 71.92, 5.14, 72.77

 

CMYK 92 / 0 / 22 / 15

HEX #11D9AA

RGB 17 217 170

HSL 165.9, 0.85%, 0.46%

LAB 77.67, -54.82, 10.89

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 0 / 92 / 89 / 15

HEX #D91118

RGB 217 17 24

HSL 357.9, 0.85%, 0.46%

LAB 45.93, 69.58, 51.7

 

CMYK 71 / 0 / 92 / 15

HEX #40D911

RGB 64 217 17

HSL 105.9, 0.85%, 0.46%

LAB 76.53, -70.04, 72.73

 

CMYK 92 / 0 / 3 / 15

HEX #11D9D2

RGB 17 217 210

HSL 177.9, 0.85%, 0.46%

LAB 78.69, -44.14, -8.97

 

CMYK 21 / 92 / 0 / 15

HEX #AB11D9

RGB 171 17 217

HSL 286.2, 0.85%, 0.46%

LAB 44.33, 78.56, -65.93

 

CMYK 0 / 68 / 92 / 15

HEX #D94611

RGB 217 70 17

HSL 15.9, 0.85%, 0.46%

LAB 50.89, 55.52, 57.72

 

CMYK 71 / 0 / 92 / 15

HEX #40D911

RGB 64 217 17

HSL 105.9, 0.85%, 0.46%

LAB 76.53, -70.04, 72.73

 

CMYK 92 / 25 / 0 / 15

HEX #11A3D9

RGB 17 163 217

HSL 196.2, 0.85%, 0.46%

LAB 62.78, -15.61, -37.06

 

Description

Color code: HEX #AB11D9 | qconv.com Color code: HEX #AB11D9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 17 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 17 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 92 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 92% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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