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Color name
HEX #AB1652

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1652 it is the complementary color #54E9AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1652. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1652 shade: #B0164D, #C12860, #D23A73, #E34C86 and #F45E99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1652. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1652 shade: #AB1652, #9A043F, #89002C, #780019 and #670006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1652 shade: #AB1652, #AB162A and #AB1616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1652 shade: #AB1652, #AB167A, #AB16A2, #8B16AB and #6316AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1652 shade matches the following richer shades: #AB1652 and #BB064F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1652 shade: #AB1652, #9B2555, #8C3558, #7C455B and #6C555E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1652 shade: #AB16A4, #AB167C, #AB1654, #AB162C and #AB2716

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1652 shade: #620C2F, #861140, #AB1652, #D01B63 and #E43078

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1652 shade: #AB1652, #AB8B16 and #1690AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1652 shade: #AB1652, #54AB16 and #1654AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1652 shade: #AB1652, #AB8B16, #16AB6D and #1636AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1652 shade: #AB1652, #9FAB16, #16AB6D and #2216AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

Complementary color

CMYK 64 / 0 / 26 / 9

HEX #54E9AD

RGB 84 233 173

HSL 155.84, 0.77%, 0.62%

LAB 83.54, -53.29, 17.72

 

CMYK 0 / 88 / 56 / 31

HEX #B0164D

RGB 176 22 77

HSL 338.57, 0.78%, 0.39%

LAB 38.45, 60.37, 10.15

 

CMYK 0 / 79 / 50 / 24

HEX #C12860

RGB 193 40 96

HSL 338.04, 0.66%, 0.46%

LAB 43.8, 62.02, 6.16

 

CMYK 0 / 72 / 45 / 18

HEX #D23A73

RGB 210 58 115

HSL 337.5, 0.63%, 0.53%

LAB 49.45, 62.73, 3

 

CMYK 0 / 67 / 41 / 11

HEX #E34C86

RGB 227 76 134

HSL 336.95, 0.73%, 0.59%

LAB 55.3, 62.84, 0.46

 

CMYK 0 / 61 / 37 / 4

HEX #F45E99

RGB 244 94 153

HSL 336.4, 0.87%, 0.66%

LAB 61.25, 62.57, -1.63

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 97 / 59 / 40

HEX #9A043F

RGB 154 4 63

HSL 336.4, 0.95%, 0.31%

LAB 32.52, 56.61, 10.34

 

CMYK 0 / 100 / 68 / 46

HEX #89002C

RGB 137 0 44

HSL 340.73, 1%, 0.27%

LAB 28.11, 51.81, 16.49

 

CMYK 0 / 100 / 79 / 53

HEX #780019

RGB 120 0 25

HSL 347.5, 1%, 0.24%

LAB 23.88, 46.51, 23.21

 

CMYK 0 / 100 / 94 / 60

HEX #670006

RGB 103 0 6

HSL 356.5, 1%, 0.2%

LAB 19.63, 41.31, 27.62

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 87 / 75 / 33

HEX #AB162A

RGB 171 22 42

HSL 351.95, 0.77%, 0.38%

LAB 36.74, 57.11, 29.98

 

CMYK 0 / 87 / 87 / 33

HEX #AB1616

RGB 171 22 22

HSL 0, 0.77%, 0.38%

LAB 36.54, 56.51, 41.15

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 87 / 29 / 33

HEX #AB167A

RGB 171 22 122

HSL 319.73, 0.77%, 0.38%

LAB 38.96, 63.41, -17.74

 

CMYK 0 / 87 / 5 / 33

HEX #AB16A2

RGB 171 22 162

HSL 303.62, 0.77%, 0.38%

LAB 40.96, 68.75, -39.09

 

CMYK 19 / 87 / 0 / 33

HEX #8B16AB

RGB 139 22 171

HSL 287.11, 0.77%, 0.38%

LAB 35.99, 64.54, -52.76

 

CMYK 42 / 87 / 0 / 33

HEX #6316AB

RGB 99 22 171

HSL 271.01, 0.77%, 0.38%

LAB 29.83, 58.63, -63.07

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 97 / 58 / 27

HEX #BB064F

RGB 187 6 79

HSL 335.8, 0.94%, 0.38%

LAB 40.01, 65.41, 11.39

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 76 / 45 / 39

HEX #9B2555

RGB 155 37 85

HSL 335.59, 0.61%, 0.38%

LAB 35.88, 51.4, 0.79

 

CMYK 0 / 62 / 37 / 45

HEX #8C3558

RGB 140 53 88

HSL 335.86, 0.45%, 0.38%

LAB 35.65, 40.49, -1.8

 

CMYK 0 / 44 / 27 / 51

HEX #7C455B

RGB 124 69 91

HSL 336, 0.28%, 0.38%

LAB 36.55, 26.6, -2.66

 

CMYK 0 / 21 / 13 / 58

HEX #6C555E

RGB 108 85 94

HSL 336.52, 0.12%, 0.38%

LAB 38.71, 11.13, -1.59

 

CMYK 0 / 87 / 4 / 33

HEX #AB16A4

RGB 171 22 164

HSL 302.82, 0.77%, 0.38%

LAB 41.08, 69.05, -40.1

 

CMYK 0 / 87 / 27 / 33

HEX #AB167C

RGB 171 22 124

HSL 318.93, 0.77%, 0.38%

LAB 39.05, 63.64, -18.85

 

CMYK 0 / 87 / 51 / 33

HEX #AB1654

RGB 171 22 84

HSL 335.03, 0.77%, 0.38%

LAB 37.61, 59.63, 4.33

 

CMYK 0 / 87 / 74 / 33

HEX #AB162C

RGB 171 22 44

HSL 351.14, 0.77%, 0.38%

LAB 36.77, 57.19, 28.78

 

CMYK 0 / 77 / 87 / 33

HEX #AB2716

RGB 171 39 22

HSL 6.85, 0.77%, 0.38%

LAB 38.14, 51.98, 42.49

 

CMYK 0 / 88 / 52 / 62

HEX #620C2F

RGB 98 12 47

HSL 335.58, 0.78%, 0.22%

LAB 20.3, 39.03, 2.31

 

CMYK 0 / 87 / 52 / 47

HEX #861140

RGB 134 17 64

HSL 335.9, 0.77%, 0.3%

LAB 29, 49.37, 4.11

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 87 / 52 / 18

HEX #D01B63

RGB 208 27 99

HSL 336.13, 0.77%, 0.46%

LAB 45.76, 69.05, 7.49

 

CMYK 0 / 79 / 47 / 11

HEX #E43078

RGB 228 48 120

HSL 336, 0.77%, 0.54%

LAB 51.8, 71.01, 3.77

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 19 / 87 / 33

HEX #AB8B16

RGB 171 139 22

HSL 47.11, 0.77%, 0.38%

LAB 59.14, 1.4, 59.77

 

CMYK 87 / 16 / 0 / 33

HEX #1690AB

RGB 22 144 171

HSL 190.87, 0.77%, 0.38%

LAB 55.13, -21.32, -23

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 51 / 0 / 87 / 33

HEX #54AB16

RGB 84 171 22

HSL 95.03, 0.77%, 0.38%

LAB 62.57, -49.59, 60.26

 

CMYK 87 / 51 / 0 / 33

HEX #1654AB

RGB 22 84 171

HSL 215.03, 0.77%, 0.38%

LAB 36.84, 14.81, -51.87

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 0 / 19 / 87 / 33

HEX #AB8B16

RGB 171 139 22

HSL 47.11, 0.77%, 0.38%

LAB 59.14, 1.4, 59.77

 

CMYK 87 / 0 / 36 / 33

HEX #16AB6D

RGB 22 171 109

HSL 155.03, 0.77%, 0.38%

LAB 62, -50.92, 21.93

 

CMYK 87 / 68 / 0 / 33

HEX #1636AB

RGB 22 54 171

HSL 227.11, 0.77%, 0.38%

LAB 28.77, 34.93, -65.04

 

CMYK 0 / 87 / 52 / 33

HEX #AB1652

RGB 171 22 82

HSL 335.84, 0.77%, 0.38%

LAB 37.56, 59.47, 5.53

 

CMYK 7 / 0 / 87 / 33

HEX #9FAB16

RGB 159 171 22

HSL 64.83, 0.77%, 0.38%

LAB 66.94, -20.88, 65.7

 

CMYK 87 / 0 / 36 / 33

HEX #16AB6D

RGB 22 171 109

HSL 155.03, 0.77%, 0.38%

LAB 62, -50.92, 21.93

 

CMYK 80 / 87 / 0 / 33

HEX #2216AB

RGB 34 22 171

HSL 244.83, 0.77%, 0.38%

LAB 23.18, 52.91, -74.28

 

Description

Color code: HEX #AB1652 | qconv.com Color code: HEX #AB1652 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 22 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 22 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 52% 33% C M Y K

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Provide designers and agencies with accurate color values.

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