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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB1560 it is the complementary color #54EA9F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB1560. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB1560 shade: #B0155B, #C1276E, #D23981, #E34B94 and #F45DA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB1560. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB1560 shade: #AB1560, #9A034D, #89003A, #780027 and #670014

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB1560 shade: #AC1560, #AC1538 and #AC1515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB1560 shade: #AC1560, #AC1589, #A615AC, #7D15AC and #5515AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB1560 shade matches the following richer shades: #AC1560 and #BC0560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB1560 shade: #AC1560, #9C2460, #8D3460, #7D4460 and #6D5460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB1560 shade: #A715AC, #AC1589, #AC1560, #AC1538 and #AC1A15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB1560 shade: #630C37, #87104C, #AC1560, #D11975 and #E52F8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB1560 shade: #AB1560, #AC7F15 and #159DAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB1560 shade: #AB1560, #60AC15 and #1560AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB1560 shade: #AB1560, #AC7F15, #15AC60 and #1542AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB1560 shade: #AB1560, #ACAC15, #15AC60 and #1515AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 44 / 33

HEX #AB1560

RGB 171 21 96

HSL 330, 0.78%, 0.38%

LAB 37.91, 60.86, -2.92

 

Complementary color

CMYK 64 / 0 / 32 / 8

HEX #54EA9F

RGB 84 234 159

HSL 150, 0.78%, 0.62%

LAB 83.57, -56.55, 25.01

 

CMYK 0 / 88 / 48 / 31

HEX #B0155B

RGB 176 21 91

HSL 332.9, 0.79%, 0.39%

LAB 38.76, 61.65, 1.64

 

CMYK 0 / 80 / 43 / 24

HEX #C1276E

RGB 193 39 110

HSL 332.34, 0.66%, 0.45%

LAB 44.11, 63.52, -2.1

 

CMYK 0 / 73 / 39 / 18

HEX #D23981

RGB 210 57 129

HSL 331.76, 0.63%, 0.52%

LAB 49.75, 64.43, -5.04

 

CMYK 0 / 67 / 35 / 11

HEX #E34B94

RGB 227 75 148

HSL 331.18, 0.73%, 0.59%

LAB 55.58, 64.7, -7.39

 

CMYK 0 / 62 / 32 / 4

HEX #F45DA7

RGB 244 93 167

HSL 330.6, 0.87%, 0.66%

LAB 61.53, 64.55, -9.31

 

CMYK 0 / 88 / 44 / 33

HEX #AB1560

RGB 171 21 96

HSL 330, 0.78%, 0.38%

LAB 37.91, 60.86, -2.92

 

CMYK 0 / 98 / 50 / 40

HEX #9A034D

RGB 154 3 77

HSL 330.6, 0.96%, 0.31%

LAB 32.86, 57.79, 1.57

 

CMYK 0 / 100 / 58 / 46

HEX #89003A

RGB 137 0 58

HSL 334.6, 1%, 0.27%

LAB 28.44, 52.69, 7.45

 

CMYK 0 / 100 / 68 / 53

HEX #780027

RGB 120 0 39

HSL 340.5, 1%, 0.24%

LAB 24.13, 47.18, 13.97

 

CMYK 0 / 100 / 81 / 60

HEX #670014

RGB 103 0 20

HSL 348.35, 1%, 0.2%

LAB 19.78, 41.72, 20.85

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 88 / 67 / 33

HEX #AC1538

RGB 172 21 56

HSL 346.09, 0.78%, 0.38%

LAB 37.1, 58.22, 21.67

 

CMYK 0 / 88 / 88 / 33

HEX #AC1515

RGB 172 21 21

HSL 0, 0.78%, 0.38%

LAB 36.67, 56.97, 41.84

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 88 / 20 / 33

HEX #AC1589

RGB 172 21 137

HSL 313.91, 0.78%, 0.38%

LAB 39.77, 65.66, -25.76

 

CMYK 3 / 88 / 0 / 33

HEX #A615AC

RGB 166 21 172

HSL 297.62, 0.78%, 0.38%

LAB 40.61, 69.55, -45.68

 

CMYK 27 / 88 / 0 / 33

HEX #7D15AC

RGB 125 21 172

HSL 281.32, 0.78%, 0.38%

LAB 33.72, 62.75, -57.15

 

CMYK 51 / 88 / 0 / 33

HEX #5515AC

RGB 85 21 172

HSL 265.43, 0.78%, 0.38%

LAB 27.97, 57.49, -66.8

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 97 / 49 / 26

HEX #BC0560

RGB 188 5 96

HSL 330.16, 0.95%, 0.38%

LAB 40.65, 66.99, 1.49

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 77 / 38 / 39

HEX #9C2460

RGB 156 36 96

HSL 330, 0.63%, 0.38%

LAB 36.32, 53.15, -5.61

 

CMYK 0 / 63 / 32 / 45

HEX #8D3460

RGB 141 52 96

HSL 330.34, 0.46%, 0.38%

LAB 35.91, 42.31, -6.49

 

CMYK 0 / 46 / 23 / 51

HEX #7D4460

RGB 125 68 96

HSL 330.53, 0.3%, 0.38%

LAB 36.63, 28.34, -5.69

 

CMYK 0 / 23 / 12 / 57

HEX #6D5460

RGB 109 84 96

HSL 331.2, 0.13%, 0.38%

LAB 38.61, 12.52, -2.96

 

CMYK 3 / 88 / 0 / 33

HEX #A715AC

RGB 167 21 172

HSL 298.01, 0.78%, 0.38%

LAB 40.78, 69.73, -45.39

 

CMYK 0 / 88 / 20 / 33

HEX #AC1589

RGB 172 21 137

HSL 313.91, 0.78%, 0.38%

LAB 39.77, 65.66, -25.76

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 88 / 67 / 33

HEX #AC1538

RGB 172 21 56

HSL 346.09, 0.78%, 0.38%

LAB 37.1, 58.22, 21.67

 

CMYK 0 / 85 / 88 / 33

HEX #AC1A15

RGB 172 26 21

HSL 1.99, 0.78%, 0.38%

LAB 37.05, 55.89, 42.15

 

CMYK 0 / 88 / 44 / 61

HEX #630C37

RGB 99 12 55

HSL 330.34, 0.78%, 0.22%

LAB 20.79, 40.12, -2.58

 

CMYK 0 / 88 / 44 / 47

HEX #87104C

RGB 135 16 76

HSL 329.75, 0.79%, 0.3%

LAB 29.52, 50.95, -3.13

 

CMYK 0 / 88 / 44 / 33

HEX #AC1560

RGB 172 21 96

HSL 330.2, 0.78%, 0.38%

LAB 38.11, 61.11, -2.6

 

CMYK 0 / 88 / 44 / 18

HEX #D11975

RGB 209 25 117

HSL 330, 0.79%, 0.46%

LAB 46.36, 71.09, -2.77

 

CMYK 0 / 79 / 40 / 10

HEX #E52F8A

RGB 229 47 138

HSL 330, 0.78%, 0.54%

LAB 52.43, 73.13, -6.12

 

CMYK 0 / 88 / 44 / 33

HEX #AB1560

RGB 171 21 96

HSL 330, 0.78%, 0.38%

LAB 37.91, 60.86, -2.92

 

CMYK 0 / 26 / 88 / 33

HEX #AC7F15

RGB 172 127 21

HSL 42.12, 0.78%, 0.38%

LAB 56.09, 8.5, 57.6

 

CMYK 88 / 9 / 0 / 33

HEX #159DAC

RGB 21 157 172

HSL 185.96, 0.78%, 0.38%

LAB 59.21, -27.7, -17.35

 

CMYK 0 / 88 / 44 / 33

HEX #AB1560

RGB 171 21 96

HSL 330, 0.78%, 0.38%

LAB 37.91, 60.86, -2.92

 

CMYK 44 / 0 / 88 / 33

HEX #60AC15

RGB 96 172 21

HSL 90.2, 0.78%, 0.38%

LAB 63.38, -46.2, 61.37

 

CMYK 88 / 44 / 0 / 33

HEX #1560AC

RGB 21 96 172

HSL 210.2, 0.78%, 0.38%

LAB 40.42, 7.23, -46.71

 

CMYK 0 / 88 / 44 / 33

HEX #AB1560

RGB 171 21 96

HSL 330, 0.78%, 0.38%

LAB 37.91, 60.86, -2.92

 

CMYK 0 / 26 / 88 / 33

HEX #AC7F15

RGB 172 127 21

HSL 42.12, 0.78%, 0.38%

LAB 56.09, 8.5, 57.6

 

CMYK 88 / 0 / 44 / 33

HEX #15AC60

RGB 21 172 96

HSL 149.8, 0.78%, 0.38%

LAB 62.09, -53.93, 28.99

 

CMYK 88 / 62 / 0 / 33

HEX #1542AC

RGB 21 66 172

HSL 222.12, 0.78%, 0.38%

LAB 31.89, 27.29, -60.53

 

CMYK 0 / 88 / 44 / 33

HEX #AB1560

RGB 171 21 96

HSL 330, 0.78%, 0.38%

LAB 37.91, 60.86, -2.92

 

CMYK 0 / 0 / 88 / 33

HEX #ACAC15

RGB 172 172 21

HSL 60, 0.78%, 0.38%

LAB 68.26, -15.73, 67.41

 

CMYK 88 / 0 / 44 / 33

HEX #15AC60

RGB 21 172 96

HSL 149.8, 0.78%, 0.38%

LAB 62.09, -53.93, 28.99

 

CMYK 88 / 88 / 0 / 33

HEX #1515AC

RGB 21 21 172

HSL 240, 0.78%, 0.38%

LAB 22.56, 53.12, -75.93

 

Description

Color code: HEX #AB1560 | qconv.com Color code: HEX #AB1560 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 21 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 21 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 44 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 44% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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