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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AB14EC it is the complementary color #54EB13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AB14EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AB14EC shade: #B014E7, #C126FA, #D238FF, #E34AFF and #F45CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AB14EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AB14EC shade: #AB14EC, #9A02D9, #8900C6, #7800B3 and #6700A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AB14EC shade: #AA13EB, #E513EB, #EB13B8, #EB137D and #EB1343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AB14EC shade: #AA13EB, #7013EB, #3513EB and #1313EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AB14EC shade matches the following richer shades: #AA13EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AB14EC shade: #AA13EB, #A227D7, #9A3CC2, #9251AD and #896599

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AB14EC shade: #3313EB, #6D13EB, #A713EB, #E113EB and #EB13BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AB14EC shade: #730C9F, #8F10C5, #AA13EB, #B839EE and #C55FF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AB14EC shade: #AB14EC, #EB132C and #13EB50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AB14EC shade: #AB14EC, #EBA713 and #13EBA7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AB14EC shade: #AB14EC, #EB132C, #57EB13 and #13EBD2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AB14EC shade: #AB14EC, #EB3A13, #57EB13 and #13C4EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 92 / 0 / 7

HEX #AB14EC

RGB 171 20 236

HSL 281.94, 0.85%, 0.5%

LAB 45.93, 81.58, -74.15

 

Complementary color

CMYK 64 / 0 / 92 / 8

HEX #54EB13

RGB 84 235 19

HSL 101.94, 0.85%, 0.5%

LAB 82.57, -71.73, 77.67

 

CMYK 24 / 91 / 0 / 9

HEX #B014E7

RGB 176 20 231

HSL 284.36, 0.84%, 0.49%

LAB 46.31, 81.33, -70.66

 

CMYK 23 / 85 / 0 / 2

HEX #C126FA

RGB 193 38 250

HSL 283.87, 0.95%, 0.56%

LAB 51.41, 83.94, -72.94

 

CMYK 18 / 78 / 0 / 0

HEX #D238FF

RGB 210 56 255

HSL 286.43, 1%, 0.61%

LAB 55.84, 83.04, -68.43

 

CMYK 11 / 71 / 0 / 0

HEX #E34AFF

RGB 227 74 255

HSL 290.72, 1%, 0.65%

LAB 60.29, 80.56, -61.14

 

CMYK 4 / 64 / 0 / 0

HEX #F45CFF

RGB 244 92 255

HSL 295.95, 1%, 0.68%

LAB 65.05, 77.62, -53.41

 

CMYK 28 / 92 / 0 / 7

HEX #AB14EC

RGB 171 20 236

HSL 281.94, 0.85%, 0.5%

LAB 45.93, 81.58, -74.15

 

CMYK 29 / 99 / 0 / 15

HEX #9A02D9

RGB 154 2 217

HSL 282.42, 0.98%, 0.43%

LAB 41.09, 77.95, -71.32

 

CMYK 31 / 100 / 0 / 22

HEX #8900C6

RGB 137 0 198

HSL 281.52, 1%, 0.39%

LAB 36.74, 72.59, -67.54

 

CMYK 33 / 100 / 0 / 30

HEX #7800B3

RGB 120 0 179

HSL 280.22, 1%, 0.35%

LAB 32.36, 66.93, -63.59

 

CMYK 36 / 100 / 0 / 37

HEX #6700A0

RGB 103 0 160

HSL 278.63, 1%, 0.31%

LAB 27.9, 61.16, -59.56

 

CMYK 28 / 92 / 0 / 8

HEX #AA13EB

RGB 170 19 235

HSL 281.94, 0.85%, 0.5%

LAB 45.65, 81.41, -74.04

 

CMYK 3 / 92 / 0 / 8

HEX #E513EB

RGB 229 19 235

HSL 298.33, 0.85%, 0.5%

LAB 55.2, 90.01, -58.13

 

CMYK 0 / 92 / 22 / 8

HEX #EB13B8

RGB 235 19 184

HSL 314.17, 0.85%, 0.5%

LAB 53.59, 84.32, -31.43

 

CMYK 0 / 92 / 47 / 8

HEX #EB137D

RGB 235 19 125

HSL 330.56, 0.85%, 0.5%

LAB 51.39, 78.49, 0.32

 

CMYK 0 / 92 / 71 / 8

HEX #EB1343

RGB 235 19 67

HSL 346.67, 0.85%, 0.5%

LAB 50.14, 75.03, 33.85

 

CMYK 28 / 92 / 0 / 8

HEX #AA13EB

RGB 170 19 235

HSL 281.94, 0.85%, 0.5%

LAB 45.65, 81.41, -74.04

 

CMYK 52 / 92 / 0 / 8

HEX #7013EB

RGB 112 19 235

HSL 265.83, 0.85%, 0.5%

LAB 37.68, 75.21, -87.44

 

CMYK 77 / 92 / 0 / 8

HEX #3513EB

RGB 53 19 235

HSL 249.44, 0.85%, 0.5%

LAB 32.3, 71.82, -96.52

 

CMYK 92 / 92 / 0 / 8

HEX #1313EB

RGB 19 19 235

HSL 240, 0.85%, 0.5%

LAB 30.88, 71.07, -98.92

 

CMYK 28 / 92 / 0 / 8

HEX #AA13EB

RGB 170 19 235

HSL 281.94, 0.85%, 0.5%

LAB 45.65, 81.41, -74.04

 

CMYK 28 / 92 / 0 / 8

HEX #AA13EB

RGB 170 19 235

HSL 281.94, 0.85%, 0.5%

LAB 45.65, 81.41, -74.04

 

CMYK 25 / 82 / 0 / 16

HEX #A227D7

RGB 162 39 215

HSL 281.93, 0.69%, 0.5%

LAB 44.29, 72.4, -64.91

 

CMYK 21 / 69 / 0 / 24

HEX #9A3CC2

RGB 154 60 194

HSL 282.09, 0.53%, 0.5%

LAB 44.23, 59.38, -52.93

 

CMYK 16 / 53 / 0 / 32

HEX #9251AD

RGB 146 81 173

HSL 282.39, 0.36%, 0.5%

LAB 45.65, 42.82, -38.43

 

CMYK 10 / 34 / 0 / 40

HEX #896599

RGB 137 101 153

HSL 281.54, 0.2%, 0.5%

LAB 48.17, 24.34, -22.77

 

CMYK 78 / 92 / 0 / 8

HEX #3313EB

RGB 51 19 235

HSL 248.89, 0.85%, 0.5%

LAB 32.19, 71.75, -96.72

 

CMYK 54 / 92 / 0 / 8

HEX #6D13EB

RGB 109 19 235

HSL 265, 0.85%, 0.5%

LAB 37.33, 74.96, -88.03

 

CMYK 29 / 92 / 0 / 8

HEX #A713EB

RGB 167 19 235

HSL 281.11, 0.85%, 0.5%

LAB 45.19, 81.02, -74.81

 

CMYK 4 / 92 / 0 / 8

HEX #E113EB

RGB 225 19 235

HSL 297.22, 0.85%, 0.5%

LAB 54.52, 89.38, -59.25

 

CMYK 0 / 92 / 20 / 8

HEX #EB13BC

RGB 235 19 188

HSL 313.06, 0.85%, 0.5%

LAB 53.77, 84.79, -33.47

 

CMYK 28 / 92 / 0 / 38

HEX #730C9F

RGB 115 12 159

HSL 282.04, 0.86%, 0.34%

LAB 30.43, 60.5, -54.74

 

CMYK 27 / 92 / 0 / 23

HEX #8F10C5

RGB 143 16 197

HSL 282.1, 0.85%, 0.42%

LAB 38.27, 71.15, -64.41

 

CMYK 28 / 92 / 0 / 8

HEX #AA13EB

RGB 170 19 235

HSL 281.94, 0.85%, 0.5%

LAB 45.65, 81.41, -74.04

 

CMYK 23 / 76 / 0 / 7

HEX #B839EE

RGB 184 57 238

HSL 282.1, 0.84%, 0.58%

LAB 51.02, 75.07, -66.9

 

CMYK 19 / 61 / 0 / 5

HEX #C55FF2

RGB 197 95 242

HSL 281.63, 0.85%, 0.66%

LAB 58.48, 63.25, -57.07

 

CMYK 28 / 92 / 0 / 7

HEX #AB14EC

RGB 171 20 236

HSL 281.94, 0.85%, 0.5%

LAB 45.93, 81.58, -74.15

 

CMYK 0 / 92 / 81 / 8

HEX #EB132C

RGB 235 19 44

HSL 353.06, 0.85%, 0.5%

LAB 49.87, 74.29, 46.67

 

CMYK 92 / 0 / 66 / 8

HEX #13EB50

RGB 19 235 80

HSL 136.94, 0.85%, 0.5%

LAB 81.91, -76.29, 59.99

 

CMYK 28 / 92 / 0 / 7

HEX #AB14EC

RGB 171 20 236

HSL 281.94, 0.85%, 0.5%

LAB 45.93, 81.58, -74.15

 

CMYK 0 / 29 / 92 / 8

HEX #EBA713

RGB 235 167 19

HSL 41.11, 0.85%, 0.5%

LAB 73.12, 14.58, 74.19

 

CMYK 92 / 0 / 29 / 8

HEX #13EBA7

RGB 19 235 167

HSL 161.11, 0.85%, 0.5%

LAB 83.1, -62.22, 20.09

 

CMYK 28 / 92 / 0 / 7

HEX #AB14EC

RGB 171 20 236

HSL 281.94, 0.85%, 0.5%

LAB 45.93, 81.58, -74.15

 

CMYK 0 / 92 / 81 / 8

HEX #EB132C

RGB 235 19 44

HSL 353.06, 0.85%, 0.5%

LAB 49.87, 74.29, 46.67

 

CMYK 63 / 0 / 92 / 8

HEX #57EB13

RGB 87 235 19

HSL 101.11, 0.85%, 0.5%

LAB 82.64, -71.09, 77.76

 

CMYK 92 / 0 / 11 / 8

HEX #13EBD2

RGB 19 235 210

HSL 173.06, 0.85%, 0.5%

LAB 84.07, -51.7, -1.03

 

CMYK 28 / 92 / 0 / 7

HEX #AB14EC

RGB 171 20 236

HSL 281.94, 0.85%, 0.5%

LAB 45.93, 81.58, -74.15

 

CMYK 0 / 75 / 92 / 8

HEX #EB3A13

RGB 235 58 19

HSL 10.83, 0.85%, 0.5%

LAB 52.66, 65.46, 59.86

 

CMYK 63 / 0 / 92 / 8

HEX #57EB13

RGB 87 235 19

HSL 101.11, 0.85%, 0.5%

LAB 82.64, -71.09, 77.76

 

CMYK 92 / 17 / 0 / 8

HEX #13C4EB

RGB 19 196 235

HSL 190.83, 0.85%, 0.5%

LAB 73.3, -26.5, -30.6

 

Description

Color code: HEX #AB14EC | qconv.com Color code: HEX #AB14EC | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 20 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 20 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 92 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 92% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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