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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAFB48 it is the complementary color #5504B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAFB48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAFB48 shade: #AFFB43, #C0FF56, #D1FF69, #E2FF7C and #F3FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAFB48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAFB48 shade: #AAFB48, #99E935, #88D722, #77C50F and #66B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAFB48 shade: #A9FB46, #DAFB46, #FBEB46, #FBBA46 and #FB8946

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAFB48 shade: #A9FB46, #78FB46, #47FB46, #46FB75 and #46FBA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAFB48 shade matches the following richer shades: #A9FB46

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAFB48 shade: #A9FB46, #A7EB55, #A6DC64, #A4CD73 and #A3BE83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAFB48 shade: #FBEC46, #DAFB46, #A9FB46, #79FB46 and #49FB46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAFB48 shade: #82EA04, #96FA1D, #A9FB46, #BCFC6E and #CEFC96

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAFB48 shade: #AAFB48, #46FBBB and #FB46F2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAFB48 shade: #AAFB48, #46A9FB and #FB46A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAFB48 shade: #AAFB48, #46FBBB, #9746FB and #FB4685

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAFB48 shade: #AAFB48, #46FBF2, #9746FB and #FB464F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 71 / 2

HEX #AAFB48

RGB 170 251 72

HSL 87.15, 0.96%, 0.63%

LAB 90.78, -50.7, 73.47

 

Complementary color

CMYK 54 / 98 / 0 / 28

HEX #5504B7

RGB 85 4 183

HSL 267.15, 0.96%, 0.37%

LAB 27.95, 63.74, -73.43

 

CMYK 30 / 0 / 73 / 2

HEX #AFFB43

RGB 175 251 67

HSL 84.78, 0.96%, 0.62%

LAB 91.01, -49.23, 75.43

 

CMYK 25 / 0 / 66 / 0

HEX #C0FF56

RGB 192 255 86

HSL 82.37, 1%, 0.67%

LAB 93.19, -43.69, 71.28

 

CMYK 18 / 0 / 59 / 0

HEX #D1FF69

RGB 209 255 105

HSL 78.4, 1%, 0.71%

LAB 94.35, -36.04, 65.27

 

CMYK 11 / 0 / 51 / 0

HEX #E2FF7C

RGB 226 255 124

HSL 73.28, 1%, 0.74%

LAB 95.64, -28.04, 58.76

 

CMYK 5 / 0 / 44 / 0

HEX #F3FF8F

RGB 243 255 143

HSL 66.43, 1%, 0.78%

LAB 97.05, -19.8, 51.96

 

CMYK 32 / 0 / 71 / 2

HEX #AAFB48

RGB 170 251 72

HSL 87.15, 0.96%, 0.63%

LAB 90.78, -50.7, 73.47

 

CMYK 34 / 0 / 77 / 9

HEX #99E935

RGB 153 233 53

HSL 86.67, 0.8%, 0.56%

LAB 84.64, -50.21, 73.27

 

CMYK 37 / 0 / 84 / 16

HEX #88D722

RGB 136 215 34

HSL 86.19, 0.73%, 0.49%

LAB 78.43, -49.54, 72.29

 

CMYK 40 / 0 / 92 / 23

HEX #77C50F

RGB 119 197 15

HSL 85.71, 0.86%, 0.42%

LAB 72.15, -48.63, 70.13

 

CMYK 43 / 0 / 100 / 30

HEX #66B300

RGB 102 179 0

HSL 85.81, 1%, 0.35%

LAB 65.8, -47.46, 66.52

 

CMYK 33 / 0 / 72 / 2

HEX #A9FB46

RGB 169 251 70

HSL 87.18, 0.96%, 0.63%

LAB 90.72, -51.16, 74.06

 

CMYK 13 / 0 / 72 / 2

HEX #DAFB46

RGB 218 251 70

HSL 70.94, 0.96%, 0.63%

LAB 93.6, -32.99, 77.85

 

CMYK 0 / 6 / 72 / 2

HEX #FBEB46

RGB 251 235 70

HSL 54.7, 0.96%, 0.63%

LAB 91.85, -12.06, 77.03

 

CMYK 0 / 26 / 72 / 2

HEX #FBBA46

RGB 251 186 70

HSL 38.45, 0.96%, 0.63%

LAB 79.65, 12.89, 65.1

 

CMYK 0 / 45 / 72 / 2

HEX #FB8946

RGB 251 137 70

HSL 22.21, 0.96%, 0.63%

LAB 68.64, 38.37, 53.73

 

CMYK 33 / 0 / 72 / 2

HEX #A9FB46

RGB 169 251 70

HSL 87.18, 0.96%, 0.63%

LAB 90.72, -51.16, 74.06

 

CMYK 52 / 0 / 72 / 2

HEX #78FB46

RGB 120 251 70

HSL 103.43, 0.96%, 0.63%

LAB 88.65, -66.22, 71.32

 

CMYK 72 / 0 / 72 / 2

HEX #47FB46

RGB 71 251 70

HSL 119.67, 0.96%, 0.63%

LAB 87.38, -76.6, 69.61

 

CMYK 72 / 0 / 53 / 2

HEX #46FB75

RGB 70 251 117

HSL 135.58, 0.96%, 0.63%

LAB 87.77, -71.85, 50.93

 

CMYK 72 / 0 / 34 / 2

HEX #46FBA6

RGB 70 251 166

HSL 151.82, 0.96%, 0.63%

LAB 88.47, -63.79, 28.05

 

CMYK 33 / 0 / 72 / 2

HEX #A9FB46

RGB 169 251 70

HSL 87.18, 0.96%, 0.63%

LAB 90.72, -51.16, 74.06

 

CMYK 33 / 0 / 72 / 2

HEX #A9FB46

RGB 169 251 70

HSL 87.18, 0.96%, 0.63%

LAB 90.72, -51.16, 74.06

 

CMYK 29 / 0 / 64 / 8

HEX #A7EB55

RGB 167 235 85

HSL 87.2, 0.79%, 0.63%

LAB 86.15, -44.12, 63.81

 

CMYK 25 / 0 / 55 / 14

HEX #A6DC64

RGB 166 220 100

HSL 87, 0.63%, 0.63%

LAB 81.95, -36.55, 52.64

 

CMYK 20 / 0 / 44 / 20

HEX #A4CD73

RGB 164 205 115

HSL 87.33, 0.47%, 0.63%

LAB 77.75, -28.68, 40.35

 

CMYK 14 / 0 / 31 / 25

HEX #A3BE83

RGB 163 190 131

HSL 87.46, 0.31%, 0.63%

LAB 73.71, -19.58, 26.86

 

CMYK 0 / 6 / 72 / 2

HEX #FBEC46

RGB 251 236 70

HSL 55.03, 0.96%, 0.63%

LAB 92.11, -12.55, 77.27

 

CMYK 13 / 0 / 72 / 2

HEX #DAFB46

RGB 218 251 70

HSL 70.94, 0.96%, 0.63%

LAB 93.6, -32.99, 77.85

 

CMYK 33 / 0 / 72 / 2

HEX #A9FB46

RGB 169 251 70

HSL 87.18, 0.96%, 0.63%

LAB 90.72, -51.16, 74.06

 

CMYK 52 / 0 / 72 / 2

HEX #79FB46

RGB 121 251 70

HSL 103.09, 0.96%, 0.63%

LAB 88.69, -65.95, 71.36

 

CMYK 71 / 0 / 72 / 2

HEX #49FB46

RGB 73 251 70

HSL 119.01, 0.96%, 0.63%

LAB 87.41, -76.28, 69.66

 

CMYK 44 / 0 / 98 / 8

HEX #82EA04

RGB 130 234 4

HSL 87.13, 0.97%, 0.47%

LAB 83.76, -59.56, 80.71

 

CMYK 40 / 0 / 88 / 2

HEX #96FA1D

RGB 150 250 29

HSL 87.15, 0.96%, 0.55%

LAB 89.37, -58.82, 82.8

 

CMYK 33 / 0 / 72 / 2

HEX #A9FB46

RGB 169 251 70

HSL 87.18, 0.96%, 0.63%

LAB 90.72, -51.16, 74.06

 

CMYK 25 / 0 / 56 / 1

HEX #BCFC6E

RGB 188 252 110

HSL 87.04, 0.96%, 0.71%

LAB 92.33, -41.94, 60.51

 

CMYK 18 / 0 / 40 / 1

HEX #CEFC96

RGB 206 252 150

HSL 87.06, 0.94%, 0.79%

LAB 93.86, -31.28, 44.07

 

CMYK 32 / 0 / 71 / 2

HEX #AAFB48

RGB 170 251 72

HSL 87.15, 0.96%, 0.63%

LAB 90.78, -50.7, 73.47

 

CMYK 72 / 0 / 25 / 2

HEX #46FBBB

RGB 70 251 187

HSL 158.78, 0.96%, 0.63%

LAB 88.87, -59.47, 17.89

 

CMYK 0 / 72 / 4 / 2

HEX #FB46F2

RGB 251 70 242

HSL 302.98, 0.96%, 0.63%

LAB 62.76, 84.62, -49.79

 

CMYK 32 / 0 / 71 / 2

HEX #AAFB48

RGB 170 251 72

HSL 87.15, 0.96%, 0.63%

LAB 90.78, -50.7, 73.47

 

CMYK 72 / 33 / 0 / 2

HEX #46A9FB

RGB 70 169 251

HSL 207.18, 0.96%, 0.63%

LAB 67.01, -2.42, -49.02

 

CMYK 0 / 72 / 33 / 2

HEX #FB46A9

RGB 251 70 169

HSL 327.18, 0.96%, 0.63%

LAB 59.67, 75.14, -13.14

 

CMYK 32 / 0 / 71 / 2

HEX #AAFB48

RGB 170 251 72

HSL 87.15, 0.96%, 0.63%

LAB 90.78, -50.7, 73.47

 

CMYK 72 / 0 / 25 / 2

HEX #46FBBB

RGB 70 251 187

HSL 158.78, 0.96%, 0.63%

LAB 88.87, -59.47, 17.89

 

CMYK 40 / 72 / 0 / 2

HEX #9746FB

RGB 151 70 251

HSL 266.85, 0.96%, 0.63%

LAB 49.4, 67.24, -77.01

 

CMYK 0 / 72 / 47 / 2

HEX #FB4685

RGB 251 70 133

HSL 339.12, 0.96%, 0.63%

LAB 58.59, 71.66, 6.32

 

CMYK 32 / 0 / 71 / 2

HEX #AAFB48

RGB 170 251 72

HSL 87.15, 0.96%, 0.63%

LAB 90.78, -50.7, 73.47

 

CMYK 72 / 0 / 4 / 2

HEX #46FBF2

RGB 70 251 242

HSL 177.02, 0.96%, 0.63%

LAB 90.19, -46.03, -8.71

 

CMYK 40 / 72 / 0 / 2

HEX #9746FB

RGB 151 70 251

HSL 266.85, 0.96%, 0.63%

LAB 49.4, 67.24, -77.01

 

CMYK 0 / 72 / 69 / 2

HEX #FB464F

RGB 251 70 79

HSL 357.02, 0.96%, 0.63%

LAB 57.52, 68.1, 36.44

 

Description

Color code: HEX #AAFB48 | qconv.com Color code: HEX #AAFB48 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 251 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 251 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 71 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 71% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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