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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAFA99 it is the complementary color #550566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAFA99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAFA99 shade: #AFFA94, #C0FFA7, #D1FFBA, #E2FFCD and #F3FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAFA99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAFA99 shade: #AAFA99, #99E886, #88D673, #77C460 and #66B24D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAFA99 shade: #A9FA98, #C4FA98, #DEFA98, #F8FA98 and #FAE198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAFA99 shade: #A9FA98, #98FAA1, #98FABC, #98FAD6 and #98FAF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAFA99 shade matches the following richer shades: #A9FA98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAFA99 shade: #A9FA98, #AFF1A1, #B5E8AA, #BAE0B2 and #C0D7BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAFA99 shade: #DEFA98, #C4FA98, #AAFA98, #98FAA0 and #98FABA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAFA99 shade: #68F649, #88F871, #A9FA98, #CAFCC0 and #EBFDE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAFA99 shade: #AAFA99, #98F8FA and #FA98D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAFA99 shade: #AAFA99, #98AAFA and #FA98AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAFA99 shade: #AAFA99, #98F8FA, #E898FA and #FA9A98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAFA99 shade: #AAFA99, #98DBFA, #E898FA and #FAB798

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

Complementary color

CMYK 17 / 95 / 0 / 60

HEX #550566

RGB 85 5 102

HSL 289.48, 0.91%, 0.21%

LAB 20.04, 45.91, -35.89

 

CMYK 30 / 0 / 41 / 2

HEX #AFFA94

RGB 175 250 148

HSL 104.12, 0.91%, 0.78%

LAB 91.52, -41.26, 41.69

 

CMYK 25 / 0 / 35 / 0

HEX #C0FFA7

RGB 192 255 167

HSL 102.95, 1%, 0.83%

LAB 94.11, -35.27, 35.88

 

CMYK 18 / 0 / 27 / 0

HEX #D1FFBA

RGB 209 255 186

HSL 100, 1%, 0.86%

LAB 95.42, -26.77, 28.3

 

CMYK 11 / 0 / 20 / 0

HEX #E2FFCD

RGB 226 255 205

HSL 94.8, 1%, 0.9%

LAB 96.86, -18.06, 20.82

 

CMYK 5 / 0 / 12 / 0

HEX #F3FFE0

RGB 243 255 224

HSL 83.23, 1%, 0.94%

LAB 98.41, -9.23, 13.47

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

CMYK 34 / 0 / 42 / 9

HEX #99E886

RGB 153 232 134

HSL 108.37, 0.68%, 0.72%

LAB 85.1, -42.38, 40.12

 

CMYK 36 / 0 / 46 / 16

HEX #88D673

RGB 136 214 115

HSL 107.27, 0.55%, 0.65%

LAB 78.79, -42.53, 41.31

 

CMYK 39 / 0 / 51 / 23

HEX #77C460

RGB 119 196 96

HSL 106.2, 0.46%, 0.57%

LAB 72.39, -42.63, 42.53

 

CMYK 43 / 0 / 57 / 30

HEX #66B24D

RGB 102 178 77

HSL 105.15, 0.4%, 0.5%

LAB 65.91, -42.64, 43.71

 

CMYK 32 / 0 / 39 / 2

HEX #A9FA98

RGB 169 250 152

HSL 109.59, 0.91%, 0.79%

LAB 91.27, -42.66, 39.35

 

CMYK 22 / 0 / 39 / 2

HEX #C4FA98

RGB 196 250 152

HSL 93.06, 0.91%, 0.79%

LAB 92.74, -33.64, 41.54

 

CMYK 11 / 0 / 39 / 2

HEX #DEFA98

RGB 222 250 152

HSL 77.14, 0.91%, 0.79%

LAB 94.38, -24.31, 43.98

 

CMYK 1 / 0 / 39 / 2

HEX #F8FA98

RGB 248 250 152

HSL 61.22, 0.91%, 0.79%

LAB 96.24, -14.56, 46.73

 

CMYK 0 / 10 / 39 / 2

HEX #FAE198

RGB 250 225 152

HSL 44.69, 0.91%, 0.79%

LAB 90.06, -1.34, 38.84

 

CMYK 32 / 0 / 39 / 2

HEX #A9FA98

RGB 169 250 152

HSL 109.59, 0.91%, 0.79%

LAB 91.27, -42.66, 39.35

 

CMYK 39 / 0 / 36 / 2

HEX #98FAA1

RGB 152 250 161

HSL 125.51, 0.91%, 0.79%

LAB 90.61, -46.5, 33.87

 

CMYK 39 / 0 / 25 / 2

HEX #98FABC

RGB 152 250 188

HSL 142.04, 0.91%, 0.79%

LAB 91.09, -41.89, 20.85

 

CMYK 39 / 0 / 14 / 2

HEX #98FAD6

RGB 152 250 214

HSL 157.96, 0.91%, 0.79%

LAB 91.64, -36.79, 8.24

 

CMYK 39 / 0 / 4 / 2

HEX #98FAF0

RGB 152 250 240

HSL 173.88, 0.91%, 0.79%

LAB 92.28, -31.1, -4.3

 

CMYK 32 / 0 / 39 / 2

HEX #A9FA98

RGB 169 250 152

HSL 109.59, 0.91%, 0.79%

LAB 91.27, -42.66, 39.35

 

CMYK 32 / 0 / 39 / 2

HEX #A9FA98

RGB 169 250 152

HSL 109.59, 0.91%, 0.79%

LAB 91.27, -42.66, 39.35

 

CMYK 27 / 0 / 33 / 5

HEX #AFF1A1

RGB 175 241 161

HSL 109.5, 0.74%, 0.79%

LAB 89.2, -35.38, 32.2

 

CMYK 22 / 0 / 27 / 9

HEX #B5E8AA

RGB 181 232 170

HSL 109.35, 0.57%, 0.79%

LAB 87.21, -27.8, 24.98

 

CMYK 17 / 0 / 21 / 12

HEX #BAE0B2

RGB 186 224 178

HSL 109.57, 0.43%, 0.79%

LAB 85.49, -20.93, 18.5

 

CMYK 11 / 0 / 13 / 16

HEX #C0D7BB

RGB 192 215 187

HSL 109.29, 0.26%, 0.79%

LAB 83.65, -12.85, 11.24

 

CMYK 11 / 0 / 39 / 2

HEX #DEFA98

RGB 222 250 152

HSL 77.14, 0.91%, 0.79%

LAB 94.38, -24.31, 43.98

 

CMYK 22 / 0 / 39 / 2

HEX #C4FA98

RGB 196 250 152

HSL 93.06, 0.91%, 0.79%

LAB 92.74, -33.64, 41.54

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA98

RGB 170 250 152

HSL 108.98, 0.91%, 0.79%

LAB 91.32, -42.34, 39.42

 

CMYK 39 / 0 / 36 / 2

HEX #98FAA0

RGB 152 250 160

HSL 124.9, 0.91%, 0.79%

LAB 90.59, -46.66, 34.34

 

CMYK 39 / 0 / 26 / 2

HEX #98FABA

RGB 152 250 186

HSL 140.82, 0.91%, 0.79%

LAB 91.05, -42.26, 21.82

 

CMYK 58 / 0 / 70 / 4

HEX #68F649

RGB 104 246 73

HSL 109.25, 0.91%, 0.63%

LAB 86.67, -68.26, 68.1

 

CMYK 45 / 0 / 54 / 3

HEX #88F871

RGB 136 248 113

HSL 109.78, 0.91%, 0.71%

LAB 88.71, -56.81, 54.34

 

CMYK 32 / 0 / 39 / 2

HEX #A9FA98

RGB 169 250 152

HSL 109.59, 0.91%, 0.79%

LAB 91.27, -42.66, 39.35

 

CMYK 20 / 0 / 24 / 1

HEX #CAFCC0

RGB 202 252 192

HSL 110, 0.91%, 0.87%

LAB 94.31, -26.77, 23.66

 

CMYK 7 / 0 / 9 / 1

HEX #EBFDE7

RGB 235 253 231

HSL 109.09, 0.85%, 0.95%

LAB 97.5, -9.78, 8.51

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

CMYK 39 / 1 / 0 / 2

HEX #98F8FA

RGB 152 248 250

HSL 181.22, 0.91%, 0.79%

LAB 92, -27.81, -9.9

 

CMYK 0 / 39 / 16 / 2

HEX #FA98D1

RGB 250 152 209

HSL 325.1, 0.91%, 0.79%

LAB 74.43, 44.2, -13.5

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

CMYK 39 / 32 / 0 / 2

HEX #98AAFA

RGB 152 170 250

HSL 228.98, 0.91%, 0.79%

LAB 71.1, 13.07, -41.79

 

CMYK 0 / 39 / 32 / 2

HEX #FA98AA

RGB 250 152 170

HSL 348.98, 0.91%, 0.79%

LAB 73.34, 38.79, 6.4

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

CMYK 39 / 1 / 0 / 2

HEX #98F8FA

RGB 152 248 250

HSL 181.22, 0.91%, 0.79%

LAB 92, -27.81, -9.9

 

CMYK 7 / 39 / 0 / 2

HEX #E898FA

RGB 232 152 250

HSL 288.98, 0.91%, 0.79%

LAB 73.88, 45.67, -36.93

 

CMYK 0 / 38 / 39 / 2

HEX #FA9A98

RGB 250 154 152

HSL 1.22, 0.91%, 0.79%

LAB 73.35, 35.64, 16.35

 

CMYK 32 / 0 / 39 / 2

HEX #AAFA99

RGB 170 250 153

HSL 109.48, 0.91%, 0.79%

LAB 91.33, -42.2, 38.95

 

CMYK 39 / 12 / 0 / 2

HEX #98DBFA

RGB 152 219 250

HSL 198.98, 0.91%, 0.79%

LAB 84.09, -13.42, -21.78

 

CMYK 7 / 39 / 0 / 2

HEX #E898FA

RGB 232 152 250

HSL 288.98, 0.91%, 0.79%

LAB 73.88, 45.67, -36.93

 

CMYK 0 / 27 / 39 / 2

HEX #FAB798

RGB 250 183 152

HSL 18.98, 0.91%, 0.79%

LAB 79.87, 20.44, 25.32

 

Description

Color code: HEX #AAFA99 | qconv.com Color code: HEX #AAFA99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 250 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 250 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 39 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 39% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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