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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAF381 it is the complementary color #550C7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAF381. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAF381 shade: #AFF37C, #C0FF8F, #D1FFA2, #E2FFB5 and #F3FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAF381. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAF381 shade: #AAF381, #99E16E, #88CF5B, #77BD48 and #66AB35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAF381 shade: #AAF381, #C8F381, #E7F381, #F3E081 and #F3C181

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAF381 shade: #AAF381, #8BF381, #81F395, #81F3B4 and #81F3D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAF381 shade matches the following richer shades: #AAF381 and #A6FE75

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAF381 shade: #AAF381, #ADE88C, #B0DD97, #B3D1A2 and #B6C6AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAF381 shade: #E7F381, #C9F381, #AAF381, #8CF381 and #81F394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAF381 shade: #77EC35, #90EF5B, #AAF381, #C3F6A6 and #DCFACC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAF381 shade: #AAF381, #81F3E0 and #F381D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAF381 shade: #AAF381, #81AAF3 and #F381AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAF381 shade: #AAF381, #81F3E0, #C981F3 and #F38194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAF381 shade: #AAF381, #81E4F3, #C981F3 and #F39081

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

Complementary color

CMYK 33 / 90 / 0 / 51

HEX #550C7E

RGB 85 12 126

HSL 278.42, 0.83%, 0.27%

LAB 22.66, 49.2, -47.14

 

CMYK 28 / 0 / 49 / 5

HEX #AFF37C

RGB 175 243 124

HSL 94.29, 0.83%, 0.72%

LAB 89.24, -41.12, 50.34

 

CMYK 25 / 0 / 44 / 0

HEX #C0FF8F

RGB 192 255 143

HSL 93.75, 1%, 0.78%

LAB 93.76, -38.4, 47.15

 

CMYK 18 / 0 / 36 / 0

HEX #D1FFA2

RGB 209 255 162

HSL 89.68, 1%, 0.82%

LAB 95.03, -30.12, 39.75

 

CMYK 11 / 0 / 29 / 0

HEX #E2FFB5

RGB 226 255 181

HSL 83.51, 1%, 0.85%

LAB 96.42, -21.58, 32.35

 

CMYK 5 / 0 / 22 / 0

HEX #F3FFC8

RGB 243 255 200

HSL 73.09, 1%, 0.89%

LAB 97.93, -12.89, 25.02

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 32 / 0 / 51 / 12

HEX #99E16E

RGB 153 225 110

HSL 97.57, 0.66%, 0.66%

LAB 82.78, -42.3, 48.81

 

CMYK 34 / 0 / 56 / 19

HEX #88CF5B

RGB 136 207 91

HSL 96.72, 0.55%, 0.58%

LAB 76.45, -42.31, 49.91

 

CMYK 37 / 0 / 62 / 26

HEX #77BD48

RGB 119 189 72

HSL 95.9, 0.47%, 0.51%

LAB 70.03, -42.21, 50.91

 

CMYK 40 / 0 / 69 / 33

HEX #66AB35

RGB 102 171 53

HSL 95.08, 0.53%, 0.44%

LAB 63.51, -41.98, 51.63

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 18 / 0 / 47 / 5

HEX #C8F381

RGB 200 243 129

HSL 82.63, 0.83%, 0.73%

LAB 90.76, -31.67, 50.19

 

CMYK 5 / 0 / 47 / 5

HEX #E7F381

RGB 231 243 129

HSL 66.32, 0.83%, 0.73%

LAB 92.87, -19.97, 53.24

 

CMYK 0 / 8 / 47 / 5

HEX #F3E081

RGB 243 224 129

HSL 50, 0.83%, 0.73%

LAB 88.9, -5.88, 48.61

 

CMYK 0 / 21 / 47 / 5

HEX #F3C181

RGB 243 193 129

HSL 33.68, 0.83%, 0.73%

LAB 81.17, 10.07, 38.93

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 43 / 0 / 47 / 5

HEX #8BF381

RGB 139 243 129

HSL 114.74, 0.83%, 0.73%

LAB 87.57, -51.99, 45.53

 

CMYK 47 / 0 / 39 / 5

HEX #81F395

RGB 129 243 149

HSL 130.53, 0.83%, 0.73%

LAB 87.45, -51.87, 35.52

 

CMYK 47 / 0 / 26 / 5

HEX #81F3B4

RGB 129 243 180

HSL 146.84, 0.83%, 0.73%

LAB 88, -46.42, 20.52

 

CMYK 47 / 0 / 13 / 5

HEX #81F3D3

RGB 129 243 211

HSL 163.16, 0.83%, 0.73%

LAB 88.67, -39.99, 5.4

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 35 / 0 / 54 / 0

HEX #A6FE75

RGB 166 254 117

HSL 98.54, 0.99%, 0.73%

LAB 91.81, -49.61, 56.52

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 25 / 0 / 40 / 9

HEX #ADE88C

RGB 173 232 140

HSL 98.48, 0.67%, 0.73%

LAB 86.25, -34.91, 38.83

 

CMYK 20 / 0 / 32 / 13

HEX #B0DD97

RGB 176 221 151

HSL 98.57, 0.51%, 0.73%

LAB 83.54, -27.17, 29.73

 

CMYK 14 / 0 / 22 / 18

HEX #B3D1A2

RGB 179 209 162

HSL 98.3, 0.34%, 0.73%

LAB 80.62, -18.55, 20.07

 

CMYK 8 / 0 / 13 / 22

HEX #B6C6AD

RGB 182 198 173

HSL 98.4, 0.18%, 0.73%

LAB 78.08, -10.06, 10.68

 

CMYK 5 / 0 / 47 / 5

HEX #E7F381

RGB 231 243 129

HSL 66.32, 0.83%, 0.73%

LAB 92.87, -19.97, 53.24

 

CMYK 17 / 0 / 47 / 5

HEX #C9F381

RGB 201 243 129

HSL 82.11, 0.83%, 0.73%

LAB 90.83, -31.3, 50.28

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 42 / 0 / 47 / 5

HEX #8CF381

RGB 140 243 129

HSL 114.21, 0.83%, 0.73%

LAB 87.61, -51.7, 45.59

 

CMYK 47 / 0 / 39 / 5

HEX #81F394

RGB 129 243 148

HSL 130, 0.83%, 0.73%

LAB 87.44, -52.02, 36

 

CMYK 50 / 0 / 78 / 7

HEX #77EC35

RGB 119 236 53

HSL 98.36, 0.83%, 0.57%

LAB 84.05, -62.13, 72.19

 

CMYK 40 / 0 / 62 / 6

HEX #90EF5B

RGB 144 239 91

HSL 98.51, 0.82%, 0.65%

LAB 86.21, -53.04, 61.1

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 21 / 0 / 33 / 4

HEX #C3F6A6

RGB 195 246 166

HSL 98.25, 0.82%, 0.81%

LAB 91.8, -30.24, 33.36

 

CMYK 12 / 0 / 18 / 2

HEX #DCFACC

RGB 220 250 204

HSL 99.13, 0.82%, 0.89%

LAB 95.14, -17.83, 18.86

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 47 / 0 / 8 / 5

HEX #81F3E0

RGB 129 243 224

HSL 170, 0.83%, 0.73%

LAB 88.99, -37.02, -0.91

 

CMYK 0 / 47 / 11 / 5

HEX #F381D8

RGB 243 129 216

HSL 314.21, 0.83%, 0.73%

LAB 69.26, 54.64, -25.29

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 47 / 30 / 0 / 5

HEX #81AAF3

RGB 129 170 243

HSL 218.42, 0.83%, 0.73%

LAB 69.39, 5.4, -40.76

 

CMYK 0 / 47 / 30 / 5

HEX #F381AA

RGB 243 129 170

HSL 338.42, 0.83%, 0.73%

LAB 67.77, 48.05, -1.8

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 47 / 0 / 8 / 5

HEX #81F3E0

RGB 129 243 224

HSL 170, 0.83%, 0.73%

LAB 88.99, -37.02, -0.91

 

CMYK 17 / 47 / 0 / 5

HEX #C981F3

RGB 201 129 243

HSL 277.89, 0.83%, 0.73%

LAB 65.43, 47.51, -46.56

 

CMYK 0 / 47 / 39 / 5

HEX #F38194

RGB 243 129 148

HSL 350, 0.83%, 0.73%

LAB 67.2, 45.44, 9.79

 

CMYK 30 / 0 / 47 / 5

HEX #AAF381

RGB 170 243 129

HSL 98.42, 0.83%, 0.73%

LAB 89.03, -42.24, 47.67

 

CMYK 47 / 6 / 0 / 5

HEX #81E4F3

RGB 129 228 243

HSL 187.89, 0.83%, 0.73%

LAB 85.31, -25.22, -16.34

 

CMYK 17 / 47 / 0 / 5

HEX #C981F3

RGB 201 129 243

HSL 277.89, 0.83%, 0.73%

LAB 65.43, 47.51, -46.56

 

CMYK 0 / 41 / 47 / 5

HEX #F39081

RGB 243 144 129

HSL 7.89, 0.83%, 0.73%

LAB 69.89, 35.83, 24.12

 

Description

Color code: HEX #AAF381 | qconv.com Color code: HEX #AAF381 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 243 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 243 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 47 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 47% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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