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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAF8DB it is the complementary color #550724. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAF8DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAF8DB shade: #AFF8D6, #C0FFE9, #D1FFFC, #E2FFFF and #F3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAF8DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAF8DB shade: #AAF8DB, #99E6C8, #88D4B5, #77C2A2 and #66B08F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAF8DB shade: #AAF8DB, #AAF8C6, #AAF8B1, #B8F8AA and #CDF8AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAF8DB shade: #AAF8DB, #AAF8F0, #AAEBF8, #AAD6F8 and #AAC0F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAF8DB shade matches the following richer shades: #AAF8DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAF8DB shade: #AAF8DB, #B1F0D9, #B8E9D7, #C0E1D5 and #C7DAD3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAF8DB shade: #AAF8B0, #AAF8C5, #AAF8DA, #AAF8EF and #AAECF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAF8DB shade: #5DF1BA, #83F5CA, #AAF8DB, #D0FBEB and #F6FEFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAF8DB shade: #AAF8DB, #AAB8F8 and #F8BAAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAF8DB shade: #AAF8DB, #DAAAF8 and #F8DAAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAF8DB shade: #AAF8DB, #AAB8F8, #F8AAC7 and #F8E9AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAF8DB shade: #AAF8DB, #B3AAF8, #F8AAC7 and #EFF8AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

Complementary color

CMYK 0 / 92 / 58 / 67

HEX #550724

RGB 85 7 36

HSL 337.69, 0.85%, 0.18%

LAB 16.56, 35.61, 4.46

 

CMYK 29 / 0 / 14 / 3

HEX #AFF8D6

RGB 175 248 214

HSL 152.05, 0.84%, 0.83%

LAB 92.18, -29.45, 9.16

 

CMYK 25 / 0 / 9 / 0

HEX #C0FFE9

RGB 192 255 233

HSL 159.05, 1%, 0.88%

LAB 95.42, -24.02, 4.13

 

CMYK 18 / 0 / 1 / 0

HEX #D1FFFC

RGB 209 255 252

HSL 176.09, 1%, 0.91%

LAB 96.86, -15.13, -3.43

 

CMYK 11 / 0 / 0 / 0

HEX #E2FFFF

RGB 226 255 255

HSL 180, 1%, 0.94%

LAB 98, -9.32, -3.18

 

CMYK 5 / 0 / 0 / 0

HEX #F3FFFF

RGB 243 255 255

HSL 180, 1%, 0.98%

LAB 99.14, -3.91, -1.37

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 33 / 0 / 13 / 10

HEX #99E6C8

RGB 153 230 200

HSL 156.62, 0.61%, 0.75%

LAB 85.77, -30.11, 7.12

 

CMYK 36 / 0 / 15 / 17

HEX #88D4B5

RGB 136 212 181

HSL 155.53, 0.47%, 0.68%

LAB 79.42, -30.34, 7.94

 

CMYK 39 / 0 / 16 / 24

HEX #77C2A2

RGB 119 194 162

HSL 154.4, 0.38%, 0.61%

LAB 72.97, -30.57, 8.82

 

CMYK 42 / 0 / 19 / 31

HEX #66B08F

RGB 102 176 143

HSL 153.24, 0.32%, 0.55%

LAB 66.41, -30.8, 9.76

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 31 / 0 / 20 / 3

HEX #AAF8C6

RGB 170 248 198

HSL 141.54, 0.85%, 0.82%

LAB 91.58, -33.97, 16.52

 

CMYK 31 / 0 / 29 / 3

HEX #AAF8B1

RGB 170 248 177

HSL 125.38, 0.85%, 0.82%

LAB 91.17, -37.64, 26.7

 

CMYK 26 / 0 / 31 / 3

HEX #B8F8AA

RGB 184 248 170

HSL 109.23, 0.85%, 0.82%

LAB 91.79, -34.28, 31.21

 

CMYK 17 / 0 / 31 / 3

HEX #CDF8AA

RGB 205 248 170

HSL 93.08, 0.85%, 0.82%

LAB 93.02, -27.16, 33.08

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 31 / 0 / 3 / 3

HEX #AAF8F0

RGB 170 248 240

HSL 173.85, 0.85%, 0.82%

LAB 92.56, -25.46, -3.79

 

CMYK 31 / 5 / 0 / 3

HEX #AAEBF8

RGB 170 235 248

HSL 190, 0.85%, 0.82%

LAB 89.27, -17.28, -12.84

 

CMYK 31 / 14 / 0 / 3

HEX #AAD6F8

RGB 170 214 248

HSL 206.15, 0.85%, 0.82%

LAB 83.66, -6.53, -21.28

 

CMYK 31 / 23 / 0 / 3

HEX #AAC0F8

RGB 170 192 248

HSL 223.08, 0.85%, 0.82%

LAB 77.89, 5.22, -30.09

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 26 / 0 / 10 / 6

HEX #B1F0D9

RGB 177 240 217

HSL 158.1, 0.68%, 0.82%

LAB 90.17, -24.44, 4.73

 

CMYK 21 / 0 / 8 / 9

HEX #B8E9D7

RGB 184 233 215

HSL 157.96, 0.53%, 0.82%

LAB 88.63, -19.28, 3.58

 

CMYK 15 / 0 / 5 / 12

HEX #C0E1D5

RGB 192 225 213

HSL 158.18, 0.35%, 0.82%

LAB 86.93, -13.14, 2.23

 

CMYK 9 / 0 / 3 / 15

HEX #C7DAD3

RGB 199 218 211

HSL 157.89, 0.2%, 0.82%

LAB 85.5, -7.66, 1.26

 

CMYK 31 / 0 / 29 / 3

HEX #AAF8B0

RGB 170 248 176

HSL 124.62, 0.85%, 0.82%

LAB 91.15, -37.8, 27.19

 

CMYK 31 / 0 / 21 / 3

HEX #AAF8C5

RGB 170 248 197

HSL 140.77, 0.85%, 0.82%

LAB 91.56, -34.15, 17.01

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DA

RGB 170 248 218

HSL 156.92, 0.85%, 0.82%

LAB 92.02, -30.1, 6.82

 

CMYK 31 / 0 / 4 / 3

HEX #AAF8EF

RGB 170 248 239

HSL 173.08, 0.85%, 0.82%

LAB 92.54, -25.68, -3.31

 

CMYK 31 / 5 / 0 / 3

HEX #AAECF8

RGB 170 236 248

HSL 189.23, 0.85%, 0.82%

LAB 89.54, -17.78, -12.44

 

CMYK 61 / 0 / 23 / 5

HEX #5DF1BA

RGB 93 241 186

HSL 157.7, 0.84%, 0.65%

LAB 86.4, -52.15, 15.01

 

CMYK 47 / 0 / 18 / 4

HEX #83F5CA

RGB 131 245 202

HSL 157.37, 0.85%, 0.74%

LAB 89.11, -42.36, 10.72

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 17 / 0 / 6 / 2

HEX #D0FBEB

RGB 208 251 235

HSL 157.67, 0.84%, 0.9%

LAB 95.33, -16.8, 3.09

 

CMYK 3 / 0 / 1 / 0

HEX #F6FEFB

RGB 246 254 251

HSL 157.5, 0.8%, 0.98%

LAB 99, -3.15, 0.51

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 31 / 26 / 0 / 3

HEX #AAB8F8

RGB 170 184 248

HSL 229.23, 0.85%, 0.82%

LAB 75.83, 9.6, -33.27

 

CMYK 0 / 25 / 31 / 3

HEX #F8BAAA

RGB 248 186 170

HSL 12.31, 0.85%, 0.82%

LAB 80.73, 20.24, 16.84

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 12 / 31 / 0 / 3

HEX #DAAAF8

RGB 218 170 248

HSL 276.92, 0.85%, 0.82%

LAB 76.33, 31.48, -32.16

 

CMYK 0 / 12 / 31 / 3

HEX #F8DAAA

RGB 248 218 170

HSL 36.92, 0.85%, 0.82%

LAB 88.45, 3.55, 27.47

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 31 / 26 / 0 / 3

HEX #AAB8F8

RGB 170 184 248

HSL 229.23, 0.85%, 0.82%

LAB 75.83, 9.6, -33.27

 

CMYK 0 / 31 / 20 / 3

HEX #F8AAC7

RGB 248 170 199

HSL 337.69, 0.85%, 0.82%

LAB 77.77, 32.66, -3.09

 

CMYK 0 / 6 / 31 / 3

HEX #F8E9AA

RGB 248 233 170

HSL 48.46, 0.85%, 0.82%

LAB 92.19, -4.09, 32.51

 

CMYK 31 / 0 / 12 / 3

HEX #AAF8DB

RGB 170 248 219

HSL 157.69, 0.85%, 0.82%

LAB 92.04, -29.9, 6.34

 

CMYK 28 / 31 / 0 / 3

HEX #B3AAF8

RGB 179 170 248

HSL 246.92, 0.85%, 0.82%

LAB 72.96, 19.91, -37.65

 

CMYK 0 / 31 / 20 / 3

HEX #F8AAC7

RGB 248 170 199

HSL 337.69, 0.85%, 0.82%

LAB 77.77, 32.66, -3.09

 

CMYK 4 / 0 / 31 / 3

HEX #EFF8AA

RGB 239 248 170

HSL 66.92, 0.85%, 0.82%

LAB 95.32, -14.91, 36.55

 

Description

Color code: HEX #AAF8DB | qconv.com Color code: HEX #AAF8DB | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 248 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 248 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 12 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 12% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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