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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAEB8C it is the complementary color #551473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAEB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAEB8C shade: #AFEB87, #C0FD9A, #D1FFAD, #E2FFC0 and #F3FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAEB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAEB8C shade: #AAEB8C, #99D979, #88C766, #77B553 and #66A340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAEB8C shade: #ABEB8E, #C4EB8E, #DDEB8E, #EBDF8E and #EBC68E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAEB8C shade: #ABEB8E, #92EB8E, #8EEBA3, #8EEBBC and #8EEBD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAEB8C shade matches the following richer shades: #ABEB8E and #A7F583

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAEB8C shade: #ABEB8E, #AFE099, #B3D5A3, #B7CAAE and #BBC0B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAEB8C shade: #DDEB8E, #C4EB8E, #ABEB8E, #92EB8E and #8EEBA2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAEB8C shade: #77DE48, #91E46B, #ABEB8E, #C5F1B1 and #DFF7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAEB8C shade: #AAEB8C, #8EEBE0 and #EB8ED0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAEB8C shade: #AAEB8C, #8EABEB and #EB8EAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAEB8C shade: #AAEB8C, #8EEBE0, #CD8EEB and #EB8E99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAEB8C shade: #AAEB8C, #8EDAEB, #CD8EEB and #EB9F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 40 / 8

HEX #AAEB8C

RGB 170 235 140

HSL 101.05, 0.7%, 0.74%

LAB 86.93, -37.3, 39.67

 

Complementary color

CMYK 26 / 83 / 0 / 55

HEX #551473

RGB 85 20 115

HSL 281.05, 0.7%, 0.26%

LAB 22.55, 44.34, -40.28

 

CMYK 26 / 0 / 43 / 8

HEX #AFEB87

RGB 175 235 135

HSL 96, 0.71%, 0.73%

LAB 87.13, -36.23, 42.45

 

CMYK 24 / 0 / 39 / 1

HEX #C0FD9A

RGB 192 253 154

HSL 96.97, 0.96%, 0.8%

LAB 93.36, -36.13, 41.32

 

CMYK 18 / 0 / 32 / 0

HEX #D1FFAD

RGB 209 255 173

HSL 93.66, 1%, 0.84%

LAB 95.2, -28.64, 34.53

 

CMYK 11 / 0 / 25 / 0

HEX #E2FFC0

RGB 226 255 192

HSL 87.62, 1%, 0.88%

LAB 96.61, -20.02, 27.07

 

CMYK 5 / 0 / 17 / 0

HEX #F3FFD3

RGB 243 255 211

HSL 76.36, 1%, 0.91%

LAB 98.14, -11.26, 19.73

 

CMYK 28 / 0 / 40 / 8

HEX #AAEB8C

RGB 170 235 140

HSL 101.05, 0.7%, 0.74%

LAB 86.93, -37.3, 39.67

 

CMYK 29 / 0 / 44 / 15

HEX #99D979

RGB 153 217 121

HSL 100, 0.56%, 0.66%

LAB 80.62, -37.43, 40.84

 

CMYK 32 / 0 / 49 / 22

HEX #88C766

RGB 136 199 102

HSL 98.97, 0.46%, 0.59%

LAB 74.22, -37.53, 42.02

 

CMYK 34 / 0 / 54 / 29

HEX #77B553

RGB 119 181 83

HSL 97.96, 0.4%, 0.52%

LAB 67.72, -37.57, 43.19

 

CMYK 37 / 0 / 61 / 36

HEX #66A340

RGB 102 163 64

HSL 96.97, 0.44%, 0.45%

LAB 61.12, -37.52, 44.28

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 17 / 0 / 40 / 8

HEX #C4EB8E

RGB 196 235 142

HSL 85.16, 0.7%, 0.74%

LAB 88.5, -27.9, 41.01

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 0 / 5 / 40 / 8

HEX #EBDF8E

RGB 235 223 142

HSL 52.26, 0.7%, 0.74%

LAB 88.16, -7.24, 41.14

 

CMYK 0 / 16 / 40 / 8

HEX #EBC68E

RGB 235 198 142

HSL 36.13, 0.7%, 0.74%

LAB 81.84, 5.61, 32.94

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 38 / 0 / 40 / 8

HEX #92EB8E

RGB 146 235 142

HSL 117.42, 0.7%, 0.74%

LAB 85.75, -44.74, 36.91

 

CMYK 40 / 0 / 31 / 8

HEX #8EEBA3

RGB 142 235 163

HSL 133.55, 0.7%, 0.74%

LAB 85.91, -42.56, 26.47

 

CMYK 40 / 0 / 20 / 8

HEX #8EEBBC

RGB 142 235 188

HSL 149.68, 0.7%, 0.74%

LAB 86.4, -37.93, 14.22

 

CMYK 40 / 0 / 9 / 8

HEX #8EEBD5

RGB 142 235 213

HSL 165.81, 0.7%, 0.74%

LAB 86.98, -32.67, 1.98

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 32 / 0 / 47 / 4

HEX #A7F583

RGB 167 245 131

HSL 101.05, 0.85%, 0.74%

LAB 89.47, -43.87, 47.22

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 22 / 0 / 32 / 12

HEX #AFE099

RGB 175 224 153

HSL 101.41, 0.53%, 0.74%

LAB 84.34, -28.65, 29.78

 

CMYK 16 / 0 / 23 / 16

HEX #B3D5A3

RGB 179 213 163

HSL 100.8, 0.37%, 0.74%

LAB 81.74, -20.38, 21.08

 

CMYK 9 / 0 / 14 / 21

HEX #B7CAAE

RGB 183 202 174

HSL 100.71, 0.21%, 0.74%

LAB 79.25, -11.59, 11.81

 

CMYK 3 / 0 / 4 / 25

HEX #BBC0B9

RGB 187 192 185

HSL 102.86, 0.05%, 0.74%

LAB 77.14, -3.02, 2.91

 

CMYK 6 / 0 / 40 / 8

HEX #DDEB8E

RGB 221 235 142

HSL 69.03, 0.7%, 0.74%

LAB 90.2, -18.59, 43.53

 

CMYK 17 / 0 / 40 / 8

HEX #C4EB8E

RGB 196 235 142

HSL 85.16, 0.7%, 0.74%

LAB 88.5, -27.9, 41.01

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 38 / 0 / 40 / 8

HEX #92EB8E

RGB 146 235 142

HSL 117.42, 0.7%, 0.74%

LAB 85.75, -44.74, 36.91

 

CMYK 40 / 0 / 31 / 8

HEX #8EEBA2

RGB 142 235 162

HSL 132.9, 0.7%, 0.74%

LAB 85.89, -42.73, 26.96

 

CMYK 46 / 0 / 68 / 13

HEX #77DE48

RGB 119 222 72

HSL 101.2, 0.69%, 0.58%

LAB 79.97, -55.64, 61.67

 

CMYK 36 / 0 / 53 / 11

HEX #91E46B

RGB 145 228 107

HSL 101.16, 0.69%, 0.66%

LAB 83.21, -46.59, 50.64

 

CMYK 27 / 0 / 40 / 8

HEX #ABEB8E

RGB 171 235 142

HSL 101.29, 0.7%, 0.74%

LAB 87.01, -36.69, 38.8

 

CMYK 18 / 0 / 27 / 5

HEX #C5F1B1

RGB 197 241 177

HSL 101.25, 0.7%, 0.82%

LAB 90.76, -25.57, 26.39

 

CMYK 10 / 0 / 14 / 3

HEX #DFF7D4

RGB 223 247 212

HSL 101.14, 0.69%, 0.9%

LAB 94.72, -14.03, 14.2

 

CMYK 28 / 0 / 40 / 8

HEX #AAEB8C

RGB 170 235 140

HSL 101.05, 0.7%, 0.74%

LAB 86.93, -37.3, 39.67

 

CMYK 40 / 0 / 5 / 8

HEX #8EEBE0

RGB 142 235 224

HSL 172.9, 0.7%, 0.74%

LAB 87.27, -30.18, -3.38

 

CMYK 0 / 40 / 11 / 8

HEX #EB8ED0

RGB 235 142 208

HSL 317.42, 0.7%, 0.74%

LAB 70.57, 44.32, -18.96

 

CMYK 28 / 0 / 40 / 8

HEX #AAEB8C

RGB 170 235 140

HSL 101.05, 0.7%, 0.74%

LAB 86.93, -37.3, 39.67

 

CMYK 40 / 27 / 0 / 8

HEX #8EABEB

RGB 142 171 235

HSL 221.29, 0.7%, 0.74%

LAB 70.09, 5.84, -35.25

 

CMYK 0 / 40 / 27 / 8

HEX #EB8EAB

RGB 235 142 171

HSL 341.29, 0.7%, 0.74%

LAB 69.43, 38.81, -0.04

 

CMYK 28 / 0 / 40 / 8

HEX #AAEB8C

RGB 170 235 140

HSL 101.05, 0.7%, 0.74%

LAB 86.93, -37.3, 39.67

 

CMYK 40 / 0 / 5 / 8

HEX #8EEBE0

RGB 142 235 224

HSL 172.9, 0.7%, 0.74%

LAB 87.27, -30.18, -3.38

 

CMYK 13 / 40 / 0 / 8

HEX #CD8EEB

RGB 205 142 235

HSL 280.65, 0.7%, 0.74%

LAB 68.26, 40.03, -37.7

 

CMYK 0 / 40 / 35 / 8

HEX #EB8E99

RGB 235 142 153

HSL 352.9, 0.7%, 0.74%

LAB 68.97, 36.51, 9.37

 

CMYK 28 / 0 / 40 / 8

HEX #AAEB8C

RGB 170 235 140

HSL 101.05, 0.7%, 0.74%

LAB 86.93, -37.3, 39.67

 

CMYK 40 / 7 / 0 / 8

HEX #8EDAEB

RGB 142 218 235

HSL 190.97, 0.7%, 0.74%

LAB 82.86, -19.21, -15.74

 

CMYK 13 / 40 / 0 / 8

HEX #CD8EEB

RGB 205 142 235

HSL 280.65, 0.7%, 0.74%

LAB 68.26, 40.03, -37.7

 

CMYK 0 / 32 / 40 / 8

HEX #EB9F8E

RGB 235 159 142

HSL 10.97, 0.7%, 0.74%

LAB 72.5, 26.26, 20.39

 

Description

Color code: HEX #AAEB8C | qconv.com Color code: HEX #AAEB8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 235 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 235 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 40 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 40% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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