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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE2B5 it is the complementary color #551D4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE2B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE2B5 shade: #AFE2B0, #C0F4C3, #D1FFD6, #E2FFE9 and #F3FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE2B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE2B5 shade: #AAE2B5, #99D0A2, #88BE8F, #77AC7C and #669A69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE2B5 shade: #ABE2B6, #AFE2AB, #BEE2AB, #CDE2AB and #DBE2AB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE2B5 shade: #ABE2B6, #ABE2C5, #ABE2D3, #ABE2E2 and #ABD3E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE2B5 shade matches the following richer shades: #ABE2B6, #A2EBB0, #99F4AB and #90FDA5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE2B5 shade: #ABE2B6, #B4D9BB, #BDD0C1, #C6C7C6 and #CFBECC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE2B5 shade: #BEE2AB, #AFE2AB, #ABE2B5, #ABE2C4 and #ABE2D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE2B5 shade: #6DCD80, #8CD79B, #ABE2B6, #CAECD0 and #E8F7EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE2B5 shade: #AAE2B5, #ABCDE2 and #E2ABB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE2B5 shade: #AAE2B5, #B5ABE2 and #E2B5AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE2B5 shade: #AAE2B5, #ABCDE2, #E2ABD8 and #E2C0AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE2B5 shade: #AAE2B5, #ABBCE2, #E2ABD8 and #E2D0AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 20 / 11

HEX #AAE2B5

RGB 170 226 181

HSL 131.79, 0.49%, 0.78%

LAB 85.14, -26.69, 16.3

 

Complementary color

CMYK 0 / 66 / 13 / 67

HEX #551D4A

RGB 85 29 74

HSL 311.79, 0.49%, 0.22%

LAB 21.22, 32.02, -15.29

 

CMYK 23 / 0 / 22 / 11

HEX #AFE2B0

RGB 175 226 176

HSL 121.18, 0.47%, 0.79%

LAB 85.32, -25.94, 19.21

 

CMYK 21 / 0 / 20 / 4

HEX #C0F4C3

RGB 192 244 195

HSL 123.46, 0.7%, 0.85%

LAB 91.62, -25.76, 18.3

 

CMYK 18 / 0 / 16 / 0

HEX #D1FFD6

RGB 209 255 214

HSL 126.52, 1%, 0.91%

LAB 95.97, -22.25, 14.81

 

CMYK 11 / 0 / 9 / 0

HEX #E2FFE9

RGB 226 255 233

HSL 134.48, 1%, 0.94%

LAB 97.46, -13.39, 7.34

 

CMYK 5 / 0 / 1 / 0

HEX #F3FFFC

RGB 243 255 252

HSL 165, 1%, 0.98%

LAB 99.07, -4.45, 0.06

 

CMYK 25 / 0 / 20 / 11

HEX #AAE2B5

RGB 170 226 181

HSL 131.79, 0.49%, 0.78%

LAB 85.14, -26.69, 16.3

 

CMYK 26 / 0 / 22 / 18

HEX #99D0A2

RGB 153 208 162

HSL 129.82, 0.37%, 0.71%

LAB 78.75, -26.91, 17.22

 

CMYK 28 / 0 / 25 / 25

HEX #88BE8F

RGB 136 190 143

HSL 127.78, 0.29%, 0.64%

LAB 72.26, -27.15, 18.21

 

CMYK 31 / 0 / 28 / 33

HEX #77AC7C

RGB 119 172 124

HSL 125.66, 0.24%, 0.57%

LAB 65.66, -27.4, 19.25

 

CMYK 34 / 0 / 32 / 40

HEX #669A69

RGB 102 154 105

HSL 123.46, 0.2%, 0.5%

LAB 58.93, -27.67, 20.38

 

CMYK 24 / 0 / 19 / 11

HEX #ABE2B6

RGB 171 226 182

HSL 132, 0.49%, 0.78%

LAB 85.21, -26.19, 15.89

 

CMYK 23 / 0 / 24 / 11

HEX #AFE2AB

RGB 175 226 171

HSL 115.64, 0.49%, 0.78%

LAB 85.22, -26.78, 21.68

 

CMYK 16 / 0 / 24 / 11

HEX #BEE2AB

RGB 190 226 171

HSL 99.27, 0.49%, 0.78%

LAB 86.15, -21.66, 23.09

 

CMYK 9 / 0 / 24 / 11

HEX #CDE2AB

RGB 205 226 171

HSL 82.91, 0.49%, 0.78%

LAB 87.15, -16.35, 24.63

 

CMYK 3 / 0 / 24 / 11

HEX #DBE2AB

RGB 219 226 171

HSL 67.64, 0.49%, 0.78%

LAB 88.16, -11.26, 26.17

 

CMYK 24 / 0 / 19 / 11

HEX #ABE2B6

RGB 171 226 182

HSL 132, 0.49%, 0.78%

LAB 85.21, -26.19, 15.89

 

CMYK 24 / 0 / 13 / 11

HEX #ABE2C5

RGB 171 226 197

HSL 148.36, 0.49%, 0.78%

LAB 85.55, -23.4, 8.49

 

CMYK 24 / 0 / 7 / 11

HEX #ABE2D3

RGB 171 226 211

HSL 163.64, 0.49%, 0.78%

LAB 85.88, -20.61, 1.61

 

CMYK 24 / 0 / 0 / 11

HEX #ABE2E2

RGB 171 226 226

HSL 180, 0.49%, 0.78%

LAB 86.28, -17.44, -5.73

 

CMYK 24 / 7 / 0 / 11

HEX #ABD3E2

RGB 171 211 226

HSL 196.36, 0.49%, 0.78%

LAB 82.24, -9.79, -11.72

 

CMYK 24 / 0 / 19 / 11

HEX #ABE2B6

RGB 171 226 182

HSL 132, 0.49%, 0.78%

LAB 85.21, -26.19, 15.89

 

CMYK 31 / 0 / 25 / 8

HEX #A2EBB0

RGB 162 235 176

HSL 131.51, 0.65%, 0.78%

LAB 87.11, -34.34, 21.58

 

CMYK 37 / 0 / 30 / 4

HEX #99F4AB

RGB 153 244 171

HSL 131.87, 0.81%, 0.78%

LAB 89.12, -41.97, 26.83

 

CMYK 43 / 0 / 35 / 1

HEX #90FDA5

RGB 144 253 165

HSL 131.56, 0.96%, 0.78%

LAB 91.19, -49.39, 32.58

 

CMYK 24 / 0 / 19 / 11

HEX #ABE2B6

RGB 171 226 182

HSL 132, 0.49%, 0.78%

LAB 85.21, -26.19, 15.89

 

CMYK 17 / 0 / 14 / 15

HEX #B4D9BB

RGB 180 217 187

HSL 131.35, 0.33%, 0.78%

LAB 83.4, -17.92, 10.77

 

CMYK 9 / 0 / 7 / 18

HEX #BDD0C1

RGB 189 208 193

HSL 132.63, 0.17%, 0.78%

LAB 81.72, -9.22, 5.25

 

CMYK 1 / 0 / 1 / 22

HEX #C6C7C6

RGB 198 199 198

HSL 120, 0.01%, 0.78%

LAB 80.14, -0.52, 0.37

 

CMYK 0 / 8 / 1 / 19

HEX #CFBECC

RGB 207 190 204

HSL 310.59, 0.15%, 0.78%

LAB 78.72, 8.47, -4.86

 

CMYK 16 / 0 / 24 / 11

HEX #BEE2AB

RGB 190 226 171

HSL 99.27, 0.49%, 0.78%

LAB 86.15, -21.66, 23.09

 

CMYK 23 / 0 / 24 / 11

HEX #AFE2AB

RGB 175 226 171

HSL 115.64, 0.49%, 0.78%

LAB 85.22, -26.78, 21.68

 

CMYK 24 / 0 / 20 / 11

HEX #ABE2B5

RGB 171 226 181

HSL 130.91, 0.49%, 0.78%

LAB 85.19, -26.37, 16.38

 

CMYK 24 / 0 / 13 / 11

HEX #ABE2C4

RGB 171 226 196

HSL 147.27, 0.49%, 0.78%

LAB 85.52, -23.6, 8.98

 

CMYK 24 / 0 / 7 / 11

HEX #ABE2D2

RGB 171 226 210

HSL 162.55, 0.49%, 0.78%

LAB 85.86, -20.82, 2.1

 

CMYK 47 / 0 / 38 / 20

HEX #6DCD80

RGB 109 205 128

HSL 131.88, 0.49%, 0.62%

LAB 75.12, -44.81, 29.79

 

CMYK 35 / 0 / 28 / 16

HEX #8CD79B

RGB 140 215 155

HSL 132, 0.48%, 0.7%

LAB 79.92, -35.57, 22.43

 

CMYK 24 / 0 / 19 / 11

HEX #ABE2B6

RGB 171 226 182

HSL 132, 0.49%, 0.78%

LAB 85.21, -26.19, 15.89

 

CMYK 14 / 0 / 12 / 7

HEX #CAECD0

RGB 202 236 208

HSL 130.59, 0.47%, 0.86%

LAB 90.37, -16.31, 9.89

 

CMYK 6 / 0 / 5 / 3

HEX #E8F7EB

RGB 232 247 235

HSL 132, 0.48%, 0.94%

LAB 95.86, -7.08, 4.06

 

CMYK 25 / 0 / 20 / 11

HEX #AAE2B5

RGB 170 226 181

HSL 131.79, 0.49%, 0.78%

LAB 85.14, -26.69, 16.3

 

CMYK 24 / 9 / 0 / 11

HEX #ABCDE2

RGB 171 205 226

HSL 202.91, 0.49%, 0.78%

LAB 80.63, -6.66, -14.12

 

CMYK 0 / 24 / 19 / 11

HEX #E2ABB7

RGB 226 171 183

HSL 346.91, 0.49%, 0.78%

LAB 75.27, 21.91, 1.71

 

CMYK 25 / 0 / 20 / 11

HEX #AAE2B5

RGB 170 226 181

HSL 131.79, 0.49%, 0.78%

LAB 85.14, -26.69, 16.3

 

CMYK 20 / 24 / 0 / 11

HEX #B5ABE2

RGB 181 171 226

HSL 250.91, 0.49%, 0.78%

LAB 72.52, 14.8, -26.36

 

CMYK 0 / 20 / 24 / 11

HEX #E2B5AB

RGB 226 181 171

HSL 10.91, 0.49%, 0.78%

LAB 77.37, 14.78, 11.26

 

CMYK 25 / 0 / 20 / 11

HEX #AAE2B5

RGB 170 226 181

HSL 131.79, 0.49%, 0.78%

LAB 85.14, -26.69, 16.3

 

CMYK 24 / 9 / 0 / 11

HEX #ABCDE2

RGB 171 205 226

HSL 202.91, 0.49%, 0.78%

LAB 80.63, -6.66, -14.12

 

CMYK 0 / 24 / 4 / 11

HEX #E2ABD8

RGB 226 171 216

HSL 310.91, 0.49%, 0.78%

LAB 76.22, 27.36, -14.91

 

CMYK 0 / 15 / 24 / 11

HEX #E2C0AB

RGB 226 192 171

HSL 22.91, 0.49%, 0.78%

LAB 80.07, 8.93, 15.07

 

CMYK 25 / 0 / 20 / 11

HEX #AAE2B5

RGB 170 226 181

HSL 131.79, 0.49%, 0.78%

LAB 85.14, -26.69, 16.3

 

CMYK 24 / 17 / 0 / 11

HEX #ABBCE2

RGB 171 188 226

HSL 221.45, 0.49%, 0.78%

LAB 76.14, 2.41, -20.91

 

CMYK 0 / 24 / 4 / 11

HEX #E2ABD8

RGB 226 171 216

HSL 310.91, 0.49%, 0.78%

LAB 76.22, 27.36, -14.91

 

CMYK 0 / 8 / 24 / 11

HEX #E2D0AB

RGB 226 208 171

HSL 40.36, 0.49%, 0.78%

LAB 84.08, 0.54, 20.66

 

Description

Color code: HEX #AAE2B5 | qconv.com Color code: HEX #AAE2B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 226 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 226 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 20 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 20% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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