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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAE81A it is the complementary color #5517E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAE81A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAE81A shade: #AFE815, #C0FA28, #D1FF3B, #E2FF4E and #F3FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAE81A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAE81A shade: #AAE81A, #99D607, #88C400, #77B200 and #66A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAE81A shade: #AAE81B, #E2E81B, #E8B71B, #E8801B and #E8491B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAE81A shade: #AAE81B, #73E81B, #3CE81B, #1BE832 and #1BE869

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAE81A shade matches the following richer shades: #AAE81B and #B2FC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAE81A shade: #AAE81B, #A2D42F, #9AC044, #92AB58 and #8A976C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAE81A shade: #E8B81B, #E1E81B, #ABE81B, #74E81B and #3DE81B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAE81A shade: #75A10F, #91C713, #AAE81B, #B8EC41 and #C6EF66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAE81A shade: #AAE81A, #1BE882 and #D41BE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAE81A shade: #AAE81A, #1BABE8 and #E81BAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAE81A shade: #AAE81A, #1BE882, #591BE8 and #E81B82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAE81A shade: #AAE81A, #1BE8BF, #591BE8 and #E81B44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 89 / 9

HEX #AAE81A

RGB 170 232 26

HSL 78.06, 0.82%, 0.51%

LAB 85.17, -44.58, 80.23

 

Complementary color

CMYK 63 / 90 / 0 / 10

HEX #5517E5

RGB 85 23 229

HSL 258.06, 0.82%, 0.49%

LAB 34.4, 70.93, -89.54

 

CMYK 25 / 0 / 91 / 9

HEX #AFE815

RGB 175 232 21

HSL 76.21, 0.83%, 0.5%

LAB 85.44, -42.8, 81.31

 

CMYK 23 / 0 / 84 / 2

HEX #C0FA28

RGB 192 250 40

HSL 76.57, 0.95%, 0.57%

LAB 91.56, -43.71, 83.49

 

CMYK 18 / 0 / 77 / 0

HEX #D1FF3B

RGB 209 255 59

HSL 74.08, 1%, 0.62%

LAB 94.05, -38.77, 81.4

 

CMYK 11 / 0 / 69 / 0

HEX #E2FF4E

RGB 226 255 78

HSL 69.83, 1%, 0.65%

LAB 95.26, -31.29, 76.96

 

CMYK 5 / 0 / 62 / 0

HEX #F3FF61

RGB 243 255 97

HSL 64.56, 1%, 0.69%

LAB 96.59, -23.51, 71.63

 

CMYK 27 / 0 / 89 / 9

HEX #AAE81A

RGB 170 232 26

HSL 78.06, 0.82%, 0.51%

LAB 85.17, -44.58, 80.23

 

CMYK 29 / 0 / 97 / 16

HEX #99D607

RGB 153 214 7

HSL 77.68, 0.94%, 0.43%

LAB 78.97, -43.55, 77.17

 

CMYK 31 / 0 / 100 / 23

HEX #88C400

RGB 136 196 0

HSL 78.37, 1%, 0.38%

LAB 72.7, -42.31, 72.61

 

CMYK 33 / 0 / 100 / 30

HEX #77B200

RGB 119 178 0

HSL 79.89, 1%, 0.35%

LAB 66.34, -40.96, 67.31

 

CMYK 36 / 0 / 100 / 37

HEX #66A000

RGB 102 160 0

HSL 81.75, 1%, 0.31%

LAB 59.86, -39.58, 61.92

 

CMYK 27 / 0 / 88 / 9

HEX #AAE81B

RGB 170 232 27

HSL 78.15, 0.82%, 0.51%

LAB 85.17, -44.56, 80.06

 

CMYK 3 / 0 / 88 / 9

HEX #E2E81B

RGB 226 232 27

HSL 61.76, 0.82%, 0.51%

LAB 88.9, -22.26, 84.64

 

CMYK 0 / 21 / 88 / 9

HEX #E8B71B

RGB 232 183 27

HSL 45.66, 0.82%, 0.51%

LAB 76.74, 4.98, 75.29

 

CMYK 0 / 45 / 88 / 9

HEX #E8801B

RGB 232 128 27

HSL 29.56, 0.82%, 0.51%

LAB 63.9, 34.01, 65.32

 

CMYK 0 / 69 / 88 / 9

HEX #E8491B

RGB 232 73 27

HSL 13.46, 0.82%, 0.51%

LAB 54.03, 59.45, 57.8

 

CMYK 27 / 0 / 88 / 9

HEX #AAE81B

RGB 170 232 27

HSL 78.15, 0.82%, 0.51%

LAB 85.17, -44.56, 80.06

 

CMYK 50 / 0 / 88 / 9

HEX #73E81B

RGB 115 232 27

HSL 94.24, 0.82%, 0.51%

LAB 82.61, -62.88, 76.9

 

CMYK 74 / 0 / 88 / 9

HEX #3CE81B

RGB 60 232 27

HSL 110.34, 0.82%, 0.51%

LAB 81.16, -74.9, 75.08

 

CMYK 88 / 0 / 78 / 9

HEX #1BE832

RGB 27 232 50

HSL 126.73, 0.82%, 0.51%

LAB 80.84, -77.41, 69.31

 

CMYK 88 / 0 / 55 / 9

HEX #1BE869

RGB 27 232 105

HSL 142.83, 0.82%, 0.51%

LAB 81.27, -71.96, 48.49

 

CMYK 27 / 0 / 88 / 9

HEX #AAE81B

RGB 170 232 27

HSL 78.15, 0.82%, 0.51%

LAB 85.17, -44.56, 80.06

 

CMYK 29 / 0 / 97 / 1

HEX #B2FC07

RGB 178 252 7

HSL 78.12, 0.98%, 0.51%

LAB 91.28, -50.33, 87.34

 

CMYK 27 / 0 / 88 / 9

HEX #AAE81B

RGB 170 232 27

HSL 78.15, 0.82%, 0.51%

LAB 85.17, -44.56, 80.06

 

CMYK 24 / 0 / 78 / 17

HEX #A2D42F

RGB 162 212 47

HSL 78.18, 0.66%, 0.51%

LAB 79.03, -38.19, 70

 

CMYK 20 / 0 / 65 / 25

HEX #9AC044

RGB 154 192 68

HSL 78.39, 0.5%, 0.51%

LAB 72.88, -30.92, 56.3

 

CMYK 15 / 0 / 49 / 33

HEX #92AB58

RGB 146 171 88

HSL 78.07, 0.33%, 0.51%

LAB 66.48, -22.1, 39.63

 

CMYK 9 / 0 / 28 / 41

HEX #8A976C

RGB 138 151 108

HSL 78.14, 0.17%, 0.51%

LAB 60.44, -12.36, 21.16

 

CMYK 0 / 21 / 88 / 9

HEX #E8B81B

RGB 232 184 27

HSL 45.95, 0.82%, 0.51%

LAB 76.99, 4.46, 75.48

 

CMYK 3 / 0 / 88 / 9

HEX #E1E81B

RGB 225 232 27

HSL 62.05, 0.82%, 0.51%

LAB 88.83, -22.67, 84.55

 

CMYK 26 / 0 / 88 / 9

HEX #ABE81B

RGB 171 232 27

HSL 77.85, 0.82%, 0.51%

LAB 85.23, -44.18, 80.13

 

CMYK 50 / 0 / 88 / 9

HEX #74E81B

RGB 116 232 27

HSL 93.95, 0.82%, 0.51%

LAB 82.65, -62.59, 76.94

 

CMYK 74 / 0 / 88 / 9

HEX #3DE81B

RGB 61 232 27

HSL 110.05, 0.82%, 0.51%

LAB 81.17, -74.75, 75.1

 

CMYK 27 / 0 / 91 / 37

HEX #75A10F

RGB 117 161 15

HSL 78.08, 0.83%, 0.35%

LAB 61.05, -33.89, 61.01

 

CMYK 27 / 0 / 90 / 22

HEX #91C713

RGB 145 199 19

HSL 78, 0.83%, 0.43%

LAB 74.13, -39.89, 71.73

 

CMYK 27 / 0 / 88 / 9

HEX #AAE81B

RGB 170 232 27

HSL 78.15, 0.82%, 0.51%

LAB 85.17, -44.56, 80.06

 

CMYK 22 / 0 / 72 / 7

HEX #B8EC41

RGB 184 236 65

HSL 78.25, 0.82%, 0.59%

LAB 87.27, -39.59, 72.63

 

CMYK 17 / 0 / 57 / 6

HEX #C6EF66

RGB 198 239 102

HSL 77.96, 0.81%, 0.67%

LAB 89.25, -33.13, 60.64

 

CMYK 27 / 0 / 89 / 9

HEX #AAE81A

RGB 170 232 26

HSL 78.06, 0.82%, 0.51%

LAB 85.17, -44.58, 80.23

 

CMYK 88 / 0 / 44 / 9

HEX #1BE882

RGB 27 232 130

HSL 150.15, 0.82%, 0.51%

LAB 81.6, -68.06, 36.9

 

CMYK 9 / 88 / 0 / 9

HEX #D41BE8

RGB 212 27 232

HSL 294.15, 0.82%, 0.51%

LAB 52.52, 85.84, -60.9

 

CMYK 27 / 0 / 89 / 9

HEX #AAE81A

RGB 170 232 26

HSL 78.06, 0.82%, 0.51%

LAB 85.17, -44.58, 80.23

 

CMYK 88 / 26 / 0 / 9

HEX #1BABE8

RGB 27 171 232

HSL 197.85, 0.82%, 0.51%

LAB 65.89, -14.15, -40.45

 

CMYK 0 / 88 / 26 / 9

HEX #E81BAB

RGB 232 27 171

HSL 317.85, 0.82%, 0.51%

LAB 52.82, 81.23, -25.06

 

CMYK 27 / 0 / 89 / 9

HEX #AAE81A

RGB 170 232 26

HSL 78.06, 0.82%, 0.51%

LAB 85.17, -44.58, 80.23

 

CMYK 88 / 0 / 44 / 9

HEX #1BE882

RGB 27 232 130

HSL 150.15, 0.82%, 0.51%

LAB 81.6, -68.06, 36.9

 

CMYK 62 / 88 / 0 / 9

HEX #591BE8

RGB 89 27 232

HSL 258.15, 0.82%, 0.51%

LAB 35.47, 70.91, -89.47

 

CMYK 0 / 88 / 44 / 9

HEX #E81B82

RGB 232 27 130

HSL 329.85, 0.82%, 0.51%

LAB 51.33, 77.17, -2.87

 

CMYK 27 / 0 / 89 / 9

HEX #AAE81A

RGB 170 232 26

HSL 78.06, 0.82%, 0.51%

LAB 85.17, -44.58, 80.23

 

CMYK 88 / 0 / 18 / 9

HEX #1BE8BF

RGB 27 232 191

HSL 168, 0.82%, 0.51%

LAB 82.76, -55.05, 7.07

 

CMYK 62 / 88 / 0 / 9

HEX #591BE8

RGB 89 27 232

HSL 258.15, 0.82%, 0.51%

LAB 35.47, 70.91, -89.47

 

CMYK 0 / 88 / 71 / 9

HEX #E81B44

RGB 232 27 68

HSL 348, 0.82%, 0.51%

LAB 49.93, 73.24, 32.86

 

Description

Color code: HEX #AAE81A | qconv.com Color code: HEX #AAE81A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 232 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 232 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 89 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 89% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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