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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AACF1F it is the complementary color #5530E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AACF1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AACF1F shade: #AFCF1A, #C0E12D, #D1F340, #E2FF53 and #F3FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AACF1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AACF1F shade: #AACF1F, #99BD0C, #88AB00, #779900 and #668700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AACF1F shade: #ABD01F, #D0C51F, #D0961F, #D0661F and #D0361F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AACF1F shade: #ABD01F, #7BD01F, #4BD01F, #1FD022 and #1FD052

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AACF1F shade matches the following richer shades: #ABD01F and #B6E30B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AACF1F shade: #ABD01F, #A0BD32, #94A945, #899659 and #7E826C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AACF1F shade: #D0951F, #D0C41F, #ADD01F, #7DD01F and #4ED01F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AACF1F shade: #708814, #8DAC19, #ABD01F, #BDE137 and #C9E65B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AACF1F shade: #AACF1F, #1FD066 and #AD1FD0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AACF1F shade: #AACF1F, #1FADD0 and #D01FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AACF1F shade: #AACF1F, #1FD066, #421FD0 and #D01F89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AACF1F shade: #AACF1F, #1FD09B, #421FD0 and #D01F54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 85 / 19

HEX #AACF1F

RGB 170 207 31

HSL 72.61, 0.74%, 0.47%

LAB 78.03, -33.34, 73.37

 

Complementary color

CMYK 62 / 79 / 0 / 12

HEX #5530E0

RGB 85 48 224

HSL 252.61, 0.74%, 0.53%

LAB 36.79, 60.94, -82.72

 

CMYK 15 / 0 / 87 / 19

HEX #AFCF1A

RGB 175 207 26

HSL 70.61, 0.78%, 0.46%

LAB 78.35, -31.44, 74.77

 

CMYK 15 / 0 / 80 / 12

HEX #C0E12D

RGB 192 225 45

HSL 71, 0.75%, 0.53%

LAB 84.61, -32.37, 76.3

 

CMYK 14 / 0 / 74 / 5

HEX #D1F340

RGB 209 243 64

HSL 71.4, 0.88%, 0.6%

LAB 90.79, -33.14, 76.88

 

CMYK 11 / 0 / 67 / 0

HEX #E2FF53

RGB 226 255 83

HSL 70.12, 1%, 0.66%

LAB 95.29, -31.02, 75.22

 

CMYK 5 / 0 / 60 / 0

HEX #F3FF66

RGB 243 255 102

HSL 64.71, 1%, 0.7%

LAB 96.63, -23.19, 69.67

 

CMYK 18 / 0 / 85 / 19

HEX #AACF1F

RGB 170 207 31

HSL 72.61, 0.74%, 0.47%

LAB 78.03, -33.34, 73.37

 

CMYK 19 / 0 / 94 / 26

HEX #99BD0C

RGB 153 189 12

HSL 72.2, 0.88%, 0.39%

LAB 71.69, -32.31, 70.95

 

CMYK 20 / 0 / 100 / 33

HEX #88AB00

RGB 136 171 0

HSL 72.28, 1%, 0.34%

LAB 65.25, -31.06, 66.92

 

CMYK 22 / 0 / 100 / 40

HEX #779900

RGB 119 153 0

HSL 73.33, 1%, 0.3%

LAB 58.7, -29.63, 61.47

 

CMYK 24 / 0 / 100 / 47

HEX #668700

RGB 102 135 0

HSL 74.67, 1%, 0.26%

LAB 52.01, -28.19, 55.9

 

CMYK 18 / 0 / 85 / 18

HEX #ABD01F

RGB 171 208 31

HSL 72.54, 0.74%, 0.47%

LAB 78.39, -33.4, 73.7

 

CMYK 0 / 5 / 85 / 18

HEX #D0C51F

RGB 208 197 31

HSL 56.27, 0.74%, 0.47%

LAB 78.13, -12.55, 74.62

 

CMYK 0 / 28 / 85 / 18

HEX #D0961F

RGB 208 150 31

HSL 40.34, 0.74%, 0.47%

LAB 66, 12.19, 64.62

 

CMYK 0 / 51 / 85 / 18

HEX #D0661F

RGB 208 102 31

HSL 24.07, 0.74%, 0.47%

LAB 55.08, 37.82, 55.5

 

CMYK 0 / 74 / 85 / 18

HEX #D0361F

RGB 208 54 31

HSL 7.8, 0.74%, 0.47%

LAB 47.17, 58.75, 48.78

 

CMYK 18 / 0 / 85 / 18

HEX #ABD01F

RGB 171 208 31

HSL 72.54, 0.74%, 0.47%

LAB 78.39, -33.4, 73.7

 

CMYK 41 / 0 / 85 / 18

HEX #7BD01F

RGB 123 208 31

HSL 88.81, 0.74%, 0.47%

LAB 75.71, -51.25, 70.35

 

CMYK 64 / 0 / 85 / 18

HEX #4BD01F

RGB 75 208 31

HSL 105.08, 0.74%, 0.47%

LAB 74, -64.6, 68.19

 

CMYK 85 / 0 / 84 / 18

HEX #1FD022

RGB 31 208 34

HSL 121.02, 0.74%, 0.47%

LAB 73.23, -71.2, 66.52

 

CMYK 85 / 0 / 61 / 18

HEX #1FD052

RGB 31 208 82

HSL 137.29, 0.74%, 0.47%

LAB 73.55, -67.18, 49.83

 

CMYK 18 / 0 / 85 / 18

HEX #ABD01F

RGB 171 208 31

HSL 72.54, 0.74%, 0.47%

LAB 78.39, -33.4, 73.7

 

CMYK 20 / 0 / 95 / 11

HEX #B6E30B

RGB 182 227 11

HSL 72.5, 0.91%, 0.47%

LAB 84.44, -38.03, 81.81

 

CMYK 18 / 0 / 85 / 18

HEX #ABD01F

RGB 171 208 31

HSL 72.54, 0.74%, 0.47%

LAB 78.39, -33.4, 73.7

 

CMYK 15 / 0 / 74 / 26

HEX #A0BD32

RGB 160 189 50

HSL 72.52, 0.58%, 0.47%

LAB 72.29, -28.2, 62.68

 

CMYK 12 / 0 / 59 / 34

HEX #94A945

RGB 148 169 69

HSL 72.6, 0.42%, 0.47%

LAB 65.83, -22.11, 48.05

 

CMYK 9 / 0 / 41 / 41

HEX #899659

RGB 137 150 89

HSL 72.79, 0.26%, 0.47%

LAB 59.76, -14.84, 30.6

 

CMYK 3 / 0 / 17 / 49

HEX #7E826C

RGB 126 130 108

HSL 70.91, 0.09%, 0.47%

LAB 53.47, -5.61, 11.42

 

CMYK 0 / 28 / 85 / 18

HEX #D0951F

RGB 208 149 31

HSL 40, 0.74%, 0.47%

LAB 65.75, 12.73, 64.41

 

CMYK 0 / 6 / 85 / 18

HEX #D0C41F

RGB 208 196 31

HSL 55.93, 0.74%, 0.47%

LAB 77.87, -12.04, 74.4

 

CMYK 17 / 0 / 85 / 18

HEX #ADD01F

RGB 173 208 31

HSL 71.86, 0.74%, 0.47%

LAB 78.52, -32.59, 73.86

 

CMYK 40 / 0 / 85 / 18

HEX #7DD01F

RGB 125 208 31

HSL 88.14, 0.74%, 0.47%

LAB 75.8, -50.58, 70.47

 

CMYK 63 / 0 / 85 / 18

HEX #4ED01F

RGB 78 208 31

HSL 104.07, 0.74%, 0.47%

LAB 74.08, -63.93, 68.29

 

CMYK 18 / 0 / 85 / 47

HEX #708814

RGB 112 136 20

HSL 72.41, 0.74%, 0.31%

LAB 53.06, -23.85, 53.08

 

CMYK 18 / 0 / 85 / 33

HEX #8DAC19

RGB 141 172 25

HSL 72.65, 0.75%, 0.39%

LAB 65.93, -28.95, 63.68

 

CMYK 18 / 0 / 85 / 18

HEX #ABD01F

RGB 171 208 31

HSL 72.54, 0.74%, 0.47%

LAB 78.39, -33.4, 73.7

 

CMYK 16 / 0 / 76 / 12

HEX #BDE137

RGB 189 225 55

HSL 72.71, 0.74%, 0.55%

LAB 84.46, -33.17, 73.25

 

CMYK 13 / 0 / 60 / 10

HEX #C9E65B

RGB 201 230 91

HSL 72.52, 0.74%, 0.63%

LAB 86.88, -28.65, 62.75

 

CMYK 18 / 0 / 85 / 19

HEX #AACF1F

RGB 170 207 31

HSL 72.61, 0.74%, 0.47%

LAB 78.03, -33.34, 73.37

 

CMYK 85 / 0 / 51 / 18

HEX #1FD066

RGB 31 208 102

HSL 144.07, 0.74%, 0.47%

LAB 73.78, -64.42, 40.77

 

CMYK 17 / 85 / 0 / 18

HEX #AD1FD0

RGB 173 31 208

HSL 288.14, 0.74%, 0.47%

LAB 44.83, 74.84, -59.93

 

CMYK 18 / 0 / 85 / 19

HEX #AACF1F

RGB 170 207 31

HSL 72.61, 0.74%, 0.47%

LAB 78.03, -33.34, 73.37

 

CMYK 85 / 17 / 0 / 18

HEX #1FADD0

RGB 31 173 208

HSL 191.86, 0.74%, 0.47%

LAB 65.54, -23.21, -27.78

 

CMYK 0 / 85 / 17 / 18

HEX #D01FAD

RGB 208 31 173

HSL 311.86, 0.74%, 0.47%

LAB 48.77, 75.92, -32.87

 

CMYK 18 / 0 / 85 / 19

HEX #AACF1F

RGB 170 207 31

HSL 72.61, 0.74%, 0.47%

LAB 78.03, -33.34, 73.37

 

CMYK 85 / 0 / 51 / 18

HEX #1FD066

RGB 31 208 102

HSL 144.07, 0.74%, 0.47%

LAB 73.78, -64.42, 40.77

 

CMYK 68 / 85 / 0 / 18

HEX #421FD0

RGB 66 31 208

HSL 251.86, 0.74%, 0.47%

LAB 31.1, 61.82, -82.97

 

CMYK 0 / 85 / 34 / 18

HEX #D01F89

RGB 208 31 137

HSL 324.07, 0.74%, 0.47%

LAB 47.23, 71.69, -13.71

 

CMYK 18 / 0 / 85 / 19

HEX #AACF1F

RGB 170 207 31

HSL 72.61, 0.74%, 0.47%

LAB 78.03, -33.34, 73.37

 

CMYK 85 / 0 / 25 / 18

HEX #1FD09B

RGB 31 208 155

HSL 162.03, 0.74%, 0.47%

LAB 74.68, -54.11, 14.67

 

CMYK 68 / 85 / 0 / 18

HEX #421FD0

RGB 66 31 208

HSL 251.86, 0.74%, 0.47%

LAB 31.1, 61.82, -82.97

 

CMYK 0 / 85 / 60 / 18

HEX #D01F54

RGB 208 31 84

HSL 342.03, 0.74%, 0.47%

LAB 45.68, 67.26, 16.68

 

Description

Color code: HEX #AACF1F | qconv.com Color code: HEX #AACF1F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 207 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 207 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 85 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 85% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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