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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAC31B it is the complementary color #553CE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAC31B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAC31B shade: #AFC316, #C0D529, #D1E73C, #E2F94F and #F3FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAC31B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAC31B shade: #AAC31B, #99B108, #889F00, #778D00 and #667B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAC31B shade: #ACC51A, #C5B01A, #C5821A, #C5541A and #C5261A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAC31B shade: #ACC51A, #7EC51A, #50C51A, #22C51A and #1AC541

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAC31B shade matches the following richer shades: #ACC51A and #B8D708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAC31B shade: #ACC51A, #9FB32D, #92A13F, #858F51 and #797C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAC31B shade: #C5811A, #C5AE1A, #AEC51A, #81C51A and #53C51A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAC31B shade: #6C7C11, #8CA115, #ACC51A, #C6E127 and #CFE64C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAC31B shade: #AAC31B, #1AC553 and #971AC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAC31B shade: #AAC31B, #1AAEC5 and #C51AAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAC31B shade: #AAC31B, #1AC553, #311AC5 and #C51A8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAC31B shade: #AAC31B, #1AC586, #311AC5 and #C51A59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

Complementary color

CMYK 63 / 74 / 0 / 11

HEX #553CE4

RGB 85 60 228

HSL 248.93, 0.76%, 0.56%

LAB 39.18, 56.37, -81.06

 

CMYK 10 / 0 / 89 / 24

HEX #AFC316

RGB 175 195 22

HSL 66.94, 0.8%, 0.43%

LAB 74.95, -25.84, 72.72

 

CMYK 10 / 0 / 81 / 16

HEX #C0D529

RGB 192 213 41

HSL 67.33, 0.68%, 0.5%

LAB 81.27, -26.88, 74.39

 

CMYK 10 / 0 / 74 / 9

HEX #D1E73C

RGB 209 231 60

HSL 67.72, 0.78%, 0.57%

LAB 87.5, -27.74, 75.04

 

CMYK 9 / 0 / 68 / 2

HEX #E2F94F

RGB 226 249 79

HSL 68.12, 0.93%, 0.64%

LAB 93.66, -28.46, 75.02

 

CMYK 5 / 0 / 62 / 0

HEX #F3FF62

RGB 243 255 98

HSL 64.59, 1%, 0.69%

LAB 96.6, -23.45, 71.24

 

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

CMYK 14 / 0 / 95 / 31

HEX #99B108

RGB 153 177 8

HSL 68.52, 0.91%, 0.36%

LAB 68.19, -26.67, 68.69

 

CMYK 14 / 0 / 100 / 38

HEX #889F00

RGB 136 159 0

HSL 68.68, 1%, 0.31%

LAB 61.68, -25.29, 64.24

 

CMYK 16 / 0 / 100 / 45

HEX #778D00

RGB 119 141 0

HSL 69.36, 1%, 0.28%

LAB 55.04, -23.78, 58.71

 

CMYK 17 / 0 / 100 / 52

HEX #667B00

RGB 102 123 0

HSL 70.24, 1%, 0.24%

LAB 48.25, -22.24, 53.05

 

CMYK 13 / 0 / 87 / 23

HEX #ACC51A

RGB 172 197 26

HSL 68.77, 0.77%, 0.44%

LAB 75.31, -27.96, 72.18

 

CMYK 0 / 11 / 87 / 23

HEX #C5B01A

RGB 197 176 26

HSL 52.63, 0.77%, 0.44%

LAB 71.55, -6.67, 69.95

 

CMYK 0 / 34 / 87 / 23

HEX #C5821A

RGB 197 130 26

HSL 36.49, 0.77%, 0.44%

LAB 59.81, 18.14, 60.44

 

CMYK 0 / 57 / 87 / 23

HEX #C5541A

RGB 197 84 26

HSL 20.35, 0.77%, 0.44%

LAB 49.84, 42.36, 52.34

 

CMYK 0 / 81 / 87 / 23

HEX #C5261A

RGB 197 38 26

HSL 4.21, 0.77%, 0.44%

LAB 43.26, 60.19, 46.96

 

CMYK 13 / 0 / 87 / 23

HEX #ACC51A

RGB 172 197 26

HSL 68.77, 0.77%, 0.44%

LAB 75.31, -27.96, 72.18

 

CMYK 36 / 0 / 87 / 23

HEX #7EC51A

RGB 126 197 26

HSL 84.91, 0.77%, 0.44%

LAB 72.52, -45.9, 68.72

 

CMYK 59 / 0 / 87 / 23

HEX #50C51A

RGB 80 197 26

HSL 101.05, 0.77%, 0.44%

LAB 70.67, -59.94, 66.4

 

CMYK 83 / 0 / 87 / 23

HEX #22C51A

RGB 34 197 26

HSL 117.19, 0.77%, 0.44%

LAB 69.72, -68.1, 65.19

 

CMYK 87 / 0 / 67 / 23

HEX #1AC541

RGB 26 197 65

HSL 133.68, 0.77%, 0.44%

LAB 69.85, -66.11, 52.93

 

CMYK 13 / 0 / 87 / 23

HEX #ACC51A

RGB 172 197 26

HSL 68.77, 0.77%, 0.44%

LAB 75.31, -27.96, 72.18

 

CMYK 14 / 0 / 96 / 16

HEX #B8D708

RGB 184 215 8

HSL 68.99, 0.93%, 0.44%

LAB 81.19, -31.79, 79.62

 

CMYK 13 / 0 / 87 / 23

HEX #ACC51A

RGB 172 197 26

HSL 68.77, 0.77%, 0.44%

LAB 75.31, -27.96, 72.18

 

CMYK 11 / 0 / 75 / 30

HEX #9FB32D

RGB 159 179 45

HSL 68.96, 0.6%, 0.44%

LAB 69.33, -24.02, 61.52

 

CMYK 9 / 0 / 61 / 37

HEX #92A13F

RGB 146 161 63

HSL 69.18, 0.44%, 0.44%

LAB 63.31, -19.39, 47.95

 

CMYK 7 / 0 / 43 / 44

HEX #858F51

RGB 133 143 81

HSL 69.68, 0.28%, 0.44%

LAB 57.29, -13.75, 31.7

 

CMYK 2 / 0 / 20 / 51

HEX #797C63

RGB 121 124 99

HSL 67.2, 0.11%, 0.44%

LAB 51.13, -5.75, 13.3

 

CMYK 0 / 35 / 87 / 23

HEX #C5811A

RGB 197 129 26

HSL 36.14, 0.77%, 0.44%

LAB 59.57, 18.69, 60.25

 

CMYK 0 / 12 / 87 / 23

HEX #C5AE1A

RGB 197 174 26

HSL 51.93, 0.77%, 0.44%

LAB 71.02, -5.62, 69.52

 

CMYK 12 / 0 / 87 / 23

HEX #AEC51A

RGB 174 197 26

HSL 68.07, 0.77%, 0.44%

LAB 75.45, -27.13, 72.36

 

CMYK 35 / 0 / 87 / 23

HEX #81C51A

RGB 129 197 26

HSL 83.86, 0.77%, 0.44%

LAB 72.68, -44.83, 68.91

 

CMYK 58 / 0 / 87 / 23

HEX #53C51A

RGB 83 197 26

HSL 100, 0.77%, 0.44%

LAB 70.76, -59.19, 66.52

 

CMYK 13 / 0 / 86 / 51

HEX #6C7C11

RGB 108 124 17

HSL 68.97, 0.76%, 0.28%

LAB 49.06, -19.6, 50.3

 

CMYK 13 / 0 / 87 / 37

HEX #8CA115

RGB 140 161 21

HSL 69, 0.77%, 0.36%

LAB 62.61, -24.14, 61.75

 

CMYK 13 / 0 / 87 / 23

HEX #ACC51A

RGB 172 197 26

HSL 68.77, 0.77%, 0.44%

LAB 75.31, -27.96, 72.18

 

CMYK 12 / 0 / 83 / 12

HEX #C6E127

RGB 198 225 39

HSL 68.71, 0.76%, 0.52%

LAB 85, -30.15, 78.26

 

CMYK 10 / 0 / 67 / 10

HEX #CFE64C

RGB 207 230 76

HSL 68.96, 0.75%, 0.6%

LAB 87.18, -27.26, 69.15

 

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

CMYK 87 / 0 / 58 / 23

HEX #1AC553

RGB 26 197 83

HSL 140, 0.77%, 0.44%

LAB 70.02, -63.99, 45.25

 

CMYK 23 / 87 / 0 / 23

HEX #971AC5

RGB 151 26 197

HSL 283.86, 0.77%, 0.44%

LAB 40.16, 70.44, -61.27

 

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

CMYK 87 / 12 / 0 / 23

HEX #1AAEC5

RGB 26 174 197

HSL 188.07, 0.77%, 0.44%

LAB 65.38, -27.69, -21.95

 

CMYK 0 / 87 / 12 / 23

HEX #C51AAE

RGB 197 26 174

HSL 308.07, 0.77%, 0.44%

LAB 46.53, 74.77, -37.12

 

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

CMYK 87 / 0 / 58 / 23

HEX #1AC553

RGB 26 197 83

HSL 140, 0.77%, 0.44%

LAB 70.02, -63.99, 45.25

 

CMYK 75 / 87 / 0 / 23

HEX #311AC5

RGB 49 26 197

HSL 248.07, 0.77%, 0.44%

LAB 27.91, 59.57, -81.87

 

CMYK 0 / 87 / 29 / 23

HEX #C51A8C

RGB 197 26 140

HSL 320, 0.77%, 0.44%

LAB 44.95, 70.51, -19.2

 

CMYK 13 / 0 / 86 / 24

HEX #AAC31B

RGB 170 195 27

HSL 68.93, 0.76%, 0.44%

LAB 74.61, -27.81, 71.34

 

CMYK 87 / 0 / 32 / 23

HEX #1AC586

RGB 26 197 134

HSL 157.89, 0.77%, 0.44%

LAB 70.78, -55.01, 20.45

 

CMYK 75 / 87 / 0 / 23

HEX #311AC5

RGB 49 26 197

HSL 248.07, 0.77%, 0.44%

LAB 27.91, 59.57, -81.87

 

CMYK 0 / 87 / 55 / 23

HEX #C51A59

RGB 197 26 89

HSL 337.89, 0.77%, 0.44%

LAB 43.26, 65.79, 9.88

 

Description

Color code: HEX #AAC31B | qconv.com Color code: HEX #AAC31B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 195 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 195 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 86 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 86% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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