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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB338 it is the complementary color #554CC7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB338. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB338 shade: #AFB333, #C0C546, #D1D759, #E2E96C and #F3FB7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB338. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB338 shade: #AAB338, #99A125, #888F12, #777D00 and #666B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB338 shade: #A9B238, #B29A38, #B27938, #B25838 and #B23838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB338 shade: #A9B238, #88B238, #67B238, #46B238 and #38B24A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB338 shade matches the following richer shades: #A9B238, #B9C525 and #C9D812

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB338 shade: #A9B238, #999F4B, #888C5E, #787971 and #686684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB338 shade: #B27938, #B29938, #AAB238, #89B238 and #69B238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB338 shade: #6D7324, #8B922E, #A9B238, #BDC64D and #C9D06C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB338 shade: #AAB338, #38B258 and #8938B2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB338 shade: #AAB338, #38AAB2 and #B238AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB338 shade: #AAB338, #38B258, #4038B2 and #B23891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB338 shade: #AAB338, #38B27D, #4038B2 and #B2386D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 69 / 30

HEX #AAB338

RGB 170 179 56

HSL 64.39, 0.52%, 0.46%

LAB 70.23, -18.79, 58.71

 

Complementary color

CMYK 57 / 62 / 0 / 22

HEX #554CC7

RGB 85 76 199

HSL 244.39, 0.52%, 0.54%

LAB 39.95, 38.52, -63.12

 

CMYK 2 / 0 / 72 / 30

HEX #AFB333

RGB 175 179 51

HSL 61.88, 0.56%, 0.45%

LAB 70.59, -16.92, 61.06

 

CMYK 3 / 0 / 64 / 23

HEX #C0C546

RGB 192 197 70

HSL 62.36, 0.52%, 0.52%

LAB 77.03, -17.72, 60.68

 

CMYK 3 / 0 / 59 / 16

HEX #D1D759

RGB 209 215 89

HSL 62.86, 0.61%, 0.6%

LAB 83.38, -18.37, 59.92

 

CMYK 3 / 0 / 54 / 9

HEX #E2E96C

RGB 226 233 108

HSL 63.36, 0.74%, 0.67%

LAB 89.64, -18.91, 58.96

 

CMYK 3 / 0 / 49 / 2

HEX #F3FB7F

RGB 243 251 127

HSL 63.87, 0.94%, 0.74%

LAB 95.82, -19.36, 57.91

 

CMYK 5 / 0 / 69 / 30

HEX #AAB338

RGB 170 179 56

HSL 64.39, 0.52%, 0.46%

LAB 70.23, -18.79, 58.71

 

CMYK 5 / 0 / 77 / 37

HEX #99A125

RGB 153 161 37

HSL 63.87, 0.63%, 0.39%

LAB 63.67, -17.93, 58.71

 

CMYK 5 / 0 / 87 / 44

HEX #888F12

RGB 136 143 18

HSL 63.36, 0.78%, 0.32%

LAB 57, -16.84, 57.63

 

CMYK 5 / 0 / 100 / 51

HEX #777D00

RGB 119 125 0

HSL 62.88, 1%, 0.25%

LAB 50.2, -15.51, 55.11

 

CMYK 5 / 0 / 100 / 58

HEX #666B00

RGB 102 107 0

HSL 62.8, 1%, 0.21%

LAB 43.27, -13.77, 49.34

 

CMYK 5 / 0 / 69 / 30

HEX #A9B238

RGB 169 178 56

HSL 64.43, 0.52%, 0.46%

LAB 69.87, -18.71, 58.32

 

CMYK 0 / 13 / 69 / 30

HEX #B29A38

RGB 178 154 56

HSL 48.2, 0.52%, 0.46%

LAB 64.05, -2.24, 52.64

 

CMYK 0 / 32 / 69 / 30

HEX #B27938

RGB 178 121 56

HSL 31.97, 0.52%, 0.46%

LAB 55.51, 15.98, 43.56

 

CMYK 0 / 51 / 69 / 30

HEX #B25838

RGB 178 88 56

HSL 15.74, 0.52%, 0.46%

LAB 47.92, 34.09, 35.03

 

CMYK 0 / 69 / 69 / 30

HEX #B23838

RGB 178 56 56

HSL 0, 0.52%, 0.46%

LAB 42.12, 49.27, 28.17

 

CMYK 5 / 0 / 69 / 30

HEX #A9B238

RGB 169 178 56

HSL 64.43, 0.52%, 0.46%

LAB 69.87, -18.71, 58.32

 

CMYK 24 / 0 / 69 / 30

HEX #88B238

RGB 136 178 56

HSL 80.66, 0.52%, 0.46%

LAB 67.55, -32.3, 55.21

 

CMYK 42 / 0 / 69 / 30

HEX #67B238

RGB 103 178 56

HSL 96.89, 0.52%, 0.46%

LAB 65.76, -44.35, 52.79

 

CMYK 61 / 0 / 69 / 30

HEX #46B238

RGB 70 178 56

HSL 113.11, 0.52%, 0.46%

LAB 64.51, -53.84, 51.09

 

CMYK 69 / 0 / 58 / 30

HEX #38B24A

RGB 56 178 74

HSL 128.85, 0.52%, 0.46%

LAB 64.3, -54.88, 42.85

 

CMYK 5 / 0 / 69 / 30

HEX #A9B238

RGB 169 178 56

HSL 64.43, 0.52%, 0.46%

LAB 69.87, -18.71, 58.32

 

CMYK 6 / 0 / 81 / 23

HEX #B9C525

RGB 185 197 37

HSL 64.5, 0.68%, 0.46%

LAB 76.3, -22.2, 70.9

 

CMYK 7 / 0 / 92 / 15

HEX #C9D812

RGB 201 216 18

HSL 64.55, 0.85%, 0.46%

LAB 82.69, -25.13, 80.25

 

CMYK 5 / 0 / 69 / 30

HEX #A9B238

RGB 169 178 56

HSL 64.43, 0.52%, 0.46%

LAB 69.87, -18.71, 58.32

 

CMYK 4 / 0 / 53 / 38

HEX #999F4B

RGB 153 159 75

HSL 64.29, 0.36%, 0.46%

LAB 63.41, -14.38, 42.55

 

CMYK 3 / 0 / 33 / 45

HEX #888C5E

RGB 136 140 94

HSL 65.22, 0.2%, 0.46%

LAB 56.88, -9.24, 24.13

 

CMYK 1 / 0 / 7 / 53

HEX #787971

RGB 120 121 113

HSL 67.5, 0.03%, 0.46%

LAB 50.52, -1.94, 4.25

 

CMYK 21 / 23 / 0 / 48

HEX #686684

RGB 104 102 132

HSL 244, 0.13%, 0.46%

LAB 44.39, 7.62, -16.32

 

CMYK 0 / 32 / 69 / 30

HEX #B27938

RGB 178 121 56

HSL 31.97, 0.52%, 0.46%

LAB 55.51, 15.98, 43.56

 

CMYK 0 / 14 / 69 / 30

HEX #B29938

RGB 178 153 56

HSL 47.7, 0.52%, 0.46%

LAB 63.78, -1.7, 52.36

 

CMYK 4 / 0 / 69 / 30

HEX #AAB238

RGB 170 178 56

HSL 63.93, 0.52%, 0.46%

LAB 69.95, -18.28, 58.43

 

CMYK 23 / 0 / 69 / 30

HEX #89B238

RGB 137 178 56

HSL 80.16, 0.52%, 0.46%

LAB 67.61, -31.9, 55.3

 

CMYK 41 / 0 / 69 / 30

HEX #69B238

RGB 105 178 56

HSL 95.9, 0.52%, 0.46%

LAB 65.85, -43.68, 52.92

 

CMYK 5 / 0 / 69 / 55

HEX #6D7324

RGB 109 115 36

HSL 64.56, 0.52%, 0.3%

LAB 46.5, -13.4, 41.18

 

CMYK 5 / 0 / 68 / 43

HEX #8B922E

RGB 139 146 46

HSL 64.2, 0.52%, 0.38%

LAB 58.27, -15.85, 49.8

 

CMYK 5 / 0 / 69 / 30

HEX #A9B238

RGB 169 178 56

HSL 64.43, 0.52%, 0.46%

LAB 69.87, -18.71, 58.32

 

CMYK 5 / 0 / 61 / 22

HEX #BDC64D

RGB 189 198 77

HSL 64.46, 0.51%, 0.54%

LAB 77.13, -19.01, 57.81

 

CMYK 3 / 0 / 48 / 18

HEX #C9D06C

RGB 201 208 108

HSL 64.2, 0.52%, 0.62%

LAB 81.08, -16.57, 48.44

 

CMYK 5 / 0 / 69 / 30

HEX #AAB338

RGB 170 179 56

HSL 64.39, 0.52%, 0.46%

LAB 70.23, -18.79, 58.71

 

CMYK 69 / 0 / 51 / 30

HEX #38B258

RGB 56 178 88

HSL 135.74, 0.52%, 0.46%

LAB 64.47, -52.91, 36.24

 

CMYK 23 / 69 / 0 / 30

HEX #8938B2

RGB 137 56 178

HSL 279.84, 0.52%, 0.46%

LAB 40.18, 54.07, -50.18

 

CMYK 5 / 0 / 69 / 30

HEX #AAB338

RGB 170 179 56

HSL 64.39, 0.52%, 0.46%

LAB 70.23, -18.79, 58.71

 

CMYK 69 / 4 / 0 / 30

HEX #38AAB2

RGB 56 170 178

HSL 183.93, 0.52%, 0.46%

LAB 64, -28.63, -13.41

 

CMYK 0 / 69 / 4 / 30

HEX #B238AA

RGB 178 56 170

HSL 303.93, 0.52%, 0.46%

LAB 45.9, 61.99, -35.96

 

CMYK 5 / 0 / 69 / 30

HEX #AAB338

RGB 170 179 56

HSL 64.39, 0.52%, 0.46%

LAB 70.23, -18.79, 58.71

 

CMYK 69 / 0 / 51 / 30

HEX #38B258

RGB 56 178 88

HSL 135.74, 0.52%, 0.46%

LAB 64.47, -52.91, 36.24

 

CMYK 64 / 69 / 0 / 30

HEX #4038B2

RGB 64 56 178

HSL 243.93, 0.52%, 0.46%

LAB 32.11, 40.4, -63.66

 

CMYK 0 / 69 / 19 / 30

HEX #B23891

RGB 178 56 145

HSL 316.23, 0.52%, 0.46%

LAB 44.71, 58.17, -22.87

 

CMYK 5 / 0 / 69 / 30

HEX #AAB338

RGB 170 179 56

HSL 64.39, 0.52%, 0.46%

LAB 70.23, -18.79, 58.71

 

CMYK 69 / 0 / 30 / 30

HEX #38B27D

RGB 56 178 125

HSL 153.93, 0.52%, 0.46%

LAB 65.09, -46.05, 17.55

 

CMYK 64 / 69 / 0 / 30

HEX #4038B2

RGB 64 56 178

HSL 243.93, 0.52%, 0.46%

LAB 32.11, 40.4, -63.66

 

CMYK 0 / 69 / 39 / 30

HEX #B2386D

RGB 178 56 109

HSL 333.93, 0.52%, 0.46%

LAB 43.36, 53.62, -2.91

 

Description

Color code: HEX #AAB338 | qconv.com Color code: HEX #AAB338 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 179 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 179 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 69 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 69% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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