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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAB313 it is the complementary color #554CEC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAB313. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAB313 shade: #AFB30E, #C0C521, #D1D734, #E2E947 and #F3FB5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAB313. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAB313 shade: #AAB313, #99A100, #888F00, #777D00 and #666B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAB313 shade: #AAB412, #B49112, #B46612, #B43A12 and #B41212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAB313 shade: #AAB412, #7FB412, #54B412, #28B412 and #12B428

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAB313 shade matches the following richer shades: #AAB412 and #B9C402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAB313 shade: #AAB412, #9CA322, #8E9333, #808343 and #717353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAB313 shade: #B46612, #B49112, #ABB412, #80B412 and #56B412

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAB313 shade: #64690B, #878E0E, #AAB412, #CED916 and #DEE930

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAB313 shade: #AAB313, #12B43B and #7B12B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAB313 shade: #AAB313, #12ABB4 and #B412AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAB313 shade: #AAB313, #12B43B, #1A12B4 and #B4128B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAB313 shade: #AAB313, #12B46B, #1A12B4 and #B4125B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 89 / 30

HEX #AAB313

RGB 170 179 19

HSL 63.38, 0.81%, 0.39%

LAB 70.06, -20.18, 69.15

 

Complementary color

CMYK 64 / 68 / 0 / 7

HEX #554CEC

RGB 85 76 236

HSL 243.38, 0.81%, 0.61%

LAB 43, 50.21, -79.32

 

CMYK 2 / 0 / 92 / 30

HEX #AFB30E

RGB 175 179 14

HSL 61.45, 0.85%, 0.38%

LAB 70.45, -18.1, 70.41

 

CMYK 3 / 0 / 83 / 23

HEX #C0C521

RGB 192 197 33

HSL 61.83, 0.71%, 0.45%

LAB 76.83, -19.35, 72.55

 

CMYK 3 / 0 / 76 / 16

HEX #D1D734

RGB 209 215 52

HSL 62.21, 0.67%, 0.52%

LAB 83.13, -20.41, 73.46

 

CMYK 3 / 0 / 70 / 9

HEX #E2E947

RGB 226 233 71

HSL 62.59, 0.79%, 0.6%

LAB 89.35, -21.29, 73.58

 

CMYK 3 / 0 / 64 / 2

HEX #F3FB5A

RGB 243 251 90

HSL 62.98, 0.95%, 0.67%

LAB 95.49, -22.04, 73.21

 

CMYK 5 / 0 / 89 / 30

HEX #AAB313

RGB 170 179 19

HSL 63.38, 0.81%, 0.39%

LAB 70.06, -20.18, 69.15

 

CMYK 5 / 0 / 100 / 37

HEX #99A100

RGB 153 161 0

HSL 62.98, 1%, 0.32%

LAB 63.56, -18.84, 66.21

 

CMYK 5 / 0 / 100 / 44

HEX #888F00

RGB 136 143 0

HSL 62.94, 1%, 0.28%

LAB 56.96, -17.2, 60.72

 

CMYK 5 / 0 / 100 / 51

HEX #777D00

RGB 119 125 0

HSL 62.88, 1%, 0.25%

LAB 50.2, -15.51, 55.11

 

CMYK 5 / 0 / 100 / 58

HEX #666B00

RGB 102 107 0

HSL 62.8, 1%, 0.21%

LAB 43.27, -13.77, 49.34

 

CMYK 6 / 0 / 90 / 29

HEX #AAB412

RGB 170 180 18

HSL 63.7, 0.82%, 0.39%

LAB 70.34, -20.7, 69.54

 

CMYK 0 / 19 / 90 / 29

HEX #B49112

RGB 180 145 18

HSL 47.04, 0.82%, 0.39%

LAB 61.65, 2.12, 63.08

 

CMYK 0 / 43 / 90 / 29

HEX #B46612

RGB 180 102 18

HSL 31.11, 0.82%, 0.39%

LAB 50.98, 25.93, 54.81

 

CMYK 0 / 68 / 90 / 29

HEX #B43A12

RGB 180 58 18

HSL 14.81, 0.82%, 0.39%

LAB 42.42, 47.78, 48.31

 

CMYK 0 / 90 / 90 / 29

HEX #B41212

RGB 180 18 18

HSL 0, 0.82%, 0.39%

LAB 38.16, 59.65, 45.14

 

CMYK 6 / 0 / 90 / 29

HEX #AAB412

RGB 170 180 18

HSL 63.7, 0.82%, 0.39%

LAB 70.34, -20.7, 69.54

 

CMYK 29 / 0 / 90 / 29

HEX #7FB412

RGB 127 180 18

HSL 79.63, 0.82%, 0.39%

LAB 67.43, -38.45, 65.97

 

CMYK 53 / 0 / 90 / 29

HEX #54B412

RGB 84 180 18

HSL 95.56, 0.82%, 0.39%

LAB 65.41, -53.1, 63.48

 

CMYK 78 / 0 / 90 / 29

HEX #28B412

RGB 40 180 18

HSL 111.85, 0.82%, 0.39%

LAB 64.27, -62.61, 62.06

 

CMYK 90 / 0 / 78 / 29

HEX #12B428

RGB 18 180 40

HSL 128.15, 0.82%, 0.39%

LAB 64.1, -63.8, 56.23

 

CMYK 6 / 0 / 90 / 29

HEX #AAB412

RGB 170 180 18

HSL 63.7, 0.82%, 0.39%

LAB 70.34, -20.7, 69.54

 

CMYK 6 / 0 / 99 / 23

HEX #B9C402

RGB 185 196 2

HSL 63.4, 0.98%, 0.39%

LAB 75.95, -22.38, 76.27

 

CMYK 6 / 0 / 90 / 29

HEX #AAB412

RGB 170 180 18

HSL 63.7, 0.82%, 0.39%

LAB 70.34, -20.7, 69.54

 

CMYK 4 / 0 / 79 / 36

HEX #9CA322

RGB 156 163 34

HSL 63.26, 0.65%, 0.39%

LAB 64.47, -17.76, 60.46

 

CMYK 3 / 0 / 65 / 42

HEX #8E9333

RGB 142 147 51

HSL 63.13, 0.48%, 0.39%

LAB 58.84, -14.73, 48.36

 

CMYK 2 / 0 / 49 / 49

HEX #808343

RGB 128 131 67

HSL 62.81, 0.32%, 0.39%

LAB 53.2, -10.96, 33.97

 

CMYK 2 / 0 / 28 / 55

HEX #717353

RGB 113 115 83

HSL 63.75, 0.16%, 0.39%

LAB 47.49, -6.49, 17.51

 

CMYK 0 / 43 / 90 / 29

HEX #B46612

RGB 180 102 18

HSL 31.11, 0.82%, 0.39%

LAB 50.98, 25.93, 54.81

 

CMYK 0 / 19 / 90 / 29

HEX #B49112

RGB 180 145 18

HSL 47.04, 0.82%, 0.39%

LAB 61.65, 2.12, 63.08

 

CMYK 5 / 0 / 90 / 29

HEX #ABB412

RGB 171 180 18

HSL 63.33, 0.82%, 0.39%

LAB 70.42, -20.27, 69.64

 

CMYK 29 / 0 / 90 / 29

HEX #80B412

RGB 128 180 18

HSL 79.26, 0.82%, 0.39%

LAB 67.48, -38.07, 66.04

 

CMYK 52 / 0 / 90 / 29

HEX #56B412

RGB 86 180 18

HSL 94.81, 0.82%, 0.39%

LAB 65.49, -52.52, 63.57

 

CMYK 5 / 0 / 90 / 59

HEX #64690B

RGB 100 105 11

HSL 63.19, 0.81%, 0.23%

LAB 42.52, -13.32, 46.02

 

CMYK 5 / 0 / 90 / 44

HEX #878E0E

RGB 135 142 14

HSL 63.28, 0.82%, 0.31%

LAB 56.61, -16.87, 58.11

 

CMYK 6 / 0 / 90 / 29

HEX #AAB412

RGB 170 180 18

HSL 63.7, 0.82%, 0.39%

LAB 70.34, -20.7, 69.54

 

CMYK 5 / 0 / 90 / 15

HEX #CED916

RGB 206 217 22

HSL 63.38, 0.82%, 0.47%

LAB 83.34, -23.46, 80.37

 

CMYK 5 / 0 / 79 / 9

HEX #DEE930

RGB 222 233 48

HSL 63.57, 0.81%, 0.55%

LAB 88.93, -23.86, 80.14

 

CMYK 5 / 0 / 89 / 30

HEX #AAB313

RGB 170 179 19

HSL 63.38, 0.81%, 0.39%

LAB 70.06, -20.18, 69.15

 

CMYK 90 / 0 / 67 / 29

HEX #12B43B

RGB 18 180 59

HSL 135.19, 0.82%, 0.39%

LAB 64.23, -62.14, 49.29

 

CMYK 32 / 90 / 0 / 29

HEX #7B12B4

RGB 123 18 180

HSL 278.89, 0.82%, 0.39%

LAB 33.86, 64.72, -61.72

 

CMYK 5 / 0 / 89 / 30

HEX #AAB313

RGB 170 179 19

HSL 63.38, 0.81%, 0.39%

LAB 70.06, -20.18, 69.15

 

CMYK 90 / 5 / 0 / 29

HEX #12ABB4

RGB 18 171 180

HSL 183.33, 0.82%, 0.39%

LAB 63.79, -32.14, -14.9

 

CMYK 0 / 90 / 5 / 29

HEX #B412AB

RGB 180 18 171

HSL 303.33, 0.82%, 0.39%

LAB 42.88, 72.4, -41.32

 

CMYK 5 / 0 / 89 / 30

HEX #AAB313

RGB 170 179 19

HSL 63.38, 0.81%, 0.39%

LAB 70.06, -20.18, 69.15

 

CMYK 90 / 0 / 67 / 29

HEX #12B43B

RGB 18 180 59

HSL 135.19, 0.82%, 0.39%

LAB 64.23, -62.14, 49.29

 

CMYK 86 / 90 / 0 / 29

HEX #1A12B4

RGB 26 18 180

HSL 242.96, 0.82%, 0.39%

LAB 23.5, 56.64, -79.17

 

CMYK 0 / 90 / 23 / 29

HEX #B4128B

RGB 180 18 139

HSL 315.19, 0.82%, 0.39%

LAB 41.22, 68.08, -24.62

 

CMYK 5 / 0 / 89 / 30

HEX #AAB313

RGB 170 179 19

HSL 63.38, 0.81%, 0.39%

LAB 70.06, -20.18, 69.15

 

CMYK 90 / 0 / 41 / 29

HEX #12B46B

RGB 18 180 107

HSL 152.96, 0.82%, 0.39%

LAB 64.83, -54.9, 26.77

 

CMYK 86 / 90 / 0 / 29

HEX #1A12B4

RGB 26 18 180

HSL 242.96, 0.82%, 0.39%

LAB 23.5, 56.64, -79.17

 

CMYK 0 / 90 / 49 / 29

HEX #B4125B

RGB 180 18 91

HSL 332.96, 0.82%, 0.39%

LAB 39.4, 63.14, 2.66

 

Description

Color code: HEX #AAB313 | qconv.com Color code: HEX #AAB313 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 179 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 179 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 89 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 89% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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