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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AAA00D it is the complementary color #555FF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AAA00D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AAA00D shade: #AFA008, #C0B21B, #D1C42E, #E2D641 and #F3E854

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AAA00D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AAA00D shade: #AAA00D, #998E00, #887C00, #776A00 and #665800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AAA00D shade: #AAA00C, #AA760C, #AA4B0C, #AA200C and #AA0C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AAA00D shade: #AAA00C, #8AAA0C, #5FAA0C, #35AA0C and #0CAA0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AAA00D shade matches the following richer shades: #AAA00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AAA00D shade: #AAA00C, #9B931B, #8D862A, #7E7939 and #6F6C48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AAA00D shade: #AA4C0C, #AA760C, #AAA00C, #8BAA0C and #61AA0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AAA00D shade: #5E5807, #847C09, #AAA00C, #D1C40F and #EDE01C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AAA00D shade: #AAA00D, #0CAA21 and #610CAA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AAA00D shade: #AAA00D, #0CAAA0 and #A00CAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AAA00D shade: #AAA00D, #0CAA21, #0C17AA and #AA0C95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AAA00D shade: #AAA00D, #0CAA51, #0C17AA and #AA0C66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 92 / 33

HEX #AAA00D

RGB 170 160 13

HSL 56.18, 0.86%, 0.36%

LAB 64.74, -10.54, 65.95

 

Complementary color

CMYK 65 / 61 / 0 / 5

HEX #555FF2

RGB 85 95 242

HSL 236.18, 0.86%, 0.64%

LAB 47.66, 41.05, -75.07

 

CMYK 0 / 9 / 95 / 31

HEX #AFA008

RGB 175 160 8

HSL 54.61, 0.91%, 0.36%

LAB 65.18, -8.37, 67.18

 

CMYK 0 / 7 / 86 / 25

HEX #C0B21B

RGB 192 178 27

HSL 54.91, 0.75%, 0.43%

LAB 71.64, -9.88, 69.61

 

CMYK 0 / 6 / 78 / 18

HEX #D1C42E

RGB 209 196 46

HSL 55.21, 0.64%, 0.5%

LAB 78.01, -11.17, 70.65

 

CMYK 0 / 5 / 71 / 11

HEX #E2D641

RGB 226 214 65

HSL 55.53, 0.74%, 0.57%

LAB 84.3, -12.25, 70.78

 

CMYK 0 / 5 / 65 / 5

HEX #F3E854

RGB 243 232 84

HSL 55.85, 0.87%, 0.64%

LAB 90.51, -13.18, 70.37

 

CMYK 0 / 6 / 92 / 33

HEX #AAA00D

RGB 170 160 13

HSL 56.18, 0.86%, 0.36%

LAB 64.74, -10.54, 65.95

 

CMYK 0 / 7 / 100 / 40

HEX #998E00

RGB 153 142 0

HSL 55.69, 1%, 0.3%

LAB 58.15, -8.89, 62.26

 

CMYK 0 / 9 / 100 / 47

HEX #887C00

RGB 136 124 0

HSL 54.71, 1%, 0.27%

LAB 51.44, -6.99, 56.7

 

CMYK 0 / 11 / 100 / 53

HEX #776A00

RGB 119 106 0

HSL 53.45, 1%, 0.23%

LAB 44.56, -5.01, 51

 

CMYK 0 / 14 / 100 / 60

HEX #665800

RGB 102 88 0

HSL 51.76, 1%, 0.2%

LAB 37.49, -2.92, 45.15

 

CMYK 0 / 6 / 93 / 33

HEX #AAA00C

RGB 170 160 12

HSL 56.2, 0.87%, 0.36%

LAB 64.74, -10.56, 66.1

 

CMYK 0 / 31 / 93 / 33

HEX #AA760C

RGB 170 118 12

HSL 40.25, 0.87%, 0.36%

LAB 53.52, 12.46, 57.61

 

CMYK 0 / 56 / 93 / 33

HEX #AA4B0C

RGB 170 75 12

HSL 23.92, 0.87%, 0.36%

LAB 43.66, 36.01, 50.41

 

CMYK 0 / 81 / 93 / 33

HEX #AA200C

RGB 170 32 12

HSL 7.59, 0.87%, 0.36%

LAB 37.13, 53.61, 45.91

 

CMYK 0 / 93 / 93 / 33

HEX #AA0C0C

RGB 170 12 12

HSL 0, 0.87%, 0.36%

LAB 35.67, 57.77, 44.96

 

CMYK 0 / 6 / 93 / 33

HEX #AAA00C

RGB 170 160 12

HSL 56.2, 0.87%, 0.36%

LAB 64.74, -10.56, 66.1

 

CMYK 19 / 0 / 93 / 33

HEX #8AAA0C

RGB 138 170 12

HSL 72.15, 0.87%, 0.36%

LAB 65.1, -29.56, 65.32

 

CMYK 44 / 0 / 93 / 33

HEX #5FAA0C

RGB 95 170 12

HSL 88.48, 0.87%, 0.36%

LAB 62.68, -45.98, 62.35

 

CMYK 69 / 0 / 93 / 33

HEX #35AA0C

RGB 53 170 12

HSL 104.43, 0.87%, 0.36%

LAB 61.25, -57.42, 60.58

 

CMYK 93 / 0 / 91 / 33

HEX #0CAA0F

RGB 12 170 15

HSL 121.14, 0.87%, 0.36%

LAB 60.66, -62.58, 59.37

 

CMYK 0 / 6 / 93 / 33

HEX #AAA00C

RGB 170 160 12

HSL 56.2, 0.87%, 0.36%

LAB 64.74, -10.56, 66.1

 

CMYK 0 / 6 / 93 / 33

HEX #AAA00C

RGB 170 160 12

HSL 56.2, 0.87%, 0.36%

LAB 64.74, -10.56, 66.1

 

CMYK 0 / 5 / 83 / 39

HEX #9B931B

RGB 155 147 27

HSL 56.25, 0.7%, 0.36%

LAB 59.81, -10.09, 58.37

 

CMYK 0 / 5 / 70 / 45

HEX #8D862A

RGB 141 134 42

HSL 55.76, 0.54%, 0.36%

LAB 54.95, -8.78, 48.14

 

CMYK 0 / 4 / 55 / 51

HEX #7E7939

RGB 126 121 57

HSL 55.65, 0.38%, 0.36%

LAB 49.98, -7.31, 35.32

 

CMYK 0 / 3 / 35 / 56

HEX #6F6C48

RGB 111 108 72

HSL 55.38, 0.21%, 0.36%

LAB 45.04, -4.92, 20.6

 

CMYK 0 / 55 / 93 / 33

HEX #AA4C0C

RGB 170 76 12

HSL 24.3, 0.87%, 0.36%

LAB 43.86, 35.5, 50.55

 

CMYK 0 / 31 / 93 / 33

HEX #AA760C

RGB 170 118 12

HSL 40.25, 0.87%, 0.36%

LAB 53.52, 12.46, 57.61

 

CMYK 0 / 6 / 93 / 33

HEX #AAA00C

RGB 170 160 12

HSL 56.2, 0.87%, 0.36%

LAB 64.74, -10.56, 66.1

 

CMYK 18 / 0 / 93 / 33

HEX #8BAA0C

RGB 139 170 12

HSL 71.77, 0.87%, 0.36%

LAB 65.17, -29.14, 65.4

 

CMYK 43 / 0 / 93 / 33

HEX #61AA0C

RGB 97 170 12

HSL 87.72, 0.87%, 0.36%

LAB 62.77, -45.3, 62.47

 

CMYK 0 / 6 / 93 / 63

HEX #5E5807

RGB 94 88 7

HSL 55.86, 0.86%, 0.2%

LAB 36.7, -6.7, 42.06

 

CMYK 0 / 6 / 93 / 48

HEX #847C09

RGB 132 124 9

HSL 56.1, 0.87%, 0.28%

LAB 51.08, -8.7, 54.54

 

CMYK 0 / 6 / 93 / 33

HEX #AAA00C

RGB 170 160 12

HSL 56.2, 0.87%, 0.36%

LAB 64.74, -10.56, 66.1

 

CMYK 0 / 6 / 93 / 18

HEX #D1C40F

RGB 209 196 15

HSL 55.98, 0.87%, 0.44%

LAB 77.92, -11.9, 77.24

 

CMYK 0 / 5 / 88 / 7

HEX #EDE01C

RGB 237 224 28

HSL 56.27, 0.85%, 0.52%

LAB 87.68, -13.75, 83.88

 

CMYK 0 / 6 / 92 / 33

HEX #AAA00D

RGB 170 160 13

HSL 56.18, 0.86%, 0.36%

LAB 64.74, -10.54, 65.95

 

CMYK 93 / 0 / 81 / 33

HEX #0CAA21

RGB 12 170 33

HSL 127.97, 0.87%, 0.36%

LAB 60.73, -61.72, 55.16

 

CMYK 43 / 93 / 0 / 33

HEX #610CAA

RGB 97 12 170

HSL 272.28, 0.87%, 0.36%

LAB 28.66, 60.52, -64.41

 

CMYK 0 / 6 / 92 / 33

HEX #AAA00D

RGB 170 160 13

HSL 56.18, 0.86%, 0.36%

LAB 64.74, -10.54, 65.95

 

CMYK 93 / 0 / 6 / 33

HEX #0CAAA0

RGB 12 170 160

HSL 176.2, 0.87%, 0.36%

LAB 62.82, -38.07, -5.18

 

CMYK 6 / 93 / 0 / 33

HEX #A00CAA

RGB 160 12 170

HSL 296.2, 0.87%, 0.36%

LAB 38.97, 69.54, -47.18

 

CMYK 0 / 6 / 92 / 33

HEX #AAA00D

RGB 170 160 13

HSL 56.18, 0.86%, 0.36%

LAB 64.74, -10.54, 65.95

 

CMYK 93 / 0 / 81 / 33

HEX #0CAA21

RGB 12 170 33

HSL 127.97, 0.87%, 0.36%

LAB 60.73, -61.72, 55.16

 

CMYK 93 / 86 / 0 / 33

HEX #0C17AA

RGB 12 23 170

HSL 235.82, 0.87%, 0.36%

LAB 22.28, 51.48, -75.2

 

CMYK 0 / 93 / 12 / 33

HEX #AA0C95

RGB 170 12 149

HSL 307.97, 0.87%, 0.36%

LAB 39.54, 68.2, -33.48

 

CMYK 0 / 6 / 92 / 33

HEX #AAA00D

RGB 170 160 13

HSL 56.18, 0.86%, 0.36%

LAB 64.74, -10.54, 65.95

 

CMYK 93 / 0 / 52 / 33

HEX #0CAA51

RGB 12 170 81

HSL 146.2, 0.87%, 0.36%

LAB 61.15, -56.41, 35.51

 

CMYK 93 / 86 / 0 / 33

HEX #0C17AA

RGB 12 23 170

HSL 235.82, 0.87%, 0.36%

LAB 22.28, 51.48, -75.2

 

CMYK 0 / 93 / 40 / 33

HEX #AA0C66

RGB 170 12 102

HSL 325.82, 0.87%, 0.36%

LAB 37.42, 62.63, -7.49

 

Description

Color code: HEX #AAA00D | qconv.com Color code: HEX #AAA00D | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 160 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 160 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 92 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 92% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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